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Chris Duel Show Ends On Ticket 760 in San Antonio

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Texas radio continues to shift. Chris Duel, host of The Chris Duel Show, will no longer be a part of Sports Ticket 760 in San Antonio. iHeartMedia made the move and dropped the local morning show completely. It aired on Sports Ticket 760 KTKR San Antonio and 1300 The Zone KVET Austin

Duel will move over to iHeart’s News/Talk 1200 WOAI San Antonio. There he will join Charlie Parker, Tim Merryman, and Charity McCurdy on San Antonio’s First News from 5-9am. Joining him in the move will be “soundscape stylist” Jeremy Kozak who was also a member of The Chris Duel Show.

Duel also hosts Spurs NetCenter and the post-game show Spurs React on WOAI following San Antonio Spurs games.

The move marks a homecoming to WOAI for Duel. He began his career at the station in 1997. He worked at 550 KTSA and ESPN 1250 KZDC from 2004 to 2012. Then he joined KTKR as afternoon host in 2015. Mike Taylor and he would swap dayparts in early 2020 moving to mornings on both stations.

KTKR and KVET no longer have a local morning show. The stations carry identical lineups featuring Fox Sports Radio programming. The two stations now carry 2 Pros and a Cup of Joe in the morning timeslot.

Brent Musburger Out As Voice of The Las Vegas Raiders

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Brent Musburger will not be calling Las Vegas Raiders games anymore. The broadcast legend confirmed that his time behind the mic for the Silver and Black has come to an end.

Details of why Musburger will no longer be involved are scarce at the moment. But Musburger said his goodbyes via Twitter with no explanation.

The Raiders hired Brent Musburger in 2018 after parting ways with Greg Papa, who has since become the play-by-play voice of the San Francisco 49ers. Musburger called the team’s final season in Oakland and has been the radio voice for the franchise ever since they arrived in Las Vegas.

No official announcement has been made by the Las Vegas Raiders. It is unknown if there is a favorite or even a list of potential candidates to replace Musburger.

Kenny Smith: ‘Inside The NBA Is The Only Show On TV That Listens To Each Other’

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There are many who believe that Inside The NBA on TNT is one of the best sports shows on television. So, what is the secret to that success? 

On the latest episode of the All The Smoke podcast with Matt Barnes and Stephen Jackson, Kenny Smith said it was the ability to listen. 

“I write shit down but if Jack [Stephen Jackson] says something that makes me go another direction, not even on that point, I’m going to stay with that because that’s where the topic is. We are listening instead of ‘I’m going to get this out about Kyrie tonight’…That’s the only thing that separates us. That’s a hard job to listen. You can’t just say okay, today I’m going to start listening.”

Smith said that it took a while for Shaq to figure that out. It was one of two ways Smith said he told the big man he could get better. 

“I went to him first and I was like ‘bro, the stories that you say in the green room are bananas, you’ve got to bring them to the show. The other thing is this is the first time in your life you ain’t the most dominant player. We might be better than you at this, so just be you.’”

Before he got to TNT, Smith didn’t want to be in the media. Now, he has confidence to say he is one of the best basketball minds on TV. He told Barnes and Jackson that he shaped a lot of who he is on television based on what was missing.

“I think what makes me the best in the business is I see the peripheral. When I walked in here, I can see the environment that’s created and I can feel the energy of what part of each team that you pull from just based off a five-minute walkthrough. Those are things I bring to the show. There was a player that had an unbelievable game, a great player. I was like I’m not sure if his teammates like him because I can tell by their reactions on the bench, what’s authentic and what wasn’t.”

Jason Garrett Candidate For Spot In NBC’s Notre Dame Booth

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NBC must be happy with what it has seen from Jason Garrett during its coverage of the first season of the new USFL. The network is reportedly considering using the former Cowboys coach in all of the ways it did Drew Brees last year.

Andrew Marchand of the New York Post reports that Garrett is a candidate to be a studio analyst on Football Night in America and the game analyst for the network’s coverage of Notre Dame football.

The entire USFL broadcast must be well received at 30 Rock, because Marchand notes that Jac Collinsworth, who is Garrett’s partner in the booth, is being considered as the new play-by-play voice of the Irish on NBC.

Drew Brees left the network in May. Marchand reported that he was more interested in broadcasting games than working in a studio. With Cris Collinsworth locked up for the long term, that was not going to happen any time soon. Brees remains a free agent and has even flirted with the idea of returning to the New Orleans Saints in 2022.

Marchand writes that he reached out to NBC, who declined to comment for the story. He also reached out to Jason Garrett, but the former coach did not return his message.

The Powerful Effect Of Trigger Words

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The best question I’ve ever heard asked in a live interview came from Jim Moore. He also happens to be the author of the worst question I’ve ever heard asked in a live interview. In fact, I was sitting right beside him as a co-host at 710 ESPN Seattle when he did it.

Both of those questions were rooted in the same interview technique, but yielded very different results. That’s the thing about using trigger words, though. They’re going to make something happen, you just can’t control what exactly it is.

I was introduced to the concept of trigger words by John Sawatsky, an investigative journalist from Canada. For years he worked for ESPN where he workshopped interview techniques and reporting tactics. Two days of listening to Sawatsky taught me more about interviewing than I had in my entire career up until that point.

Don’t ask double-barreled questions, stacking requests on top of each other. Ask open-ended questions that start with how, why and what. You’re more likely to get an explanation from your subject as opposed to closed questions that can be answered with a yes or a no. His insights and recommendations changed the way I looked at interviews specifically and reporting in general.

One of the most interesting concepts Sawatsky introduced related to trigger words, which he described as a term or phrase so charged it would overpower the rest of the question and demand a reaction from the subject of your interview. A great example of this happened in Buffalo last year, when old boy Jerry Sullivan asked this question after the Bills lost to the Patriots in a game in which New England attempted only three passes. 

“Forty years since a team has won a game passing that few times,” Sullivan said. “Is that embarrassing?”

Bills safety Jordan Poyer: “What kind of question is that?”

Bills safety Micah Hyde: “What are we doing, bro?”

Poyer: “I think we gave up seven points?”

Hyde: “Fourteen to 10, is that the final score?”

Poyer: “We made stops when we had to. They had one big run. I mean, they have good backs. They kept coming back to a couple runs. I don’t know how you want us to answer that question.”

Was it a good question? It certainly created compelling video. It generated hundreds of stories about Bills players “snapping” at a reporter. I now know Sullivan’s name, which I did not prior to this, though my impression of him is not favorable. I think he asked a question designed to antagonize, and I think questions should be judged by the quality of answer that is produced. I don’t think the responses from Poyer and Hyde showed much more than how much they were annoyed by the question. Their reaction to the question tainted the rest of the interview, and when they left the stage, Hyde addressed Sullivan specifically.

That’s the gamble you take when you put a trigger word in your question whether it’s intentional or accidental. Sawatsky even developed a Richter scale to judge the severity of the reaction:

1 — No visible reaction

2-3 — Temporary irritant

4-5 — Subject becomes less engaged

6 — Visibly irritated

7 — Hostile outburst

8 — Interview terminated

9 — Physical attack

I would rate the reaction of the Bills player at a 6. I would put Jim Everett flipping over Jim Rome’s desk at a 9. When you use a trigger word, you’re taking the chance that not only that interview, but any future contact with that subject is going to go south.

Which brings me back to Moore’s questions. To make it very clear, I find Jim absolutely hilarious, a true character and one of the very best writers I know. He absolutely needs to finish his book on athletes and their dogs. I worked with Jim first on the staff at the Seattle Post-Intelligencer and later at 710 ESPN Seattle where we were co-hosts on the afternoon drive show for 5 years.

I thought Jim was the best interviewer at our station. He asked simple, unique questions that often produced compelling answers and occasionally produced very awkward moments. He also used trigger words though I’m not sure he ever realized he was doing it until afterward.

In September 2013, Jim was interviewing Jack Zduriencik, the Mariners general manager, who was discussing his surprise at the fact the team’s manager, Eric Wedge, said earlier that week he felt he was left hanging by the organization.

“Was I surprised? Yes,” Zduriencik answered.

“Can you blame him, though, Jack?” Jim asked.

Silence for a full second. Then came an, “Umm.” Then an, “Again.” After regaining his balance, Zduriencik then provided the most honest criticism he would ever provide over Wedge’s decision not to return as manager after that 2013 season.

“I think that we’ve operated here in good faith,” Zduriencik said. “I think that those above me have operated in good faith with me. That is one of the things that I’ve said to Eric, I think you’ve got to trust people.”

It was absolutely riveting.

Jim’s question six years later to Zduriencik’s successor was equally memorable. The Mariners were in the first year of (another) rebuilding process. Jerry Dipoto was the general manager, and after a particularly rough stretch of fielding, Jim offered the observation that while he understood this was a rebuilding effort, there was a certain amount of competence expected of a Major League team. Jim then said it was possible he had seen a cleaner game from the youth baseball team his 14-year-old twins played four compared to the Mariners.

Silence. For three seconds.

“We’ve obviously had some challenges in the field,” Dipoto said, proceeding to provide a totally innocuous answer. It wasn’t the last time Dipoto joined our show for what had been a weekly interview. It was pretty close to the last time. Later that year after Jim mentioned in a column that he didn’t know if he could trust what Dipoto was doing, Dipoto has not participated in an interview with Jim since. I don’t believe they’ve even spoken.

That’s the risk with trigger words, though. Sometimes they cause a scene. Sometimes, they provoke a great reaction. Sometimes, they burn a bridge. And while that doesn’t mean you should steer clear of them, you also shouldn’t be entirely surprised if the whole thing blows up.

CNN Rethinking How, What Is Reported as Breaking News

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CNN is reportedly rethinking how and what is reported as breaking news. According to the New York Post, the network’s new president is not happy with the excessive use of the breaking banner that appears across the screen whenever a big story is reported.

Axios obtained a memo sent out by Chris Licht who said the network is still figuring out how it wants to use the breaking news scroll.

“You’ve already seen far less of the ‘Breaking News’ banner across our programming,” Licht wrote, adding that the network is still tweaking the guidelines but will use the term only when “something BIG is happening.”

Licht joined CBS in 2011 and was named vice president of programming at CBS News. Licht was the executive producer of CBS This Morning starting when the show launched in 2012, and later joined The Late Show with Stephen Colbert in 2016

Licht was hired as CNN’s President following the resignation of Jeff Zucker who admitted to having an inappropriate relationship with former marketing manager Allison Gollust.

David Zaslav, the CEO of CNN parent Warner Bros. Discovery, said recently during a town hall meeting that CNN needs to be about “truth and facts.”

CNN bureau chief Sam Feist has led a team in creating a new stylebook that provides guidelines for when to flash “Breaking News,” the memo said.

Radio Was and Is About One Thing: Selling Time

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The first radio broadcast of sports was on KDKA in 1921. A Jack Dempsey boxing match, Pirates baseball game, Davis Cup tennis, and a Nebraska college football game were each broadcast for a limited audience beginning in the summer of 1921. It was radio history. But, the most critical developments in radio happened 100 years ago this summer. 

Business people figured out how to make radio pay off, and WFAN was in the middle of it. 

One hundred years ago, radio broadcasting wasn’t a profitable venture – like streaming today. Most radio companies get 10-15% max per spot for streaming commercials, and it can cost more than that to provide the technology. But radio, like streaming today, was and is a great promotional tool.

Department stores led the way for creative promotion in the 1920s. Retailers like Wanamaker’s in Philadelphia started their own radio stations broadcasting right from the store. Several others around the country did as well. Of course, the department stores also sold radios so customers could listen to the broadcast and smartly merchandised other departments on the air. They featured radio programs around specific types of merchandise, advertised their parent company, and drew consumers into the store.

The original remote! 

But, it was AT&T who knew how to package and sell the most valuable commodity of all: time. Bell Telephone and parent AT&T owned a radio station in New York, WEAF. Unlike the department store model, WEAF wasn’t broadcasting to promote itself. It was designed to trade time for cash. The same model they used to sell telephone service. You may recall that we used to be charged by the minute for long-distance phone service. WEAF would sell time to anybody who wanted to talk about themselves. The station’s first customer was the Hawthorne Court Apartments in Jackson Heights, New York. The company bought 10 minutes for $50. That’s about $860 in today’s dollars. Not bad! Now, that’s yield management.

The apartment developer bought more time, then an oil company followed, and American Express came. By the Fall of 1922, WEAF had sold more than $550 of time sales, or $9500 in today’s numbers. They called it ‘toll broadcasting.’ Four years later, AT&T sold WEAF to NBC and left radio for good. But the legacy of time sales was established and is still followed to this day. WEAF would become the flagship station of the NBC network. It became WNBC in 1946 and disappeared in 1988. You know who took their place. WFAN moved from 1050AM to 660AM. As for Hawthorne Court, it is still thriving, selling condos in New York. I wonder if they advertise on WFAN? 

Bringing Valuable Discussions While Navigating Through Tragedy

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When the Uvalde tragedy unfolded last week, we all felt the immediate human reaction of sadness, sorrow, pain, and empathy. But at the same time, for those of us in the media business, there was content to create.

For talk radio, there was no shortage of going down the old rabbit holes debating gun laws, gun control, red flag laws, and the usual, generic topics that come with a tragedy of this magnitude that has, unfortunately, happened far too often.

However, that would have been a programming mistake. Sure, it would have been easy to open the phone lines and let callers defend the Second Amendment, why Joe Biden has no business taking guns, and so on. A host could navigate an easy four-hour program doing just that.

But what value would that really have provided? What new information, angles, topics, especially of a local variety, are brought to the table doing that?

The answer is none. It rinses and repeats. And for every decent caller you might get on that topic, the audience suffers through at least half a dozen who bring nothing of value to the table.

So, while having to deal with last week’s tragedy, what could local talk shows have done to bring value to the audience?

How about starting by investigating what the local and state gun laws are in your own state and region? There are oftentimes misunderstandings on gun laws in general as talking-heads and social media take over with the same old ridiculous talking points about “assault weapons,” age limits, and more. But how about educating the audience about laws that are currently on the books where they live? Do people even know? Who are the experts in government and/or law enforcement who can answer that question on your show?

Then, there’s the school safety angle. It’s an angle that every single parent was thinking about over the last week. Is my child safe? What is my school doing? How would they handle this? What are safety measures in place?

While a host can’t talk to every principal or superintendent in a major metropolitan area, it would be great to hear from some of them who can bring some insight into what plans they have in place if, God forbid, this were to happen in their building. What do they do to try and prevent such a situation? What have they learned from Uvalde to possibly improve their own system?

Last but certainly not least is the law enforcement response, which has obviously come under much scrutiny over the last week. How is your local law enforcement prepared to handle a school shooting situation? How do they train? Are they expected to enter a classroom with an active shooter or wait for backup? All of these questions can be asked of some of the most important leaders of law enforcement around your region.

These are the angles that would have been at the top of every news talk listener’s mind over the last week. And while the age-old gun debate may have its moments, with a segment here and there and be mildly entertaining, it’s not moving the conversation forward, it’s not teaching the audience anything, and it’s not answering the questions that they likely have that could impact their children or grandchildren.

In moments like these, it’s sometimes best to turn off social media (I know, it’s tough, but just briefly), stay away from the cable news punditry, and think like a listener in your community. What is their concern? What do they want to know right now? And then approach your content from there. You’ll be glad you did.

Jim Rome Returns Home To San Diego on The Mightier 1090

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Jim Rome is returning to where it all began in Southern California. His show will now air on The Mightier 1090. The homecoming is effective immediately.

Before it was The Jim Rome Show, the longest running nationally-syndicated long-form sports talk program in America, it was a weeknight program that was taking roots to becoming beloved in the early 1990s at San Diego’s all-sports station, XTRA Sports 690, the predecessor to The Mightier 1090.

The show will air from 12-3 p.m. PT daily.

Rome is understandably excited. “You know the saying, “You can never go home again.” Lie. I’m calling B.S. on that. You can. And I am! And I am hyped beyond belief for the opportunity. The Mightier 1090 ESPN Radio is getting after it on the daily in San Diego and when Bill Hagen and Scott Kaplan asked me if I wanted to be part of this, I asked, “When the hell do we start?!” 

The SoCal city holds a fond piece of Rome’s heart. “San Diego is where the Jungle really took hold. It’s where I met my wife. And where I experienced some of the greatest moments of my entire life. There is no better town, no better market and you absolutely CAN go home. And that’s what I plan on doing. And I can’t wait. Let’s do this!”

“If there’s any market where The Jim Rome Show belongs in this country, it’s right here where it all started in San Diego and Southern California,” said Bill Hagen of The Mightier 1090 ESPN Radio. “When it comes to Jim Rome, you’re talking about one of the most iconic hosts in sports talk radio history and for “Clones” throughout Southern California there’s no better fit for The Jim Rome Show than right here at The Mightier 1090 ESPN Radio.”

The show was nicknamed “The Jungle” by Rome and his loyal listeners during it’s beginning stages in the evenings. The Jungle later moved to middays in San Diego and became known as The Jim Rome Show. It was first syndicated in 1996 from XTRA Sports 690.

The Jim Rome Show had been off the air in San Diego since February 2022.

Mike Sirois Leaves The Ticket in Dallas

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Mike Sirois, a member of The Ticket for fifteen years, made a startling announcement on The Norm and D Invasion, . While alongside friends Norm Hitzges and Donovan Lewis, Sirois told the listeners that he was leaving and soon.

“Here’s the Band-Aid, we’re ripping it: I’m leaving The Ticket and tomorrow’s my last day,” Sirois blurted. “No Cirque (weekend show). No fill-ins. I’m gone.”

The news came to a shock to many despite the personality quote-tweeting a station tweet promising an announcement this morning by adding “Major Station Announcement”.

“I’m heading on down the road,” Sirois continued. “There’s a myriad of reasons but essentially – this is easy. It’s almost too easy, this job and working with you guys.”

Sirois got candid with the listeners and himself as he continued to explain his reasoning. “I frankly feel like I could have been giving you guys a lot more for a long time. That’s on me because I’ve been a little complacent. I’ve been that way my whole life. I’ve sort of taken the easy road. I’m at an age now where I want to challenge myself and do some new things.”

It didn’t take long for Sirois to reveal what those new things would be. “My plan is to go work with my brother. He has two companies now and he’s swamped with work and I’m the one person on Earth he does trust and know that will have his best interest at heart.”

“It sucks. I am sort of proud of myself for doing something that’s really hard and leaving something that is so great and has been so great to me.”

Sirois added, “I’ve been here a long time, man. I’ve been here 15 years. It’s a big chunk of the 27, 28 years The Ticket has been on the air. It’s been the best 15 years of my life, by far.”

This is the second member of The Ticket to exit the station in the span of just a couple of weeks. Danny Balis, a producer at the station for twenty-two years, announced in May that he was leaving.