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Sean Salisbury Signs Extension With SportsTalk 790

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Sean Salisbury is staying in Houston. The former NFL QB and SportsTalk 790 morning show host has a new contract with the station.

“What a blessing to do what you love for a city that has given me incredible love and support,” he said on Twitter. “Thank you! Blessed with a great company and teammates!”

Salisbury first came to Houston in 2013. At that time, he was part of Yahoo Sports Radio. He stayed with the network as it became SB Nation Radio. His afternoon show was even simulcast on beIN Sports briefly.

In 2018, he moved his show from the national platform to iHeartMedia’s SportsTalk 790, where he has been ever since. He started in afternoon drive and moved to mornings in March of the following year.

“I’m thrilled to continue moving forward with SportsTalk 790, on the Sean Salisbury Show. I get to continue working with iHeart, a great boss, and company that has given me an ocean of support and security,” Salisbury told BSM via text message on Wednesday evening. “I’m grateful for a building filled with incredible teammates. This job matters to me more than most can fathom. Happy is an understatement. The fans in Houston have treated me like family,  I love them.  I don’t ever take this career for granted”

Draymond Green Wants Coaching from Colin Cowherd

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The media star is already bright for Golden State Warriors forward Draymond Green, and it’s only getting brighter. Along with being a frequently sought-after sound byte, he inked a multi-year deal in January to be a contributor to Turner’s Inside the NBA. Also while an active player he has a successful podcast, the Draymond Green Show, that is unabashedly raw and unfiltered. Just like the show’s namesake.

Green is getting ready to play for the NBA Championship but podcasting is still a commitment he’s true to since signing a deal back in November. Each week, including during the playoffs, Green has brought you inside his bubble. He’s also been diligently learning.

He’s under the umbrella of The Volume, Colin Cowherd’s podcasting venture that currently produces fourteen podcasts. Green’s is one of the most interesting on the roster. On the latest Colin Cowherd Podcast, we got insight into Green’s work ethic.

“Draymond, more than professional athlete I have ever worked with at a podcast company or a television network or a radio network, has demanded at The Volume that we hard-coach him,” Cowherd boasted. “He doesn’t want to hear us say he’s great. He’s not interested.”

Cowherd continued to praise Green. “He is a podcaster like he is a player. He gets up every morning ‘coach me hard, I want to be better.’ I got to tell you, as a broadcaster, it’s unbelievable. I’ve been doing this twenty-five years, man. You are one of one.”

That’s high praise coming from Cowherd. Green was noticeable appreciative of the praise but he told Cowherd that he loves being coached. “The coaching, I appreciate it. I’ve learned so much this year in doing this.” He’s just 39 episodes into the show.

“I watch film on myself with these things,” added Green. “I take notes with the coaching and I try to incorporate that into my next segment. For you guys being experts in this space and having all the experience that you have, I appreciate you all for teaching me and showing me how this podcast thing should be done.”

Draymond Green revealed that he had a very different idea of what podcasting was when he started. “In my mind Colin, I thought it was just ‘you go pick up a microphone and you go talk and it just flows’ and it’s so different.”

Matt Jones: John Calipari Goes on Paul Finebaum Because Kentucky Sports Radio Is ‘Too Critical’

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The SEC’s annual Spring Meetings are happening this week in Destin, Florida. When the SEC makes a sound or move, it makes waves. It’s a big reason Paul Finebaum hosts his show alongside the meetings’ hotel every year. It was something on Finebaum’s show that fired up Matt Jones of Kentucky Sports Radio.

This week, amongst the noise, Finebaum welcomed to the show’s set Kentucky head basketball coach John Calipari. It turned out to be the largest forum that Calipari had used to discuss his team since the Wildcats’ first round exit of the NCAA Tournament.

Matt Jones began his show with a series of quotes from Calipari’s appearance on Finebaum. He, along with the show’s co-hosts, agreed with all of the Calipari’s sentiments in the quotes read on air. Then, a caller named ‘Dan-O’ prompted Jones to discuss the coach’s lack of willingness to come on the show.

“Why go to Paul Finebaum? I don’t listen to Paul Finebaum,” the caller said. “I want Coach to talk to me (referring to Jones’ show)”.

“They don’t want to (come on),” Jones said. “They are frustrated with us and they believe that we – probably, specifically me – but I do think it is we, are too critical. That’s why they haven’t come on.

Jones would continue, “I hate that. I think we’ve had twelve years of showing how loyal I’ve been to him – but I’m also like, we are the voice of the fans. When the fans are frustrated, we’re going to be frustrated.”

The Kentucky host continued to dig. “Lets be real, if it wasn’t for Maggie (Davis, a Lexington TV reporter that was live-tweeting a thread of Calipari’s answers) having listened to that would anybody have even known what he said?

It was then that Matt Jones addressed what he felt was the biggest issue of Calipari ducking Kentucky Sports Radio: “I did not see that he was going to be on there. There is a sense of ‘who are you talking to?'”

Co-host Ryan Lemond was adding to his and Jones’ agreement with Calipari’s quotes from Finebaum and asked if that same message was better served on a statewide audience.

“But, wouldn’t it have been better to hear it here?”

Craig Carton: ‘Play-By-Play Guys Have Lost Touch With Fans’

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As far as Craig Carton is concerned, there aren’t a lot of people calling baseball games that truly understand what the sport means to most of the people in the stands. On Wednesday’s edition of Carton & Roberts on WFAN, he and Evan Roberts were talking about the fact that he had never met either Gary Cohn or Suzyn Waldman.

Evan Roberts jokes that maybe Carton needed to get out more and find a way to be in the same room with the respective Mets and Yankees broadcasters.

“Trust me, I used to be out enough,” Carton laughed, a reference to his gambling addiction and legal troubles. “I was out enough for many lifetimes. That’s why I go straight home now from work.”

He then added that it would be hard to figure out how to meet either broadcaster because they aren’t easily accessible at games.

According to Craig Carton, that isn’t a problem that is exclusive to Cohn and Waldman. He wondered if it is possible for the people calling the games on TV and radio to love the sport the way their audience does.

“I always say, like when you become a play-by-play broadcaster, now, I can’t speak to when you were a kid obviously. You probably bought a ticket to a game or your old man did or something like that. You’ve lost touch with the average fan, because you get paid to go to games. You have no idea what it’s like to want to buy a ticket to Yoda bobblehead (night) because they just give you a Yoda bobblehead.”

In 2021, according to Statista, the average price of a ticket to a Major League Baseball game was over $34. The site also reports that ticket prices in New York are significantly higher, with Yankee fans paying $145 per ticket on average and Mets fans paying $64 per ticket on average.

Carton is likely on to something when it comes to the disconnect. While play-by-play announcers and analysts are likely aware that it isn’t cheap for one person, let alone a family of four to attend a game in person, they may not understand just how expensive it actually is.

NESN Becomes First RSN to Offer Standalone Streaming Service

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The cable television vs. streaming service battle has a new entrant and it’s an intriguing one. On Wednesday, NESN (New England Sports Network) launched a standalone streaming subscription option that does not need a cable television subscription.

The option will allow people to sign up and watch live games featuring the Boston Red Sox and Boston Bruins. The service, called NESN 360, is only available to residents of the New England area.

The service is the first of it’s kind from a regional sports network. “We believe the direct subscription option will build on NESN’s reach in the region,” said Sean McGrail, NESN’s president and chief executive officer, in a statement.

NESN 360 will offer an introductory price of $1 for the first month of service followed by a $29.99 per month charge. That’s a far cry from other streaming services that have become popular like Netflix, Disney+ and HBO Max. NESN 360 hopes the lure of live sports will be enough to bring consumers to the table. Regional sports networks have to charge a significantly higher price for an out-of-cable service because of their agreements with cable TV providers. Cable providers have agreed to pay NESN a flat monthly fee based on estimates about viewership.

A major hiccup might come when the Red Sox head on the road. MLB owns out-of-market streaming rights for its MLB TV platform. The Red Sox are at home on Wednesday and travel to Oakland on Friday.

This will also give NESN consumers another option to receive their area’s MLB and NHL home games. NESN is amongst many regional sports networks that have had their battles with cable and satellite providers about carriage and rights fees.

Status Of ABC Broadcast Crew Uncertain For Game 1 of NBA Finals

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No one can say for sure yet what the ABC broadcast table will look like for Game 1 of the NBA Finals. Richard Deitsch of The Athletic writes that there is concern Mike Breen, who missed Game 7 of the Eastern Conference Finals after testing positive for Covid-19, will not be ready to return to work.

“Breen was showing no symptoms early in the week,” Deitsch wrote. “Tests are going on as of this writing and there is a very good possibility that Game 1 won’t have all of the regular on-air crew.”

Paulsen of Sports Media Watch added some speculation to the report. He noted that analyst Jeff Van Gundy “sounded under the weather during the actual game broadcast” of Game 7.

The NBA Finals are set to tip-off on Thursday night. ESPN turned to Mark Jones to call the action in Game 7 of the Eastern Conference Finals. It is probably safe to assume that he would be the favorite if Breen is unavailable.

A solution would be a little less obvious if it were Jeff Van Gundy that was out. ABC could go with a two-person broadcast or perhaps elevate Doris Burke from the ESPN Radio crew to call the game on TV.

Mark Chernoff Bemoans Lack Of Development For Local Talent

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Former WFAN brand manager Mark Chernoff has been in the radio business for 30 years and has seen many changes in the way shows are done. As things are changing, there is one thing Chernoff wishes there was more of in today’s radio.

Chernoff was a guest on the latest episode of the Takin’ A Walk podcast with Buzz Knight. He bemoaned the lack of opportunities for new talent to develop at the local level across all formats. 

“It is so important to develop local talent,” Chernoff told Knight. “At WFAN, we were always able to stay live and local, 24/7. So many stations, even music stations, are missing that. Many stations have morning shows and nothing else. They are syndicated. Alright, fine, they play 12 songs in a row or 2 hours in a row and it’s commercial-free, but we are not developing talent the way we need to develop talent.” 

He noted that there is more opportunity than ever to find fresh voices. Podcasts, YouTube, and other outlets give people the ability to get reps without waiting for permission. Radio is missing an opportunity by not taking advantage of those talents.

While Chernoff was at WFAN, his former assistant program director Eric Spitz, came up with a theory called POKE, which ended up being a good talent evaluator for radio hosts. 

“Passion, opinion, knowledge, entertainment. That kind of capsulized how we felt about the talent. We always made sure if the talent had those four qualities, they were going to be superstars whether it was Don Imus, Mike [Francesa] and Chris [Russo], Joe Benigno, Boomer Esiason, Craig Carton, Evan Roberts. If they could have all four of those qualities, you knew they were going to be successful.Every show was different, but every show knew how to hit the hot topics.” 

Mark Chernoff has always revered great talent. He told Knight that he tried not to overmanage them unless it was needed. He hopes that’s something his staff would remember about his management style.

“I’m sure there are some people who say I over-managed them. Sometimes with newer staff, you sometimes did need to teach people the format and how to be on-the-air and stuff like that.”

More Than 12 Million Watch Eastern Conference Finals Game 7

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The Miami Heat went out with a bang in the Eastern Conference Finals. ESPN has released viewership numbers for the Heat’s Game 7 loss to the Boston Celtics, and it is nothing but good news.

Game 7 will go down as the most-watched conference finals game in four years. According to ESPN’s Ben Cafardo, the game averaged nearly 10 million viewers. It peaked around 11 pm with over 12 million people tuned in.

The NBA has enjoyed a rating surge all season. Each round of the playoffs is seeing its largest audience in years.

ESPN reports that the Eastern Conference Finals averaged nearly 7 million viewers in each of the seven games. That is a 40% audience increase over 2021.

It may not be fair to say that the NBA is “all the way back” from the pandemic, but fewer leagues saw their numbers take the kind of hit that it did. This has to be welcomed news.

The NBA Finals are set to tip-off on Thursday between the Celtics and the Golden State Warriors. Given the trajectory of viewership for these playoffs and the markets involved, it is fair to think that ABC and ESPN have very high expectations for the ratings.

Meet The Market Managers: Michael Spacciapolli, Audacy Pittsburgh

If you’ve had the good fortune of spending time with Michael Spacciapolli, you’ve learned quickly that he loves what he does professionally. He’s driven to succeed, passionate about his brands and staff, and uninterested in being complacent. If there’s a way to improve even one small area of his product, Spacc as he’s affectionately known by his crew wants to hear about it. If difficult discussions have to be had to ensure progress, he’s ready and willing to have them.

Since earning the promotion to GM in July 2018, Audacy Pittsburgh’s leader has continued looking for ways to innovate. His two talk brands, 93.7 The Fan and Newsradio KDKA, have been consistent revenue and ratings performers, allowing all involved with both brands to place a greater emphasis on digital evolution. It’s all part of taking great radio brands and making them even more accessible and important anywhere consumers enjoy content.

In this discussion presented by our friends at Point to Point Marketing, Spacc and I review his personal progression as a GM, the growth of KDKA and 93.7 The Fan, what he sought when adding two new programmers to guide his sports and news/talk brands, the challenge and opportunities associated with recruiting, and which sales categories he sees future growth opportunities in. I’m sure you’ll enjoy learning more about Spacc, and I invite you to reach out to him by email to learn more about Audacy Pittsburgh.

Jason Barrett: Your 4 year anniversary is just around the corner, July 2018. We’ll dive into the specific items involving both spoken word brands in a minute but before I get into that, I’d like to ask you about your management style and core beliefs. If I asked an employee inside your building to describe how you lead, what would they tell me?

Michael Spacciapolli: I’m sure most would tell you that I am incredibly hands on. I have great leaders who work for me and I empower them to do their jobs, but I stay involved in everything we do. I think the key to running a successful operation is to have good people and good communication. Then it’s about giving your team the tools they need to do their jobs. I know that taking care of and collecting great talent is an ongoing part of maintaining a brand’s success, and we never stop working on those things.

JB: Let’s reflect on the past 4-years for a minute. The pandemic aside, you’ve enjoyed a lot of success. When you look back at the past few years, what are you most proud of, and what have been the toughest challenges and hardest lessons you had to learn?

MS: The brand extensions have been our biggest strengths. From the studio design, to the increase in video, to the growth of our app and streams, I’m pleased with the way we’re becoming more multiplatform focused. A lot of these things come down to attention to detail. It can’t just be what you hear out of the speakers anymore. We have to make our brands bigger and more accessible in multiple locations.

If there’s been one challenge, the FM signal addition for KDKA was great but we’re still trying to make sure the brand remains a viable resource to people. That’s harder to do with so many options available these days. We’re still in a strong position, but like anything, we’re always aiming to be better. On the other hand, 93.7 The Fan’s main challenge is taking a very good station to a dominant level on a consistent basis. We’ve built a product that people know and trust. The challenge is just making it one of the very best consistently.

JB: The two stations under your watch which our readers will have the most interest in are 93.7 The Fan, and News Radio KDKA. Both of these brands are extremely successful in your city, and are recognized as leaders in their respective formats. Starting with KDKA, aside from longevity, what makes the brand so important to the community that it’s remained a part of people’s lives for over a century?

MS: 100 years plus is incredible. Everyone understands the importance of this station in radio but in Pittsburgh, this brand is right there with the identity of our local sports teams. People over 18 know the Steelers, Pirates, and Penguins. They’re just as aware of KDKA, and what it means, and the impact it’s had on many people’s lives. It’s where people go when something happens in Pittsburgh. They turn to us for information and know they can count on us to inform them.

Our position in the market remains strong because we have a great team and lengthy track record of serving the Pittsburgh community. We’re committed to doing that. The challenge for us is just making sure that future generations care about us the way others have before them.

JB: 93.7 The Fan on the other hand has been around for just over 12 years. During that time it’s cemented its position as the go to source for sports talk in Pittsburgh. What do you attribute the brand’s success to?

MS: Jay it’s all about the consistent daily delivery of local sports. That’s what’s made The Fan important to people. Whether it’s on-air, on mobile, on digital, they’re always going to be served Pittsburgh sports talk. The Fan controls the dialogue here. We’re fortunate to be in a city where people care deeply about these teams, and we have great talent on the air talking about issues that matter to local sports fans. Because of that local sports passion and the talent we’ve put in place, people know they can come here and be part of a conversation.

JB: The Fan has the play by play rights to the Pittsburgh Pirates, but the Pittsburgh Penguins and Pittsburgh Steelers are heard elsewhere in the market. Many would say those two teams are important to the local sports conversation, yet you’ve been able to establish a strong identity without them on your airwaves. Taking that into account, does that influence the way you view the importance of play by play?

MS: I still think play by play is important despite our success. We’ve seen success with the Pirates on our own airwaves despite the team not being great the past few years. Being in the sports business, we can own things outside of the play by play hours, and that’s what we focus on. We can own coverage and engagement around the Steelers, Pens and Pirates. We can provide consistent programming without interruptions due to not having games cut into our schedule. But having great play by play still matters. If you don’t have it though you can still find other ways to connect to the local teams and remain vital to an audience.

JB: Over the past twelve years, 93.7 The Fan has been led by a number of accomplished programmers. Terry Foxx launched the station, Ryan Maguire followed him, Jim Graci came next, and now the station is being led by Kraig Riley. Unlike his predecessors, Kraig didn’t have a number of stops around the country before he earned the opportunity to guide the brand, but he has spent more time inside the building than anyone else who had managed it. When you were going through the process and trying to determine who was the right person to lead The Fan forward, what was it about Kraig that gave you confidence that he was ready for the next step?

MS: I never forget that someone took a chance on me once. I’m a big believer that it’s about talent not experience. Kraig was fortunate that I was the GM because I was willing to give him a shot, and he’s making the most of it. I needed energy, talent, and someone who lived and breathed the brand every day. That’s Kraig. Attention to detail and passion are important to the PD role, and Kraig loves this station, and he works his tail off.

The challenge for anyone moving from behind the scenes to becoming the PD is getting your teammates to trust and respect your decision making. That transition takes time. Kraig knew he’d have to earn the staff’s respect to be seen as the PD not a producer, and he’s doing that. If you do the right things, are fair, and treat people good, you’ll be fine. So far, he’s done a tremendous job and I’m confident even better days are ahead.

JB: When The Fan changed direction, so too did KDKA. That was necessary because Jim Graci previously managed both sports and news. You turned to Dave Labrozzi, who’s resume speaks for itself, to lead KDKA forward. What was it about Dave’s style that you felt would put KDKA in position to have even greater success?

MS: As you mentioned Jay, Dave’s accomplishments are well known. He’s managed a number of great brands and has had a lot of success. I was lucky that this was a homecoming for him. He’d worked in Pittsburgh before, loved the area, and the timing was good.

What I can add about Dave is that he’s a great tactician. He digs into the different things that we need to do a better job of including talent coaching and the Nielsen game. Focusing on social is another area he learned a lot about at WABC. That’s something we have to be better at with KDKA. He’s interested in video, digital content creation, and he does his homework. His knowledge and ability is helping us raise the bar for where KDKA can go.

JB: Considering how strong each of these brands are, I’m sure you have expectations for where they should be when it comes to ratings and revenue. With that in mind, what defines a great year for 93.7 The Fan and KDKA?

MS: A great year in my opinion is hitting plan and growing at a substantial rate. How are we diversifying our stations? How are we doing in spot business? If we’re growing in different areas that’s important to me. Are we seeing progress in video sponsorships? Is there growth in the way people are digitally consuming us? These are two strong brands that are going to be here for a long time so we know we should perform well because they matter to people. But that’s why it’s so important to grow beyond the usual metrics. We have to stay focused on those things because the way people consume and where they invest is going to continue changing and we have to be ready for it.

JB: One challenge that every GM has to conquer in order to grow ratings and revenue is retaining and recruiting strong talent. That applies to management, on-air, sales and every other department. Given how many options exist today, and the way good talent are sought after by groups outside of radio, how do you make sure the job, the brands, and the company remain important and attractive to those already working for you or considering joining you?

MS: There’s nothing I enjoy more than recruiting. It allows me to bring in great people. It’s an everyday part of our job. If someone doesn’t believe that I think they’re missing a key part of the job. Having a great culture backs you up when you’re trying to add great people to your organization.

Now when you get great talent in the building at all levels, how you utilize them becomes the second part of recruiting, which is retention. We see a lot coming at our people, and that speaks to their level of talent. If we do the right things and put them in good situations, it gives them a reason to stay. Those applying to work for you may know your reputation but it goes even further if the message they hear is coming from those who’ve been a part of it.

When I was working in DC for WTOP, people would ask about non-competes and I’d say ‘if you want to leave here, we’re not going to stand in your way‘. I felt and many others did that there was no better place to work in that market, which is why most didn’t leave. I’ve always felt that if you build the right culture and give people a chance to make a great living, they’re going to want to stay for a long time. That’s how you continue growing.

JB: Another situation that you have to balance is making sure you’re doing what’s best for local while also helping corporate advance their key initiatives. That can be frustrating for sellers who want more inventory, digital folks who have to promote certain things on the brand’s socials or hosts who hear a podcast being promoted during their show and want to know why. How do you navigate those waters?

MS: We discuss that a lot. It can be frustrating when local folks don’t understand the bigger picture. That comes down to our department heads needing to communicate why we’re doing certain things. If we share information, hopefully we can get them to at least understand. They’re not always going to agree. If the company wins, it helps us, even if sometimes it may not look that way to those inside the building.

The reality is that we work for a great company, and our company is always looking to grow. They invest in a lot of areas and it requires us on the local level to help them promote things. I think we can remain successful doing what we do while still helping the company improve its business.

JB: Pennsylvania is a state where sports betting is legal. This is a space that Audacy is doing a lot of work in between local brands and the BetQL network. For sports radio, the sports betting category has been a key revenue driver the past few years, whereas others such as auto haven’t been as dependable as they’ve been in the past. So much can change in the years to come, but when you look into your crystal ball today to try and figure out which categories will provide the biggest upside for radio revenue in the near future, which ones are you most excited about and why?

MS: The event business is something we see being very important. We’ve been active in that space and have done well in it. I expect that to continue. I have great relationships in the auto industry from growing up in it, and fortunately we’ve done ok in that category even if some others have been down a bit. I think that once we have that inventory right, we’ll see a bounce back in the auto category.

Another category I think will be interesting is recruiting. Going forward, companies are going to have to tell their story more to attract people. As new industries arrive and people’s wants, needs and lifestyles change, that becomes an opportunity for us. I know there has also been some discussion of emerging businesses such as Crypto, and though some may feel differently, I don’t see that being a major play for us in the near future.

JB: Prior to becoming a leader in Pittsburgh, I know you spent time in Washington DC working for WTOP. That’s a brand that many view as the most successful station in the industry. What did you learn about leadership there that you carry with you today?

MS: First Jay, I would argue with anyone who says it isn’t the best brand in the industry. Its results year after year support that opinion. When I was there, I worked for great people. Joel Oxley is an incredible GM and forward thinker. Matt Mills, the DOS is one of the best systems guys I’ve ever been around. They’re smart people.

What I took away first was how important it is to have an incredible product. WTOP has that and it opens a lot of doors to discuss business. The culture and leadership there also matter. Everyone had a role on the team and they knew how to play it. From Joel to Matt to the former PD Jim Farley and everyone else, they all contributed to the culture and mission, which was to win. They also made it a point to look ahead often. That’s something we can do better.

Leaving there was hard. I married a Pittsburgh girl and lucked out joining a great company which has allowed me to grow but being part of WTOP was an important part of my career. A guy like Matt has had multiple opportunities to leave and become a GM and he’s never done it. It’s because he’s in a great situation. It goes back to what I said earlier, if you work somewhere great, and the culture is good, and you’re given the tools to do your job and make a good living, why leave?

JB: If you can offer a piece of advice about managing to anyone currently in management or considering a path in media management, what would it be?

MS: I say two things. There’s not a playbook you can use to guarantee success. You’re going to have to work really hard, build relationships, and understand that it’s an all the time job now. Those who can dedicate themselves to it are the ones who I think will see the best results. Balance is important, and I’m all for that but you have to be completely engaged and constantly thinking about this when you’re at this level.

As far as day to day stuff goes, I think a lot of this is about the people you work with and putting them in good situations. If you care about them, value them, and are fair and honest, you’ll have their trust and respect. You need those things if you expect to create a winning culture.

The last thing I’ll say, which I learned as a DOS, was to be honest and transparent with upper management. If you screwed up, tell them that you did and share what you’re doing to fix it. There’s very few people in the 100% club. Sometimes you’re going to be off. They see the numbers. They know. Don’t try and make it seem as if it’s always good. Give them the facts, be accountable, and have a plan for improving.

94 WIP Plans to Replace Ray Didinger with Multiple Co-Hosts

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On Sunday afternoon, Ray Didinger signed off 94 WIP for the final time. It was the end of a 21-year run with the station and with co-host Glen Macnow. That leaves a tremendous void in the station’s weekend lineup. A replacement plan may be in place soon.

According to Crossing Broad, the station plans to use a separate co-host for each weekend shift to partner with Macnow. WIP appears to be nearing naming Jody McDonald, a frequent partner with Macnow, as his co-host for the Sunday shift. As for Saturdays, the name mentioned is Mike Sielski from The Philadelphia Inquirer.

These two announcements haven’t been made official, but sources told Crossing Broad that “this thing is approaching the finish line”. It’s also being written that an announcement might be coming as soon as this week.

If this does become the pairings, it will feature combinations that the Philadelphia audience is familiar with and is likely comfortable with hearing. Macnow has said on the record that he has been appreciative of Rod Lakin, WIP’s brand manager, and WIP management’s openness to involving him in the replacement search process.