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Going Through Changes

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In life, people are creatures of habit. We prefer routine and being comfortable. Everything from when we wake up, shower and grab a cup of coffee, to making our commute into work and listening to a radio show to provide us a mental distraction from the chaos that lies ahead.

IMG_4815While the individual is always in control of their sleep, shower and coffee schedule, the same can’t be promised when it comes to listening to a radio show or working in the radio industry. That’s because the media business is faced with change on a regular basis. It’s not much different than professional sports. Remember, Brett Favre, Peyton Manning, Joe Montana and Jerry Rice all wore different jerseys at some point in their careers.

I raise that example because it’s one of the unavoidable situations that comes up when you work in this business. Anybody who works in programming knows that we’re in the business of generating ratings with the audience. Expectations are set, strategies are created, talent are secured and it’s all done to hopefully generate excitement with an audience and regular tune-ins each day. If all goes according to plan, the ratings will grow and advertising dollars will follow.

change-nothingBut what happens when the ratings don’t grow? Or when they rise for 2-3 shows on your radio station but not for one of your other shows? That’s where the most feared word in media comes into play – “change“!

It’s easy to say “give a show time” and that’s always been my mentality when crafting shows. I believe that most programs need 18-24 months to become consistent with an audience. In some cases I can tell much quicker that the show isn’t going to work but when I hire a show I go in with the mindset that it’ll take some time to win over the crowd.

However, just because you give something time, doesn’t mean it will reach the level that you need your brand to ascend to. If the show isn’t able to perform to the level that you’ve determined is going to be needed to justify continuing it, then at some point whether it’s easy or difficult, you’re going to have to deal with making changes.

changekeyI’ve told some of my producers over the years that if I lose them at some point in their careers, I want to lose them to bigger career opportunities. It feels great to know you’ve worked with someone and helped them grow and as a result, another company wants to invest more in them and give them bigger responsibility. The worst part is having to cut ties with someone because they haven’t performed or delivered the necessary results.

You’d be amazed at some of the situations that come up and require parting ways from people. From people stealing lunches out of the refrigerator to people showing up late and sleeping on the job to people lying and undercutting their peers to countless other stupid things that cause a person to lose respect and opportunity from an employer. While sports radio may be fun and a labor of love for many who work in it, people still are human and poor decision making happens to all of us at some point.

When it comes to on-air talent, the leash is usually longer. A lot of executives will put up with a lot of headaches if a talent is delivering ratings and revenue. Even things that are unacceptable in many other professions often get swept under the rug for someone who can be a difference maker in this industry.

Speaking for myself, before I cut bait with a host or show, chances are given and conversations are had. I’ll go through numerous things from changing the content direction of a show to changing the clock to conducting listener focus groups to asking for feedback from the host(s) about why they believe they’re not delivering ratings and what we can do better to be more successful. Once those avenues are explored, then it’s my job to promote the program and support the people doing it and it’s their job to execute and help us generate stronger audience numbers.

changeisgonnaWhile all involved may have the best of intentions, sometimes even after those discussions and adjustments, shows still don’t connect. When they don’t, nobody beats themselves up over it harder than I do. I’m sure many fellow programmers can relate. The last thing you want to do is tell somebody they have not performed to the level that’s required and as a result a change is necessary. But when you sign on to run a radio station, this is part of the job description. You can’t be a leader and have success if you’re afraid to deal with adversity and change.

When these situations occur, blame goes all the way around. The PD instantly becomes the bad guy and everyone inside and outside the building has their opinions on what’s going on. It becomes the companies fault, the ratings systems fault and everyone else’s fault and listeners will often react negatively due to the fact that a change is happening.

etuYou can’t as a host or programmer blame the audience and ask “why didn’t you listen more“? You can’t blame the advertisers and ask “why didn’t you spend more“? You can’t blame Nielsen and ask “why didn’t you provide more meters to people who like what we do“? You can only do one of two things, pick yourself up off the ground and find the next opportunity and make your last employer regret letting you go or sit in sorrow and blame the world for what happened.

I went thru this myself back in 2008. I programmed a radio station 590 The Fan in St. Louis which had a great thing going on when I arrived in 2006. The Cardinals reaching the WS that year certainly didn’t hurt business either. Over the next few months, budget cuts, employee dissatisfaction and lack of corporate support would lead the radio station down the drain and I’d become the fall guy for it because after all I was the face of the franchise.

changefearIt was hard to accept that back then because I believed in my abilities and my desire to win but in the grand scheme of things, we were beaten before we ever hit the airwaves. I didn’t see that when I accepted the job but I did after I stepped back, removed my emotion from the situation and figured out how I’d learn from it going forward.

When I received my next opportunity as programmer of 101 ESPN in St. Louis, I made sure I knew I’d have better corporate support and a General Manager who believed in me and the confidence that was instilled in me allowed me to focus on what I do best and fortunately thanks to hiring a lot of smart and talented people and supporting them, the station became a smashing success. The product became #1 for sports radio listening in the market and reached a level of being the 2nd highest rated sports station in the country during one particular month in 2010.

Today I sit in San Francisco where I program 95.7 The Game. In this market, my brand is the underdog taking on a heritage sports radio brand that has the Giants, 49ers and Warriors games on their air and they’ve rode the success of play-by-play to the top spot in the market for well over 20 years. When we built this station, we didn’t launch with the expectation that we’d beat our competitor in the ratings in the first couple of years. We launched with the mindset of hiring dynamic talent and building a strong and viable brand that in time could work it’s way up towards the top.

changeSetting realistic expectations is important because you don’t overtake strong brands in 1-2 years just because you’ve arrived and presented talent and a vision that you believe is superior than the competitor. If it was that easy and that formula worked that fast, I’d have already retired. You have to have a strong strategy, know where opportunities lie in the market, create a plan that will consistently show growth and establish what makes you unique to the market. When you go from 25th to as high as 6th in the span of 3 years, that’s a sign that you’re on the right track.

Since I’ve been here, we’ve shown that we will not be afraid to introduce new talent, take risks and change course if things aren’t working. One thing I always enjoy is hearing our current listeners criticize or compliment the work previously done by Brandon Tierney, Eric Davis, Sean O’Connell, Ric Bucher, Aubrey Huff and The Rise Guys. A few years ago these were foreign names to Bay Area sports radio fans and had we not taken a chance to put them on the air and introduce them, people would not have had opinions of them. Clearly they all had tremendous talent and whether the feedback on them was good or bad, it showed that new voices with strong talent, can connect in a market like San Francisco.

While one could play devil’s advocate and criticize us for not being consistent, the fact of the matter is that when you’re in the driver’s seat in a market, it’s your job to keep a winning product consistent and lock up the things that are most important to your success until you’re forced to adapt. In our case, we’ve got to keep growing to eventually cause bigger disruptions and change long-term listening habits. If that requires adjusting as we go, then that’s what we’ll do. During the past 9 months our radio station has had its highest ratings run and had we not made changes I’m not sure if that would be the case. That can certainly be debated but in a business that is judged by results, the numbers don’t lie.

changesextraChange is never easy for people but it’s a part of life (especially the media business) and I often find that I work best when I’ve got my back up against the wall. I think that you learn a lot about people in this business when the pressure is on and decision making is critical. It’s in most people’s nature to try and find a way to return to a place of comfort rather than enter foreign territory but sometimes you’ve got to be willing to gamble and put your ass on the line in order to create bigger opportunities for your brand.

When I look across the sports radio landscape, I see tons of stations who have not been afraid to take risks and as a result, have been rewarded for it. From The Score in Chicago to 710 ESPN in Seattle to 680 The Fan in Atlanta to Arizona Sports 98.7 FM in Phoenix. All made changes and continue to perform strongly. The same can be said for 101 ESPN in St. Louis, The Fan in Dallas, WEEI in Boston and The Fanatic in Philadelphia. All of these stations have continued to thrive despite dealing with change and there are plenty of others who could easily be on this list.

stephenabaylessLook at sports television and you’ll see the same. Over the past 5-10 years Monday Night Football switched from a 3-man booth to 2-man booth, First Take went from rotating hosts to using Stephen A. & Skip, Jerry Rice, Emmitt Smith and Michael Irvin left ESPN while Chris Carter, Keyshawn Johnson and Ray Lewis signed on and Football Night in America lost Tiki Barber, Jerome Bettis and John Madden but added Hines Ward, Tony Dungy, Rodney Harrison and Chris Collinsworth.

Some may see making changes as showing a lack of consistency and that’s fair, but some also believe it’s necessary to stay ahead of the curve. From where I sit, I’d much rather take risk and fail trying to be great than stay complacent and wait to be picked off. It certainly seemed to work out ok for Favre, Manning, Rice and Montana!

95.7 The Game Unveils “20 In 20”

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95.7 The Game is sending their morning show (Flight 957) on tour!

The San Francisco radio station has announced plans to send Chad Doing, Joe Fortenbaugh and former NFL fullback Lorenzo Neal on the road for 20 shows over the span of 20 weeks, hence the name “20 In 20”.

The show will broadcast LIVE from a different Bay Area city/town from 6:00 a.m. to 10:00 a.m. PST starting February 18th and continuing through July 1st. Fans in the local area will have a say in determining locations by sending in suggestions on Twitter via the hashtag #20In20.

For more details visit 95.7 The Game’s website by clicking here.

95.7 The Game Delivers Super Week

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The Bay Area’s new sound for sports, today announced it’s 2015 coverage of “Super Week”  before the big game on February 1st between the New England Patriots and Seattle Seahawks. Beginning January 26th through January 30th 2015, 95.7 The GAME will send three of their major shows including Flight 957 with Chad Doing, Joe Fortenbaugh & Lorenzo Neal, The Wheelhouse with Greg Papa and John Lund and The Damon Bruce Show to broadcast live from radio row in Phoenix, Arizona.  This marks the fourth consecutive year that 95.7 The GAME provides Bay Area football fans with live comprehensive coverage from the site of the Super Bowl.

“There is no bigger event in sports, and we believe that covering premier events matters greatly to our local sports fans.” said Jason Barrett, Program Director for 95.7 The Game. “Wall to wall coverage and in-depth analysis is what our audience has come to expect from our brand.”

Listeners can expect to hear from a star studded guest list including Sports Illustrated’s Peter King, ESPN’s John Clayton, Chris Mortensen, Trey Wingo and Trent Dilfer. Also appearing will be NFL Hall of Famer Rod Woodson, four-time Super Bowl champion Bill Romanowski and more.

95.7 The GAME is the largest radio market FM Sports Station in California and the flagship radio station for the Oakland Athletics and Oakland Raiders. Effective January 26th, 2015 95.7 The GAME’s live coverage of “Super Week” includes:

  • 6:00 a.m.-10:00 a.m. (PST) —  Flight 957 with Chad Doing, Joe Fortenbaugh, and  Lorenzo Neal
  • 12:00 p.m.-3:00 p.m. (PST) —  The Wheelhouse with John Lund & Greg Papa
  • 3:00 p.m.-7:00 p.m. (PST) —    The Damon Bruce Show

No Fence Sitting Allowed

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When you listen to sports talk radio today you’re likely to find a number of different styles in the personalities you hear on the air. That’s what makes each host unique. What shouldn’t be disputable though is the understanding and importance of giving an opinion!

Search around the country and listen to some different stations and personalities and see if you can pinpoint the following types of hosts.

  • A) The caller-driven host who puts the power of the show in the audience’s hands.
  • B) The guest heavy host who fills a 9 segment show with 7-8 guests.
  • C) The comedic host who offers jokes, bits, parody songs and downplays the importance of a serious topic. They often sound uninformed or uninterested in sports talk.
  • D) The stats/historian host who crunches numbers, shares old stories and is quick to highlight everyone else’s opinions and use them as a shield to avoid giving their own.
  • E) The strong opinionated personality who speaks their mind confidently and earns praise from supporters and criticism from detractors.

barkleyThe beauty of this format is that there are multiple ways to inform and entertain but of the 5 styles listed above, I find myself more drawn to E. The host who has something to say and defends their position with good sound evidence and is willing to engage in a compelling conversation with callers, guests, texts, tweets and colleagues, will always catch my attention first. I don’t have to agree with you, I just need to be moved by your opinion.

I can’t even count how many times I tune into a show somewhere across the country and hear a personality say “we’re going to talk about the Super Bowl” or “let’s chat about these coaching changes” and then spends the majority of a segment reading off the information and waiting for calls without providing their own point of view on the topic. It absolutely drives me nuts.

Of course you’re going to talk about the Super Bowl or coaching changes if they’re a timely story but why does it matter to you? What do you want me to think about? Be specific.

manincarPeople are usually in a car dealing with non-stop traffic, aggravated from a long day at work and they want a mental distraction to make them laugh, help them learn or get their blood pumping. Your style, presentation and view on the relevant material is what they care about when they put you on. If the subject matter is broad and you don’t define your position, they’re going to lose interest.

Anytime you’re on the air, you’re expected to share your perspective on the news, not break the news. That’s what reporters do and what sports updates, your website and Twitter are for. What you think of the information matters more than the information itself. Your opinion is what grabs people’s attention.

20 years ago people in sports talk focused on the result of a ball game and did the typical box score breakdown segments. Today the world is much different. People care much more about what happens outside the lines than what happens inside the lines. Case in point, there’s been more talk this week about the Patriots deflating footballs than the actual game itself vs. the Colts. Last year at this time, people spent more time discussing Richard Sherman’s post-game interview than they did recapping the Seahawks-49ers game. Need any more proof?

interesting2I understand that every personality does prep work and values their credibility so being right and informed is important but rather than worry about being right, the bigger focus should be on making people think and being interesting. That starts with a strong informed opinion and having the courage to stand by it and defend it with smart rationale and great research.

What sometimes worries me about our format’s future is when I hear newer broadcasters coming up the ladder, not focused on delivering opinion and instead worried about how many guests they have booked or how many people have called their show. To this day I have never hired someone who set a record for most calls taken on a show and I’ve never hired a host based on their guest list. I care more about what they do with a guest and caller than how many they can get.

I’m not going to say guests, calls, being funny and having information doesn’t matter because of course they do. They’re all valuable parts of a show but when you step back and look at a 9-12 segment show, there should be more focus put on delivering opinion on the content/stories of the day and telling the audience why you feel the way you do than anything else. The opinion is your main course, the guests, calls, soundbytes and extra bits of entertainment are your sides and appetizers.

fencesitting2During my years as a PD I’ve told a number of hosts that there is no “No Fence Sitting” allowed. I recognize that the only thing we control is our words and if we don’t take positions, defend them strongly and make our audience think, then we’re just background noise and people can find that in many different places. Standing out from the clutter is not easy and it’s even harder if you don’t take strong defined positions on relevant material.

The last thing you should want to be as a personality trying to connect with an audience is the equivalent of elevator music. Our job is to be clear, concise and definitive with where we stand on various issues and confident enough in our own skin to defend them, while also being open minded to hear the other side of the discussion.

Does it matter if the listener disagrees? No. What about if a team, player or front office executive doesn’t like it? Are they paying your check or controlling your brain? No. So stand up for yourself but be smart enough to avoid getting personal and open enough to give them a forum to counter your point of view. Good banter on a topic with multiple viewpoints makes for compelling discussion.

opinions2What if your peers think you’re crazy? Just be crazy enough to have a position and good rationale for why you feel how you do and they’ll get over it or come around to your way of thinking. It’s about delivering interesting content and when you are firm with your thoughts and prepared with information to support your position, more people will connect with you than tune you out and after all, that’s the name of the game.

Sometimes personalities lose sight of this and need to be reminded how important it is and to get their attention over the years I’ve been known to dish out a few silly gimmicks that get their attention. In a few instances I’ve pulled out a green pillow and offered it to a few hosts so their asses would be well protected while sitting on the fence. Usually it’s led to a good laugh and a host realizing that they need to be more authoritative and not dance around the subject.

I’ve also given out a few nails and dollar bills to let a person know they nailed an opinion or provided something great and I’ve given out a compass to ask them if they knew where they were going with their stance. While it may be hokey, the point is to make one think of how their position has come across on the air. Most hosts forget that nobody wants them to succeed more than the PD that put them in the studio in the first place but sometimes even the best need a reminder that something wasn’t as sharp or as strong as it could be.

comfortzoneBased on my experience, usually it’s athletes who are just transitioning into the format who take the most time getting comfortable in this arena. Fortunately though, once you tell them they’re quick to adapt because they appreciate and respect coaching and want to make an impression rather than sound too guarded. That said, being comfortable taking strong positions does take some people time and while it may not always feel great, it’s critical to one’s presentation.

If there’s one thing to leave you with, it’s to remember to always have something to say and a good sound reason for why you feel the way you do. Listeners can get information from a myriad of places but those who stand out are the ones who are confident and comfortable enough to give an opinion and make it interesting.

How Sports Radio Can Learn To Connect Better From Taylor Swift

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Before you change your glasses or contacts or wipe your eyes to make sure you read the headline right, yes I did mention Taylor Swift on a Sports Radio blog. Before you assume I’ve completely lost my mind, let me explain why she’s relevant in this space today.

connectingOne of the real pleasures of creating sports talk radio is connecting with people. When you think about the position we’re in, we’re not really different than those who listen to us. Sure we may have more training, a microphone and broadcast signal that allows our opinions to be heard in our local markets and we may earn a paycheck which classifies us as professionals but at our core, we’re people who love sports, talking about it passionately and entertaining one another.

The reason it works, is because others care enough about the same things we do. Thru the bond of talking about sports, we’re given an opportunity to engage with audiences each day and get them emotionally invested in our content and people.

Celebrity Sightings In New York City - October 28, 2014Similar to sports, music has a lot of appeal as well. One performer who has built an incredible fan base is Taylor Swift. To date she has over 73 million LIKES on Facebook and over 49 million followers on Twitter. That’s over 120 million combined associations to her fans.

So with all of those fans, it must be impossible for Ms. Swift to connect with people aside from when she’s performing on stage right? Guess again! Not only does she get active on social media, she also takes time at some of her shows to take photos with fans.

Today I watched this video and was genuinely moved by it. I encourage you to watch it too. While some of you may not care for Taylor’s music, I think you’ll agree that this is a brilliant way to showcase connecting between Ms. Swift and her fans.

While some will focus on her buying gifts and taking road trips (which by the way was very cool), what I got out of this was that Taylor Swift cares about her fans. Because she invests time and thought into connecting with them, it helps her relate more to her most passionate and loyal supporters and that gives them a reason to continue rooting for and supporting her.

When this type of bond exists between performer and fan base, there’s less concern about the next single being well received or the next arena being sold out. Because Taylor has made her most loyal and passionate fans part of her experience, they will be there to support her thru thick and thin. Click this link and you’ll see even more photo evidence of her connecting.

makingconnectionsNow think about this and how it applies to what you do as a sports radio personality or executive. How much time do you spend interacting with your audience? Do they know you beyond your talk show? Have you ever responded to one of their tweets, texts or facebook messages? Are they able to reach out and provide feedback on your radio station beyond an email address on the contact page of your website? How many photos would show up if you google searched yourself and/or station with fans?

Is it taxing to engage sometimes? Yes. Does it get annoying when people take personal shots or reach out simply to complain? Yes. But people are entitled to free speech and having an opinion and sports talk is a very passionate and emotional format. I’d much rather receive a high volume of passionate replies and know what’s pushing the buttons of my audience then have them disappear and have to hire a research firm to find out why.

donotenterThe way the world thinks and acts today is very different and we’ve got to continue evolving or we risk being left behind. In the past, hosts were seen as untouchables. They’d spend a few hours on-air spewing their thoughts on issues and aside from reaching out thru the on-air phone number, fans could not connect with them or learn anything further about who they were. The world outside of the talk show was very private and irrelevant.

Today, people want access and information more than ever and just hearing an opinion thru a set of speakers isn’t enough. They now want to join the conversation at the bar rather than eavesdrop in the distance. They also want to know who you are and what you’re about when the microphone is off. Being a private personality is a lot less acceptable by the audience today and that just goes to show how the world has changed.

wipIn thinking of this topic, I couldn’t help but think about how different radio has become in this area over the past 20-30 years. Back then there was a stronger sense of community, marketing and investing in forming connections with local people. Over the years though that focus has shifted more towards ratings, ad revenue and metrics to determine what is and isn’t working.

Some of these changes have definitely been for the better. I know I’d much rather deal with this current flawed ratings system than the previous one and I’d much rather invest money in people and partnerships than marketing but I do think our industry as a whole can be much stronger in the way we connect with and view the association with our listeners. It’s not just about the people with meters or inside of focus groups, it’s about anyone and everyone who takes the time to listen and/or interact with your product and people.

allinalloutFurthermore, executives can’t preach the importance of a strong digital and social media presence and strategy and then not be visible themselves. You can’t encourage or require participation from those inside your building if you’re not leading the charge yourself. You’re either all-in or all-out.

In my opinion, connecting with people and being accessible is as much of a job requirement today as anything else we do. You can’t say you care about your ratings and making a better living and then do little outside of your show to drive people back to the show. We should be thrilled that people care enough to tell us their opinions but smart enough to weed out what matters and what doesn’t.

accessThat said, being accessible doesn’t mean you have to respond to every piece of feedback or change your show or station due to a handful of negative replies. It means the audience can follow you and reach out to you and you will engage when it makes sense to. The audience doesn’t control your brain, your voice or your emotions. You set the tone because that’s what you’re charged with doing but they also deserve to be included in the process.

As I bring this column to a close, the main thing I want you to take away is how vital it is to connect with your audience. Remember, people don’t have to listen to us or interact with us, they choose to do it. It’s our responsibility to find ways to further strengthen our bond with them and it starts with accessibility and engagement.

I understand we’re pulled in many directions as we try to balance life, work, personal passions and numerous other things but if the job matters to you, than invest the time necessary to make it pay off. Judging by Taylor Swift’s 30 million CD sales, 80 million singles downloads and 120 million fans on social media, I’d say connecting with fans has worked out pretty well for her. Maybe it’s time you considered doing the same.

2014 = A Time of Change In Sports Radio

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The sports radio format has enjoyed great growth and success over the past few years and remains well positioned for a healthy 2015 but while the future looks bright for the format, change has been the dominant word to describe what’s transpired in 2014. From local to national, everywhere you turn. change has been front and center.

GilbertBigFirst let’s take a look at the national level. When the year started, Bruce Gilbert was overseeing Clear Channel and Premiere’s Sports brands, Scott Masteller was programming at ESPN Radio Network, Stephen A. Smith was doing local radio for ESPN NY, Rich Eisen was focused solely on his NFL Network duties and CBS featured TBD in the AM and John Feinstein in middays.

As the year ends, Gilbert has since been named SVP of Cumulus and Westwood One Sports, Don Martin took over Gilbert’s spot with Clear Channel and Premiere, Masteller exited ESPN Radio, Stephen A was hired to host for Sirius’ Mad Dog Radio channel, Eisen ventured into national sports talk radio by joining the Fox Sports Radio lineup and CBS added Gregg Giannotti and Brian Jones to mornings and moved Brandon Tierney and Tiki Barber to middays while parting with Feinstein and Dana Jacobsen.

changes2While that’s certainly a lot of change nationally, it’s even heavier on the local end. Look across each major market and you’re bound to find at least 1 sports station’s lineup impacted.

For example, 60 The Fan and 92.9 The Game in Atlanta, WEEI in Boston, The Score in Chicago, ESPN Los Angeles, ESPN New York, WIP and 97.5 The Fanatic in Philadelphia, Mighty 1090 and XTRA 1360 in San Diego, 95.7 The Game in San Francisco, 710 ESPN in Seattle and WQAM in Miami all made changes to their lineup this year. Go beyond the top 20 markets and you’ll find even more of it.

Next, let’s take a look at what corporations did in 2014 to become more involved with the format.

cbsbeasleyFirst, CBS swapped properties with Beasley Broadcasting, acquiring sports station WQAM in Miami. Beasley landed The Fan in Charlotte and The Fan in Tampa as part of the trade. Also dealt were some smaller AM signals and the once powerful 610AM signal in Philadelphia. Beasley acquired those outlets. Beasley then elected to drop the sports format in Tampa and is launching a new format on January 5th.

Secondly, Entercom acquired 15 stations from Lincoln Financial which put them in control of sports radio stations 104.3 The Ticket in Miami, 790 The Zone in Atlanta and 104.3 The Fan in Denver. Entercom has announced they will divest 104.3 The Fan due to FCC regulations in the Denver market.

877Third, Tribune Media came out of the gate looking good with the launch of 87.7 The Game in Chicago but by year’s end, the company pulled the plug on the radio station siting an inability to generate enough advertising revenue and ratings to support the station. The company was further damaged on the PR side for the way its employees found out about the company dropping the format (thru an article on social media).

Fourth, Los Angeles added a fourth sports station with the addition of The Beast 980. Programmed by Owen Murphy, the station offers a mixture of local and national programming as well as the broadcast rights to the Los Angeles Clippers. It’ll be interesting to see how the 4 sports talkers in Los Angeles stack up in 2015.

On a smaller scale, Sirius also made a move to add a new channel with the creation of Bleacher Report radio. While the website itself has become a destination for sports fans the past few years, the radio channel is only a few months old and not familiar to most as of yet.

change-nothingIf you glance over those changes above (and I’m likely forgetting some others) there was a lot of movement during the past 12 months. However, one of the main reasons why this industry continues to thrive is because sports radio operators locally and nationally have not been afraid to take risks and challenge themselves to do better. It may not always be comfortable or popular but if the goal is to improve, sometimes difficult decisions are required.

Nobody knows more about change this year than myself. Over the past year, I changed 3 of my 4 primetime shows (M-F 6a-7p) including something I hadn’t had to do in my previous 17 years in the business, change a morning show 3x in one full calendar year. Was it how we drew it up at the start of the year? No. But sometimes in life and this format, adversity strikes, and when it does you’ve got two choices – A) rise up and make things better or B) put your head down and wallow in self pity.

changeWhile it may have been bumpy, uncomfortable and mentally taxing along the way, 2014 produced the best results we’ve had in San Francisco since we launched 95.7 The Game. While most people prefer the same routine and path of least resistance, sometimes you have to roam thru the woods into foreign territory to end up in paradise.

Sports radio as a format has the potential to reach millions of people each day and generate large ad dollars given its ability to provide sponsor inclusion in everything we do. The format is seen mostly in a positive light by advertisers and it’s one of the few formats that people feel they have to experience LIVE. That gives us an edge over other formats which are fighting negative content associations or becoming more than just background noise. To say that opportunity lies ahead on an even larger scale for our format in the new year would be a massive understatement.

etuOn that note, it’s time now to put 2014 in our rear view mirror and look ahead to what lies ahead in 2015. Judging by what I’ve witnessed over the past year in this format, I’d expect more unpredictability and risk taking. I see that as a good thing.

If you’ve listened to stations who perform this brand of sports talk content or if you work in the format itself, you can quickly see the emotional connection that exists between the audience and the radio station’s personalities. That connection from user to content provider is one of the many reasons why I along with many others love being part of this machine. Now that’s something I don’t see changing!

Flight 957 Arrives on 95.7 The Game

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95.7 The Game (KGMZ-FM), The Bay Area’s New Sound for Sports, today announced a new morning show, Flight 957 with Chad Doing, Joe Fortenbaugh and former All-Pro NFL Fullback Lorenzo Neal. The show debuts on Monday, December 8, 2014 from 6:00 a.m. to 10:00 a.m.

“We are changing the sound of Bay Area sports radio with the launch of this exciting new morning show,” said Jason Barrett, Program Director for 95.7 The Game. “Expect Flight 957 with Chad, Joe & Lo to deliver a fresh, irreverent, and energetic spin to sports talk. The new show is the latest example of our commitment to bringing The GAME’s growing audience the best possible listening experience.”

Doing is a sports radio veteran.  Most recently, Doing has worked at KXTG in Portland and was previously the host of afternoon drive program Flight 750 with Chad Doing weekdays from 3:00 p.m. to 7:00 p.m.

“I’m thrilled to work with such dynamic personalities like Joe and Lorenzo,” said Doing. “We have already developed a fantastic working relationship that I believe will showcase our passion for sports.”

Joe Fortenbaugh co-founded the website National Football Post.com in 2008 where he has been writing ever since, covering topics ranging from fantasy football to sports betting in Las Vegas.  Fortenbaugh has freelanced for USA Today, ESPN.com, SportsIllustrated.com and VegasChatter.com, where he wrote golf course reviews and covered Las Vegas title fights from 2012-2014.  Most recently, Fortenbaugh co-hosting the television program “Fantasy Sports Today–Live from Las Vegas” on the Fantasy Sports Network.

“It’s awesome to be part of this new program and deliver a one-of-a-kind experience to our listeners,” said Fortenbaugh. “I can’t wait to stir it up with the guys and the audience.”

Lorenzo Neal was the preeminent fullback in the NFL for 16 seasons. He was a four-time Pro Bowler and played for the New York Jets, Tampa Bay Buccaneers, Tennessee Titans, Cincinnati Bengals, San Diego Chargers, Baltimore Ravens and Oakland Raiders.  He was voted a first team All-Pro twice, a second team All-Pro once, and selected to the NFL’s and Sporting News’ All-Decade team for the 2000’s. He graduated from Fresno State University.

“I’m truly excited to join 95.7 The GAME,” said Neal. “I’m looking forward to delivering that on-the-field, inside the huddle perspective listeners expect from a leading radio station.  I’m grateful to be a part of such a strong team and talk Bay Area sports every morning.”

Current morning anchor Chris Townsend moves to evenings where he’ll team up with 95.7 The Game personality Zakariah from 7 to 11 p.m.  Townsend will also become the full time voice for Oakland A’s pre- and post-game shows.

95.7 The GAME is the flagship radio station for the Oakland Athletics and Oakland Raiders. Effective December 8, 2014, The GAME’s new lineup will be:

  • 6:00 a.m.-10:00 a.m.          Flight 957 with Chad, Joe, and Lo
  • 10:00 a.m.-12:00 p.m.       Haberman & Middlekauff
  • 12:00-3:00 p.m.                    The Wheelhousewith John Lund & Greg Papa
  • 3:00 p.m.-7:00 p.m.            The Damon Bruce Show
  • 7:00 p.m. – 11:00 p.m.      Towny & Zakariah

Scott Masteller Exits ESPN Radio

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Longtime ESPN Radio programming executive Scott Masteller has exited the network, where he’s had a nearly 14 year run.

Most recently ESPN Radio’s Senior Director Radio Content, Masteller spent the first five years of his ESPN career in Dallas, where he oversaw the launch of the company’s 103.3 ESPN (KESN) before heading to the network’s Bristol, CT headquarters, where he’s served in several different senior management roles for the past 8+ years.

His lengthy Sports radio programming resume also includes prior stints in Portland, OR, Salt Lake City and Lexington, KY. Masteller told NTS MediaOnline Today that he is leaving ESPN “on very good terms” and added, “It is a great company and I’ve had a great run there. I’m now looking to see what comes next and I’m excited about the opportunities ahead of me.”

The 3 Amigos Join 95.7 The Game

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95.7 The GAME (KGMZ-FM), the Bay Area’s New Sound for Sports, announced today a new program “The Three Amigos” for 95.7 The GAME’s Saturday programming line-up. The trio will be led by 102.9 KBLX afternoon drive host and Bay Area radio veteran Victor “Big Daddy” Zaragoza and two of the top 10 finalists from the 95.7 The GAME’s sports reality competition Lucky Break program: , Rudy Ortiz and Brandon Santiago. The show debuts on Saturday, November 15th from 9 a.m. – 12 p.m.

“I’m very excited about this show, it will enable our listeners to hear something unique in the marketplace.” said Jason Barrett, Program Director at 95.7 The GAME. “Victor is a polished Bay Area music radio veteran who fans will enjoy hearing in this format. He has a passion for sports and will bring an imaginative and different perspective to the program. Rudy and Brandon are new voices who I believe the audience will enjoy getting to know. This show will be fun and different from anything else on sports radio in the Bay”.

“Joining the Entercom team two and a half years ago was a blessing for me,” said Zaragoza. “To be able to expand my role within the Entercom radio family and talk Bay Area sports on 95.7 The GAME is an opportunity I am grateful for. I’m excited about sports and thrilled to work with my co-hosts Ortiz and Santiago to bring a Latin flare to sports radio!”

Ortiz, a standup comedian by trade who’s performed at venues including Cobb’s Comedy Club and Tommy T’s Comedy Steakhouse is a San Leandro native and passionate Bay Area sports fan. Santiago, a resident of South San Francisco and graduate of San Francisco State University, joins 95.7 The GAME from his current role as an Outreach Coordinator for youthspeaks.org.

Producing a Top Rated Radio Show

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What goes into producing a top rated afternoon show? How has the position changed over the years?

Check out this great video which was produced by Chris Files of 101 ESPN. Fast Lane producer Michelle Smallmon explains what her daily routine is like and what makes the show a smashing success with St. Louis sports fans!