Paramount Skydance is set to begin a round of layoffs tomorrow, with 1,000 jobs expected to be eliminated by the organization.
The overwhelming majority of the positions cut will affect U.S. employees. Cuts to the company’s international divisions will be enacted in the coming weeks.
As part of the eliminations, Paramount Skydance hopes to cut $2 billion from its annual operating budget.
The cuts come just over two months after the merger of Paramount and Skydance was officially closed, receiving government approval for the move. The merger was part of an $8.4 billion deal between the two organizations.
In federal filings in 2024, Paramount shared it had just under 19,000 employees. The company underwent a round of layoffs ahead of the merger with Skydance in June, with 3.5% of its global staff being cut in the wave of reductions. Skydance, ahead of the merger, reported it had more than 500 employees.
Previously, new president of the company, Jeff Shell, said that it would act swiftly in its job cuts, adding that they would be enacted ahead of the company’s earnings call.
“We do not want to be a company that has layoffs every quarter,” Shell said in August hours after the deal between Paramount and Skydance was approved. “So, it’s going to be painful. It’s always hard, but we don’t want to be a company that every quarter is laying people off.”
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ESPN is exploring major changes to its weekday lineup, with the coveted 5 p.m. ET slot—formerly home to Around The Horn—emerging as the prime timeslot for the network. Sources familiar with the discussions tell The Athletic that Scott Van Pelt, the network’s personality-driven late-night SportsCenter anchor and host of Monday Night Countdown, is a leading candidate for the shift.
In an interview with The Athletic, ESPN President of Content Burke Magnus confirmed Van Pelt is under consideration for the hour, which sits between NFL Live and Pardon The Interruption.
In fact, Van Pelt’s potential move follows earlier efforts to reunite him with former ESPN teammate Ryen Russillo. The duo previously drew a strong following on ESPN Radio. Russillo opted to move his podcast from Bill Simmons’ Ringer Network to a new Barstool Sports-backed venture.
“That was a bit of a selfish concept by me, because I was such a huge fan of those two when they were together years ago,” Magnus said to The Athletic. “It just so happened that Ryen was exploring his future on a similar timeline. He ended up doing something different.”
For Van Pelt, the timing could be ideal. The 58-year-old host currently works late nights, a schedule Magnus says can be taxing.
“I think there is a limit for how long people can have their lives upside-down from working late nights,” Magnus noted. A daytime slot would allow Van Pelt to maintain some late-night SportsCenter hosting duties, particularly following major games. Plus potentially continue on Monday Night Countdown.
ESPN is taking a deliberate approach. The 5–5:30 p.m. SportsCenter slot currently out-rates the former Around The Horn. Drawing 448,000 viewers compared to 386,000 for the same period a year ago, according to Nielsen. Magnus emphasized the network is “pleasantly surprised” by the audience growth and intends to move carefully.
No decision is expected before next year. While Van Pelt appears to be the favorite, Magnus acknowledged the network is weighing all options before launching a new 5 p.m. show.
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Pittsburgh sports fans are getting an unforgettable night of live radio, pain, and purpose this week — all thanks to 93.7 The Fan’s Andrew Fillipponi. On Wednesday, the outspoken afternoon host will make good on his viral on-air promise to get his nipples pierced after losing a bet on the Pittsburgh Steelers.
Instead of hiding from the humiliation, Fillipponi is using it to raise money for breast cancer research through a live event called “Poni Pierces Cancer,” benefiting the Magee-Womens Research Institute & Foundation.
The event will take place from 6–8 PM at Mike’s Beer Bar on Pittsburgh’s North Shore, directly across from PNC Park. Fans are invited to attend, with all proceeds supporting Magee-Womens’ mission to fund life-saving research and women’s health initiatives.
“I idiotically believed in this team. They lost to Cincinnati. Now I have to get both of my nipples pierced. $33 gets you in the door,” explained Fillipponi on Monday. “You get free food from Mike’s. Get a free shirt, plus you get to watch me writhe in pain as I get my nipples pierced. Best part is all of the money that is raised is going to go to fight cancer with the Magee-Womens Institute Research Center. Plus Mike is going to match every ticket purchase up to $5,000.”
Fillipponi isn’t backing away from the bit that started it all. Before the Steelers’ Thursday Night Football loss to the Cincinnati Bengals, he boldly predicted a 38–3 blowout win. Even promised to get his nipples pierced if Pittsburgh fell short. When they did, he owned it immediately.
“I wanted to say it’s all Mike Tomlin’s fault, but it’s not,” Fillipponi admitted last week. “I’m the stupid a** that said, ‘Oh, this game is going to be different.’ I’ll go do something asinine and pop off and make some kind of BS wager I’ll never have to worry about paying off. Sure, I’ll get my nipples pierced. What difference does it make?”
To his credit, Fillipponi is turning a radio stunt into something meaningful. “We’re talking about nipples, and it’s Breast Cancer Awareness Month. So there’s actually some good that’s going to come out of this.”
He’s also promised to take the piercing “like a pro” — no numbing, no shortcuts, just live accountability.
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There’s a new nighttime jock at Milwaukee’s classic rock 96.5 WKLH, as “Big Jake” Calgaro has assumed the role.
“Big Jake” has been with the station since March, joining as an Assistant Traffic Director and working in the promotions department until the opportunity to be on air arose.
In a post to Facebook, Calgaro shared his excitement to join the Saga Communications classic rock station lineup.
“Milwaukee, your nights just got a whole lot bigger,” the new host shared. “I am beyond excited to announce that I will be taking over weeknights on 96.5 WKLH! I am extremely grateful to everybody in the building especially our GM and KLH brand manager for trusting me to lend my voice to such a legendary radio station … Let’s do this thing.”
Big Jake’s first day on the air was as host of the evening timeslot was on Monday evening. He will be heard from 7 PM to Midnight.
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Rumors have been swirling that CBS News is eyeing Fox News anchor Bret Baier as its next anchor of CBS Evening News. On Monday, Baier effectively squashed those rumors.
Late last week, a report from Oliver Darcy of Status shared that Bari Weiss was looking to “shake up” the legacy news brand, which has consistently lagged behind competitors ABC News and NBC News in the evening newscast ratings.
One name floated at the top of Weiss’ list was Bret Baier. However, a Fox News spokesperson has confirmed to Barrett Media that Baier is under contract with the network through 2028.
In an appearance on Citizen McCain with Meghan McCain, Baier was asked about the reports and what his future held.
He quickly denied that a move to CBS News was a possibility at this time.
“I’m flattered by all the press and everything like that, but I’m in a multi-year contract with Fox,” Baier responded. “I don’t know where everything is going. I’m signed on to Fox, very happy at Fox, and we’ll see what happens at the end of that.”
You heard it here first! @BretBaier squashes rumors that he’s leaving Fox to join Bari Weiss and host CBS Evening News.
After McCain noted that her husband works at Fox News and that she’s a viewer of the cable network, Baier responded by saying, “I love the Fox News viewer, one at a time.”
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SonicTrek.ai has added a key voice to its expanding digital radio portfolio. The company announced the hiring of longtime country media editor Amanda Hensel as MyCountry.fm Content Coordinator and Director of Social Media.
In her new role, Hensel will lead the development of localized content for MyCountry.fm. While overseeing social media strategies across SonicTrek.ai’s suite of AI-driven formats.
Hensel, based in Austin, Texas, brings more than a decade of editorial experience to the role. She spent 14 years as Editor-in-Chief of Taste of Country. Where she steered coverage of country music’s biggest stars and cultural trends. Known for her authentic storytelling and sharp editorial instincts, Hensel has built a strong reputation in the country music community.
SonicTrek.ai Partner and CEO Joel Denver called Hensel’s addition a significant step for the company’s mission. Modernizing radio through AI-driven content creation.
“We are excited to have Amanda joining SonicTrek.ai in this important role,” Denver said. “Localized AI content is what will make the difference between what’s on the radio now and what will be on the radio in the near future. With our format offerings. Radio’s paradigm will shift toward a more creative playlist for each market, and the localized content from our AI hosts will draw in listeners and keep them coming back.”
That vision of personalization and innovation also defines MyCountry.fm’s approach. Brand Manager Charlie Cook said Hensel’s background and enthusiasm make her a perfect fit for the next phase of the format’s growth.
“When you’re starting something new and creative. It’s lucky to find someone who sees the potential and understands what it’s going to take to make the future come alive,” Cook said. “Amanda brings hands-on experience and a passion for the country genre. Allowing us to deliver on our promise of telling localized stories every day.”
For Hensel, the move represents both a professional evolution and an opportunity to help bridge tradition and technology.
“I’m thrilled to join the team at SonicTrek.ai and help shape the future of radio,” she said. “What SonicTrek.ai is doing with AI feels fresh, forward-thinking, and exactly what this industry needs—more localized content. It’s time to breathe new life into one of entertainment’s most enduring formats.”
SonicTrek.ai has quickly become a leader in AI-infused programming. Launching four distinct formats: MyCountry.fm, hosted by Suzanne Alexander and programmed by Cook; Phoebe: Curiously Alternative, crafted by Dennis Constantine; Starship, a reimagined take on classic rock led by Lee Abrams and Constantine; and Cool Classics, a fresh spin on classic hits programmed by Brian Kelly and hosted by Randi West.
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ESPN, Disney, Pixar, and the NFL are teaming up once again to blend sports and storytelling in a way that continues to push the boundaries of live sports production. On Monday, Dec. 8, Monsters Funday Football will bring the Philadelphia Eagles and Los Angeles Chargers to life inside the Monsters, Inc. universe during ESPN’s Monday Night Football broadcast.
This season’s animated telecast will use the NFL’s Next Gen Stats, along with Sony’s Beyond Sports visualization and Hawk-Eye Innovations, to turn every snap, pass, and touchdown into a real-time animated experience set in Monstropolis.
The game will air at 8 p.m. ET on ESPN2, Disney Channel, Disney XD, Disney+, and the new ESPN App, while also streaming on NFL+ for mobile viewers. The traditional broadcast with Joe Buck, Troy Aikman, Lisa Salters, and Laura Rutledge will run concurrently on ESPN, ABC, and ESPN Deportes.
This marks the third straight season ESPN has experimented with its “Funday Football” concept, following Toy Story Funday Football in 2023 and The Simpsons Funday Football last December. Each edition has advanced ESPN’s blend of sports and entertainment, targeting younger audiences and families while highlighting its growing use of real-time motion tracking and animation technology.
“Each iteration of Funday Football has pushed the boundary of what’s possible in sports technology,” said Michael “Spike” Szykowny, ESPN’s Vice President of Graphics Innovation. “By blending real-time NFL data and tracking with cutting-edge animation, we’re transforming the way fans experience an NFL game.”
This year’s version will see beloved Pixar characters Mike Wazowski and James P. “Sulley” Sullivan join Eagles quarterback Jalen Hurts and Chargers quarterback Justin Herbert on a fully animated field known as the “Cheer Floor,” a reimagined version of the movie’s Scare Floor. The two monsters will even sub in for key plays, competing for “Cheer Canisters” that capture fans’ cheers instead of screams.
ESPN’s Drew Carter and NFL analyst Dan Orlovsky will once again call the action as animated avatars of themselves, using Sony’s virtual commentator technology and VR headsets to interact within the Monstropolis world. Social media personality Katie Feeney joins the broadcast this year as a virtual correspondent, offering fans a behind-the-scenes look at the action and characters.
Monsters Funday Football will be available internationally on Disney+ and ESPN platforms across more than 155 markets, including Latin America, Australia, the Netherlands, Sub-Saharan Africa, and Canada.
Monsters Funday Football Coming Dec. 8 🏈
👾 Live, animated #MNF game ft. Mike/@Eagles & Sulley/@chargers 🤖 Set in the Monsters, Inc. Factory on the Cheer Floor 🧌 Characters & sights from Monstropolis throughout
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Paramount, now part of Skydance Corporation, and the UFC are extending their partnership with a new seven-year, multi-territory media rights agreement that will make Paramount+ the exclusive home of UFC content across Latin America and Australia starting in 2026.
The new deal builds upon the landmark agreement announced in August. Which granted Paramount+ exclusive rights to all UFC events in the United States beginning in 2026. The expansion positions Paramount+ as a global destination for fight fans, strengthening its live sports portfolio and international streaming presence.
“The partnership with Paramount has already been incredible and it just keeps getting bigger and better,” said UFC President and CEO Dana White. “They are now taking on new territories like Latin America and Australia. This thing is just going to continue to grow. It just shows you how aggressive they are with this business, and I love it. I can’t wait to continue working together and building the next generation of talent all over the world.”
In Latin America, including Brazil, Paramount+ subscribers will gain access to every UFC numbered event and all 30 UFC Fight Nights each year at no additional cost. The agreement ensures fans will be able to stream every major fight live. Significantly enhancing the platform’s sports value in a region where UFC has built a passionate following.
Meanwhile, in Australia, Paramount+ is adding UFC programming to its expanding sports lineup. Fans will receive all 30 UFC Fight Nights and the prelims for every major numbered event. Further bolstering the platform’s live sports offerings in one of its fastest-growing markets.
Cindy Holland, Paramount’s Chair of Direct-to-Consumer, emphasized the company’s focus on expanding high-profile sports content to audiences worldwide. “Delivering premium UFC programming to audiences on a global scale remains a top priority for Paramount,” Holland said. “We are thrilled to expand upon the historic offering of UFC content for Paramount+ subscribers across all plans to more passionate and engaged fans around the world.”
The move continues a broader trend among major streaming platforms aggressively pursuing live sports rights as a means to drive engagement and retention. For Paramount+, adding UFC strengthens a lineup that already includes NFL coverage, the UEFA Champions League, and other major properties.
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Last week’s column was the longest I’ve written to date as I attempted to explain the circumstances behind the Cumulus lawsuit against Nielsen. I offered my expectation of a possible outcome. Although I’ve worked for both companies at different times in my career, I have no inside information.
As you might expect, more is going on in the lawsuit, and some expensive lawyers have added more billable hours on both sides. This week, let’s look at some of the other moving parts.
Cumulus wants an expedited hearing on the merits of the case because going without national Nielsen Audio data (Nationwide) will hurt Westwood One. Nielsen is in no hurry. Cumulus’ attorneys sent a letter to Judge Jeannette Vargas of the U.S. District Court for the Southern District of New York on October 21.
Judge Vargas has been on the bench for just over a year (a Biden appointee), but you may have heard of her. She was the judge in the Drake-Kendrick Lamar feud when the latter released a “diss track” accusing Drake of being a “certified pedophile.” Drake sued Universal Music Group, and Judge Vargas ruled in favor of UMG, dismissing Drake’s suit.
The letter described a meeting with Nielsen’s lawyers where no agreement was reached with respect to discovery. It wasn’t surprising that Cumulus would like greater discovery and Nielsen would prefer less. Per a footnote in the letter, Cumulus had three attorneys present while Nielsen sent four. Seven attorneys in one conference room always make for a fun time, and I hope the pastries were good. The two sides didn’t agree, so the judge will decide.
Cumulus wants a preliminary injunction that would:
· Stop Nielsen from tying the sale of national data to local market data · Force Nielsen to continue selling Nationwide to Westwood One under the current contract · Prohibit Nielsen from retaliating against Cumulus in connection with this suit
In the meantime, Cumulus filed an “expert declaration” from Dr. Harold Furchgott-Roth. If that name sounds familiar, he was an FCC commissioner from 1997 until 2001, appointed by President Clinton as a Republican. Typically, the FCC has three members of one party and two of the other, with the balance dependent on the party of the President. He holds a Ph.D. in Economics from Stanford, one of those ACC schools on the wrong coast, and an undergraduate degree from MIT.
I’m old enough to remember a Green Acres episode where Eb said he was attending MIT, which in that case was Middle Indiana Tonsorial, a barber school taught by mail. Dr. Furchgott-Roth’s curriculum vitae was included, and while his expert declaration was 16 pages, his CV ran to 30 pages.
To save you the effort, I read the document. He was asked to give his expert opinion on three relevant questions:
· Are the markets for local and national radio data separate markets? · Does Nielsen have market power in both markets? · Is Nielsen’s new “tying” policy anti-competitive?
As you may have expected, his analysis suggested that, based on the information he was given and was able to find, Nielsen has market power in both markets. For national market data, he states, “Nielsen…has a 100% market share in the market for provision of national radio ratings data.”
On the local side, his analysis stated that even in the five markets with both Nielsen and Eastlan, “Nielsen accounts for the vast majority of the revenue associated with the provision of local radio ratings data. There is strong evidence that Nielsen has market power over local radio ratings data.”
Dr. Furchgott-Roth concluded that:
· Nielsen’s Initial Tying Policy Harms Competition for Local Radio Ratings Data · Nielsen’s Alternative, De Facto Tying Policy Harms Competition for Local Radio Ratings Data
Reading the declaration brought a smile to my face. When I was a Ph.D. student at Michigan State in the ‘80s, I wrote a few policy papers for classes, and law journals were a great source of background. If you’ve ever read a law journal article, you know that sometimes there is more material in the footnotes than in the text itself, so I always checked the footnotes for leads to other good sources.
At the bottom of page 11 of the declaration, footnote 28 cited a column published in Barrett Media last November by yours truly, which makes Barrett Media and me part of the Cumulus-Nielsen case, albeit an infinitesimally small part. While I’m often surprised when I find out who reads my weekly output, this was a shock. I don’t think Jason is shocked by much of anything, but this was probably a first for him as well.
Nielsen has told the court that they intend to bring on an expert, and when that document is filed with the court, I’ll give you a synopsis. However, if Nielsen’s expert doesn’t cite Barrett Media or me, I’ll be greatly disappointed.
Let’s meet again next week.
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There are few broadcasters as synonymous with a sport as Richard John Vitale. A giant advocate for college basketball, he has represented the delivery of entertainment value to broadcasts on ESPN since 1979. Dick Vitale never desired to be a broadcaster, but his passion for basketball was too large to pass up any opportunity to be a part of it, thanks to some sage advice from the people he loves.
“My wife was livid. She’s the calmest person you’d ever meet,” Vitale recalled, describing her reaction when he turned down an opportunity to broadcast the first college basketball game on ESPN a second time. “She said, ‘You’re sitting here moping and feeling sorry about yourself. Bottom line is you should go there, have fun, and talk basketball.’”
The pep talk led to a third conversation with former ESPN executive Scotty Connell, where Vitale accepted an offer to stand beside Joe Boyle and call the DePaul game against Wisconsin on December 5, 1979.
Vitale has never left ESPN since. For the last 46 years, the former head basketball coach in both the NCAA and NBA has been a steward for the game. Admittedly, Vitale knew nothing about doing television when he took the position with the network. However, following his first broadcast, he received feedback that defined his legendary career.
A Life’s Work At ESPN
“He [Connell] called me the next day and told me there are two things you have that we can never teach: your energy and enthusiasm, and your ability to share such insights because you know the game,” noted Vitale. “Then he said, ‘You have no clue, none, when to get in and out.’”
Connell decided to keep Vitale on the roster of announcers for the newly formed sports network and placed him with seasoned broadcaster Jim Simpson. All these years later, that trust and support have elevated Vitale to a star of the network. This past June, on his 86th birthday, Vitale officially signed an extension with ESPN through the 2028-2029 college basketball season.
“ESPN is like family to me. After my family, I’ve been with them half of my life. The colleagues and people I’ve worked with have been so special over the years. They treated me like royalty,” said Vitale. “Jimmy Pitaro and many of their key people have supported me and told me, ‘Don’t worry about doing games. You’re still a member of our staff, and you’re still important.’”
Vitale shared the story of Pitaro offering the extension at his annual Dick Vitale Gala in 2024, highlighting the network’s full support of both Vitale and his cause, as well as his importance to ESPN’s history and impact on college basketball.
Dick Vitale, Jimmy PItaro (Courtesy: Dick Vitale)
“He said, ‘Bottom line is, whatever you can do, I’m pleased to have you,’” said Vitale of Pitaro’s remarks at the Gala.
Fighting Cancer
It has been no secret that the longtime broadcaster has struggled with his personal health in recent years. Vitale has been very public about his four battles with cancer since 2021, ranging from melanoma to lymphoma to vocal cord cancer. He explained why he wanted his fight to be so public: to help raise money for cancer research and provide a message of perseverance.
“The reason I made it so transparent: I did it because I knew it would help me raise money for kids. There’s nothing that means more to me right now than bringing a smile to a child’s face and their family’s faces,” explained Vitale, whose Dick Vitale Gala has raised over $105 million for pediatric cancer research. “I wanted to inspire people not to quit and to keep battling. I feel good about that. It makes me feel like I’m doing something worthwhile with my life. I want to give back now more than ever because people have given me so much.”
Throughout his battles with cancer, Vitale admits there were several ups and downs. The scars remain, but Vitale never gave up, bolstered by the support he received from around the world. He recalled a story from one evening during his lymphoma treatment. A hospital stay that felt like the end, until an encouraging talk with a nurse changed his mindset.
“There was one night after chemotherapy. My doctor told me I couldn’t go home. Things were not going well. I knew it because I was miserable all day. My family was there visiting me, and when they left, I got really hysterical,” recalled Vitale. “A nurse heard me and asked what was the matter. I said, ‘I don’t know, my family just left, and I don’t know if that’s the last time I’ll ever see them.’ It was scary.”
Dick & Lorraine Vitale (Courtesy: Dick Vitale)
The nurse calmed Vitale’s emotions, using the same messaging he had employed for his career as a motivational speaker and coach. He thanked her and then checked his phone, amazed by the support he saw.
“The people who reached out had no idea what had transpired about an hour before. They all knew I was doing chemo, but that’s it,” said Vitale. “I can’t tell you how those messages encouraged me. I choked up talking about how good people have been to me.”
Getting Back To Basketball
Last month, Vitale shared news from a recent PET scan confirming he is once again cancer-free. Although the battle may be over, the aftereffects remain. He is currently undergoing physical therapy to assist his legs, experiencing pain when standing after sitting. As a result, he has had to cut back on some personal travel to Notre Dame and USC, where he had planned to attend college football matchups.
While Vitale is in no rush to retire from ESPN and calling basketball games, he hinted at how he will know when it’s time.
“I still feel I have a lot to offer. I’ve told my bosses this about a hundred times. You’re not going to have to tell me when it’s over; I’ll tell myself because I would never embarrass myself or my family,” said Vitale. “I don’t do it for the money; I’ve made enough. In my heart I have something to contribute, and I still feel mentally alert and sharp. I would not go on air if I couldn’t remember the names of the players. There’s no way.”
Vitale’s focus for the season is his debut on ESPN on November 4, when he will be on the call with Dan Shulman and Jay Bilas for the inaugural Dick Vitale Invitational between Duke and Texas—a game named in honor of Vitale’s lasting legacy with ESPN.
“I can’t tell you how touched I was by that. I was told by the people at ESPN in programming and by those who shared that with me, I was moved to tears,” recalled Vitale. “That’s as good as it gets when your company thinks that much of you that they name an event after you. I hope I don’t get too emotional during the game, but it will be a special moment for my career.”
Outside of his season debut for the invitational, Vitale admitted he’s not sure which games he will broadcast for ESPN.
“I don’t know what games I’m doing. The people at ESPN have been very good with me and told me, ‘If you can do a game, do it. If you can’t, just tell us.’ That’s the approach I must take,” said Vitale. “At my age and after what I’ve been through, I can’t just commit. I’d love to do this game and that game, but I can’t.”
Vitale said he is working hard to ensure he’s ready for the November 4 telecast but is taking a slow approach with anything additional.
Every day for the 86-year-old broadcasting legend is a day to be celebrated. With plans to return to the network next month and reflecting on his legacy, Vitale hopes people remember him for the charismatic personality he portrayed on television and the kind heart he displayed off it. Fitting for a man who was labeled “everybody’s buddy” in his 1958 East Rutherford High School yearbook.
Dick Vitale Yearbook Photo (Courtesy: Dick Vitale)
“I’d like to be remembered as a guy who did everything with passion, pride, energy, and enthusiasm,” noted Vitale. “Reaching out to all people—I tried to do that all my life. It didn’t matter race or anything else. People are people. I’ve tried to live that in my life.”
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