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NFL, Networks Reportedly Far Off In Rights Fees Expectations

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The next round of media rights negotiations involving the National Football League (NFL) is shaping up to be one of the most expensive in sports media history, and the financial gap between the league and its partners is already coming into focus.

The belief is the NFL will push for a massive increase in rights fees when talks intensify. Some estimates suggest the league could seek a doubling of its current deals. By comparison, media companies appear far more cautious, with expectations reportedly landing closer to a 25% increase.

According to a report by CNBC’s Alex Sherman. even a compromise could carry a hefty price tag. If the two sides settle somewhere in the middle, networks like FOX Corporation and Paramount Global could be forced to pay roughly $1 billion more annually to retain their NFL packages. That kind of jump would ripple across the entire media ecosystem.

For broadcasters, the NFL remains the most valuable property in television. The league consistently delivers massive audiences, drives advertising revenue and supports retransmission fees from pay-TV providers. It also plays a key role in attracting and retaining streaming subscribers. However, the economics are becoming harder to justify.

This follows a separate report by CNBC last month that the NFL has already begun discussions with Paramount Skydance who now oversee CBS Sports. According to the report, discussions between league officials and executives from CBS and its parent company are centering on a potential price increase that could raise the network’s yearly payment by roughly 50–60 percent.

PGA Tour CEO Brian Rolapp has been vocal over the past month about the amount the NFL could take in with renewed agreements. Rolapp framed the current U.S. sports rights market at roughly $30 billion annually, with modest projected growth. Within that structure, the NFL alone accounts for approximately $12 billion per year, a figure that could rise substantially if the league achieves its stated goal of doubling its media revenue.

If that scenario plays out, Rolapp suggested, it could tighten the financial flexibility for other leagues competing for partnerships with broadcasters and streaming platforms.

At the same time, media companies are facing mounting financial pressure. Advertising growth has slowed, traditional pay-TV subscriptions continue to decline and streaming platforms are still working toward consistent profitability. Those factors make it difficult to absorb a sharp increase in rights costs.

If fees climb as expected, networks will likely face tough decisions.

CEO Lachlan Murdoch has already acknowledged the company may need to “rebalance” its sports portfolio to maintain its NFL position. Without a fully mature streaming platform to offset rising expenses, Fox has fewer levers to pull compared to its rivals.

Meanwhile, the NFL has little incentive to compromise significantly. The league continues to dominate viewership across both linear and digital platforms, giving it leverage few properties can match.

As negotiations move closer, the central question is not whether rights fees will increase, but how much media companies are willing to pay to stay in business with the NFL.

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Newsmax Names Kyle Lowder, Kenzie Beach Co-Hosts of Wake Up America Weekend

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Newsmax has announced it is adding Kyle Lowder and Kenzie Beach to host Wake Up America Weekend on the cable network.

The show will air from 7-9 AM ET on Saturdays and 7-10 AM ET on Sundays on Newsmax.

Lowder spent more than 20 years working in Hollywood entertainment. He spent 16 years appearing on shows like Days of Our Lives and The Bold and the Beautiful. Most recently, he worked as an anchor at KTVN-TV in Reno.

Beach, meanwhile, joins Newsmax after previously working at FOX10 in Phoenix as a news anchor and reporter. She also spent time working in local television in Columbus, Georgia.

“I am so thrilled and honored to be joining Newsmax in this new role,” said Lowder. “Wake Up America Weekend has gone through a major rebrand and will offer our viewers a new, insightful, and refreshing way to start their weekend mornings. My sincere gratitude to Chris Ruddy, Gary Kanofsky, and the Newsmax team for tasking me with this responsibility.”

“I feel very blessed to join the talented team at Newsmax,” says Beach. “Being part of your mornings and a trusted voice in your home, is something I take to heart. At the end of the day, this isn’t just about headlines – it’s about real people and real lives. I’m so excited to connect with you and be part of your weekends – wake up with us every Saturday and Sunday.” 

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Netflix Signs Brian Williams for Weekly Podcast

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Netflix has announced it has inked former NBC News and MSNBC host Brian Williams to host a weekly podcast.

We’re Back! with Brian Williams will debut later this year. The show will feature extended interviews with Williams speaking with high-profile figures from entertainment, music, and the political realms.

“With scientists predicting that every American will have a podcast by 2030, I thought it was time to get in the game,” Williams said.

The move marks the first regular program for Brian Williams since he exited MSNBC in 2021. He helmed The 11th Hour, as well as breaking news coverage for the cable network. In 2024, Williams anchored the Election Night special for Amazon Prime Video.

Prior to joining MSNBC, Williams spent a decade as anchor of NBC Nightly News.

The addition of Brian Williams is the latest in a string of podcast opportunities created by Netflix. The streaming video giant has paid tens of millions for the rights to shows from The Ringer and Barstool Sports, among others.

That push comes as competitors YouTube and Spotify continue to dominate the lion’s share of the video podcasting space.

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ESPN Announces Extensive NFL Draft Coverage on Record Nine Different Platforms

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ESPN and The Walt Disney Company are expanding their footprint around the NFL Draft, delivering wall-to-wall coverage of the three-day event across a record number of platforms. Coverage begins Thursday, April 23, and runs through Saturday, April 25, from Pittsburgh.

ESPN, ABC and NFL Network will anchor the linear broadcasts, while ESPN’s digital ecosystem and social channels provide additional access points. For the first time, Disney+ and Hulu will also stream the network’s draft presentations, extending reach even further.

In total, fans will have access to 14 hours of coverage spanning all 257 selections. The opening night alone will feature five different viewing options, underscoring ESPN’s strategy of offering multiple entry points rather than a single broadcast feed.

As in recent years, each network will lean into a distinct editorial approach. ESPN and NFL Network will focus on football analysis, emphasizing team needs, roster construction and player evaluation. ABC will again take a storytelling-driven angle, highlighting player journeys and personal backgrounds to engage a broader audience.

Mike Greenberg returns to host ESPN’s main broadcast, marking his sixth time in that role. Rece Davis will lead ABC’s coverage, while Rich Eisen anchors NFL Network’s presentation for the 20th time. Analysts including Mel Kiper Jr., Daniel Jeremiah and Field Yates headline a group of more than 60 commentators on site.

Beyond the main telecasts, ESPN will surround the draft with extensive studio programming. Expanded editions of NFL-focused shows and daily staples will originate from Pittsburgh, alongside contributions from news and debate programs throughout the three days.

Thursday night’s first round will also include an alternative digital presentation. The Pat McAfee Show Draft Spectacular will stream live across multiple social platforms and the ESPN App, offering a more informal, personality-driven viewing experience.

Coverage continues Friday with rounds two and three, followed by a full day of programming Saturday. ESPN’s final-day presentation will be simulcast on ABC, while NFL Network maintains its own dedicated broadcast of the later rounds.

Additionally, ESPN Deportes will provide Spanish-language coverage of all seven rounds, and ESPN Radio will carry every pick. Reporting will extend beyond the main stage, with insiders positioned at team facilities and prospect locations to deliver real-time updates.

Since first televising the draft in 1980, ESPN has played a central role in shaping how the event is consumed. That presence will continue after the network and the NFL reached a long-term extension in 2025, ensuring ESPN remains a primary home for the draft in the years ahead. With more platforms, voices and viewing options than ever, ESPN’s 2026 coverage reflects the draft’s evolution into a multi-day media event that extends well beyond the traditional broadcast window.

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Digital Audio Ad Spending Hits $8.4 Billion in 2025, New IAB Data Shows

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Digital audio advertising reached $8.4 billion in 2025, and podcasting drove much of that growth. The Interactive Advertising Bureau, working with PwC, says podcast ad revenue climbed 17.6% year-over-year to $2.9 billion. That figure outpaced the broader digital audio category, which grew 10.2%.

Those numbers land at a time when the audio industry is watching its ad dollars closely. Traditional audio managed just 1.3% growth last year. TV advertising fared worse, declining 13.4% in the same period.

The IAB’s 2025 Internet Advertising Revenue Report frames digital audio as an increasingly important piece of the media mix — but also a relatively small one.

At $8.4 billion, digital audio accounts for just 2.8% of overall digital ad spending. That total reached $294.6 billion last year, up 13.9% year-over-year.

For podcasters, the report carries both good news and a clear challenge. Creator advertising — a category that increasingly overlaps with podcasting — reached $37 billion in 2025 and is projected to hit $44 billion in 2026. Brands aren’t just running ads inside podcasts anymore. They’re embedding creators into long-term media strategies and even product development, a shift in how the industry values the creator-audience relationship.

The challenge is accountability. As video consumption grows and the line between audio and video podcasting continues to blur, the IAB expects 2026 growth to hinge on whether podcasters can prove their advertising delivers measurable impact. “This will also present new challenges for publishers and media buyers to plan, buy and measure across traditional ‘audio’ and ‘video’ channels,” the report notes.

That pressure extends across the digital ad market. IAB CEO David Cohen pointed to performance as the defining factor in where investment is moving. “As expectations for measurable outcomes rise,” he said, “investment is concentrating in areas that can directly correlate spend to business results.”

Programmatic advertising is one area where measurable outcomes are already driving dollars. Overall programmatic spending rose 20.5% in 2025 to $162.4 billion, and the digital audio industry has been pushing to capture more of that automated buying. The IAB expects that trend to accelerate as AI-driven media buying takes hold.

Digital video also posted a 25.4% gain, reaching $78 billion — the fastest growth of any major format. That shift matters for podcasters because it’s likely to influence how podcast inventory is valued. Campaigns are increasingly spanning both audio and video environments, and pricing will follow.

The IAB notes these record levels arrived without any major cyclical events — no Olympics, no election cycle — to inflate the numbers. “While overall revenue is stronger than ever, consumer usage patterns have changed materially over the last year,” said Jack Koch, IAB Senior VP of Research & Insights. “The ability to integrate data, media, and commerce is becoming a defining advantage.”

One figure underscores the competitive landscape: the top 10 tech companies now control 84.1% of total digital ad revenue. For audio publishers working to grow their share, that concentration is a reminder of how much ground there is to make up — and how important it is to deliver results that advertisers can measure.

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Netflix’ Bela Bajaria: Strategy for Live Sports Still Evolving

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Netflix continues to refine its approach to sports as it expands beyond its on-demand foundation, and Chief Content Officer Bela Bajaria offered a clearer picture of that strategy this week. Speaking with Netflix sports lead anchor Elle Duncan at the CAA World Congress of Sports, Bajaria said the company’s growing interest in live content stems from both necessity and opportunity.

While Netflix built its business on viewer control and flexibility, certain programming requires a different mindset.

“We want to be great at everything,” Bajaria said, explaining that live content introduces a new layer to the platform’s evolution.

That shift hasn’t come without challenges. Netflix’s infrastructure and identity were designed for on-demand viewing. Asking audiences to tune in at a specific time marks a notable departure from that model. Still, Bajaria made it clear the company sees value in moments that can drive real-time conversation.

“To actually do something live and say, ‘This is the time we want you to watch something,’ is just a different strategy,” said Bajaria.

As a result, Netflix has focused on events that feel culturally relevant and unpredictable. Bajaria described those as “buzzy” opportunities that can break through in a crowded media landscape.

Sports, in particular, fits that vision — but only under the right conditions. Rather than pursuing every available rights package, Netflix is prioritizing select, high-impact plays. Bajaria described the company’s mindset as “go big or go home,” pointing to international efforts like the World Baseball Classic as an early example of testing that philosophy.

At the same time, Netflix continues to lean into storytelling as its core strength.

Bajaria called sports “the best soap opera,” noting that emotional investment often starts outside the live event itself. Even when the company does lean into live programming, it looks for ways to differentiate.

Ultimately, Netflix’s strategy reflects a hybrid model. The company is expanding into live sports, but not at the expense of its entertainment-first identity. For Bajaria, the goal is not to replicate traditional broadcasters. Instead, it’s to find selective opportunities where live content enhances what Netflix already does best.

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FOX Sports CEO Eric Shanks Believes Network Was “Born” To Broadcast NFL Ahead of League Rights Discussions

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FOX Sports is making its priorities clear as the next wave of NFL media rights negotiations begins to take shape. Appearing at the CAA World Congress of Sports, FOX Sports CEO and executive producer Eric Shanks reiterated the company’s deep-rooted connection to football while speaking with Colin Cowherd.

With the National Football League widely expected to revisit its current rights agreements ahead of schedule this spring, FOX is positioning itself as a committed long-term partner.

“We were the only network that was literally born to do the NFL,” Shanks said. “Now we’ve grown into this saying that ‘FOX is football,’ right? Whether it’s college, spring, NFL; the NFL has just become a huge part of our DNA.”

His comments reflect more than brand identity. They signal strategy. FOX has long leaned on the NFL as a cornerstone property, anchored by its NFC package and consistent top-tier ratings. That reliance appears unlikely to change, even as the cost of premium rights continues to climb and competition intensifies.

Parent company leadership has already acknowledged that reality. During a recent earnings call, Lachlan Murdoch said FOX is prepared to adjust its broader sports portfolio to ensure it remains in business with the league. He described the NFL as “tremendous content” and suggested the company could offset rising costs by reallocating resources across its existing rights holdings.

That portfolio currently includes properties such as Major League Baseball, NASCAR, IndyCar and Big Ten athletics. However, none deliver the consistent national audience that the NFL commands.

The league continues to dominate viewership. FOX averaged 19.6 million viewers across its NFL windows last season, its best mark in nearly a decade. Those numbers reinforce why the network views football as essential rather than optional.

Still, the landscape is shifting. Streaming platforms have expanded their presence in live sports, with companies like Netflix and YouTube TV entering the conversation around premium rights. That dynamic could drive prices even higher and force traditional broadcasters to make difficult decisions.

FOX’s approach, at least publicly, suggests it is willing to make those calls.

“Who wouldn’t want to be partners with the NFL as long as humanly possible,” said Shanks.

Shanks also addressed the evolving structure of college football, voicing support for a 24-team College Football Playoff. He argued expansion would improve early-season scheduling and create more meaningful games late in the year, further strengthening football’s overall value proposition.

Taken together, the messaging from both Shanks and Murdoch points to a unified stance. As negotiations approach, FOX is not signaling caution. Instead, it is emphasizing commitment, flexibility and a belief that its future remains closely tied to football — especially the NFL.

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Roku Setting Records With 100 Million Streaming Households

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Roku has reached a significant benchmark in its growth, surpassing 100 million streaming households worldwide. The milestone signals not only Roku’s expanding footprint, but also the continued shift in how audiences consume television.

The company said the total reflects distinct accounts that streamed content on the platform over a 30-day period as of April. That includes viewers using Roku streaming players, Roku-branded televisions, and devices built through its global hardware partnerships.

Roku Founder and CEO Anthony Wood called the achievement a pivotal moment for both the company and the broader TV industry.

“Surpassing 100 million streaming households is a defining moment, not just for Roku, but for the future of television,” Wood said. He added that Roku continues to focus on simplifying content discovery, lowering costs for consumers, and improving outcomes for advertisers.

The growth comes as streaming cements its role as the primary way many consumers watch television. Roku said its devices are now used in more than half of U.S. broadband households, while international expansion continues in markets such as Mexico, Canada, Brazil, and the United Kingdom. According to data from Comscore, Roku generates more than three times the engagement of the next leading TV operating system in the U.S.

Additionally, Roku offers access to a wide range of programming, including hundreds of free live channels and thousands of on-demand titles. According to Nielsen, the app ranks among the top streaming options in the U.S., sitting as the No. 2 free ad-supported service on the Roku platform and No. 5 overall.

Beyond consumers, the company continues to position itself as a key player for advertisers and distribution partners. Its scale provides brands with access to a large, engaged audience across its home screen, streaming channels, and branded environments like Roku City and its sports hub.

For content providers, the platform offers tools designed to simplify subscription management and improve customer acquisition. Roku said its ecosystem reduces friction for users while helping partners drive conversions and long-term value.

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vCreative Adds Cloud Automation Compatibility with RCS ZettaCloud and WideOrbit Aurora

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vCreative has launched new integrations with RCS ZettaCloud and WideOrbit Aurora.

With this update, vCreative now deploys Cloud AutoDub directly across both platforms. As a result, stations using vCreative with WideOrbit or Zetta eliminate manual steps. Consequently, production time decreases.

“The industry is rapidly moving away from fragile, locally managed infrastructure toward scalable, cloud-based workflows,” said vCreative CEO Mary DelGrande. “With Cloud AutoDub, we’re eliminating the friction between production and playout, giving broadcasters faster turnaround, greater reliability, and the ability to scale effortlessly across markets. This is a foundational step toward the fully automated, cloud-native future of broadcast operations.”

Meanwhile, AutoDub technology streamlines output for multi-market operators. It ensures consistent and predictable delivery across many stations. Additionally, it continuously checks, processes, and delivers commercials. It also applies correct format, metadata, and companion file parameters.

“With integrations like vCreative’s Cloud AutoDub now embedded within ZettaCloud, RCS is delivering real, cloud-native automation that removes friction between production, traffic and playout,” said Susan Larkin, President and CEO of RCS. “As the world’s largest broadcast software company, we support broadcasters globally who manage billions of dollars in advertising revenue and rely on efficient, reliable systems to protect and grow their business. There is no one-size-fits-all path to the cloud, and by automating key workflows, we help customers reduce costs, accelerate speed to revenue, and modernize operations—while maintaining a seamless listener experience.”

“WO Aurora’s integration with vCreative’s Cloud Dub is WideOrbit’s latest initiative that supports the industry’s urgent need to eliminate the expense of installing and maintaining on-prem hardware solutions,” added William Dub Irvin, Managing Director and Vice President of Radio Automation at WideOrbit. “WideOrbit and vCreative’s existing automation and traffic integrations have already saved our customers millions of dollars, and our integration with Cloud Dub is poised to further strengthen the financial position of our customers.”

This expansion reflects a broader industry shift toward cloud-based operating systems over local infrastructure. Notably, it follows a previous integration with Radio.Cloud earlier this year.

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Michelle Heart Named Program Director At 102.3 The Rose

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Connoisseur Media has added a new voice and leadership presence to its Louisville cluster, naming Michelle Heart as program director and midday host at 102.3 The Rose. The move places Heart in charge of day-to-day programming for the adult contemporary outlet.

She also will be heard on-air during middays, giving the brand a consistent local presence both behind the scenes and on the airwaves. Heart arrives in Louisville following a 16 year run run in Boise, Idaho.

“These past 16 years in Boise have meant everything to me. Nine of those years were spent waking up with you every morning, and I’m so proud of what we built together at LITE,” said Heart on Instagram. “We took a little station on the end of the dial and turned it into something special, and I’ll always be grateful for that.

Her work earned industry recognition. Heart received a Gracie Award in 2024, an honor that highlights excellence among women in media.

Now, she transitions into a leadership role previously handled remotely. With Heart based locally, Connoisseur Media is positioning the station for stronger ties to the Louisville audience and more hands-on programming direction.

“I’m really excited about this next chapter,” said Heart. “Louisville feels like the right place at the right time, and I can’t wait to build something great with my new team on The Rose! Lots of learning to do.”

Operations Manager Ben Davis pointed to Heart’s versatility as a key factor in the hire. He noted her experience across programming, on-air performance, and digital engagement as traits that stood out during the search process.

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