Home Blog Page 404

Fubo Sports Network Launching ‘The Hoops HQ Show’ With Seth Davis, Andy Katz

0

FuboTV Inc. and Hoops HQ announced the premiere of The Hoops HQ Show with Seth Davis and Andy Katz, a new college basketball talk show airing on Fubo Sports Network, Fubo’s free ad-supported streaming TV channel.

The series will debut January 20 at noon ET. The program will feature a mix of breaking news, pre- and post-game analysis, betting tips, and insider commentary. Episodes will stream Tuesdays and Fridays, with full episodes also available on the Hoops HQ YouTube channel.

“I have known Andy Katz for more than 30 years. We have been friends and competitors, but now we are finally on the same team,” Davis says. “Andy and I couldn’t be more excited about joining forces for The Hoops HQ Show. We are going to bring our experience, our insight and most of all, our access, to deliver an insider’s perspective on college basketball.”

Hosted by veteran analysts Seth Davis and Andy Katz, the program aims to offer fans unparalleled access to the sport’s top figures. Guests will include current and former players, coaches, conference commissioners, media personalities, and even celebrity enthusiasts.

Davis, the editor-in-chief and co-founder of Hoops HQ, has been a studio host for CBS Sports and Turner Sports’ March Madness coverage for more than two decades. He spent 22 years writing for Sports Illustrated and six years at The Athletic. During that time, he authored nine books, including multiple New York Times best sellers.

Katz, Hoops HQ’s senior correspondent, serves as lead analyst for the Big Ten Network and national correspondent for NCAA.com. He previously spent 18 years at ESPN and has covered every NCAA Final Four since 1992.

Fubo Studios head Pamela Duckworth said the network’s partnership with Hoops HQ is a natural extension of its growing sports portfolio.

“We have seen great success in launching and growing programming covering the dynamic world of basketball. Now it’s time to bring Hoops HQ into the fold at Fubo Sports Network,” Duckworth said. “Our fans are hungry to hear from authentic voices with deep expertise across their favorite sports. Seth Davis and Andy Katz are acclaimed long-time college ball legends. We are proud to partner in bringing their show to life.”

The Hoops HQ Show will be accessible on a wide range of platforms. These include Amazon Prime Video, LG Channels, Samsung TV Plus, Sling Freestream, The Roku Channel, VIZIO WatchFree+, Tubi, Plex, TCL Channels, TCL Live TV, and Tablo TV. Fubo Sports Network is included in DAZN’s subscription packages and Fubo’s own bundles. These bundles aggregate more than 400 live sports, news, and entertainment networks.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

97.9 The Box Announces DJ J-Que Return To Morning Drive January 26

0

97.9 The Box announced the return of DJ J-Que to its Morning Drive lineup, beginning Monday, January 26. J-Que will take the lead on the station’s award-winning show Good Morning H-Town, joining longtime co-host JMac and rising talent Young Jas.

The move marks J-Que’s first Morning Drive role since 2017, when he was part of The Madd Hatta Morning Show. Afterward, he teamed with Houston radio veteran G-Man on The Afternoon Sauce, cementing his reputation as a versatile on-air personality.

“J-Que is a true team player who makes everyone around him better,” said Yonni Rude in a statement, Program Director of 97.9 The Box. “His off-the-cuff humor combined with the personalities of JMac and Young Jas is like assembling the Avengers of morning radio—ready to save H-Town from the most stressful part of the day: the morning commute.”

Alongside his hosting duties, J-Que continues to serve as Assistant Program Director and Music Director for 97.9 The Box.

J-Que’s return is part of a larger strategy by KBXX to strengthen its morning programming, a time slot considered critical for building listener loyalty and driving ratings.

Beyond the microphone, J-Que has developed a notable presence as a tastemaker, influencer, and brand partner. His collaborations span high-profile companies. These partnerships highlight his reach not only within music and entertainment but also in marketing and brand engagement.

Listeners can tune in to Good Morning H-Town weekdays beginning January 26 to hear J-Que alongside JMac and Young Jas, as the trio navigates music, culture, and the daily chaos of morning commutes.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

UFC, Paramount Announce Kate Scott as Host of UFC Studio Coverage

0

CBS Sports’ Kate Scott will take center stage as the host of Paramount Skydance’s UFC studio coverage, beginning with the first event of the company’s seven-year, $7.7 billion media rights partnership, set for January 24 on Paramount+.

According to a report by the Sports Business Journal, Scott will lead the desk alongside former champions Michael Bisping, Dominick Cruz and Chris Weidman, bringing a mix of on-air expertise and fight experience to the broadcast.

Although Scott is best known for her work covering CBS’ UEFA Champions League broadcasts, she has long-standing ties to combat sports. Her resume includes hosting and reporting on boxing matches for FOX Sports, DAZN and Showtime in the U.S. She has also contributed to coverage with Sky Sports in the U.K. and Germany.

Paramount Skydance’s debut marks a high-profile expansion of the UFC’s broadcast strategy. This follows its record-breaking media deal. The deal positions the company as the exclusive distributor of the sport across multiple platforms for the next seven years.

Scott’s role underscores the network’s commitment to blending seasoned commentary with dynamic studio presentation. Live fight coverage will include by play-by-play announcer Jon Anik, with analysis from Joe Rogan and Daniel Cormier. Megan Olivi and Din Thomas will provide in-field reporting. Bruce Buffer continues in his long-standing role as the in-octagon announcer.

Paramount+’s first event coverage in Las Vegas is expected to set the tone for a robust rollout of UFC programming, combining traditional fight commentary with enhanced digital content for subscribers.

Globally, UFC reaches nearly 950 million broadcast and digital households in more than 210 countries and territories. Its programming is available in 50 languages. The roster includes about 600 fighters representing 75 countries. In the United States, UFC counts roughly 100 million fans who engage across TV, digital, and social platforms.

UFC 324 brings immediate star power. The main event features an interim lightweight title fight between former interim champion Justin Gaethje and rising fan favorite Paddy “The Baddy” Pimblett. The co-main event adds another historic layer. Women’s bantamweight champion Kayla Harrison defends her title against UFC Hall of Famer Amanda Nunes. Nunes returns to competition for the first time since 2023.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

WGN Radio’s Lisa Dent Gives Update After Injury Leaves Her Off-Air

0

WGN Radio afternoon host Lisa Dent has been curiously absent for a few days. She’s now sharing why she hasn’t been on the air at the Chicago news/talk radio station.

In an article published on the station’s website, Lisa Dent shared that she fell at her home last Thursday, crashing through a “sea of broken glass” in her bathroom in the process.

“I begged the medics to be gentle as they lifted me onto the stretcher,” said Dent. “I told them, with absolute
certainty, ‘Something is broken.’ I’ve never broken a bone. I’ve never had a traumatic injury. I don’t know how I knew — but you just know. Four doses of morphine in the ambulance. Fentanyl when I arrived at the ER. The pain hadn’t dimmed.”

In the aftermath of the injury, it was determined that Dent would need a full shoulder replacement. She shared that her team of doctors at Northwestern University told her she had suffered a “devastating injury.”

When sharing her news, Dent thanked those at WGN Radio who leaped into action to make sure her daily afternoon program was covered in her absence. She added that she hopes to return to the airwaves soon.

“There are so many stories still to tell — and you know I’ll tell you all of them,” Dent concluded.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Scott Van Pelt: Those Outraged Over Lynn Jones-Liam Coen Interaction Need To “F***ing Relax”

0

ESPN’s Scott Van Pelt weighed in this week on the controversy surrounding Jacksonville Free Press reporter Lynn Jones’ interaction with Jaguars head coach Liam Coen following the team’s Wild Card loss to the Buffalo Bills. Van Pelt, speaking on his SVPod, dismissed the outrage from some corners of sports media, calling the criticism overblown and misdirected.

“I gotta tell you, all of us, it ain’t that serious what we do. It ain’t that serious. No one’s solving the issues of the world. We’re not feeding the hungry, we’re not healing the sick, we’re not curing disease. We’re talking about a football game,” he said.

Jones, a longtime fixture in the Jacksonville community, received attention for offering words of encouragement to Coen after the Jaguars fell 27-24 to the Bills. Speaking during the postgame press conference, she told Coen, “I just want to tell you congratulations on your success, young man. You hold your head up, alright? You guys have had a most magnificent season and you did a great job out there today. So you just hold your head up, OK?”

While some praised the exchange, others argued it blurred the lines between journalism and cheerleading. Van Pelt emphasized that the outrage over Jones’ 20-second interaction was disproportionate.

“When I see people that are so aggrieved that a woman, who’s a fixture in the community and has been for 30 years writing for community newspapers. She takes 20 seconds to be human and kind, and your reaction to that is to be angry. As if someone were denied access to be in that room, or denied the right to ask their hard hitting question about the Jacksonville-Buffalo game. You gotta fu**ing relax, because it ain’t that serious.”

Van Pelt further noted that Jones’ comments did not impede the work of other reporters in the room. He noted that several questions following Jones’ comments were repeated questions, and Coen stood for seven seconds at the end awaiting further questions.

“Great writers were not denied access to this place because Lynn Jones was there. Anyone who was there was not so aggrieved by these 20 seconds that they couldn’t then ask their hard-hitting question that was going to get to the bottom of the 27-24 result. The net is it’s 20 seconds that didn’t negatively impact anyone in that room or prevent anyone in that room from asking their question,” said Van Pelt. “The collective outrage from people say that’s not the place in theory, no, but is it a big deal? No.”

In a landscape often defined by heightened scrutiny and polarizing commentary, Van Pelt’s defense of Jones underscored a reminder that not every moment in sports media requires a headline-grabbing debate. Sometimes, he suggested, a simple act of kindness should be enough.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest informed right in your inbox.

ESPN Monday Night NFL Wild Card Broadcast Viewership Up 15% Year-Over-Year

0

ESPN’s exclusive presentation of Monday Night Football continues to deliver strong postseason results, with the network drawing a massive audience for its AFC Wild Card matchup between the Houston Texans and Pittsburgh Steelers on January 12.

The game averaged 29.1 million viewers across ESPN platforms, marking a 15% increase compared to ESPN’s Wild Card telecast one year earlier between the Minnesota Vikings and Los Angeles Rams.

The Texans’ road victory over the Steelers ranks as the network’s second most-watched Wild Card game since 2015. The audience total matched the 29.1 million viewers who watched Eagles-Buccaneers in January 2024. This reinforces ESPN’s growing ability to attract large national audiences during the NFL playoffs.

Viewership climbed steadily throughout the evening before peaking just ahead of halftime. Between 9:15 and 9:30 p.m. ET, the broadcast reached a high of 33 million viewers, reflecting heightened interest as the game’s early narrative took shape.

That surge helped solidify the telecast as one of the most-watched NFL games of the 2025 postseason to date.

The Wild Card matchup aired across ESPN platforms, with additional digital streaming contributing to the overall audience total. ESPN has leaned heavily into its multi-platform distribution strategy in recent years, a move that continues to pay dividends during marquee events such as the NFL playoffs.

Monday Night Football has long been one of ESPN’s cornerstone properties, and its postseason extension has become a valuable piece of the network’s broader NFL portfolio. The network’s NFL coverage for the 2025-26 season will continue with one remaining postseason telecast.

The network is scheduled to carry an AFC Divisional Round matchup on Sunday, January 18, when the Houston Texans travel to face the New England Patriots. That game will kick off at 3 p.m. ET and air on ESPN, ABC, ESPN Deportes and the ESPN App, with additional mobile viewing available through NFL+.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest informed right in your inbox.

Connoisseur Media Taps Audiospace to Expand Digital Strategy Across 240 Radio Platforms

0

Swiss-based Audiospace is making a statement in the U.S. radio space. The digital audio platform, developed by Brands Are Live AG, has landed a major competitive win stateside, securing a contract to build 240 digital radio platforms for Connoisseur Media.

The deal further cements Audiospace’s growing reputation as a go-to technology partner for radio companies looking to strengthen their digital footprint. The partnership aligns with Connoisseur Media’s aggressive expansion strategy under CEO Jeff Warshaw.

In the past year, Connoisseur Media added Alpha Media’s portfolio of more than 200 stations across 40-plus markets. It also acquired five high-profile San Francisco stations from Bonneville. As the company grows, so does the need for scalable, local-focused digital experiences.

“Our culture is about being local and meeting audiences where they are,” Warshaw said. “That means a first-class digital experience alongside great local programming. Audiospace understands radio. They’re not just building apps and websites — they’re helping us connect with listeners and unlock new revenue opportunities.”

Audiospace CEO Jan Müller echoed that sentiment. He pointed to mobile consumption as a critical driver of engagement and monetization for broadcasters. The first wave of Connoisseur websites and apps launched in early December, with additional rollouts scheduled in the weeks ahead.

The Connoisseur deal adds to a busy stretch for Audiospace. The company closed out 2025 by launching 66 apps for Seven Mountains Media. It now powers more than 400 digital platforms for over 220 U.S. radio stations.

Internationally, Audiospace continues to gain momentum, particularly in Germany, while also supporting broadcasters across Europe, Australia, Mexico, and beyond. With its focus on turning digital listening into actionable data and revenue, Audiospace is positioning itself as a key player in radio’s global digital evolution.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest informed right in your inbox.

Why Mitch Rosen Feels the Time Was Right for 670 The Score To Add 104.3 FM

0

It wasn’t the normal Wednesday morning staff meeting at 670 The Score. While station staff were focused on capitalizing on another week of postseason football conversation, an announcement years in the making was dropped. It caught some staff by surprise and created instant excitement. After 34 years of Chicago sports talk, 670 The Score will be adding a full FM simulcast beginning on February 2.

“First and foremost, I think it’s great for our audience,” said Mitch Rosen, Vice President, 670 The Score. “There was some surprise because we had been talking about this for a while. However, we’re really excited about what’s to come.”

Rosen has overseen day-to-day operations at 670 The Score since 2005, guiding the brand to unprecedented heights. He has ensured consistent success in both ratings and revenue. Rosen has also led the brand’s growth in the digital space through podcasts and video streaming platforms.

He regularly has finished atop the Barrett Media Top 20 sports programmers in the country and is the inaugural winner of the Barrett Media Mark Chernoff Award. His resume speaks for itself, yet this announcement provides a new opportunity for the brand he calls home.

“You look at the great successful sports content brands around the country. WFAN in New York City, 94 WIP in Philadelphia, and 97.1 The Ticket in Detroit. They’re all on FM frequencies,” explained Rosen. “We’re fortunate to be a standalone AM yet do so well in Nielsen ratings over the years. It’s a testament to our team, and this gives us the opportunity to take it to the next level.”

Beginning February 2, a date Rosen dubbed “opening day,” 670 The Score will be rebranded as 104.3 The Score. All programming will be heard on both AM and FM. The Chicago sports radio brand evolves yet again, opening a new frontier for The Score in the latest chapter of its Windy City lineage.

The move itself was not instant, and the idea was not foreign. The first attempt at a full-time FM sports radio station in Chicago happened in 2014 when Tribune Broadcasting launched The Game 87.7. However, The Game bowed to their competition and signed off after nine months.

Over the years, Rosen says there have been many conversations about adding a full FM frequency to The Score.

“I’ve worked for and with some great people over the years: Rod Zimmerman, Rachel Williamson, Jimmy DeCastro, among others. Whenever a new market manager comes in, the first day I meet with them to go over The Score, they always ask what they could do for me,” said Rosen. “The first thing out of my mouth is I would love an FM. That’s not easy because we have some iconic brands on FM here in Chicago.”

While Rosen didn’t pinpoint an exact moment of change on the air, he noticed a shift from Audacy senior management in their focus to make the move official.

“When Chris Oliviero and Kelli Turner took over the reins in management at Audacy, I think this was a priority for Chicago,” notes Rosen. “Kevin Cassidy [Audacy Chicago market manager] was pivotal as well. Obviously, it took some time for all of us to cross the finish line. February 2, opening day, will be incredible.”

While the decision to make the move may now be settled, the true work for the outcome begins. With just under three weeks until the station shifts to a full FM simulcast, Rosen revealed all the changes that needed to be made. Leaning on the creative imaging mind of Russ Mitera to the digital and social wings of the radio station.

The Score began that transition immediately following the announcement, as social handles were updated and promotional messaging released to the audience. Rosen noted plans for massive cross-promotion among all Audacy Chicago brands, with a strategy already in place for execution.

“Similar to what WBBM NewsRadio did, we will promote the FM heavily. It’s all about the FM promotion to gain a new audience that might not be familiar with the brand,” explained Rosen. “We did an audit of all contributors and personalities. So come February 2, the power of promotion whereby everyone is going to help us.”

The Score serves as the radio flagship station for both the Chicago Bulls and Chicago Cubs. Beginning February 2, both teams will also benefit from the move to a full FM simulcast. However, on days when two teams play at the same time, the added flexibility of having a full FM signal along with the legacy AM 670 signal will benefit the franchises.

“The good thing is with Neilsen, you can split the AM and FM signals. You can place one of the teams on the AM Score brand, and one on the FM Score brand,” said Rosen. “In the past, we’ve been fortunate to have WBBM 780AM, and we would put a team on 780AM. Now we have the power to put both on The Score at the same time beginning February 2.”

Rosen noted that Audacy’s plans were always about keeping the 670 AM signal intact with the full FM simulcast. Rather than follow examples set by other brands nationwide, where the AM signal was gradually phased out, he said it was key to keep it for Chicago.

“At the end of the day, and it’s well above my head. It’s a strategic business decision,” Rosen said. “The great thing is 104.3 The Score is how we’re going to brand this station. But we’re still going to have a 50,000-watt blowtorch. We’ll have the power of FM and AM. It’s an incredible feeling.”

Beginning on February 2, Chicago sports fans will hear the change for the very first time. Their favorite Score programs will be heard on the FM band, over three decades after the station launched on 820 AM. However, the goal remains the same for Rosen. While the allure of The Score on FM is a welcome addition, the station’s growth and mission remain unchanged in all other aspects.

“I have a sign on my door that says every segment counts, and I truly mean that,” noted Rosen. “I firmly believe that the audience will come. It’s a great example of being a standalone AM and how we’ve performed in terms of ratings throughout the years. If we do that on FM as well, we’ll continue to live in the promised land.”

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest informed right in your inbox.

670 The Score’s Move to FM Was Long Overdue but an Example for Others To Follow

1

670 The Score is going FM. Sports radio on FM is nothing new. For many years, the industry has seen a shift in how sports talk content has become some of the most valuable assets a company can own. Study after study shows that audiences form trust, attachment, and connection with the local voices who cover the teams they care about. Sports are the most viewed products on television. Sports talk generates ratings, revenue, and attention across every corner of the content space.

Yesterday, 670 The Score announced that it was going FM—34 years after the station first broke through in the third-largest market in the country. For the casual listener, this may seem like just a flip of the switch. But the process behind the move is daunting.

Most sports radio stations around the country struggle to remain relevant on AM. 670 The Score was not one of those stations. Which begs the question shared by many in the industry. What took so long?

The Score’s move to FM wasn’t a surprise, there have been discussions for years about making the move. Even when all signs pointed to the transition as the right move over the years, hesitation persisted. While the Chicago sports fan will benefit from the switch, it should also serve as a warning for other markets. Plan, execute and evolve or risk stagnation.

Make no mistake—broadcast radio no longer holds the dominance it once did. Technology has shifted consumption dramatically. Podcasts, streaming services, and social platforms now provide sports content anytime, anywhere, in both audio and video formats. Yet one megaphone remains: broadcast radio itself.

It’s the ace up the sleeve that radio continues to hold.

The latest State of Sports Media data confirms the medium’s strength: 59% of sports audio listeners tune in via radio, compared to just 36% for podcasts. Moreover, six in ten sports fans consume sports-related content daily, with two-thirds averaging at least two hours per day. Sports fans are some of the heaviest media consumers around—a market any company should want to reach.

And yet, it continues to boggle the industry that podcasts command high ad rates despite smaller reach, while radio sells at lower rates but delivers larger audiences. Let’s move on and look at the resume.

670 The Score has been a traditional ratings juggernaut for years. It ranks near the top in nearly every daypart that matters for a sports radio station, generating revenue and consistently expanding its digital reach. Despite lineup changes and occasional controversy, the station performs exceptionally well in all metrics.

Yet, the station remained confined to the AM band.

Perhaps previous attempts at a full FM simulcast failed because the timing didn’t make business sense. Or maybe it was a case of “if it ain’t broke, don’t fix it”—after all, The Score was already performing well in every metric that mattered.

But in 2026, relying solely on AM is not just cautious—it’s limiting. A strong brand like The Score deserves a platform that maximizes its reach.

This hesitation offers a cautionary tale for other markets as well. Too often, broadcasters cling to AM signals out of inertia or fear of investment without fully appreciating the potential payoff. The Score’s FM move demonstrates that the reward is not just possible—it’s already built into the brand.

FM provides better signal penetration, higher audio fidelity, and a platform younger listeners can access more easily. The switch is not a gimmick; it is a necessary evolution for a station with decades of proven success.

Chicago sports fans will notice the benefits immediately. FM coverage improves reach in suburban areas, enhances in-home listening quality, and addresses the reality that AM is being phased out. For a station covering everything from Cubs and Bulls games to the hottest sports talk shows, the move ensures that a proven brand can continue to grow rather than state put and work towards continued adaptions to technological shifts outside its control.

The industry should take note. While the FM transition may seem long overdue in a city like Chicago, it is instructive for other markets that have delayed similar decisions. A station with a strong brand and loyal audience does not need to gamble on an untested formats or music playlist accessible on another service —it needs to invest in accessibility of content that people are craving.

The AM band is not build for sports radio’s future. The FM band continues to be the land of opportunity for those bold enough to invest in sports radio’s future. Isn’t that a gamble worth investment?

FM is not about changing content—it is about giving sports content the audience it deserves and can’t find anywhere else. Audacy’s decision to finally make the leap with The Score could serve as a blueprint for other companies evaluating their own AM properties.

Does 670 The Score have assets many other sports radio brands around the country do not have? Of course, but if sports content is king why not seek out the throne for its royalty on the FM band?

670 The Score going FM is about more than one station or one city. It is a reminder that sports radio remains one of the last bastions of traditional broadcast dominance. Even in the age of podcasts, streaming audio, and on-demand content, sports matters to people more than a playlist.

With millions of fans consuming sports content daily—and radio still commanding the largest share of that audience—the station’s move demonstrates the tangible value of keeping proven brands accessible. Radio companies should use this example to give their own markets the content that they seek.

For decades, the AM dial has been a home for loyal listeners, but accessibility matters more than nostalgia. Audacy’s decision acknowledges what should have been obvious for years: great sports content deserves a platform that matches its quality and a modern audience reach.

As other markets evaluate the future of their own AM properties, Chicago’s example will serve as both a challenge and an inspiration. Adapt or risk stagnation and possibly be left behind.

This is innovation. An FM move may not make headlines beyond the industry, but its impact will be measurable in engagement, ratings, and long-term sustainability. The greater majority of the more successful sports radio brands around the country have made the move. 670 The Score is just the latest and leaves this industry insider asking who’s next?

670 The Score has proven itself for decades. It is only fitting that it now finally has a platform that allows it to reach its full potential.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest informed right in your inbox.

Why Monday Night Football Remains the Crown Jewel of NFL Broadcasting

0

Monday Night Football (MNF) on ESPN/ABC has always been one of the glamour attractions on the NFL schedule. The brand remains as strong as ever thanks to the talent in the booth and on the field. Joe Buck, Troy Aikman, Lisa Salters, and Laura Rutledge are a powerhouse on-air team, combining experience, enthusiasm, and energy.

This quartet hardly needs an audition; however, the team will call next year’s Super Bowl 61, February 14, 2027, at SoFi Stadium.

Given their collective work in the Wild Card round game this past Monday pitting Houston vs. Pittsburgh, we can definitely count on a command performance worthy of next year’s glitzy Hollywood backdrop.

After the game’s opening intro and the usual musical prelude and fanfare, Buck and Aikman got down to business with a booth two-shot. When I see this pair on screen, I think of two words: presence and excellence.

Let’s start with presence. Whether it is a win-or-go-home playoff matchup or a blowout September tilt, Buck and Aikman bring a powerful demeanor and drama to the game. When you see these two square-jawed, proven, and professional dudes, you feel like it is going to be a big game.

Both men come from good stock in their own unique ways.

Joe Buck is the son of the late and legendary play-by-play announcer Jack Buck. He has followed in his father‘s iconic footsteps and created his own, damn-near unparalleled legacy. There is a lineage here—a torch that has been passed on, one lit by professionalism, preparation, and poise.

Aikman is part of his own broadcasting tradition. One of the true pioneers of Monday Night Football was the late Don Meredith. ‘Dandy Don’ joined Howard Cosell and Frank Gifford in creating the aura of MNF. Meredith made his name as a fine quarterback for the Dallas Cowboys, and Aikman, a fellow ex-Big D signal caller, has followed in his footsteps, paving the way for other Dallas QBs on TV like Steve Beuerlein, Tony Romo, and Jason Garrett.

Must be something in the Gatorade in that Dallas quarterback room.

In their pregame chit-chat, Buck and Aikman set the tone for the game in the Steel City. They always exercise the right amount of emotion and anticipation, never gushing or taking it over the top. Neither of them is afraid to push the envelope. Aikman offers strong takes, and Buck often uses humor to bring color and variety to the broadcast.

What I like most about Buck and Aikman is that they do not use a lot of inane superlatives. These are seasoned football guys—men who know and, in many cases, have been a part of the history of the game.

Buck has called some of the most memorable sports moments ever in both football and baseball, and Aikman won three Super Bowls as a Cowboys quarterback. They know the difference between good players, great players, and Hall of Fame players. This depth of knowledge comes out in every play call.

While many feel that a Monday Night Football game should not take place in the playoffs due to scheduling and competitive advantages, if Buck and Aikman are calling the action, count me in for sure.

This past Monday’s Wild Card contest was not only superlative due to Buck and Aikman, but also because of the aforementioned professionals working the sidelines. Salters is one of the best sideline reporters in the business. She has become as synonymous with MNF as Buck, Aikman, and the opening theme music. No one is better at offering relevant content before and during a game. Salters’ pregame appearances and live shots on other ESPN shows are also top-notch and quite effective in setting the scene for the game to come.

Laura Rutledge is an ESPN superstar—one of the new era’s foundation talents at the network. She could easily stay comfortably in her chair as the host of NFL Live and SEC Nation, but she has shown her versatility and toughness as a field reporter on the sidelines. Rutledge always has a bright and welcoming attitude, but do not mistake this for fluff.

She is a worker, looking for stories, angles, and updated injury reports to add real thickness to a game broadcast.

Speaking of thickness, it is a perfect word to describe the knowledge base of Buck. During the first quarter, he narrated a video montage of the Steelers’ first championship in Super Bowl IX vs. the Vikings in 1975. You could tell in his voice that Buck loved this look back at the nostalgia of the game.

After the video, MNF cameras caught a shot of Steelers president Arthur J. Rooney II up in the booth. The Steelers are known for the Rooney family legacy in establishing one of the most respected, steady, and successful organizations in sports, with six Super Bowl titles—tied with the Patriots for the most ever.

The talents of Buck and Aikman were clearly visible on a first-quarter play. Buck perfectly called a rollout pass from Steelers QB Aaron Rodgers to wide receiver DK Metcalf. On the replay, Aikman was adept at explaining the play design. He isolated the offensive line using the telestrator, noting that the goal was to secure the edge so Rodgers could get out of the pocket and find Metcalf open downfield.

In the second quarter, as the Texans were driving, Buck kept the focus on the field while simultaneously reporting that Houston running back Woody Marks was heading to the sideline medical tent. He then threw out some interesting stats on the Houston offense this season. This is one of Buck’s unique strengths—mixing in just the right amount of information with his play calls. He has an uncanny inner clock for the frequency and pacing of these tidbits.

Buck turned up the excitement as Texans quarterback C.J. Stroud rolled out and hit wide receiver Christian Kirk with the first touchdown of the game. In commenting on the replay, Aikman mentioned that the throw was actually a little behind Kirk, which made getting into the end zone more difficult. Once again, he ran through the play design, giving viewers a brief Football 101 lesson.

As always, the production crew on MNF was top-notch, with various angles on replays and a constant flow of pertinent graphics to combine information with the video.

With less than two minutes left in the first half, Rutledge had a nice recap of the Texans’ poor ball security early in the game. She revealed that Stroud and center Jake Andrews were practicing snaps on the sidelines, trying to fix the issues. This is the ultimate job of a sideline reporter—telling us something that we were not able to see ourselves.

Deep into the third quarter of what was, at that time, a pretty ugly game, credit the Monday Night Football production crew for getting some candid sideline shots, including one of Aaron Rodgers completely frustrated with the Steelers’ offensive showing.

With about 11 and a half minutes remaining in the fourth quarter, Rodgers was sacked and fumbled the ball. The pigskin was scooped up by Houston’s Sheldon Rankins and rumbled in for a touchdown. Buck had a seamless call on the huge play and cautioned viewers that Rankins may have been tackled before reaching the end zone. The touchdown was upheld, and as the game wound down to a 30-6 Houston rout, Buck wondered if this might be Mike Tomlin’s last game as the Steelers’ head coach.

As it turns out, he was prophetic, as Tomlin stepped down this past Tuesday.

The entire MNF team was spectacular and whet viewers’ appetites for the Texans at Patriots divisional matchup this Sunday at 3:00 p.m. EST on ESPN/ABC and for next season’s Super Bowl telecast. With games now on Sunday night, Thursdays, and even select Fridays and Saturdays, you can argue whether Monday Night Football is still the king of NFL game broadcasts.

What you cannot argue is that Buck, Aikman, Salters, Rutledge, and crew are truly the crown jewels.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest informed right in your inbox.