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How Should the AI Music Showdown Be Fought by Radio and the Consumer

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The music industry has found itself in the middle of an existential crisis: Is AI music threatening to the creative process, or can it be utilized in an innovative fashion to further enhance the very essence of music?

The conversation is an important one to have, as recent events have fast-tracked the debate and even brought backlash against some AI-supported artists and broadcast platforms such as Spotify from fans.

“Creativity will be more disrespected as AI grows because you never know who is really doing it or who is using the computer,” Rock and Roll Hall of Fame rapper Ice Cube recently told me during an interview on The Gunz Show.

“When other people are pretending to be Frank Sinatra and Biggie Smalls, f**k that sh*t. We don’t even know if these guys would have even liked the song or agreed with the lyrics,” the former N.W.A. rapper continued.

Spotify Gets Slammed

Earlier this year, “indie rock band” The Velvet Sundown garnered headlines after receiving millions of Spotify streams for their music. The only problem was that the band wasn’t a band at all, but rather an AI creation pushed by an algorithm. From the band’s photos to lyrics and vocals, there were no human elements involved, despite the group being able to attract nearly one million active monthly listeners who were initially duped into believing Sundown was a real band.

The overwhelmingly angry reaction from both fans and other musicians led to Spotify recently releasing its first public statement on AI music in late September. The company explained that although “music has always been shaped by technology… from multitrack tape and synthesizers to Auto-Tune,” its use by “bad actors and content farms” was admittedly having a detrimental effect.

“At its worst, AI can be used by bad actors and content farms to confuse or deceive listeners, push ‘slop’ into the ecosystem, and interfere with authentic artists working to build their careers. That kind of harmful AI content degrades the user experience for listeners and often attempts to divert royalties to bad actors,” the company explained in its September 25 “Fighting Impersonation, Scam and Deception” press release.

AI Music Crowding the System

The battle hasn’t been an easy one, as Spotify acknowledged that it has already taken down more than 75 million “AI spam” tracks from the platform in the past year alone.

“The future of the music industry is being written, and we believe that aggressively protecting against the worst parts of Gen AI is essential to enabling its potential for artists and producers,” the company’s statement continued, before announcing a series of changes including stricter enforcement against impersonation violations, a new spam filtering system, and mandated AI disclosures.

That may sound all good and fine, but others—including one of the bands that The Velvet Sundown directly cited as an “influence”—want decisive measures.

“So, an AI ‘band’ who cites us as an influence (i.e., it’s modeled off our music) have just overtaken us on Spotify, in only TWO months. It’s shocking, it’s disheartening, it’s insulting—it’s a wake-up call. Oppose AI music, or bands like us stop existing,” rock band Holding Absence’s Aaron Woodland tweeted last week.

Can We CoExist?

As both quotes from Ice Cube and Woodland demonstrate, there is a clear backlash from many musicians across all genres against AI music.

When Billboard reported last week that Hallwood Records signed the studio producer behind virtual AI R&B artist “Xania Monet” to a $3 million record deal, other stars from the genre such as SZA and Kehlani came out against the move.

“AI can also make the entire f**king song. It can sing the entire song. It can make the entire beat. You can have a song that’s one type of song and say, ‘AI, make this into a country song,’ and it will literally rewrite [and] re-sing in a country voice and redo the entire thing. And they don’t ever have to credit anyone. This is so beyond out of our control, and nothing and no one on earth will be able to justify AI to me,” Kehlani recently posted in a TikTok video.

Will Fan Backlash Spark Change?

Of course, there is the larger issue beyond just the making of music and the battle between artists and AI: Will fans turn away from platforms that promote AI music?

When The Velvet Sundown drama happened with Spotify, I know multiple friends who canceled their Spotify subscriptions.

Will there be similar backlash against radio stations that play AI artists—moves that could be viewed as “selling out” artists and, by extension, their fans?

Ultimately, as longtime music manager and National Independent Talent Organization’s Randy Nichols explained, it may come down to some sort of coexistence between all elements.

“Ultimately, people will learn to use AI as a tool vs. AI being the only participant. I look at it like singers don’t have to be as good anymore because of Auto-Tune, but the great singers still have a place because a computer can’t replicate that,” Nichols explained.

“Regardless, models need to compensate those whose work they use in the creation of music. Ultimately, much of the music out there will be a hybrid of AI and human and will be played everywhere.”

As we’ve seen in other parts of our AI-infused lives, artificial intelligence does not seem to be going away.

But that doesn’t mean that we, as music fans and members of the industry, have to like it—especially when it concerns something we all cherish.

A pivotal first step must include guidelines and restrictions so that actual musicians are compensated and there is a clear distinction between humans and the artificial.

What do you think of AI music? Hit me up at @TheGunzShow

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

How Bill Belichick Missed a Golden Opportunity for Sports’ Greatest Reality Docuseries

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Let’s be honest: Bill Belichick is more than likely regretting signing to be the head football coach at the University of North Carolina. If we can all agree on that, there’s a list of reasons why. The rough 2-3 start to the season. The ongoing drama of Belichick’s off-the-field lifestyle with his twenty-something-year-old girlfriend. The ongoing drama stemming from a long history between Belichick and the New England Patriots organization. This would all make for one hell of a reality show.

Yesterday it was reported that the University of North Carolina is backing out of the original plan to create a docuseries on Belichick’s first season in Carolina blue. While there has been no announcement from the university itself, the headline says it all.

While Belichick on the field has not been a hit for Tar Heels nation, the cancellation of the docuseries is the largest misstep Belichick has taken yet.

Less than two months ago, I stated that if this docuseries was going to be successful, it had to revolve around Belichick, not Carolina football.

This Could Have Been a Success

Belichick remains a national figure who warrants the attention of the sports media-verse. He’s a Hall of Fame head coach with a pedigree to get the best out of afterthoughts. This was his first venture into the sport of college football, where very few former NFL head coaches have found success.

HBO Films offered to go college for Hard Knocks this year. That’s the level of demand sports fans have for everything Belichick. He’s the most successful “heel” of all time in the NFL. No one loves Bill Belichick because he refuses to allow people into his world.

That’s what Hulu and EverWonder Studios were aiming to do: reveal the man behind the curtain, the great Oz, if you will.

Carolina football this season is not attracting eyeballs. At most home games, the sellout crowd is hitting the road by halftime. It’s a forgotten tale in a season of Big Ten and SEC dominance once again.

Belichick didn’t arrive with the luster of a Deion Sanders. He didn’t have homegrown talent nor did he hype up the program during the offseason. Belichick’s success so far at UNC has little to do with football; it has everything to do with the TMZ-style attention.

Who else could take a segment on CBS Sunday Morning and turn it into a national narrative? Are the Miami Hurricanes trending on Google like Belichick or Jordon?

A Swing-And-A-Miss

Belichick is a made man, making eight digits and dating someone more than 75% of his age. In media, the adage holds true: sex sells. A high-profile head coach dating a 24-year-old ex-beauty queen draws attention far beyond the average Tar Heel football fan. HBO originally wasn’t interested in Gio Lopez’s transfer from South Alabama or Kobe Paysour’s senior year at wideout. They wanted eyeballs. HBO wanted drama. That’s what Hard Knocks was, is, and will always be—but it didn’t get it.

This is the same thing Hulu, EverWonder Studios, and college football fans wanted. Now, here we are.

Could you imagine the amount of attention an upset Belichick away from the postgame podium would garner? Which loss would have been more entertaining for viewers? Would Jordon Hudson console Belichick in his time of loss? That’s drama.

What about the moments of glory for the upstart Tar Heels as they claw their way back into the spotlight with wins over Charlotte and Richmond, two teams with a combined record of 4-7 early in the season? How does Belichick celebrate his first victory with his team, his family, his girlfriend? That’s action.

Would we get an inside look at Belichick’s decision to ban scouts from the New England Patriots at North Carolina practices? The pettiness, the emotions, the path to making that call with the university. Did the players confront Belichick on that decision? Were phone calls made to other teams to allow added access, showing favoritism? That’s mystery.

The North Carolina Tar Heels docuseries had all the makings of one of the great sports documentaries of all time. It had established characters with distinct egos. Drama, mystery, and action all emanating from a small town in northeastern North Carolina.

Back To Boring Belichick

For all the drama that Hard Knocks produces in telling short stories about end-of-roster decisions in the NFL, this Hulu series had so much more—and then some. No matter how many games Belichick wins or loses at Carolina, he still will get paid. If this docuseries had aired as scheduled, with the access it allowed and the intrigue that followed, records would have been forgotten.

The canceled docuseries was more than just a missed marketing opportunity—it was a chance to witness the collision of legend and ambition in real time. Belichick’s Carolina experiment could have shown the human side of an untouchable icon, but now we’re left with speculation and headlines. In the absence of access, the intrigue persists—but the story itself remains untold.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Beasley Media Group Expands ‘The Maney & LauRen Morning Show’ to Memphis

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Beasley Media Group announced that The Maney & LauRen Morning Show will debut on Q107.5 in Memphis on Wednesday, October 8, 2025, under a new syndication agreement with Flinn Broadcasting.

Originating from flagship station KISS 95.1 in Charlotte, North Carolina, the show has built a reputation across the Southeast for its energetic mix of humor, pop culture commentary, listener interaction, and local engagement. The addition of Memphis marks the program’s fourth market, joining existing affiliates WHHD-FM in Augusta, Georgia, and WAZZ in Fayetteville, North Carolina.

“We’re thrilled to expand the footprint of The Maney & LauRen Morning Show with this new partnership in Memphis,” said Justin Chase, Chief Content Officer of Beasley Media Group. “The show has become a proven ratings driver and brand-builder in multiple markets, and we’re confident it will quickly become a favorite among WHBQ listeners as well.”

Chris Taylor, Operations Manager of Flinn Broadcasting Memphis, echoed the enthusiasm. “When it came time to choose a morning show for Q1075, my target was The Maney & LauRen Morning Show in Charlotte,” he said. “Maney was very successful here before his move a couple of years ago. I like their show because they have great chemistry and are fun to listen to. I’m proud of how well he’s done. It’s a perfect fit for us. I’m excited to have Maney and LauRen on in the Midsouth. Thanks to the folks at Beasley for helping put this together and sharing the show with Memphis.”

For host Maney, the expansion carries personal significance. “Memphis has a lot of history for me. My wife and I met here, and we got married at the Peabody Hotel with the world-famous ducks as our witness,” he said. “I’m thrilled to bring our show to a city that I called home for so long.” Co-host LauRen added, “Thanks to Beasley for allowing our show to continue to grow its audience! I’m excited to reach more ears and eyes and bring lots of laughs to Q1075 in Memphis.”

Since its debut in Charlotte, The Maney & LauRen Morning Show has been recognized for building loyal audiences and delivering consistent ratings performance. With its Memphis launch, Beasley and Flinn Broadcasting hope to replicate that success in a city known for its vibrant radio market and rich musical history.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

FOX Sports Secures Domestic Broadcast Rights to 2026 World Baseball Classic

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FOX Sports is once again set to deliver one of baseball’s premier global events. The network will televise and stream the 2026 World Baseball Classic (WBC) in the United States, it was announced by World Baseball Classic, Inc. (WBCI), which is jointly operated by Major League Baseball (MLB) and the Major League Baseball Players Association.

FOX will air seven total games, highlighted by three Pool B matchups featuring Team USA, two Quarterfinal contests, and the Championship Game from Miami’s loanDepot Park on Tuesday, March 17. Additional games will appear on FS1, FS2, FOX One, the FOX Sports app, and the free streaming platform Tubi. A full broadcast schedule and platform assignments will be announced at a later date.

“The World Baseball Classic gives the best players around the world an opportunity to represent their countries on a global stage and embodies everything we love about the game – passion, pride, and elite talent – like nothing else,” said Bill Wanger, FOX Sports Executive Vice President, Head of Programming and Scheduling. “Following the tournament’s widespread excitement and unforgettable finish from 2023, we’re honored to once again deliver this premier event to fans across the country.”

Spanish-language coverage will once again be extensive, with FOX Deportes carrying 28 games, including all four Quarterfinals, both Semifinals, and the title game.

FOX first carried the World Baseball Classic in 2023, where the Championship Game between the United States and Japan drew an average of 5.2 million viewers nationally and peaked at 6.5 million during the dramatic ninth-inning showdown between Shohei Ohtani and Mike Trout. The moment has since been regarded as one of the most memorable at-bats in modern baseball history.

The partnership comes as FOX prepares for its 30th season of MLB coverage in 2026. The announcement was made live during FOX’s American League Division Series pregame show, with former WBC participants Derek Jeter, David Ortiz, and Alex Rodriguez on hand to share the news.

“FOX Sports has been a great partner to MLB for decades showcasing the skill of the players, storylines on and off the field, and intensity of the competition,” said MLB Deputy Commissioner, Business and Media Noah Garden. “While it’s known as America’s favorite pastime, baseball also is a global game. FOX Sports will help increase the event’s profile and capture the incredible result of when baseball competition meets national pride.”

MLB Players, Inc. President Evan Kaplan added that the partnership highlights the players’ commitment to international growth. “Since the World Baseball Classic’s inception in 2006, players have experienced a special sense of pride in representing their countries,” Kaplan said. “We are proud to partner with FOX Sports to amplify their incredible talent and passion.”

The 2026 tournament will mark the sixth edition of the World Baseball Classic and will feature 20 teams across four host cities: Tokyo, San Juan, Houston, and Miami. The opening game will take place March 4, with Team Japan seeking to defend its 2023 championship.

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Country Music Association Reveals 2025 CMA Broadcast Award Winners

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The Country Music Association has announced the winners of the 2025 CMA Broadcast Awards as part of the organization’s 59th annual awards ceremony.

Those who won awards in 2024 were not eligible to be selected for the same honors in 2025.

CMA New Artist of the Year nominee Tucker Wetmore surprised radio stations and personalities with one-on-one calls earlier this morning to share the news that they had been awarded the prestigious honors.

WEEKLY NATIONAL
“Country Countdown USA with Lon Helton” (Lon Helton) – LH Productions

DAILY NATIONAL
“The Rob and Holly Show” (Rob Stone and Holly Hutton) – Audacy

MAJOR MARKET
“Chris Carr & Company” (Chris Carr, Sam Sansevere, and “Dubs” Michael Wilczynski) – KEEY, Minneapolis-St. Paul, Minnesota

LARGE MARKET
“The Q Morning Crew w/ Mike & Amanda” (Mike Wheless and Amanda Daughtry) – WQDR, Raleigh-Durham, North Carolina

MEDIUM MARKET
“Mo & StyckMan” (Melissa “Mo” Wagner and Greg “StyckMan” Owens) – WUSY, Chattanooga, Tennessee

SMALL MARKET
“Ben & Arnie” (Ben Butler and Arnie Andrews) – WCOW, La Crosse, Wisconsin

CMA RADIO STATION OF THE YEAR:

MAJOR MARKET
KKBQ – Houston, Texas

LARGE MARKET
WUBE – Cincinnati, Ohio

MEDIUM MARKET
WIVK – Knoxville, Tennessee

SMALL MARKET
WXBQ – Johnson City-Kingsport-Bristol, Tennessee-Virginia

The 59th annual CMA Awards is scheduled for Wednesday, November 19th. The show will be hosted by country star Lainey Wilson and will be broadcast on ABC at 8 PM ET.

Broadcast winners will be recognized during the pre-televised portion of the event ahead of the primetime program.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

FanDuel Sports Network Extends Rights Agreement With NHL Columbus Blue Jackets, Minnesota Wild

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FanDuel Sports Network continues to strengthen its position in the evolving regional sports media landscape, announcing that both the Columbus Blue Jackets and Minnesota Wild have extended their local broadcast rights agreements with the network.

The extensions come as the network—operated by Main Street Sports Group—continues to see momentum across its distribution platforms. FanDuel Sports Network, which bills itself as the largest holder of local sports media rights and the fastest-growing next-generation sports media platform, averaged more than 1.5 million nightly viewers during the 2025 MLB season. The company has also secured renewed carriage through Comcast and continues to expand its direct-to-consumer product.

“We’re excited to be deepening our relationships with the Blue Jackets and Wild, continuing to provide hometown fans the access and coverage they know and love,” said David DeVoe, President of Main Street Sports Group. “These agreements further validate FanDuel Sports Network’s position as the industry’s leader in local sports, combining scale, innovation, and fan-first accessibility to deliver unmatched value to teams, leagues, partners and fans.”

Through the renewed partnerships, fans in each market will continue to have access to broadcasts via the network’s broad distribution ecosystem. That includes traditional cable and satellite providers, vMVPD services, and the network’s “TV Everywhere” streaming capabilities. Additionally, its direct-to-consumer platform—available on iOS, Android, smart TVs, connected devices, and Prime Video—offers fans more flexibility to follow their teams anywhere.

Blue Jackets Senior Vice President and Chief Operating Officer Cameron Scholvin said the club is looking forward to continuing a strong relationship with the network as it heads into a milestone season.

“We are thrilled to continue our relationship with FanDuel Sports Network as the television home of Blue Jackets hockey,” Scholvin said. “The network’s commitment to combining our talented broadcast team with the latest technology to provide world-class analysis, storytelling and game reporting to our fans is very exciting. We look forward to many memorable moments during our 25th anniversary season in 2025-26 and beyond.”

Minnesota Wild Chief Revenue Officer and Executive Vice President Mitch Helgerson echoed that sentiment, emphasizing the importance of the partnership in enhancing the fan experience.

“We rely on strong partners to help us deliver experiences our fans expect, and FanDuel Sports Network has proven to be exactly that,” Helgerson said. “Their multi-platform model and commitment to production excellence gives us the ability to connect with fans in meaningful ways that match the passion and excitement of Wild hockey.”

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Kate Scott Named Lead WNBA Play-By-Play Voice On USA Network

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USA Network has found its voice for the WNBA. Veteran broadcaster Kate Scott has been named the lead play-by-play announcer for the network’s coverage of the league beginning in May 2026, marking another milestone in her trailblazing career across multiple major sports.

Scott, currently in her fifth season calling games for the Philadelphia 76ers, will anchor USA Network’s season-long slate through the Playoffs and WNBA Finals. The assignment reunites her with a sport that helped shape her early broadcasting career.

“I cut my teeth in this industry covering women’s basketball and I’ve always dreamed of our paths crossing again,” Scott said. “Watching these W Finals and knowing I’ll be courtside next season calling games has been nothing short of thrilling. The grit, grace, and tenacity of these athletes inspires me, and I don’t take this honor lightly. It’s a way to add my voice to one of the most important and influential leagues in the world, and I cannot wait to get to work.”

Scott’s addition continues USA Network’s push to invest in prominent voices with deep credibility and versatility. Her résumé spans some of the biggest properties in sports. She made history as the first woman to call an NFL regular-season game for Westwood One Radio, handling play-by-play for the Steelers-Vikings matchup in Ireland during the league’s international series.

Her broadcast range extends beyond football and basketball. She serves as the preseason TV voice for the Seattle Seahawks, has called both men’s and women’s basketball during the Tokyo Olympics, and recently became the first woman to provide voiceover work for the iconic Madden NFL video game series.

“We are incredibly proud to have Kate Scott lead USA Network’s WNBA coverage,” said Jeff Behnke, Executive Producer for Sports at VERSANT. “Kate’s wide-ranging broadcast experience and her immense passion for the league will be a big win for fans watching and listening to her call the WNBA on USA for years to come.”

Before rising to national prominence, Scott built her foundation in San Francisco, where she worked as a sports anchor for KNBR 680-AM, a sideline reporter for the San Jose Earthquakes and San Jose Giants, and a weekend anchor for NBC Bay Area. She also contributed play-by-play for the Pac-12 Network, calling games featuring several current WNBA stars.

USA Network’s WNBA coverage will feature more than 50 games each season, highlighted by Wednesday night doubleheaders showcasing marquee matchups throughout the league. The package begins in May 2026 and will run through the postseason, positioning USA Network as a new weekly destination for WNBA fans nationwide.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Connoisseur Media Names Mark Handwerger to Replace Retiring Robert Dove as Market Manager in Portland

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Connoisseur Media has announced that Market Manager Robert Dove is set to retire from the company’s Portland cluster later this year, with Mark Handwerger set to replace him.

Dove hired Handwerger to join the team earlier this year as Director of Sales. Handwerger has spent the past 20 years working for other broadcast groups in the market.

“I’m excited about our future here at Connoisseur Portland,” said Handwerger. “The legacy brands we
have in this market are powerful, and we’ll continue to grow their local presence. When you combine
these audio platforms with our Connrex suite of digital solutions, it’s an unbeatable combination for both
listeners and clients. We’re building something special here.”

“Portland is a major part of who we are,” said Connoisseur Media CEO Jeff Warshaw. “It’s a great market with incredible talent and strong brands. Mark’s the right person to lead this next chapter. He understands how to connect with the community and drive results, and that’s exactly what we want in a local leader.”

Mark Handwerger is set to begin his duties as Market Manager on Thursday, October 16th. Dove will serve as an advisory through the end of the year before retiring at the conclusion of 2025.

“These past two years have been a great experience,” Dove shared. “We’ve built a strong team and made meaningful progress in Portland. Mark’s leadership will keep that momentum going as the team continues to grow.”

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Jon “Stugotz” Weiner Reveals His Return to ‘The Dan Le Batard Show’ on ‘Wake up Barstool’

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Jon “Stugotz” Weiner is charting a new path in sports media with his latest venture, Stugotz & Company, while teasing a continued presence on The Dan Le Batard Show. The longtime ESPN Radio personality described his new project as “a blast” during a recent appearance on Wake Up Barstool, highlighting both the creative freedom and collaborative energy that sets it apart.

In order to start the new project, Weiner decided to step away from his role with Le Batard to concentrate on the new venture. Le Batard addressed the decision in May saying he supported the move and hopes for his friend in Stugotz to make his own giant business.

“Guys, naturally, I did the show with Dan for 20 years. Still doing the show with Dan. I’ll be in there a bunch of shows coming up in the next you know, 30–45 days or so,” said Weiner. “Stugotz & Company has been a blast. It’s just been fun.”

Weiner, who spent two decades alongside Le Batard on ESPN, emphasized the freedom Stugotz & Company affords him. Unlike his tenure on The Dan Le Batard Show, where discussions often followed the host’s lead, Weiner said his new program allows him to explore topics and angles that personally resonate, creating a different dynamic for listeners.

“When you do a show with someone like Dan, a lot of times you’re going to go down the road that he wants to go down. What I found liberating about this is I choose the road that I want to go down. I’m not so much reacting to what he’s saying and what’s interesting to him. I am choosing what’s interesting to me,” said Weiner. “A lot of fun, a lot of laughs, a lot of great guests, a lot of voices—just like you guys. We’re just having a blast with it.” God bless football, doing it every single day. I appreciate you guys mentioning it, and it’s been a lot of fun.”

Weiner revealed that his latest daily endeavor, Stugotz and Company, in August. The show features a mix of familiar voices, including ESPN’s Israel Gutierrez. The podcast’s announcement also came with a significant sponsorship agreement. Weiner announced that FanDuel will serve as the show’s title sponsor, providing stability for both the project and its contributors.

While his new venture, Weiner reassured fans that he is far from leaving The Dan Le Batard Show. He confirmed plans to appear on several upcoming episodes in the coming weeks, signaling a continued connection with the program that helped define his career.

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iHeartMedia Begins Round of Layoffs

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iHeartMedia began another round of layoffs on Tuesday morning, with many sharing that their positions have been eliminated.

In San Francisco, Star 101.3/ALT 98.7 host Hudson Hott departs. She hosted evenings on the San Francisco Hot AC brand while tracking weekends and fill ins at the Los Angeles alternative station. Her prior stops included work in Hawaii at 98 Rock and Star 101.9.

In Milwaukee, sources tell Barrett Media that 97.3 The Game is flipping formats away from sports and is set to become a music station.

Currently, the station serves as the radio flagship home of the NFL’s Green Bay Packers. It also features local programming hosted by Steve Czaban and Brian Butch, Bill Schmid and Armen Saryan, Drew Olson and Kevin Brandt, Matt Schneidman and Doug Russell, and Grady “Trey” Crosby III and Quinton “Q” Miller.

In Tampa, US 103.5 APD and midday host Sarah Jacobs has exited the cluster. Jacobs had been at iHeartMedia Tampa since 2017. She also spent time working in mornings on sister-station Z105 in Sarasota.

Also, 93.3 FLZ host Katie Sommers has exited. She had hosted middays at the Top 40 station in the cluster. Sommers is looking for her next opportunity, and can be reached at KatieSommersRadio@gmail.com or at 608-358-2163.

In Baltimore, Jeff St. Pierre exits his position as APD/host at Country 93.1 after 17 years with the station. He joined in 2008 as a morning show producer and rose to through the ranks and was named APD in 2015. He posted a video on his Instagram page to deliver the news

In Philadelphia, Rise & Grind Morning Show host MuthaKnows has departed Power 99. “Who gets to come back from vacation and hear the dreaded ‘we’re going in a different direction’ speech?” he wrote in a post on social media. “Yours truly, after 14.5 years of faithful service. Well, I guess that’s a wrap for Muthaknows on Power99. On the bright side, God’s got my back, and I’m stoked to see what’s next. Big thanks to all the awesome listeners and supporters who’ve had my back all these years.”

FOX Sports The Gambler Philadelphia Program Director and host Sean Brace has shared he’s part of the cuts. He helped launch the station in 2019, hosting The Daily Ticket with Sean Brace in afternoon drive.

In Salt Lake City, Market President Joyce Wirthlin had departed. She earned the role this year after being with the cluster for nearly three decades. She was named Senior Vice President of Sales for iHeartMedia Salt Lake City in 2021.

Hooker, co-host of the Hooker & DB Morning Show is also departing at Rock 106.7.

In Greensboro, JT Bosch has exited. Most recently, he served as the Senior Vice President of Programming for the stations in the market. He also served as the afternoon host and Program Director of Q104.1, the country station for the company in the market.

If you have been affected by the layoffs and would like your contact information shared with prospective employers or colleagues, please email garrett@barrettmedia.com or john@barrettmedia.com.

*** This is a developing story. More information will be provided as it becomes available. ***

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.