Fox News has announced its plans for New Year’s Eve, with the likes of Brian Kilmeade, Tomi Lahren, Kat Timpf, Tyrus, and Jimmy Failla leading one-hour specials before the ball drops.
Beginning at 9 PM ET, Tyrus and Timpf will host a look back at their favorite stories and videos of 2025. The pair will be joined by Kennedy, Guy Benson, Madison Alworth, and Joe Machi.
At 10 PM ET, Brian Kilmeade, Tomi Lahren, and Griff Jenkins will lead the one-hour Who Can Forget 2025?. That special will look back at the biggest news items and pop culture happenings of the calendar year.
Jimmy Failla will host All-American New Year’s Bash beginning at 11 PM ET. He’ll be joined by Lahren, reality TV star Jon Taffer, and comedians Aaron Berg and Charles McBee in the lead-up to the countdown to the year’s end.
Fox News Audio will also present New Year’s Eve specials, including shows from Fox News Rundown with guests like Interior Secretary Doug Burgum and Fox News host Dana Perino, among others.
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As Tony Dokoupil gets set to take over CBS Evening News, he’ll begin his tenure with a cross-country tour.
Beginning on Monday, January 5th and ending on Friday, January 16th, CBS Evening News will embark on a 10-day, 10-city tour, bringing the nightly newscast all over the nation.
The first week will begin in Miami, before travelling to Atlanta, Dallas, Denver, and San Francisco, where Dokoupil will end his first week on the job.
On Monday, January 12th, the second week of Tony Dokoupil hosting the CBS Evening News will begin in Detroit. Subsequent stops include Minneapolis, Chicago, Cincinnati, and Pittsburgh, respectively.
“Growing up a bit ramshackle, moving between Florida, Maryland, and West Virginia, traveling the country playing high school and college baseball, I learned to love talking to new people,” Dokoupil said. “As a journalist, I realized there are some things you’ll never understand until you’re standing there with the people in the middle of it.
“Being there, and bringing others there, is what I love most about this job, and what makes me so excited about this trip,” Dokoupil said.
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Fox News has put an emphasis on placing content on YouTube, and those efforts are paying off with hundreds of millions of views.
In November alone, Fox News saw 300 million views on YouTube, according to data from Emplifi. The network has already secured its best performance ever in one year on the platform before the month of December is accounted for.
It isn’t the only avenue Fox News has seen significant growth in. On the Total Digital Multiplatform Unique Visitors front, the network saw more than 165 million unique visitors during November. That figure represents a 44% year-over-year increase.
Between Facebook, TikTok, Instagram, and X, Fox News saw 108 million social media interactions. It saw a 358% increase in Facebook interactions compared to the previous year, up to 69.7 million. On those same platforms, the network earned 1.5 billion video views.
On TikTok, the network saw 19.7 million interactions, according to Shareablee.
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Former ESPN commentator Bomani Jones believes the growing presence of athletes in sports media has fundamentally altered the pathway for aspiring broadcasters who do not already have name recognition.
Speaking on The Jim Rome Podcast, Jones said fame has increasingly become a prerequisite for landing media jobs, creating an uneven playing field for younger voices attempting to break into the industry. While former athletes bring credibility and built-in audiences, Jones worries about what that trend means for those without an established profile.
“What worries me is they [athletes] are also famous, and fame is kind of a prerequisite now for you to get a job,” Jones said. “I don’t know what happens to the younger people who don’t have a name already, and how they catch on. The athletes have the advantage. Somebody already knows who they are, so somebody’s already ready to give them money.”
The rise of athlete-driven podcasts, studio shows, and digital content has reshaped hiring priorities across radio, television, and streaming platforms. Networks and media companies now prioritize audience reach. In addition, social following and brand recognition also matter more. Traditional broadcasting skills and credentials carry less weight.
Jones said that shift has effectively diminished the importance of demo reels and air checks, once considered essential tools for landing entry-level media jobs.
“It used to be, you get a job at radio station, why listen to my demo tape, right? I’m really good. Listen to my air check. I’m really good,” Jones said. “Your air check doesn’t matter anymore. They’re like, where is your audience?”
According to Jones, the expectation has flipped. Media outlets no longer serve as primary audience builders. Aspiring talent is now expected to arrive with an existing following.
“They’re [aspiring broadcasters] like, I’m coming to you. You help me get an audience. No, where is your audience?” Jones said. “If you don’t have an audience already, people aren’t necessarily trying to hear you. But I don’t know how you build the audience if people won’t put you on if you don’t already have an audience.”
The comments reflect a broader industry reality as sports media continues to evolve in the digital age. Athlete-driven content often delivers immediate engagement, sponsorship interest, and built-in credibility with fans. That combination makes it an attractive investment for networks navigating shrinking budgets and intensified competition.
However, Jones’ perspective highlights a growing concern about sustainability and diversity of voices within the industry. As platforms prioritize reach over refinement, the traditional development pipeline — internships, local radio stops, and gradual progression — has become increasingly narrow.
Jones, who built his career through radio, television, and digital commentary before joining ESPN in 2013, has long advocated for thoughtful media analysis and accountability. His remarks suggest the next generation of sports media talent may face steeper barriers unless the industry finds new ways to identify and develop voices beyond existing fame.
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Elle Duncan, a longtime face of ESPN’s SportsCenter, is taking her on-air talents to new heights — literally. Duncan has joined Netflix as part of a multi-year deal, marking the streamer’s first partnership with an on-air anchor. Her first assignment will be hosting Skyscraper Live, a special in early 2026 featuring free solo climber Alex Honnold as he attempts to scale Taipei 101, the tallest building in Taiwan.
Duncan, who left ESPN earlier this week after an emotional farewell, will serve as a host across Netflix Sports and the company’s expanding lineup of live events. Her role signals the streamer’s growing investment in high-profile sports programming, as it looks to combine its global reach with recognizable broadcast talent.
“Joining Netflix feels like being invited to an already legendary party and somehow getting handed the aux cord,” Duncan said. “For a lifelong utility player, a multi-sport assignment is a full-circle moment, and being trusted with something this one-of-a-kind feels incredibly special and surreal. I’m bringing boundless energy, storytelling, and bad puns no one asked for but will be subjected to anyway. Also, I was told this fast-tracks my kids to meeting the K-Pop Demon Hunters, soooo…win-win.”
Duncan has built a decade-long career in sports media. She joined SportsCenter in 2016. She also hosted College GameDay Women’s Basketball, WNBA Countdown, and The Elle Duncan Show on YouTube. Before ESPN, she spent two years as an anchor at the New England Sports Network (NESN). Early in her career, she worked as a sideline reporter for the Atlanta Hawks.
Netflix executives see Duncan’s versatility as a major asset. “Elle Duncan’s proven ability to seamlessly move between hard-hitting sports analysis and warm, personality-driven cultural hosting makes her a perfect fit at Netflix,” said Gabe Spitzer, vice president of sports. “She immediately adds credibility and familiar star power to our global programming slate.”
Skyscraper Live is slated for early 2026 and will air exclusively on Netflix. Duncan’s presence as a familiar sports anchor is expected to attract traditional sports audiences. She may also draw new viewers intrigued by the high-stakes live eventt.
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NBC Olympics will bring back its celebrated Gold Zone team for the 2026 Milan Cortina Olympic Winter Games, with live coverage streaming on Peacock and airing on NBCSN, the network announced. The Winter Games officially open with the Opening Ceremony on February 6, 2026, on NBC and Peacock.
The returning roster includes Jac Collinsworth and Matt Iseman as hosts, alongside Scott Hanson and Andrew Siciliano, who together anchored NBC’s Gold Zone coverage during the 2024 Paris Olympics. The team, widely praised for its energetic whip-around coverage, will guide viewers through the most compelling moments from Italy’s mountains, slopes, rinks, and podiums.
New to the lineup, 2014 Olympic bronze medalist and three-time U.S. Figure Skating champion Ashley Wagner will serve as Gold Zone’s first-ever analyst, offering expertise and insight into the figure skating competition. Wagner previously contributed commentary for Peacock’s coverage of the 2022 Beijing Olympics.
“We can’t wait to bring this group back together to capture the excitement – whip-around style – from the 116 medal events on the ice and snow,” said Amy Rosenfeld, senior vice president of NBC Olympics Production. “A Winter Games brings with it new challenges, but that presents opportunities to try some new things while still embracing what viewers enjoyed.”
During the 2026 Games, Gold Zone will stream live daily on Peacock and NBCSN, presenting the top live action, medal moments, and pageantry of the Olympics.
This marks the first time a Winter Games Gold Zone will stream on Peacock, expanding the reach of the Emmy-winning format that debuted in Paris and covered up to 40 simultaneous events.
Scott Hanson, best known as host of NFL RedZone since 2009, returns for his second Olympic Gold Zone assignment. Andrew Siciliano, a four-time Olympic host, brings experience from previous Gold Zone coverage and serves as play-by-play radio voice of the NFL’s Cleveland Browns.
Matt Iseman, co-host of American Ninja Warrior, returns for his fourth Olympics assignment, while Jac Collinsworth continues his dual role as NBC’s Football Night in America on-location co-host and play-by-play announcer for college sports.
Gold Zone coverage will also be available on NBCOlympics.com and the NBC Sports app via TV Everywhere for pay-TV subscribers. Peacock will serve as the streaming hub for all 116 medal events, offering full-event replays, curated clips, and the platform’s popular Multiview feature, which enhances the live viewing experience by allowing fans to watch multiple events simultaneously.
"Gold Zone" team reunites for the Milan Cortina 2026 Olympic Winter Games!
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Podcasts moving to exclusive video agreements with streaming giant Netflix have sparked debate over whether creators are “selling out” or simply capitalizing on new opportunities, according to hosts Colin Cowherd and Danny Parkins. The conversation unfolded during a recent episode of The Colin Cowherd Podcast, where both commentators analyzed the evolving landscape of audio content in the streaming era.
“Podcasting is audio. I listen to podcasts, but I don’t watch them,” Cowherd said, noting the distinction between his personal preferences between audio and visual formats. “I may try it on Netflix… Podcasts were built for audio, so now YouTube kind of controls the universe. It is a win for anybody that owns a company and a podcaster if the dominating position is challenged.”
Netflix has secured agreements with multiple podcasts includingPardon My Take,Spittin Chiclets, and The Ryen Russillo Show with Barstool Sports. The company also announced a partnership with iHeartMedia and Spotify’s The Ringer to exclusively house the video presentation of their top podcast brands on the platform.
Cowherd’s remarks highlight the tension between traditional podcast platforms, like YouTube, and subscription-based services such as Netflix. YouTube has long dominated the podcast video market. Streaming services are increasingly trying to attract subscribers. They do this by offering exclusive content from proven voices.
Parkins added context on Netflix’s strategy, emphasizing the platform’s focus on engagement rather than sheer subscriber growth.
“I’m interested in it from Netflix’s standpoint of do they think it’s gonna get more subscribers, or do they think it is going to get time spent on the app? They want more people on their app so that they click over to their other program,” Parkins said. “My hunch is it’s the latter. Like, I’d be surprised if there were a bunch of new signups because of this. Time spent on the app is their play.”
Despite concerns about alienating audiences, Cowherd framed the move as a practical business decision for podcasters.
“Let’s say Pardon My Take does lose some audience. If they’re getting an additional 4 million each from the company, you take it. The dudes have busted their ass,” he said, pointing to the financial incentives that often outweigh potential risks.
Parkins agreed, calling the opportunity a “no-brainer” for established content creators adding “For the content creator, it’s a no-brainer. Like the big names they’re hauling over there. You all already have your relevance, and in the podcast space.”
As the streaming wars intensify, podcast creators face the balancing act of maintaining audience loyalty while pursuing lucrative partnerships. For Cowherd and Parkins, Netflix deals represent both a validation of a show’s influence and a strategic shift in how podcasts reach fans.
While some listeners may migrate with their favorite hosts, the financial and professional rewards make the move difficult to resist for top-tier talent.
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CNN has announced it is renewing Have I Got News For You, the comedy program airing on Saturday evenings for a fourth season.
The program, hosted by Roy Wood Jr., and joined by team captains Amber Ruffin and Michael Ian Black, will begin its fourth season on Saturday, January 24th at 9 PM ET.
“Thank goodness we’ve got season four of our show to make sense of this perfectly normal time we’re in where everything is stark-raving normal. A time in which everything is fine and nothing is wrong. Amen,” said Wood Jr., Ruffin, and Black in a joint statement.
The show will continue airing live on CNN on Saturday evenings, and will be made available on the network’s new streaming platform the following day. Previous episodes of the show are available on both the new streaming platform and on the HBO Max service.
The show — which debuted in September 2024 — is an American version of a British TV classic. The comedy panel utilized discusses the news of the day through a quiz show. Prominent figures on the panels have included Joy Reid, Kara Swisher, Bomani Jones, Lewis Black, and Reps. Adam Kinzinger (R-IL) and Jasmine Crockett (D-TX).
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Cumulus Media’s Westwood One is set to debut its new Sports Talk programming lineup on Monday, December 29, marking a major expansion of its sports content across radio and digital platforms. The revamped schedule features a mix of established personalities and rising stars, offering fans nonstop sports conversation, analysis, and engagement throughout the day.
Anchoring the weekday afternoons, The Jim Rome Show will continue to air from 3pm to 6pm ET, maintaining the show’s signature style of outspoken commentary and lively listener interaction.
Kicking off the morning drive from 6am to 9am ET, Drake C. Toll will bring energy and perspective to start the day. Toll’s approach blends insightful analysis with a conversational style designed to engage a broad spectrum of sports fans.
The new lineup also features longtime ESPN Chicago sports radio hosts Chris Bleck and Adam Abdalla. They will handle the noon-to-3pm ET slot. The duo’s two-decade friendship underpins a natural on-air chemistry, producing bold takes alongside interactive segments that invite fan participation.
Late-night listeners will be served by Westwood One Sports Night, airing from 11pm to 3am ET. Hosted by Lynnell Willingham and Josh Graham, the show aims to combine high-energy debate with intellectual analysis. Willingham delivers opinionated, tell-it-like-it-is commentary, while Graham contributes a curiosity-driven perspective designed to provoke fresh discussions that fans won’t hear anywhere else.
The network’s previously announced shows remain integral to the lineup. Nick Kostos’ You Better You Bet will air weekdays from 9am to noon ET, offering sports betting insights, while BetMGM Tonight, hosted by Brad Evans and Pat Boyle, will run live from 6pm to 11pm ET, providing analysis and updates for betting enthusiasts.
“With our partners at Audacy, we’ve assembled a group of diverse and passionate sports voices committed to covering the biggest sports stories with opinions, expert analysis, and fan interaction,” said Bruce Gilbert, Westwood One SVP of Sports | Content & Audience. “This lineup will highlight the biggest stories and provide timely information that is fresh, fun, and fan-focused.”
The weekday schedule is as follows:
6am – 9am: Drake C. Toll
9am – Noon: You Better You Bet with Nick Kostos
Noon – 3pm: Chris Bleck & Adam Abdalla
3pm – 6pm: The Jim Rome Show
6pm – 11pm: BetMGM Tonight with Brad Evans and Pat Boyle
The new Westwood One Sports Network extends a partnership between Westwood One and Audacy that first began with the launch of CBS Sports Radio in 2012. Westwood One has handled sales and distribution for the network since its launch. Under this new partnership, Westwood One will assume programming and distribution for the majority of the lineup of syndicated sports programming. Audacy will continue to produce popular BetMGM Network programs moving to the new network with BetMGM remaining a presenting partner and the exclusive sportsbook partner of those programs.
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The Charlie Kirk Show has continued to see a rise in the podcast rankings since Kirk’s September assassination. That continued in November with the Triton Digital rankings.
In the Top Podcasts By Weekly Average Downloads category, The Charlie Kirk Show rose one position to finish the month in second place. It only trailed Stuff You Should Know in the rankings.
The program from Charlie Kirk was not out of place in the top 10 of the Triton Digital rankings before his assassination. In the August rankings, the month preceding his murder, he finished in the sixth overall spot in the same category.
Other news-focused shows also saw jumps during November. 48 Hours rose two positions to third, while the Shawn Ryan Show jumped five places to fourth. Global News Podcast from the BBC moved to seventh, while The Bulwark Podcast earned a six-place advancement up to ninth overall.
The podcast from Vince Coglianese grew two positions to 10th, while The Clay Travis & Buck Sexton Show (11th), Armstrong & Getty On Demand (14th), and Breaking Points with Krystal and Saagar (18th) all saw top 20 finishes.
Conspicuously, podcasts from NPR were not included in the November rankings, leading to many changes, especially inside the top 20 programs. Previously, NPR News Now and Up First From NPR were the top two programs every month dating back to April 2024.
The withdrawal of NPR podcasts from the rankings led to a rise for several networks in the Top Sales Networks By Weekly Average Downloads category.
iHeart Audience Network remained at number one in the sector. Where NPR had routinely finished in second place, Audacy moved one position forward to second, with Audioboom, Cumulus Podcast Network, and the Salem Podcast Network all growing by one position in the top five.
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