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NBC Sports’ ‘Sunday Night Football’ Adds To Most-Watched Four Week Start In Network History

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Micah Parsons’ highly anticipated debut with the Green Bay Packers drew all eyes Sunday night at AT&T Stadium, but it was the quarterbacks who stole the show in a 40-40 overtime tie against the Dallas Cowboys on NBC Sports. Exactly one month after being traded from Dallas, Parsons lined up against his former team in front of a national audience, generating significant pregame buzz.

On the field, however, it was a back-and-forth offensive battle that captivated viewers, as Green Bay’s Jordan Love and Dallas’ Dak Prescott each threw for more than 300 yards and three touchdowns. Together, the pair led nine consecutive scoring drives in a game that ended without a winner.

The high-powered matchup coincided with the 20th season of NBC’s Sunday Night Football, which averaged 26.9 million viewers across NBC and Peacock, according to Nielsen Big Data + Panel and Adobe Analytics digital metrics. Viewership peaked at 29.9 million during the second quarter, from 9 to 9:15 p.m. ET.

Through Week 4, covering five games, Sunday Night Football is averaging 25.5 million viewers across platforms, marking the most-watched four-week start in the 20-year history of the broadcast and a six percent increase from the same point in 2024.

The Packers-Cowboys tie also set a milestone as the most-watched overtime game in SNF history, surpassing the 26.6 million viewers who tuned in when Tom Brady and the New England Patriots overcame a 24-point deficit to beat Peyton Manning’s Denver Broncos, 34-31, in 2013.

In addition to the on-field drama, NBC’s Football Night in America delivered its most-watched episode since October 3, 2021, averaging 11.4 million viewers. The pregame show is averaging 9.7 million viewers for the season, marking its best Week 4 start since 2015 and up 24 percent from last year.

Streaming figures also reached new heights. Sunday Night Football is off to its strongest four-week digital start ever, with a 3.1 million Average Minute Audience (AMA) across Peacock, NBC Sports Digital platforms, and NFL Digital platforms, a seven percent increase over last season, according to Adobe Analytics.

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Fubo Shareholders Approve Merger With The Walt Disney Company’s Hulu+ Live TV

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FuboTV Inc., the sports-first live TV streaming platform, announced that its shareholders have approved a proposed merger with The Walt Disney Company’s Hulu + Live TV business, a deal first unveiled in January 2025.

The special meeting of shareholders confirmed support for the transaction, which is still subject to regulatory review and other customary closing conditions. FuboTV said it will file a Form 8-K with the Securities and Exchange Commission detailing the results of the vote.

Under the agreement, Disney will hold approximately 70% of the combined business once the deal closes. Fubo’s current management team, led by Co-founder and CEO David Gandler, will continue to operate the merged operations. Both Fubo and Hulu + Live TV are expected to remain available as separate services, offering consumers a wider array of programming packages and price points.

“This approval brings us one step closer to realizing our vision of a streaming marketplace that provides consumers with greater choice and flexibility,” Gandler said in a statement. “We would like to thank Fubo shareholders for their support as we move toward completing this combination with Disney.”

The merger, if completed, would automatically convert all of Fubo’s issued and outstanding common stock into Class A Common Stock. Which will continue trading under the ticker FUBO on the New York Stock Exchange. By merging Fubo’s sports-focused programming with Hulu + Live TV’s broader entertainment offerings. The companies aim to provide a more comprehensive streaming experience while maintaining distinct service identities.

Analysts have suggested that the transaction could position Fubo to better compete with larger streaming platforms. These include YouTube TV, Sling TV, and Amazon’s live TV offerings. While regulatory approvals remain pending, the shareholder vote removes a significant hurdle for the deal’s eventual completion.

Since its launch, FuboTV has carved out a niche as a sports-first service, attracting viewers with live sports coverage. The merger is expected to combine that sports expertise with Hulu + Live TV’s broader entertainment programming, potentially appealing to households seeking both live sports and general entertainment under flexible subscription models.

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Denny Hamlin Details Ratings Struggles NASCAR Facing off With NFL

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NASCAR driver Denny Hamlin expressed concerns of his regarding the sport’s television rights agreements and its ongoing struggle to compete with NFL programming for Sunday viewership. Speaking on the Actions Detrimental with Denny Hamlin podcast, the amount of difficulties the sport continues to have is beginning to wear on Hamlin and other drivers.

“Just not good,” Hamlin said, candidly assessing the sport’s ratings situation. “We signed the deal that we signed. We obviously lost a significant amount of network races in this TV deal.”

Hamlin explained that recent broadcast agreements have prioritized financial gain over audience reach, a decision he believes has complicated access for fans. “In each one of the TV deals that we’ve signed over the last few years… we’ve always just taken the most amount of money,” he said. “It’s not been about what’s going to put us on in the most households.”

He also highlighted the challenges fans face in following NASCAR across multiple networks.

“We were the guinea pigs to get channel x off the ground, Channel Y off the ground,” Hamlin noted. “It’s just asking so much of your fans to keep chasing you around all these different networks.”

Hamlin understood the challenges with viewership however regarding the rising viewership figures of the NFL. He noted that the popularity of fantasy sports and legalization of sports gambling have played key factors in the massive viewership figures that play against NASCAR gaining any significant ground on the NFL in viewership.

“There’s only so many sports eyeballs. People that love sports love sports, and sometimes you’re just watching what’s on,” he said. “The NFL has taken such a lion’s share of those eyes right now, record-setting every single week… that’s their priority.”

He pointed out that the challenge extends beyond football. “Even every other weekend on a Sunday there’s another sport that has something big going on,” Hamlin said. “There’s always something else that’s got a big event going on that you’re having to battle against too.”

Reflecting on the new television deal with FOX, TNT Sports, Amazon, and NBC, Hamlin admitted he had long-standing reservations. “Eventually it all catches up, right?” he said. “When you’re tasked with getting channels off the ground, you’re going to lose some people. We just… took the best, highest dollar amount we could and pieced it all together and came up with the deal that we have. But long term, I’ve always had reservations about where we go with it.”

Hamlin emphasized the difficulty of gaining audience share in a landscape dominated by football. In 2025, the Cup Series is scraping by with an average of 2.52 million viewers per race, a 13% slide from 2024’s 2.916 million. Playoff races, which used to be the sport’s big draw, are hurting the worst. New Hampshire’s opener pulled just 1.29 million, down 32% from last year.

With his remarks, Hamlin underscored a key tension in modern NASCAR: balancing lucrative broadcast deals with the practical reality of reaching fans in a crowded sports marketplace.

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Nexstar Media Group Names Adam VerCammen as Senior Vice President of Revenue for The Hill

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Nexstar Media Group has announced the appointment of Adam VerCammen as new Senior Vice President of Revenue for The Hill, the company’s digital political outlet.

VerCammen joins the company after more than 25 years of experience in sales, operations, and revenue leadership. Most recently, he served as the Chief Revenue Officer of The Washington Times. He previously worked at Gannett, helping lead Florida Today and Sightline Media Group, among other properties.

“I’m excited to join The Hill and help spearhead its next phase of growth,” said VerCammen. “As the #1 digital-first political news brand in the U.S., The Hill reaches an unmatched audience of lawmakers, policymakers, business leaders, and engaged citizens across the country. With Nexstar’s scale and resources behind us, we have a tremendous opportunity to expand that leadership and deliver even greater impact for our readers and partners.”

In his new role, Adam VerCammen will report directly to Nexstar Media Group President of Networks Sean Compton.

“We are incredibly pleased to welcome Adam to The Hill’s senior leadership team,” said Compton. “His vast experience in sales and revenue growth will be a huge asset to the organization, and we expect him to make an immediate impact.”

Vercammen will begin his duties with The Hill immediately.

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Pat McAfee Details How He Partnered With ‘Rushmore On X’ Program

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Pat McAfee has never shied away from speaking candidly about the sports media business. On Tuesday, the ESPN host and former NFL punter shared on The Pat McAfee Show how his production company unexpectedly became involved in editing and producing Rushmore On X, a new program that debuted today exclusively on X/Twitter.

McAfee praised the show’s creators, Mixed Management co-founder Ben Persky and TKO Holdings CEO Ari Emanuel, for developing a concept that he believes is unlike anything else in the market.

“Ben and Ari, I don’t even think they knew this while they’re doing it, they created a show that nobody else on earth could create,” McAfee said. “Ari’s relationships through business, throughout all these years, has ties with all these people that are the top of their industries, and it’s like he gets them to open up. It’s a very good show. We’re lucky to be a part of it.”

The partnership, however, began in an unorthodox way. McAfee recalled being asked for feedback on early cuts of the program and quickly realizing the editing didn’t match the platform.

“Ari was like, What do you think about this? And I said, where’s this going? And he said, it’s going to live on X, which is a huge deal for us, because we use X a lot,” McAfee said. “But the people that edited it clearly have never been on X in their life. So I watched it, and I said, I think this is s**t, to be honest, but this is really good booking… So then they just started sending us files. Literally just started sending us files a couple months ago… and all of a sudden we become the production company for this.”

McAfee explained that he and his team went to work restructuring the program, cutting down the lengthy interviews, and reshaping the show’s pacing. He believes the finished product not only helps Rushmore On X but also signals what X hopes to become as it moves further into original content and live programming.

At the same time, McAfee used the experience to highlight his frustration with some companies within the sports production ecosystem.

“A lot of other sports production companies get called for everything,” McAfee said. “There’s some a** ones out there who have never made anything true, and somehow they’re like an authority, just strictly because they can accomplish the task… that is the sports media world.”

He doubled down on that critique, saying, “There’s a lot of people that have these hubs or production companies that I don’t think they’ve made a single f****ng good thing, and somehow they’re still able to fundraise, and they’re still able to get deals and all this s**t. So I talk s**t on these people, pretty good, like, pretty loud.”

Despite those frustrations, McAfee sees opportunity ahead. With Rushmore On X now launched, he hinted that this could be the first of multiple projects.

“Congrats to them on a great show,” he said. “And what if this is another avenue we get a chance to do? What if we get opportunity to do some more shows?”

For McAfee and his team, the surprise move into editing and producing a program for X could prove to be more than a one-off experiment. It may mark the beginning of a new chapter in how his company approaches media opportunities beyond The Pat McAfee Show.

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Prime Video Announces Real-Time Bet Tracking For NBA Broadcasts with FanDuel

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Prime Sports announced a new suite of interactive features and broadcast innovations designed to enhance NBA coverage on Prime Video, blending personalization, sports betting integrations and advanced streaming technology.

The offerings will launch as part of Prime Video’s first season of exclusive NBA coverage under its 11-year global media rights agreement with the league. Fans will see the new tools during the 2024–25 campaign, which tips off Oct. 24.

Among the highlights is a personalized bet tracking experience through FanDuel. The opt-in feature allows viewers who connect their FanDuel accounts to see active NBA wagers displayed and updated on screen in real time. While betting cannot take place directly on Prime Video, users will receive live progress updates tied to the action on the court. An accompanying “Odds View” option delivers a rotating feed of live odds, lines and probabilities for popular markets.

“Since Day 1, we’ve challenged ourselves to invent features that heighten, customize and add storytelling elements for fans within the live sports experience,” said Jay Marine, head of Prime Video U.S., Global Sports & Advertising. “As we tip off this long-term relationship with the NBA, we’re excited to launch a best-in-class bet tracking experience with FanDuel, as well as a wide-ranging suite of broadcast innovations.”

Beyond betting, fans will gain greater control of their viewing experience. A fully customizable Multiview feature will allow subscribers to watch multiple NBA games simultaneously on supported devices, including smartphones and smart TVs. Unlike traditional setups, viewers can select their own combinations and designate a primary game.

AI-driven highlights will also play a central role. “Key Moments” curates pivotal plays in real time, while “Rapid Recap” compiles a two-minute reel to quickly catch late arrivals up to speed. Both tools aim to ensure fans remain engaged regardless of when they join a game.

Additional features include a live stats integration powered by AWS, a “Shop the Game” experience for purchasing official NBA merchandise without leaving the broadcast, and all games streamed in native 1080p HDR with 5.1 surround sound. Proprietary Prime Video and AWS technology will also deliver ultra-low latency to reduce delays compared to traditional cable broadcasts.

The innovations are designed to build on Amazon’s track record with Thursday Night Football and NASCAR coverage, where the company has leaned into technology to differentiate its broadcasts.

Prime Video’s first NBA season will include 67 regular-season matchups, a new Black Friday doubleheader, the Emirates NBA Cup knockout rounds and international games in Berlin and London. Exclusive postseason rights will cover every SoFi NBA Play-In Tournament game and, in six of the next 11 years, the Conference Finals.

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NAB, Radio Owners Applaud FCC For Moving Forward with 2022 Quadrennial Review

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On Tuesday, the FCC revealed it will commence its 2022 quadrennial review of the broadcast ownership rules. That decision drew applause from the radio industry and specifically the NAB.

Every four years, the FCC is supposed to conduct a review of its broadcast ownership regulations. The last review, which began in 2018, wasn’t completed until December 2023. At that time, the commission ultimately tightened restrictions for television stations, while leaving the radio ownership rules unchanged.

The 2022 quadrennial review began before the 2018 review was complete. Upon releasing the Public Notice, the FCC only asked generic questions about the broadcast industry. However, FCC Chair Brendan Carr revealed earlier this month that the 2022 quadrennial review Notice of Proposed Rulemaking would be on the agenda for the September 30th meeting.

The committee announced it would commence that review during today’s meeting.

In a statement, NAB President and CEO Curtis LeGeyt championed the move.

“We commend Chairman Carr for advancing this long-overdue proceeding to modernize outdated broadcast ownership rules,” LeGeyt said. “Local radio and television broadcasters continue to face outdated restrictions that hinder investment, innovation and the ability to serve their communities. Local broadcast stations remain the most accessible and trusted platforms for news, community voices and life-saving emergency alerts.

“Yet, stations are being forced to compete under rules written for a media landscape that no longer exists. Modernizing local ownership rules is critical to attracting capital, preserving newsroom jobs and expanding service to underserved audiences. This rulemaking is a critical step to ensure that local stations can compete on a level playing field with streaming platforms and digital giants. Modernizing these rules is essential to protecting the future of local journalism, and we look forward to working with the Commission to move this process forward.”

Radio ownership groups also applauded the move.

“We would like to thank Chairman Carr for moving forward with the quadrennial review on this critical endeavor,” said Beasley Media Group CEO Caroline Beasley. “This is a defining moment for our industry to ensure that local radio can continue to fulfill its essential public service mission for decades to come. We look forward to working with the Commission to implement common-sense reforms that will allow broadcasters to compete fairly and keep serving the local audiences who rely on us every day.”

“We’re encouraged that Chairman Carr and the FCC are advancing the 2022 Quadrennial Review,” added Cumulus Media President and CEO Mary Berner. “Quickly modernizing the radio ownership rules is essential for listeners who rely on local radio every day. With updated rules, companies like ours can invest more locally, diversify our offerings, and compete effectively in today’s rapidly evolving audio landscape. We look forward to working with the Commission to make these updates.”

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Chris Long Named Dallas Region President, iHeartMedia

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iHeartMedia announced that Chris Long has been named Region President for its Dallas operations, effective immediately. In his new role, Long will oversee the company’s multiple platforms in the market, including broadcast radio, digital, social media, and live events.

As Region President, Long is charged with expanding advertiser opportunities, accelerating revenue growth, and amplifying the reach of iHeartMedia’s brands and on-air personalities. He will report directly to Eddie Martiny, Division President for iHeartMedia’s Texas Region.

“I am excited to have Chris lead our talented Dallas team,” Martiny said. “Over the past 20 years, I’ve seen him inspire and drive growth across some of the most well-respected companies in our industry. His diverse background and leadership make him the perfect person to lead the Dallas market to the next level.”

Long joins iHeartMedia from Gemini XIII, where he served as Chief Revenue Officer. His career in media spans more than two decades, including leadership positions at Sirius XM as Vice President, Pandora as Vice President of Sales, and Clear Channel Radio as Director of Sales. He is a graduate of the University of Missouri-Columbia.

“To succeed in our highly competitive industry, you need two things: great people and premium content,” Long said. “iHeartMedia offers an amazing opportunity with both, and I am excited to start working and winning with the Dallas iHeart team.”

iHeartMedia is a leading media company in the Dallas market, leveraging a combination of broadcast stations, live events, and digital platforms. Its portfolio includes iHeartRadio, the company’s free digital music, podcasting, and live streaming radio service, available on more than 500 platforms and over 2,000 devices including smart speakers, digital auto dashboards, tablets, wearables, smartphones, virtual assistants, televisions, and gaming consoles.

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WNBA Reaches 11-Year Media Rights Agreement With VERSANT

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The WNBA and VERSANT announced an 11-year media rights agreement that will bring WNBA games, including the regular season, select playoff contests, and portions of the WNBA Finals, to USA Network beginning with the 2026 season.

Under the new deal, USA Network will broadcast at least 50 WNBA games annually. Expanding upon the league’s national media package initially established in 2024. The agreement runs through the 2036 season. Underscoring both the WNBA’s growing national footprint and USA Network’s commitment to showcasing women’s professional basketball.

“We’re incredibly proud to expand our multi-year partnership with the WNBA,” said Matt Hong, President of Sports at VERSANT. “USA Network will be a destination for WNBA viewers all season long. As we showcase the star power across the league in our marquee Wednesday night doubleheaders and build toward the intensity of the WNBA Playoffs and WNBA Finals.”

The network plans to anchor its coverage around weekly Wednesday night doubleheaders featuring marquee matchups from across the league. Each broadcast night will include pre-game and post-game studio programming. This positions USA Network as a consistent weekly destination for WNBA fans. Offering a more comprehensive viewing experience than previous national packages.

“This partnership with VERSANT and USA Network marks another significant milestone for the WNBA’s continued growth,” said WNBA Commissioner Cathy Engelbert. “As demand for women’s basketball continues to rise, partnerships like this expand the visibility and accessibility of our game. By establishing a weekly primetime destination for fans, this agreement will showcase the excitement of the WNBA to more households than ever before and further elevate the incredible athletes in this league.”

The deal highlights the WNBA’s ongoing strategy to increase exposure and build a consistent primetime presence, following a series of record-breaking viewership milestones in recent seasons. Details for the 2026 WNBA on USA Network schedule, including production information and on-air talent for both game and studio coverage, will be announced in the coming months.

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Megyn Kelly: I Won’t Join Those Taking Shots at Tucker Carlson or Candace Owens

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In recent weeks, both Tucker Carlson and Candace Owens have been criticized for what has been called anti-semitic comments or tropes. Megyn Kelly says that doesn’t mean she feels she needs to distance herself from those two personalities.

Over the weekend, both Mark Levin and Dinesh D’Souza shared their displeasure with comments made by Carlson about why the United States needs to “separate” from Israel as long as Prime Minister Benjamin Netanyahu is in power.

Additionally, Candace Owens has repeatedly come under fire for what has been labeled as anti-semitic comments, as well as being accused of peddling conspiracy theories about the death of her friend and former colleague, Charlie Kirk, in the wake of his assassination.

On social media, users had questioned Kelly if she would be distancing herself from those two figures.

She made no bones about the fact that that wouldn’t be happening.

“I have no obligation to ‘separate’ myself from anyone,” she wrote. “I run my own media company and my own show. That show is where I express my own opinions and I will decide what/what not to opine on. If you need me to condemn Candace or Tucker for their opinions in order to listen to me, then I may not be for you. He’s a close friend and she is under enough pressure (without) gratuitous shots from me. My fight is with the left, not these two.”

Megyn Kelly is preparing to embark on a 10-city tour of the United States, bringing her program to live audiences. Tucker Carlson is one of several guests scheduled to appear on the tour. Kelly made appearances with Carlson as he underwent a similar endeavor in 2024.

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