Stu Burguiere has been hosting Stu Does America for Blaze Media. That’s about to change, with Dave Landau joining the show.
Burguiere has been hosting the program by himself since 2020. Earlier this week, he began teasing the “end” of his show.
“As I’ve gone through the six years, one thing I’ve realized over those six years is that it might be impossible for one man to do all of America,” Stu Burguiere said. “I needed someone else to come in and help me do America on a daily basis.”
However, he revealed that Stu Does America is becoming Stu and Dave Do America in the coming weeks.
“I am happy to be a part of it. It’s hard to just do Dallas, so we’re gonna do America,” said Landau. “I grew a mustache for it, so maybe I thought it was a different kind of show, but I’m excited about it. I’m excited to see what we can do, because America, as we know, is getting better every day.”
Landau is a touring comedian and author. He added that he hopes to bring levity and comedy to the show.
“There is a lot to make fun of … and it’s the only way I feel like you can stay sane,” he said. “Otherwise, you have to focus on the reality. And if you take time to do that, it’s worthless. So the best thing to do is just mock everything. And I’m happy to be a part of that.”
Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.
We’ve reached the end of week 1 of Barrett Media’s Top 20 of 2025 in Music Radio presented by Strategic Solutions Research. Strategic Solutions Research is celebrating its 20th year providing strategic research, music testing and personality content testing for clients in the US and in 22 countries. Please reach out and give a special thanks to Hal Rood and Kevin Cassidy for supporting the Top 20 series and the entire music radio industry.
Today the Top 20 series turns its attention to the best Urban/Hip Hop radio shows. All results from this series are available on our website. We also encourage you to subscribe to The Nooner newsletter to receive the information in your inbox each day at 12pm ET. All results are promoted across our social media pages too including Facebook, LinkedIn, TikTok, Instagram and X.
The full schedule of releases is listed down below the images. After this series is done, I will record videos discussing the entire process for music, sports and news. Those videos will be posted to the Barrett Media YouTube page. Make sure you subscribe so you’re notified once the video goes live.
Important Information
#1– These results represent the collective feedback provided by our industry voters. Barrett Media does not vote in this process. Our role is to assemble the group, collect the votes, and present the information. Voting is based on 2025’s performance. 2026 changes have no effect on the final results. Think of it like an MVP race in sports – voters vote on last season’s performance.
#2 – Music radio is a massive space. Shows appear on lists in multiple formats. Programmers run stations in different cities and formats. Changes occur under the radar and without stations updating key information. That makes it difficult when trying to issue proper credit to deserving programmers, hosts and/or brands. We try to get it perfect, but we’re human, and mistakes do happen. If you notice an error, please email Jason@BarrettMedia.com so we can fix it.
#3 – This series specifically focuses on United States terrestrial music radio shows and programmers. Shows and brand leaders with Apple Music, Spotify, Amazon, SiriusXM, YouTube, podcasts and programming outside the United States are not included.
#4 – This series showcases 320 images of radio shows and program directors. There are no photo changes unless it involves a mistake. We understand you may not like the way your left shoulder looks in a photo but such is life. Thanks in advance for understanding.
The Voting Process
A record One Hundred and Ninety Two (192) program directors, corporate executives, and format consultants were involved in this year’s voting. That beat last year’s mark of 173. Like always, there were a few who didn’t weigh in who I’d have loved to include but overall, the support was outstanding. THANK YOU!
Be advised that our voters represent the following companies: iHeartMedia, Audacy, Cumulus Media, Beasley Media, Cox Media Group, Townsquare Media, Hubbard Radio, Bonneville, Radio One, Connoisseur Media, SummitMedia, Saga Communications, MediaCo., Buck Owens Production Company, Pamal Broadcasting, Times-Shamrock Media, Stephens Media Group, Guaranty Media, Lotus Communications, Cromwell Media Group, Midwest Communications, One Putt Broadcasting, Griffin Media, plus numerous consultancies. We involve a large group to assure input is received from all areas of the country and to prevent the results from favoring any one company.
Though 192 voters are involved, the number of people voting on each format is lower. This is by design. We want experts from each format voting on what they know best. Depending on their role and expertise, some vote on all eight formats, others vote on as little as one. For this category, 36 programmers, consultants, and executives voted on the Top 20 Urban/Hip Hop Radio Shows and Program Directors.
Two hundred and fifty one (251) Urban/Hip Hop radio shows appeared on ballots submitted by our voters. We use a point system for this process with a 1st place votes equaling 20 points, and each selection between #2-#10 earning two points less. It’s not a perfect system but it’s one we feel good about using to showcase the industry’s best.
And the Winner Is…
The Breakfast Club featuring Charlamagne Tha God, Jess Hilarious and DJ Envy. Premiere Networks’ massively popular morning show follows last year’s win with another victory. Congrats to Charlamagne, the entire cast and all involved with iHeartMedia and Premiere Networks on the well deserved recognition.
I want to thank Dylan Barrett for creating the artwork, and each Urban/Hip Hop voter who participated in the voting process. Now without further delay, here are Barrett Media’s Top 20 Urban/Hip Hop Radio Shows of 2025.
Additional Notes:
The Breakfast Club cruised to a forty three (43) point win over Big Tigger Morning Show to secure the win. Charlamagne’s show also recorded a category best nine (9) first place votes.
Spots 21-25 went to Mike Street, Greg Mack, Brown Bag Mornings, EBro in the Morning, and Keith ”Papa Keith’ Walcott.
The closest race featured DJ Pup Dawg narrowly defeating The Morning Hustle by two (2) points for 13th place.
Of the Two Hundred and Fifty One (251) shows to earn votes, nine (9) received at least one 1st place vote.
Barrett Media’s Music Radio – Top 20 of 2025 Remaining Schedule:
Monday March 2 = BM Top 20 Country Radio Shows and Program Directors
Tuesday March 3 = BMM Top 20 AC/Hot AC Radio Shows and Program Directors
Wednesday March 4 = BM Top 20 CHR/Top 40 Radio Shows and Program Directors
Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.
We’ve reached the end of week 1 of Barrett Media’s Top 20 of 2025 in Music Radio presented by Strategic Solutions Research. Strategic Solutions Research is celebrating its 20th year providing strategic research, music testing and personality content testing for clients in the US and in 22 countries. Please reach out and give a special thanks to Hal Rood and Kevin Cassidy for supporting the Top 20 series and the entire music radio industry.
Today the Top 20 series turns its attention to the best in Urban/Hip Hop. A reminder, all results from this series are available on our website. We also encourage you to subscribe to The Nooner newsletter to receive the information in your inbox each day at 12pm ET. All results are promoted across our social media pages too including Facebook, LinkedIn, TikTok, Instagram and X.
The full schedule of releases is listed down below the images. After this series is done, I will record videos discussing the entire process for music, sports and news. Those videos will be posted to the Barrett Media YouTube page. Make sure you subscribe so you’re notified once the video goes live.
Important Information
#1– These results represent the collective feedback provided by our industry voters. Barrett Media does not vote in this process. Our role is to assemble the group, collect the votes, and present the information. Voting is based on 2025’s performance. 2026 changes have no effect on the final results. Think of it like an MVP race in sports – voters vote on last season’s performance.
#2 – Music radio is a massive space. Shows appear on lists in multiple formats. Programmers run stations in different cities and formats. Changes occur under the radar and without stations updating key information. That makes it difficult when trying to issue proper credit to deserving programmers, hosts and/or brands. We try to get it perfect, but we’re human, and mistakes do happen. If you notice an error, please email Jason@BarrettMedia.com so we can fix it.
#3 – This series specifically focuses on United States terrestrial music radio shows and programmers. Shows and brand leaders with Apple Music, Spotify, Amazon, SiriusXM, YouTube, podcasts and programming outside the United States are not included.
#4 – This series showcases 320 images of radio shows and program directors. There are no photo changes unless it involves a mistake. We understand you may not like the way your left shoulder looks in a photo but such is life. Thanks in advance for understanding.
The Voting Process
A record One Hundred and Ninety Two (192) program directors, corporate executives, and format consultants were involved in this year’s voting. That beat last year’s mark of 173. Like always, there were a few who didn’t weigh in who I’d have loved to include but overall, the support was outstanding. THANK YOU!
Be advised that our voters represent the following companies: iHeartMedia, Audacy, Cumulus Media, Beasley Media, Cox Media Group, Townsquare Media, Hubbard Radio, Bonneville, Radio One, Connoisseur Media, SummitMedia, Saga Communications, MediaCo., Buck Owens Production Company, Pamal Broadcasting, Times-Shamrock Media, Stephens Media Group, Guaranty Media, Lotus Communications, Cromwell Media Group, Midwest Communications, One Putt Broadcasting, Griffin Media, plus numerous consultancies. We involve a large group to assure input is received from all areas of the country and to prevent the results from favoring any one company.
Though 192 voters are involved, the number of people voting on each format is lower. This is by design. We want experts from each format voting on what they know best. Depending on their role and expertise, some vote on all eight formats, others vote on as little as one. For this category, 36 programmers, consultants, and executives voted on the Top 20 Urban/Hip Hop Radio Shows and Program Directors.
One hundred and eight (108) Urban/Hip Hop radio program directors appeared on ballots submitted by our voters. We use a point system for this process with a 1st place votes equaling 20 points, and each selection between #2-#10 earning two points less. It’s not a perfect system but it’s one we feel good about using to showcase the industry’s best.
And the Winner Is…
Thea Mitchem of Power 105.1 in New York City. This is Thea’s second straight win in the category. Congrats to Thea and her entire team on the well deserved recognition.
I want to thank Dylan Barrett for creating the artwork, and each Urban/Hip Hop voter who participated in the voting process. Now without further delay, here are Barrett Media’s Top 20 Urban/Hip Hop Radio Program Directors of 2025.
Additional Notes:
Thea Mitchem won a close race against Reggie Rouse. Mitchem snagged the most first-place votes with five (5) to finish four (4) points in front of Rouse.
Spots 21-25 went to Erik Bradley, Orlando Davis, Tutu Durant,Cynthia Smith and Chris Malone.
The battle for 16th was the closest contest of them all. Michael Saunders held off Mark McCray by one (1) point.
Of the One Hundred and Eight (108) programmers to earn votes, fourteen (14) notched at least one 1st place vote.
Barrett Media’s Music Radio – Top 20 of 2025 Remaining Schedule:
Monday March 2 = BM Top 20 Country Radio Shows and Program Directors
Tuesday March 3 = BMM Top 20 AC/Hot AC Radio Shows and Program Directors
Wednesday March 4 = BM Top 20 CHR/Top 40 Radio Shows and Program Directors
Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.
WFAN host Craig Carton didn’t mince words Thursday when reacting to NBC Sports’ decision to remove longtime NFL analyst Tony Dungy from its game and studio coverage beginning next season, using his platform on The Carton Show to celebrate the end of Dungy’s 17-year tenure with the network while framing the move as a necessary correction for a broadcast he believes had grown stale.
WFAN host Craig Carton used his Thursday show to praise NBC Sports. He said he was “happy to see that NBC took heat off our criticisms of some of their broadcasts.” Carton then pivoted to a pointed critique of Dungy’s on-air style. The shift highlighted how strongly he felt about the move.
“So happy to hear that next year we will not be forced to suffer through the holier than now, soapbox living Tony Dungy and his sanctimonious bull crap that was force fed us for the last 17 years. Good riddance to him,” said Carton.
Although the remarks were predictably provocative, Carton said his frustration focused on Dungy’s performance as a broadcaster. He stressed that his critique did not target Dungy’s character. Carton later clarified that he holds no personal animus toward the Hall of Fame coach. However, he believes the network maintained its commitment longer than it should have.
“Let’s be honest, he brought nothing to the table as a broadcaster,” Carton said, describing Dungy’s analysis as “vanilla” and “milquetoast,” terms that reflect a broader criticism Carton has leveled at studio shows he feels lack urgency, personality and compelling debate in an era when sports viewers increasingly gravitate toward sharper commentary and more dynamic exchanges.
“There’s never any great insight. There was a lot of clichés and generalities. You know, the team that wins the turnover battle’s got a pretty good chance. And he has zero personality,” Carton said, suggesting that the network’s studio format demands stronger, more defined voices capable of cutting through a crowded media landscape.
Still, Craig Carton drew a clear line between critique and character. He said, “He’s a very nice man. He’s very well respected, and people like him a lot, and I have nothing bad to say about him as a human being at all.” Carton then added, “But that was a 17-year run that was like, ‘What are we doing?’”
Dungy, who transitioned to television after a decorated coaching career that included a Super Bowl title, has been a staple of NBC’s NFL coverage since joining the network. NBC has not yet announced who will fill his role next season.
Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.
Newsmax saw a significant audience increase during President Donald Trump’s State of the Union address on Tuesday evening.
On Tuesday evening, the network amassed 2.8 million viewers. Coverage on Newsmax began with Carl Higbie Frontline at 6 PM ET, leading into Rob Schmitt Tonight.
Beginning at 8 PM ET, Greta Van Susteren and Rob Finnerty anchored the network’s coverage of President Trump’s speech. Former White House Chief of Staff Mark Meadows and analyst Mercedes Schlapp also appeared on the network’s coverage ahead of the address.
The network continued its coverage until the Midnight ET hour. Major newsmakers like Speaker of the House Rep. Mike Johnson (R-LA), Majority Leader Rep. Steve Scalise (R-LA), Health Secretary Robert F. Kennedy Jr., and HUD Secretary Scott Turner all made appearances on Newsmax throughout its coverage on Tuesday.
“The president gave an epic speech and America tuned in, with a big chunk of his audience tuning into Newsmax,” said Newsmax CEO Chris Ruddy. “It was a big night for the president and for us.”
On Newsmax2, the network’s streaming platform, Ed Henry and Bianca de la Garza anchored coverage. That broadcast earned 1.3 million viewers throughout the event.
“Our network coverage was first-rate and was not only on par with major networks but delivered the kind of comprehensive reporting viewers don’t see much anymore,” said Newsmax Senior Vice President of News Gary Kanofsky. “From our anchors in Washington to our contributors and production teams across the country, this was a total newsroom effort,” he said.
Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.
77 WABC has announced it is adding a new weekend show hosted by former White House Press Secretary Sean Spicer.
Full Court Press with Sean Spicer will debut this weekend. The show will be heard on Sundays from 10-11 AM ET.
“WABC Radio doesn’t whisper, it leads!” said Spicer. “It is one of the most iconic and influential radio stations in the U.S. WABC Radio listeners expect truth, energy, and authenticity, and that’s exactly what I’m going to give them. I couldn’t be more excited to join the incredible 77WABC lineup.”
Sean Spicer is no stranger to media following his days working in the Trump White House. He previously hosted a program for Newsmax from 2020 to 2023. He has also worked as a contributor to NewsNation since 2023.
“Big name personalities define WABC Radio,” said Red Apple Media and WABC Radio owner and CEO John Catsimatidis. “Sean is a powerful addition to our Sunday lineup and another example of WABC’s unmatched ability to attract major talent and deliver must-hear talk. The show is going to be fast, fearless, and honest, with smart conversation, sharp opinion, and honest discussion about the stories driving the country.”
Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.
As NBC Sports continues its return to the NBA this season, the network is leaning heavily into nostalgia for a special Coast 2 Coast Tuesday presentation that reconnects fans with one of the most recognizable broadcast teams in league history.
Legendary voices including Bob Costas, Doug Collins, Mike Fratello, Jim Gray, Hannah Storm, Isiah Thomas and P.J. Carlesimo will reunite Tuesday, March 3 in Philadelphia when Victor Wembanyama and the San Antonio Spurs face Tyrese Maxey and the Philadelphia 76ers.
Costas will handle play-by-play alongside Collins and Fratello, with Gray reporting courtside, while Storm hosts NBA Showtime on Peacock with Thomas and Carlesimo serving as studio analysts.
The game tips at 8 p.m. ET on NBC and Peacock, with pregame coverage beginning at 7 p.m. ET on Peacock. However, the bigger story centers on presentation rather than scheduling, as NBC plans to recreate the look and feel of its 1995-96 NBA coverage while blending it with modern production elements from the 2025-26 season.
Both Coast 2 Coast Tuesday matchups — Spurs-76ers at 8 p.m. ET and Suns-Kings at 11 p.m. ET — will incorporate the familiar score bar, replay wipes and full-screen statistical graphics that defined the network’s NBA broadcasts during the 1990s. Producers will also weave archival-style teases and tape elements throughout the night, giving longtime viewers a layered experience that nods to the past without sacrificing current production standards.
NBC’s original NBA run from 1990 through 2002 helped shape a generation of basketball fans, and much of that identity came from its on-air talent. Costas, Gray and Fratello all earned Emmy Awards during their careers, while Thomas and Collins built Hall of Fame resumes long before stepping behind the microphone.
Storm’s four-decade broadcasting career has spanned multiple networks, and Carlesimo has balanced coaching stops in both college basketball and the NBA with years as a television analyst.
In addition, NBC has leaned into several signature elements that defined its earlier era of NBA coverage. John Tesh’s Roundball Rock theme has returned, and the network has utilized an AI-generated recreation of the late narrator Jim Fagan’s voice for select elements. Narrated opens and features involving Costas, Marv Albert and Tom Hammond further reinforce the retro tone that NBC wants to deliver.
“Everyone at NBC Sports has so many great memories of the 1990s and NBA on NBC,” said Sam Flood, Executive Producer and President of NBC Sports Production. “We are excited to get the band of iconic voices back together and celebrate the game of basketball with viewers of all ages.”
Frank DiGraci will coordinate production of the Spurs-76ers broadcast, while Drew Esocoff directs after recently leading NBC’s Super Bowl LX coverage. Adam Littlefield produces NBA Showtime, with Jared Sumner directing.
Bob Costas, Doug Collins, Mike Fratello, Jim Gray, Hannah Storm, Isiah Thomas, and P.J. Carlesimo Return to NBC Sports in Throwback NBA Broadcast March 3 San Antonio Spurs at Philadelphia 76ers
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The Pro Football Hall of Fame will honor one of television’s most influential behind-the-scenes architects when it presents the 2026 Pete Rozelle Radio-Television Award to the late Sandy Grossman, marking the first time the award has gone to a director whose primary responsibility centered on shaping the look and feel of live game coverage rather than delivering it on camera or over the airwaves.
Over a career that spanned decades and reshaped how audiences experience major events, Don Ohlmeyer Grossman directed 10 Super Bowls. He also oversaw 18 NBA Finals, five Stanley Cup Finals, and multiple Olympic opening and closing ceremonies. Grossman earned eight Emmy Awards during his career. Executives and on-air talent often described his work as foundational to the modern sports broadcast.
Jim Porter, President and CEO of the Hall of Fame, said Grossman “set the standard for broadcast directors.” He emphasized that many visual and structural elements fans now expect during NFL telecasts trace back to Grossman’s work. Porter noted those innovations often originated in production meetings and truck compounds long before kickoff.
Porter delivered the news to Grossman’s son, Dean, who later described the call as “the greatest call I could have received,” adding that the honor cements his father’s place among the legends whose stories and accomplishments define pro football history.
“Thank you to the Pro Football Hall of Fame for recognizing my father and his contributions to the NFL,” Grossman continued. “This is such an incredible honor, and to know that my father’s name and legacy will be remembered forever in the most prestigious place among the legends of the game would have meant the world to him, as it does our family.
The Hall will formally recognize Grossman during the 2026 Enshrinees’ Gold Jacket Dinner in downtown Canton on August 7 as part of Enshrinement Week, ensuring that his name joins the list of media figures whose work expanded the reach and impact of the league far beyond the stadium.
Grossman began working with John Madden and Pat Summerall at CBS Sports in 1981, launching a 21-season partnership that later continued at Fox Sports after Fox secured NFL rights in 1994, a move that underscored how essential Grossman’s presence had become to the broadcast’s rhythm and authority.
As the league evolved and pass rushers turned edge pressure into a headline attraction, Grossman collaborated with Madden to widen the standard camera shot so viewers could see outside linebackers and developing blitzes, an adjustment that blended tactical awareness with storytelling instincts and illustrated how production choices could deepen understanding without distracting from the action.
Former CBS Sports president Neal Pilson credited Grossman with revolutionizing pro football coverage through his use of coaches’ film to anticipate analysis and position cameras accordingly, while longtime producer Richie Zyontz praised his ability to capture emotion through close-ups that made a single bead of sweat feel consequential.
Grossman’s career began humbly as an usher at the Ed Sullivan Theater in 1957 before he moved into public affairs and eventually CBS Sports, where he became lead NBA director in the early 1970s and introduced the now-standard practice of playing music during game breaks, further demonstrating a willingness to experiment that would define his legacy.
Grossman retired in 2012 and died two years later at age 78, yet the techniques he refined continue to shape NFL Sundays, serving as a reminder that while fans often remember the voices in the booth, the director in the truck frequently determines how the game is truly seen.
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Warner Bros. Discovery appears poised to accept an offer from Paramount Skydance to purchase the company, including CNN.
On Thursday, WBD revealed that it found the updated purchase price from Paramount Skydance — $31 per share, compared to the $30 per share offered by Netflix — superior. Netflix subsequently shared it would not match that offer, paving the way for Paramount Skydance to purchase the company.
Following that announcement, many pointed to the fact that Larry Ellison — the chairman of the company — was the preferred buyer of Warner Bros. Discovery by the White House. Reportedly, Ellison and his son, David, had met with President Donald Trump to discuss what programming changes they would make to CNN should they acquire the network as part of the deal. Trump has been a frequent critic of the cable news brand for its coverage of him.
CNN CEO Mark Thompson sent a memo to employees Thursday evening attempting to assuage any concerns.
“Despite all the speculation you’ve read during this process, I’d suggest that you don’t jump to conclusions about the future until we know more,” Thompson wrote. “And secondly let’s not forget our duty to our audience. We’re still near the start of what is already an incredibly newsy year at home and abroad, one that will culminate with critical U.S. midterm elections and who knows what else. Let’s continue to focus on delivering the best possible journalism to the millions of people who rely on us all around the world.”
It remains to be seen if Paramount’s purchase of Warner Bros. Discovery will be approved by government regulators. It is also unclear when the company would begin operating the CNN brand should that approval be granted.
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Country Radio Seminar (CRS) is bringing star power to Nashville once again, as organizers revealed the first wave of performers scheduled for the annual Warner Records Nashville Luncheon during CRS 2026, setting the stage for one of the most anticipated label showcases of the three-day industry gathering.
The luncheon regularly attracts programmers, label executives, and on-air talent from across the industry. This year’s event will feature performances by Ashley McBryde, Blake Whiten, Gabby Barrett, The Band Loula, and The Creekers.
Additional artists expected to join the lineup will be announced in the coming weeks as Warner Records Nashville continues to shape its presentation for the industry audience.
Warner Records Nashville will host the luncheon on Wednesday, March 18 at noon. The event will take place in the Broadway Ballroom at the Omni Nashville Hotel. Its placement in the middle of the CRS schedule makes it a key midweek touchpoint. Attendees can assess current hits and discover emerging artists positioned for radio growth.
Kristen Williams, SVP of Radio & Commercial Partnerships for Warner Records Nashville, highlighted the balance between proven stars and emerging talent. She said the label values showcasing award-winning artists alongside new voices. Williams noted that several developing acts are beginning to build momentum within the country format.
“Once again, we are honored to feature Warner Records Nashville’s esteemed and award-winning artists alongside the newest standout talents in the country genre,” says Williams. “This year is no exception as these artists and their music set the tone for the week!”
CRS 2026 runs March 18–20 in Nashville and will once again combine educational programming with high-profile showcases, networking events and brand activations that bring together decision-makers from across the country radio ecosystem.
Signature events will include the New Faces of Country Music Show, CRS Honors, multiple label luncheons and the Digital Music Summit, each designed to address different facets of the business while reinforcing the format’s collaborative culture.
Online registration for Country Radio Seminar 2026 has closed. Organizers will now offer access exclusively on-site in Nashville for $799 through the start of the event. A limited number of New Faces of Country Music tickets remain available for separate purchase. CRS will also maintain special pricing tiers. Those include a discounted student rate and single-day passes with full programming access. A dedicated industry organization rate is available for qualifying members.
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