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How Do Car Auctions Make Money? The Business Behind the Bidding War

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Car Auctions and Profit: How the Bidding Business Really Works

Not all cars on the lot tell their own story

Behind the flashing lights of a live auction and the rapid chants of the auctioneer lies a quiet system. One that turns thousands of used cars into steady profits. But how exactly does that system operate? What keeps the engine running for auction houses?

The truth lies in fees, turnover, and trust

To understand this, it helps to examine one of the most active marketplaces in Ohio- sca.auction. With rows of cars lined up daily, buyers ranging from local car dealers to out-of-state online bidders scan the inventory, prepping for what feels like a treasure hunt. It looks fast. It feels chaotic. But it’s all highly calculated.

Car Auction House

So how do car auctions make money in such a volatile business?

Revenue source one — auction fees

Every transaction at an auction includes auction fees. These can range from a flat rate to a percentage of the winning bid.

  • Buyer’s premium is a standard fee paid on top of the winning bid.
  • Sellers may also pay listing or processing fees to send vehicles to auction.
  • The more cars sold, the more fees accumulate.

Dealer only auctions vs public auctions

There’s a difference between dealer only auctions and public auctions. Dealer events often include trade-ins and repossessed cars from financial institutions. Public auctions may include older models, vehicles with salvage title, or units from private sellers.

TypeAccessInventory Type
Dealer OnlyCar dealersTrade ins, wholesale cars
Public AuctionsGeneral publicSalvage, used vehicles

Online auctions take it global

The rise of online auctions has transformed the business. Instead of limited foot traffic, platforms now cater to:

  • Remote buyers across the country
  • International buyers purchasing at wholesale prices
  • Live auctions with streaming bids
  • Wider car inventory reach for expensive cars and new cars

This model reduces transportation costs and maximizes auction prices with each new bidder entering the game.

What makes a car sell faster at auction?

The secret lies in the car’s history and its market value. A well-documented car with a clean vehicle history report, clear title, and visible maintenance records always invites higher maximum bid levels.

How auction houses profit from volume

Auction houses don’t need to make thousands from each sale. They focus on speed and scale.

  • Cars come in from dealer trade ins
  • Vehicles are processed quickly
  • Units are sent for auction within days
  • Auction cars that don’t sell once may reappear later

This loop ensures that every day, cars are sold, fees are paid, and inventory rotates fast.

Used cars: the bread and butter of auctions

While some think auctions focus on wrecked or repo’d cars, the majority of listings include used cars from:

  • Fleet liquidations
  • Rental agencies downsizing
  • Car dealerships clearing lots

This makes used car inventory a primary income driver for auction houses.

Bidding war psychology

Ever wonder why people lose money bidding? Auction houses thrive when multiple people want the same model. A mild bidding war inflates the final price, and in doing so increases both the seller’s payout and the auction’s margin.

Auction process: simple but powerful

Here’s what usually happens behind the curtain:

  1. Private sellers or dealers send cars
  2. Vehicles are inspected and assigned lot numbers
  3. A vehicle history report is added
  4. The car is listed in both physical auctions and online auctions
  5. Buyers place a maximum bid
  6. If reserve prices are met, the car is sold

Each step adds clarity. Each car becomes more valuable with thorough research attached.

Why dealers love auctions

Car dealerships regularly attend auctions to buy cars at wholesale prices. They resell them at retail value, making profit margins ranging from hundreds to thousands.

Auction RoleProfit Strategy
Buyer (Dealer)Purchase low, refurbish, resell
Seller (Dealer)Offload aged inventory fast
Auction HouseCharge auction fees and maximize sales flow

Do car auctions sell new vehicles?

Sometimes. New cars appear through manufacturer overstock, demo models, or post-lease returns. These often attract higher auction prices and demand more intense bidding war dynamics.

Common terms buyers should know

  • Winning bid: Final price before fees
  • Buyer’s premium: Extra cost added to the bid
  • Reserve prices: Hidden minimum sale amount
  • Salvage title: Vehicle has been deemed a total loss
  • Dealer license: Required for access to certain events

Why some cars get auctioned multiple times

Certain cars may fail to meet reserve prices, especially expensive cars or those with past accidents. Auction houses may relist them. Sometimes car dealers pull them for reconditioning before a second try.

What determines a good deal at auction?

A good deal isn’t just the lowest number. It’s about understanding the fair market values and knowing when the auction prices dip below retail. Successful car dealers always compare:

  • Mileage vs. age
  • Cosmetic damage vs. mechanical condition
  • Car’s history vs. price range
  • Title status (clean or salvage title)

Smart bidders don’t chase the highest bid. They stick to a maximum budget based on thorough research.

Do auctions work the same for every car?

No. Certain cars behave differently at auction. A high-mileage truck may attract only wholesale buyers. A newer model sedan with one previous owner may invite a fight.

Car TypeCommon Outcome at Auction
New vehiclesSells fast if overstocked or fleet-owned
Used vehicleSells quickly with clean history
Cars at auctions with damageMay sell for parts or rebuilds
Trade insOften sold quickly by dealers
Dealer carsMay be returned for lot resale

Where do buyers lose money?

It’s easy to get swept into the energy of live auctions. The noise. The urgency. The feeling that if you don’t bid now, it’s gone. This is where people lose money.

  • Bidding past the car’s value
  • Skipping the vehicle history report
  • Overlooking past repairs or accidents
  • Forgetting about transportation costs

Auctions work best with strategy

Before entering any auction, smart buyers follow these steps:

  1. Set your maximum budget
  2. Get a dealer license if attending exclusive events
  3. Review car inventory days in advance
  4. Research fair market values using listings
  5. Scan the car’s history
  6. Be ready to walk away

The auction house stays neutral

Every auction house plays the same role. It facilitates the transaction, earns from both ends, and doesn’t favor one bidder over another. Its job is to:

  • Keep the auction process fair
  • Maximize units moved
  • Charge standardized auction fees
  • Offer clarity with vehicle history report access

Online auctions create unlimited scale

Once upon a time, auctions happened once a week inside a loud garage. Now, platforms like ebay motors and private dealer only auctions stream events globally. With online bidders from across continents, every car has more eyes and more potential value.

Selling cars fast without a dealership’s lot

Many people think they need a car lot to sell vehicles. But auction platforms changed that. Today, even private sellers can send cars into public auctions and sell cars without maintaining a dealership’s lot.

Informed decisions create auction success

Those who profit from auto auctions don’t just know cars. They study timing. They wait. They strike when others hesitate. Buying cars at auction is like poker with sheet metal — except the chips are rustproof and the stakes ride on four wheels.

Conclusion: Auctions run on trust, speed, and volume

So how do auto auctions make money? Through calculated moves across a wide network. Every car, whether a polished sedan or dented salvage SUV, fits into a larger rhythm.

  • Volume ensures constant cash flow
  • Auction cars flip quickly
  • Both buyers and sellers pay fees
  • Car auctions thrive on urgency and transparency

The next time you hear that rhythmic chant, remember — it’s not just about the car. It’s about the machine behind the machine.

1. Can someone bid against me on purpose to raise the price?

Yes. It’s called bid shilling. Most auction platforms ban this behavior, but it still occurs in some smaller or unregulated auctions. Always cap your maximum bid.

2. Why do some cars show up multiple times?

Cars at auctions that don’t meet the reserve prices may be relisted. Dealers sometimes relist the same unit across different platforms to test the market.

3. Can you bid without attending in person?

Yes. Most online auctions allow live bidding or timed bidding from anywhere. Many buyers never visit the physical site.

4. Do all auctions require a dealer license?

No. Public auctions are open to everyone. However, dealer only auctions require proof of trade registration and valid licensing.

5. Do auction houses guarantee cars?

Not usually. Unless specified as a “guaranteed sale” or “condition report included”, cars are sold “as is”. Always read the fine print and check the automobile history before bidding.

On3 Signs Chris Low as Senior National College Football Reporter

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On3 has added one of the most respected names in college football reporting to its roster. The company announced that Chris Low, who spent the past 22 years as a senior writer at ESPN, has joined as a Senior National College Football Reporter.

Low’s move marks a significant addition to On3’s growing platform. It has aggressively positioned itself as a leading voice in college sports media. Known for his credibility, relationships, and ability to break major stories, Low now brings more than three decades of experience to a media brand intent on rapid growth.

“I’m both grateful and eager to be joining On3’s talented team,” Low said. “Just as college football, and the landscape surrounding it, has evolved, so has On3. What a wonderful opportunity and a new journey that starts today. See you at Death Valley (the Clemson version) on Saturday!”

Throughout his career, Low has been a steady presence in college football journalism. Most recently, he broke the news of Nick Saban’s retirement at Alabama in 2023. He also detailed the Crimson Tide’s swift transition to Kalen DeBoer. His reporting has included significant stories such as Kirby Smart’s record $13 million contract extension. Additionally, he covered Lane Kiffin’s move from Florida Atlantic to Ole Miss.

On3 founder and CEO Shannon Terry called Low’s arrival a perfect fit.

“At its core, On3 is built on trust and community — and no college sports insider embodies that more than Chris Low,” Terry said. “For more than three decades, Chris has been one of the most trusted and connected insiders in the college sports media landscape. We are honored that he has chosen to continue his distinguished career with On3.”

Low will deliver in-depth reporting, long-form features, and weekly analysis on the most pressing stories in college football. He will also appear regularly on On3 podcasts and YouTube programs, providing additional insights for the brand’s rapidly expanding audience.

His presence adds to an already deep reporting roster that includes Andy Staples, Pete Nakos, and Brett McMurphy. For Staples, who has worked alongside Low in previous roles, the move highlights both professional respect and personal admiration.

“Early in my career, Chris taught me a lot of what I know about being a reporter and about how to treat people,” Staples said. “As I moved through the industry, I learned this was everyone’s experience with Chris. The coaches respect him because he always treats them fairly and honestly. The other reporters respect him because he beats them fair and square.”

The hire underscores On3’s strategy to blend breaking news with deeper analysis and community-driven coverage. With more than 100 team-specific fan sites and a focus on recruiting, NIL, and the transfer portal, the company has carved out a strong position in a competitive college sports media marketplace.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Is Funkmaster Flex Really Leaving Hot 97 After 33 Years?

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Funkmaster Flex has announced that Monday (9/1) will be his final show on Hip Hop Hot 97 WQHT in New York, ending a 33-year run.

Posting in all caps on Instagram, he posted, “THIS MONDAY, LABOR DAY, SEPTEMBER 1ST, WILL BE MY LAST SHOW ON HOT97 AT 7PM! ALL THINGS COME TO AN END! END OF AN ERA THAT I ENJOYED VERY MUCH! I SUPER ENJOYED IT ALL! I WILL MAKE THE LAST SHOW A GREAT ONE! APPRECIATE EVERYONE WHO HAS SUPPORTED ME OVER THE YEARS!

Not everyone was so quick to believe Funkmaster and his retirement news. Another post on the same account reposted claims that the wording leaves the door open to just a move to another daypart on the station.

Watch this space.

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MSNBC Host Ali Vitali Adding Congressional Correspondent Duties

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MSNBC has announced that Ali Vitali will serve as a senior Capitol Hill correspondent for the network as the outlet is spun away from its longtime partnership with NBC News.

Vitali has served as the host of the morning show Way Too Early with Ali Vitali — which airs at 5 AM ET — since the program launched earlier this year.

She had previously covered Congress for NBC News before jumping to the new show at MSNBC, and wrote a book on the 2020 presidential election.

Additionally, MSNBC has also hired former CNN reporter Rosa Flores to serve as a Houston-based correspondent for the network. She’ll cover breaking news throughout Texas and the region, and will contribute to the enterprise reporting performed by the network.

Flores becomes the latest person hired from outside the organization as it builds out its roster of those both in front of and behind the camera amid its new parent company, Versant, splitting off from longtime home Comcast and NBCUniversal.

Part of the split includes MSNBC rebranding to MS NOW, as Comcast ultimately decided not to allow to brand to depart with the “NBC” and Peacock logo branding elements it has utilized for nearly three decades.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

CNN Names Vaughn Sterling as Executive Producer of The Source with Kaitlan Collins

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CNN has announced a new executive producer for The Source with Kaitlan Collins, as Vaughn Sterling will step into the role.

The move marks a return to CNN for Sterling, who worked for over two decades at the network after joining in 2001. Most recently, he served as the senior executive producer of new and features at The Wall Street Journal. In that role, he oversaw the company’s digital video efforts.

During his first stop at CNN, Vaughn Sterling was part of the original team that launched The Situation Room with Wolf Blitzer. He also served as a senior broadcast producer for the company’s 9 PM ET hour, and as a breaking news executive producer for the short-lived CNN+ streaming platform.

In his new role, Sterling will join the already established team on The Source with Kaitlan Collins, and will be based at the network’s New York bureau.

The Kaitlan Collins-led program joined the CNN lineup in 2023, replacing the show previously hosted by Chris Cuomo in the network’s offerings. It underwent a retooling earlier this year, moving from its traditional studio to a set in the Washington newsroom at CNN.

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YouTube TV Reaches New Distribution Agreement With Fox

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Fox Corporation and YouTube TV have reached a new multi-year agreement. This keeps the broadcaster’s portfolio of networks on the Google-owned live TV streaming service. It averts a potential blackout just before a packed holiday sports weekend.

The deal, announced late Thursday, ensures continued carriage of Fox News Channel, Fox Business Network, FS1, FS2, Fox-owned stations and Fox affiliates across the country. It comes one day after Fox’s previous contract with YouTube TV expired. Importantly, it was secured just hours before a temporary extension was set to lapse.

Exact financial details of the renewal were not disclosed.

“We’re happy to share that we’ve reached an agreement with Fox to keep their content on YouTube TV. This allows us to preserve the value of our service for our subscribers and offer more flexibility in the future,” said a statement on YouTube’s social media channels. “This means that Fox channels, including the Fox Broadcast Network, Fox News, and Fox Sports, remain available for our subscribers. Along with 100+ channels, football fans will not miss any of the action this weekend.”

The last-minute deal concludes a tense negotiation. Both sides had accused each other of being responsible for a potential blackout. The two sides came to a temporary extension before the 5 pm Wednesday deadline set by the streaming platform.

YouTube TV argued that Fox was demanding higher carriage fees that would have inevitably raised prices for subscribers. Fox countered that Google was using its dominant market position to seek favorable terms at the network’s expense. Neither company offered specifics beyond those broad claims.

For Fox, the renewed distribution on YouTube TV secures a valuable pipeline to millions of streaming households. This comes at a time when traditional cable subscriptions continue to decline. For YouTube TV, retaining a partner with the reach of Fox was crucial for sports and news programming.

The deal also comes as Fox pushes deeper into streaming with Fox One, a $20-per-month platform. It offers access to its broadcast and cable networks outside of traditional pay TV. Current YouTube TV subscribers can access Fox One by logging in with their credentials. This strategy expands Fox’s digital presence without abandoning existing distribution partners.

The renewed agreement underscores the high stakes in sports media rights, particularly during football season. With Fox carrying both NFL and college football, a blackout on YouTube TV would have frustrated fans. Furthermore, it might have sent subscribers toward competing streaming bundles. By resolving the dispute before kickoff, both companies avoided disruption while strengthening their business positions. This was crucial in an increasingly competitive marketplace.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Why Lee Corso Will Be Forever Remembered For His Impact on College Football

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Tomorrow, College GameDay will say a final thank you to Lee Corso. After 38 seasons at the desk of ESPN’s flagship college football program, Corso is donning headgear for the final time on the network.

Tributes have poured in since the 90-year-old broadcaster announced his retirement earlier this year—all well deserved. Some have celebrated Corso’s love for the fun of college football. Others have shared personal reflections from colleagues who sat alongside him on Saturdays.

Week one will belong to fans across the country, but tomorrow will also close out a legendary career we may never see again.

Everything evolves with time. Sports used to air only on a few major networks, sometimes even tape-delayed. Sports programming channels like ESPN didn’t exist at one time. With time comes change and evolution in how sports are consumed.

Corso Never Changed

Corso witnessed it all. His impact is impossible to overstate. He was there at the launch of College GameDay in 1987 following a 17-year coaching career. From that moment forward, he traveled the country and helped elevate a sport built on passion, tradition, and pageantry. The spectacle of college football only grew larger with Corso in the chair.

He understood the challenge of balancing quality with authenticity—being critical while celebrating achievement, and having fun all at the same time. It’s football, sweetheart.

Tomorrow’s show will almost certainly become a three-hour celebration of Corso, as it should. There has been no single commentator who elevated college football quite like him.

“Lee Corso is maybe the single most impactful person in the history of the medium in relation to college football,” Paul Finebaum told me last month. “He just took a different approach. He gave thoughtful analysis, but he showed the underside of why we love college football. It’s the craziness of it. It’s the fans.”

If anyone would know Corso’s impact, it would be Finebaum.

“Coach Corso is one of the most influential TV personalities the sport of football has ever seen—not just college, but the sport of football,” Desmond Howard told me earlier this month. “He belongs on the Mount Rushmore with the likes of Keith Jackson and John Madden. They were so influential on the sport of football. To me, that’s the type of influence he’s had throughout his career.”

Every new beginning comes from some other beginning’s end, as the lyric goes. What began in 1987 with Lee Corso at the desk ends tomorrow in Columbus, Ohio. A new beginning for College GameDay will start when the final headgear is worn.

That wasn’t all that made Corso a legend.

The Coach of College GameDay

Corso’s legacy goes beyond headgear picks. His humility made him larger than the sport itself. He laughed at himself as easily as he laughed with others. Corso didn’t have to be right with his predictions, but he never hesitated to stand by them. He never lost the coach’s instinct to teach, offering analysis and advice with an eye toward solutions.

He never lost the spirit of trying to help others, even if he hadn’t held a whistle in some time.

Above all, his energy was unshakable. Fans never saw a bad day from Corso. When the lights came on and the crowds started chanting, he was always ready. Whether in the early morning darkness on the West Coast or under the midday sun back East, Corso became the entertainer who set the tone for college football Saturdays.

He fought Will Ferrell on stage, once called a young boy a midget on stage, and crowd-surfed in Happy Valley. Corso was the grand marshal of college football’s weekly parade.

Generations welcomed Corso into their homes every Saturday, year after year. It was appointment television for many—all because of the identity, humility, and character that Lee Corso brought.

Lee Corso was a personality larger than the sport he covered and loved. A rare breed of analyst, he stuck to his lane and kept delivering year after year, with depth, knowledge, and a smile.

The phrase “Not so fast, my friend” will forever be ingrained in the lexicon of college football lore.

Kudos To ESPN

Paul Finebaum told me he wants to be in tears when high noon hits in Columbus. I look forward to seeing how ESPN handles tomorrow. They’ve done a masterful job of ramping up the excitement for one more Saturday morning with Coach.

Tomorrow, ESPN faces a tall task. When noon strikes in Columbus, College GameDay begins a new chapter. For the first time, the stage will not include an original cast member. The show will evolve as it always has, but it will do so without its heartbeat.

As Corso dons the headgear and gives a royal wave one last time, let’s all give our thanks for his efforts in making Saturdays about football, fun, and family for the last 38 years. We may never see another figure elevate a sport the way Lee Corso has. Chances are, we never will.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Football Streaming Solutions To Save Your Bottom Line

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You used to need two things to watch football: a couch and a cable box. That was it. The box was clunky, the remote always missing batteries, and the bill made you grumble. Nevertheless, flip on CBS, FOX, NBC, or ESPN and there was football waiting.

Problem was, you were at the mercy of the football gods for the game of the week in your area. Roll the dice. Could be a playoff-deciding Cowboys-Eagles matchup, could be a draft-positioning Saints-Falcons tilt—but at least it was simple.

Now? Football is everywhere and yet somehow harder to find. The NFL has carved up games across YouTube TV, Prime Video, Peacock, Netflix, Paramount+, and ESPN. College football is just as messy—ESPN, FOX, CBS, NBC, SEC Network, Big Ten Network, ACC Network, and their newly arrived streaming cousins. If you want every single game, you’ll need six apps, three passwords, and about $1,500. The upside? For the first time, you can actually see everything instead of just whatever your local affiliate fed you.

If you want every NFL and college football game, here’s what that looks like in today’s new ESPN-dominant, FOX-and-streaming, Prime-and-Paramount, insert-conference-network-here world.

The Cost for Football

For NFL coverage, you’ll need a base live-TV streaming service like YouTube TV or Hulu—around $85 a month—which gives you CBS, FOX, NBC, and ESPN for local and primetime games.

Add NFL Sunday Ticket for $276 per season to cover out-of-market games. Next, sprinkle in Prime Video ($8.99/mo) for Thursday Night Football, Peacock ($10.99/mo) for Sunday Night Football, Paramount+ ($7.99/mo) for CBS coverage, and Netflix ($7.99/mo) if you want a couple of Christmas Day games.

RedZone comes along with Sunday Ticket or is included in many live-TV bundles. It turns Sunday afternoons into a touchdown-filled adrenaline rush for gamblers and fantasy types alike.

College football is similarly splintered.

ESPN Unlimited ($29.99/mo) now carries almost everything ESPN-related, including ESPN+, the SEC Network, and ACC Network. Fox One ($19.99/mo) covers Big Noon Saturday games and Big Ten action. You can bundle it with ESPN Unlimited for about $40.

Peacock and Paramount+ give you NBC and CBS coverage for select matchups. Meanwhile, ESPN+ provides the college version of RedZone, perfect for the whip-around shows that keep you in all the games at once.

Got all that? There will be weekly quizzes when you’re trying to find your alma mater’s games, and “regional tax” charges that will have you scratching your head all season long.

Put it all together and the math adds up:

NFL coverage alone will run about $875 a year, college football around $600–700, and if you want both? You’re looking at $1,400–1,600 for the full buffet.

I hear DoorDash is hiring drivers in your area during the week so you can watch football on weekends.

Three Solutions To Consider

Never fear—I am not just a person who identifies problems; I am full of solutions, among other things. So here are three ways to get the most football for your buck this season:

“The All-In Simplicity Package” ($150/month)
This is your “don’t think, just watch” option: YouTube TV plus Sunday Ticket, ESPN + Fox One bundle, Peacock, Paramount+, and Prime Video. You’ll get every NFL and college game, RedZone, and college whip-around coverage. It’s the priciest at about $1,800 a year. However, it’s one-stop shopping for the diehards.

“The Savvy Cord-Cutter” ($102/month)
If you’re willing to juggle a few apps, an OTA antenna ($40 one-time) for CBS/FOX/NBC/ABC plus ESPN Unlimited, Fox One, Peacock, Paramount+, Prime Video, and Sunday Ticket gives you everything at a lower cost—about $1,200 a year. You save $600 versus the all-in package, but yes, there’s a lot of password hopping.

“The RedZone/Whip-Around Specialist” ($90/month)
Hulu ($82.99/mo) covers ESPN, SEC, ACC, Big Ten, CBS, NBC, FOX, ESPN+, and RedZone. Add Peacock ($10.99) for select exclusives. You’ll see 95% of games without juggling six apps—around $1,100/year. It’s the cleanest compromise for fans who want almost everything without the headache.

    The question is: are you better off now?

    Well, your football side is full, but your wallet is skimpy. Back then, you paid less, but you missed a ton. You saw the regional game, and if your team wasn’t good, tough luck. Now, you pay more, but you can see everything—every touchdown, every upset, every late-night after-dark thriller from Boulder to Honolulu.

    It’s the classic deal with the devil: money for access.

    If you’re happy with just your local team and a marquee matchup, a single streamer or antenna can do the trick. But if you’re a football junkie who treats Saturdays and Sundays like a 20-hour buffet, you’ll need the full spread. Maybe, you’ll need a second job to cover it. The cost for a full season of every game is about $1,500. That’s roughly the same as 10 stadium beers. Your wallet might cry—but at least you won’t miss kickoff.

    The good news? Unlike the old days, you’ll never be stuck watching the Jaguars and Titans on a color-rush Sunday unless you want to.

    And if you do? Well, that’s on you.

    Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

    How Bussin’ With the Boys Went All in on College Football With Josh Pate

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    The college football season officially kicked off with the first full weekend of action underway. The demand for content surrounding the sport has never been higher. The sport consistently evolves with time. Conferences realign, and the insertion of name, image and likeness funding continues to roll in for athletes all over the country. To meet the demand for quality content, Will Compton and Taylor Lewan’s Bussin’ With The Boys brand has stepped up their efforts in expanding their digital footprint to cater to the college football fan.

    “We’ve always had a vision to continue growing and expanding. The fan base for college football is so passionate and loyal,” said Compton. “The conversations we were having. The way the fans were responding, showed us there was a lane for us to go all-in on college football.”

    Compton and Lewan announced earlier this month their first focused venture into the college game. They added The Locker Room: CFB. A spinoff of the popular The Locker Room series with a sole focus on the headlines, matchups and predictions in college football.

    To separate the already known commodity from their newest venture, Bussin’ With The Boys enlisted the help of college football insider Josh Pate.

    How Josh Pate Hopped on with Bussin’

    “It really happened organically,” said Pate of how he was approached for the program. “We see each other a lot, interact with each other throughout the week, and we’re all in Nashville.”

    Pate has been a growing voice surrounding the sport since landing his first job in sports media hosting on a local ESPN Radio affiliate in Columbus, Georgia. A few years later, that position led Pate to host a show on WLTZ television as a news anchor. After turning down a contract extension at the local television station, Pate followed his passion for college football. He began his own YouTube channel, which launched him into working over time with 247Sports, CBS Sports and On3.

    This summer Pate has expanded his work, owning his own IP, and reshuffled an already stacked portfolio with one of his landing spots being with the emerging Bussin’ With The Boys brand.

    “I somehow found time to get married and make trips to 16 different campuses during the spring as well,” Pate joked. “I’d say this spring and summer have been busier than any actual football season I can recall. It’s extremely rewarding though.”

    The growing spotlight for Pate was no stranger to the Bussin’ With The Boys franchise. With all three living within the same Nashville metro area, it was easy to keep tabs on Pate’s growing network and reputation as a creator for college football analysis.

    “He’s a storyteller and one of the best personalities in college football,” noted Compton. “I reached out to him and started talking about the opportunities in the college football space. We realized we had a similar vision. He understood what we were trying to build, and it felt like a natural fit.”

    Growing the Bussin’ Portfolio

    The addition of The Locker Room: CFB adds another element to Pate’s growing digital arsenal. The current broadcasting schedule for Pate includes his College Football Show three nights a week live, while balancing taping an episode of The Locker Room: CFB among his other work with On3, Yahoo Sports and ESPN.

    “I imagine we’ll be able to fit a midweek recording of The Locker Room into that mix effectively,” said Pate. “That’s prime real estate in our business. The previous week is still relevant but the next week’s kickoffs are less than 72 hours away.”

    Despite the workload, Pate understands the reasoning behind it.

    “I view it as validation that our approach is working,” noted Pate. “The key is to stay focused on the season itself, which I’d say is the biggest risk you run with everything else happening around you professionally and personally.”

    For Compton and Lewan, it’s been a year of change. Following a five-year partnership with Barstool Sports, the duo took their podcast independent. Bussin’ With The Boys stated the move was due to a larger offer from a sponsor that they couldn’t pass up. Just a week after leaving the popular digital content outlet, FanDuel announced a multi-year partnership with Compton and Lewan, securing their footing after leaving Barstool Sports.

    “We have a ton of respect for what they’ve built [at Barstool Sports],” said Compton regarding his time there. “We’re focused on how we can get better and how we can continue to build our relationships with players, coaches and the entire football community.”

    With the first football season under a new partnership and fully independent, there is much to look ahead to for the growth of Bussin’ With The Boys.

    “We’re pumped about the partnership with FanDuel and excited to integrate their brand in a way that feels natural and valuable to our audience,” said Compton. “We’re looking to bring a new level of fan experience to the sports betting world.”

    This also marks the first football season where the Bussin’ With The Boys brand plays in the same spaces as their prior partner in Barstool Sports. While Compton says they don’t consider themselves to have any competition, the focus is still on point as football arrives.

    “We’re focused on creating content that we love and that our audience loves,” explained Compton. “As long as we stay true to that, we’re not worried about anything else.”

    Meeting Demands of Digital Media

    With Pate joining the Bussin’ With The Boys brand for football season, it’s another sign of creators teaming with creators to better serve audiences while cross-promoting one another. In the digital ecosystem those opportunities continue to exist. Ones that Pate has learned over time work for everyone involved.

    “Digital media has fundamentally transformed how I view distribution,” explained Pate. “A generation ago it was about which networks you could be on. Today it’s about organic and strategic collaborations. They have to be both, or the audience sees right through it. When it’s both there’s no substitute for what it can do in terms of visibility and scalability.”

    Strategic and organic, but authentic and honest. That’s the approach taken by Bussin’ With The Boys since their inception. This approach made Pate the right person to choose in expanding The Locker Room catering to college football on a full-time basis.

    “Josh has an unfiltered perspective that makes him great in the space,” said Compton. “He’s a professional who can break down the game in a way that makes sense to everyone. From the most die-hard fan to someone who’s just starting to catch on to the new nature of the sport. With NIL, the transfer portal and CFP news all circulating at the same time.”

    With the official kickoff of the college football season already underway, expectations are high for what’s to come from the collaboration between Pate and the Bussin’ With The Boys brand. Albeit it’s just sports, some fun will surely be had along the way.

    “I have to perform better than Will and Taylor picking games,” joked Pate. “Losing is not an option here, my pride would never recover. I’m laying it all on the line for the people.”

    Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

    Donald Trump vs. ABC and NBC Grabs Headlines, But the Bigger Media Fight Is Already Here

    The ending of Truth Social posts from President Donald Trump against the likes of ABC and NBC Sunday evening didn’t get as much attention as it should have.

    “Crooked ‘journalism’ should not be rewarded, it should be terminated!!!” he wrote.

    However, his initial post certainly did.

    “Despite a very high popularity and, according to many, among the greatest 8 months in Presidential History, ABC & NBC FAKE NEWS, two of the worst and most biased networks in history, give me 97% BAD STORIES. IF THAT IS THE CASE, THEY ARE SIMPLY AN ARM OF THE DEMOCRAT PARTY AND SHOULD, ACCORDING TO MANY, HAVE THEIR LICENSES REVOKED BY THE FCC. I would be totally in favor of that because they are so biased and untruthful, an actual threat to our Democracy!!! MAGA.”

    As did his follow-up thought: “Why is it that ABC and NBC FAKE NEWS, two of the absolute worst and most biased networks anywhere in the world, aren’t paying millions of dollars a year in LICENSE FEES? They should lose their licenses for their unfair coverage of Republicans and/or Conservatives, but at a minimum, they should pay up BIG for having the privilege of using the most valuable airwaves anywhere at any time!!! Crooked ‘journalism’ should not be rewarded, it should be terminated!!!”

    The left immediately went for the jugular. “Donald Trump Rages At ABC And NBC, Says They Should Lose FCC Licenses Over ‘Unfair Coverage,’” Deadline wrote. Other outlets like Raw Story went with headlines such as: “‘Should be terminated!!!’ Trump menaces ABC and NBC in midnight outburst.”

    Both Deadline and Raw Story are using inflammatory language, which is bad journalism. Words like “rages,” “menaces,” and “outbursts” not only give way to confirmation bias, but they also imply that his feelings are wrong. Remember, no feeling is wrong — but feelings don’t belong in journalism. So when the President (or anyone else in the world) gets emotional, you stay neutral.

    Meanwhile, the right took a more praising approach with headlines like, “Trump hits ABC, NBC as ‘FAKE NEWS,’ says he’d support FCC revoking licenses” (from the New York Post) and “Trump: Revoke ABC, NBC’s FCC Licenses for Dem Bias” (from Newsmax).

    The Post headline is a problem because he’s not physically hitting them. I don’t know when this became acceptable, but it shouldn’t be. The Newsmax headline is bad because — aside from giving the entire story away — it gives confirmation bias to their already right-leaning readership (which, again, confirmation bias is not news).

    A good, neutral, 70-character headline would have looked like the following: “Trump shows support for FCC to revoke licenses of two major networks.” It doesn’t give away the story and it avoids confirmation bias.

    President Trump is not wrong: “crooked journalism” should not be rewarded. However, as the left overreacts to the posts (and the right seemingly rejoices in them), the FCC isn’t going to take away licenses because journalists are protected by the First Amendment as well as a slew of other laws and legislation. Even if the FCC did take away ABC and NBC’s licenses, it wouldn’t matter—outlets no longer need the stamp of approval from the FCC to get their message out there.

    The FCC does not regulate podcasts, YouTube content, or any streaming service. Hulu, Amazon Prime, and Netflix aren’t regulated by the FCC. Disney owns Hulu, and they also own ABC. Removing ABC’s right to radio and TV won’t stop them from amplifying their other unregulated products.

    The unregulated content world has become more of a competitor for last century’s news outlets (yes, even the digital-first platforms from the 1990s). Your first problem now is unregulated content creators who are not just stealing your piece of the proverbial pie—they’re stealing your piece of the pie and then selling it to the audience after they’ve chewed it up and spit it out.

    Think about it. Websites like TV Eyes, Meltwater, and CisionOne roll on your content and get paid by content creators so they can clip it up, place it in a video, and then either give their opinion on your words or show how your outlet is skewing the news to the left (or right). Then your bookers take those same people and put them on a TV screen, calling them “experts” (a term I hate) because they have some sort of large following—a following they built off of your content.

    Sure, it may seem like they need you, but you can be replaced. CNN’s gone? Fine, I’ll go to MSNBC. No Newsmax? No problem, I’ll go to Fox. These creators don’t believe in your message—they believe in their own.

    Then these creators evolve, and they become your second problem. The person you used to book as a guest is now a host. (I’ve been told many times that the best talk radio hosts are the ones who used to call into the station because they are “tuned into that world.”) If they don’t want to renew their contract after you’ve built a following together, you are the one who loses.

    If they don’t re-sign with you after “making it big,” that talent can take your audience away and launch their own podcast or streaming show—living fully in the unregulated world, delivering their own message, and not dealing with big-box puppetry (which some, but not all, networks participate in).

    Take a look at Tucker Carlson, Megyn Kelly, Joe Rogan, and so many others who made it big after being on at least one network. They are all now saying (in an Eric Cartman voice), “Screw you guys, I’m going home.” (They can literally do what we do from the comfort of their own house now!)

    The future is coming fast, and it is unregulated, unfiltered, and loaded with George Carlin’s seven dirty words. The media is no longer about what outlet you work for but about who you — the “news personality” —are. People don’t even have to tell stories well. MrBeast adopted 100 dogs in 2023, and that video has more views on YouTube than the 2023 and 2024 Super Bowls combined.

    But what does this mean for you—the program directors, brand managers, presidents, vice presidents, and CEOs of media companies? It means you need to pivot, and fast. Today’s talent doesn’t need you, your big company, or your shiny lights and cameras to get their voice out there. Most of them don’t even need your money anymore either. You can literally do our job with just a smartphone.

    For the last two years, I’ve had the fortune to help private equity firms assess, evaluate, and determine what makes new media opportunities potentially viable before they hit the public market. Most are not. The most interesting models I’ve seen for media companies include a secondary market related to the industry.

    Some stations are already doing this by helping their clients make commercials. Others are leasing out unused sound booths to content creators. It’s a good way to stop the hemorrhaging, but I’m not entirely convinced it will save the big-box outlets.

    The fall of the media giants has already started. The FCC won’t be able to pull “crooked journalism” from the extreme left or extreme right off the airwaves, because they don’t need the traditional media airwaves any longer.

    You can’t crush the content creator (for now), so the selling point you need to make is simple: “How can I help you create?” Swallowing your brand’s pride and backseat driving for content creators might just be the only way you can save your brand—and instead of falling, take only a small tumble.

    Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.