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Why Country Radio Can’t Ignore Pop Culture

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Everyone who has ever worked with me has heard it repeatedly. What are we doing to seize the moment? It probably goes back to my early days with Clear Channel when Jack Evans was my Senior VP Programming. When something big happened, Jack would make a call that started with, “What are we doing? Don’t disappoint me.”

It just became something that was ingrained into my programming DNA.

From viral controversies to celebrity milestones, these moments capture attention, dominate conversation, and, whether we like it or not, impact our audiences. For Country radio, the question isn’t whether to engage. It’s about doing it without losing its soul.

Pop Culture Isn’t Just Gossip

Take the Sydney Sweeney jeans controversy or the Cracker Barrel logo debate. At first glance, these stories might seem irrelevant to Country listeners. However, the reality is that audiences are talking, sharing, and forming opinions. Your station can either participate or get left behind.

This isn’t about turning your morning show into TMZ. It’s about perspective. Country radio thrives on storytelling, authenticity, and connection. Viral stories can be framed in ways that reflect those values. A funny take, a relatable twist, or a clever tie-in can turn a fleeting headline into a moment your audience remembers.

Engage, Don’t Just Announce

Consider the Travis Kelce and Taylor Swift engagement. A one-line mention on-air barely scratches the surface. Instead, stations can create segments, contests, or social campaigns inspired by the story. Invite listeners to share their own love stories. Highlight favorite Country couples. Make it interactive.

Take a look at this clever social media post from Big D & Bubba. This type of thing is easier than ever with tools like Canva.

The key is transformation: turning a headline into participation. That’s when pop culture stops being background noise and becomes a tool for engagement, loyalty, and brand relevance.

Think Beyond the Dial

Listeners live online as much as they live by the radio. If a station only mentions a viral moment on-air, it misses a massive opportunity. Pop culture content can live across social media, newsletters, TikTok, and the station app.

Imagine the Sydney Sweeney jeans story. A station could host a social media poll about country style, invite listeners to submit photos, or create a lighthearted fashion challenge. Suddenly, a viral controversy becomes a cultural conversation, and the station is at the center of it.

Timing Is Everything

Pop culture moves fast. Miss the moment, and the story fades. Act immediately, and your station appears informed, relevant, and in tune with its audience. Timing matters as much as creativity. The news cycles measure attention in hours; the early bird doesn’t just get the worm. It gets the engagement.

Keep Your Identity Front and Center

Engaging with pop culture doesn’t mean abandoning your core. Country radio’s strength is its authenticity and relatability. Any viral story should be filtered through that lens. A clever spin, a contest, a joke, or a thoughtful discussion can add value without undermining the station’s identity.

Moments Are Invitations

Every viral story, every celebrity headline is an invitation. An invitation for your station to be part of the conversation. To ignore it is to cede relevance to social media, podcasts, and other platforms. To seize it is to strengthen your connection with listeners, create interactive experiences, and show that your station is in the moment.

Engagement doesn’t have to be complicated. It can be a short segment, a poll, a promotion, or a social post. What matters is that it’s intentional, on-brand, and adds value beyond the mere mention.

While not Country, here is a very clever reel from Tony Lorino at B93.3 in Milwaukee. The station was recently sold and will be exiting the format. In the reel, the payoff is seeing Lorino wearing a 93 QFM cap from the station’s previous format with a quick reference to a logo change, fixing all your problems. Very well done.

Relevance Builds Loyalty

Why put in the effort? Because audiences reward relevance. Listeners stick with stations that understand their world and reflect it back with creativity. Pop culture moments are fleeting, but the engagement they generate can last far longer.

By thoughtfully integrating trending stories into your programming and promotions, you position the station as more than a music source. You become a cultural companion, someone the audience trusts to entertain, inform, and include them in the conversation.

Pop Culture Done Right

Country radio doesn’t need to chase gossip or become a celebrity news outlet. Its power lies in storytelling, community, and relatability. But ignoring pop culture means missing opportunities to connect. By seizing moments and attaching creative, on-brand spin, stations turn fleeting headlines into interactive experiences, marketing campaigns, and cultural relevance.

Pop culture isn’t the enemy. It’s an ally. If Country radio embraces it thoughtfully, it strengthens its bond with listeners, stays top of mind, and proves that even in a fast-moving media world, it’s still a place where audiences come to hear the stories that matter.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Hits On The Horizon: Doja Cat, Old Dominion and Trey Songz

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Well, here we are at the unofficial end of summer, Labor Day Weekend. I used to think my parents and grandparents were crazy for saying, “Summers go by so quickly!”  But, they were 1000 percent correct, it moves so fast!

Let us take a look at some songs you should be listening to over this 3-day weekend.

Top 40/Hot AC

I will start in the usual spot with Top40/Hot AC.

Doja Cat / “Jealous Type” sounds like a sure-fire hit. Groove is cool, and the song has a good hook.

I’ll bring up again one I mentioned a few weeks back, cause the streams are really solid at almost 5.4 million this week. Katseye / “Gnarly.” Yes, it may be a record you daypart at Top 40 to start, but there is something to it that sticks with you!

The last one for this week to get your ears on, if they haven’t already, is a crossover from Country. Megan Moroney / “6 Months Later” is a smash with over 7 million streams this week, and early believers at Hot AC include Mix in Houston and Y98 in St. Louis.

I will also say, Hot AC missed a good one this summer with a song that performed strongly at Alternative and AAA. Role Model / “Sally, When The Wine Runs Out” is a hit!

Rock

Let’s move into the ROCK world since I mentioned that Role Model song.

This week I am loving The Temper Trap / “Lucky Dimes,” it has such a cool bass line, the hook is catchy and worth your ears listening to it!

AAA

From the AAA space, I’m really liking Jesse Welles / “Wheel.” I love the hook on this song;some early believers include WXPN in Philadelphia and 93 XRT in Chicago.

Country

Let’s move to the COUNTRY format for this week. Hudson Westbrook / “Sober” with the lyric, “that sundress was spinning me out of my mind, turning me on one kiss at a time.” This is a good, slow groove song worth listening to!

Old Dominion / “Miss You Man” is a really good song and sounds like a radio hit to me, although you will need a clean version!

Another fun one to get your ears on is Jake Worthington / “It Ain’t The Whiskey.”

You should also be listening to Nikita Karmen / “Wildflowers On The Freeway.” I just love her voice, and it’s a catchy song.

Rhythmic

Moving into the RHYTHMIC world Trey Songz ft. feather,Nia/Ray / “Lit Again” is worth your ears.

Also liking Ayra Starr / “Hot Body” which has a really good groove and is getting nice love from “Jammin” in Boston and The Heat on Sirius XM!

One more this week from the Dance world is Myles Lloyd & Bunt / “Crazy” sounds like it could be a hit to me!

So, enjoy your Labor Day Weekend, and I’ll have more for you next week when we will be in September! 

Boy, it moves fast!

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Ratings Roundup: Fox News Still Tops Broadcast Networks During Six Week High

The Lead

Fox News continues to dominate the television this summer, as the network saw a six-week high in the primetime ratings, as it continues to best both cable and network counterparts.

During the week of August 18th, Fox News averaged 2.415 million viewers in primetime. That’s the highest mark for the network since the week of July 7th, when it averaged 2.436 million viewers.

Additionally, the week of the 18th marked a 3% viewership increase for Fox News compared to the prior week. In weekday primetime, Fox News averaged 2.9 million viewers for the week, besting network rivals ABC, CBS, FOX, and NBC in the process.

Again, The Five was the top-rated show for Fox News during the week. It averaged 3.5 million viewers, and 359,000 viewers from the key Adults 25-54 demographic, topping both categories.

In other week-over-week upticks, MSNBC saw a slight increase in its primetime viewership figures. The network’s average primetime audience was 804,000 total viewers, up from the 797,000 it saw in the prior week.

Meanwhile, NewsNation saw a 13% increase in overall primetime viewership week-over-week during the most recent time period. That network’s audience grew from 90,000 to 102,000 overall.

CNN and Newsmax each experienced losses week-over-week. CNN saw its primetime audience drop from 467,000 to 442,000, representing a 5% decrease. Newsmax dropped to its lowest rating of 2025 during the week of August 18th, finishing the week with an average of 166,000 total viewers in primetime. That figure represents a week-over-week decline of 21%.

World News Tonight Stays Top-Rated Show for 15th Straight Week, While NBC Nightly News Tightens Race in Key Demo

ABC’s World News Tonight has been virtually unchallenged as the top program in all of television this summer. That remained true during the week of August 18th, as the David Muir-led program featured an average audience of 6.9 million viewers for the week.

That figure far outpaced rival NBC Nightly News, which ended the week with an average of 5.7 million viewers.

However, the ratings battle is much tighter in the Adults 25-54 demographic. During the most recent week, the ABC News broadcast saw its lowest finish in that category of 2025, with 838,000 total viewers. NBC News averaged 792,000 in the same time period.

That finish is slightly below average for NBC Nightly News, which has seen an average of 875,00 viewers during the nightly newscast throughout 2025. Since Tom Llamas took over the anchor duties from longtime host Lester Holt, the figure dips slightly to 800,000 viewers on average.

The week of August 18th saw CBS Evening News finish with an average of 3.8 million viewers. That is a slight uptick compared to the previous week, up just over 0.5% overall. In the Adults 25-54 demographic, however, the broadcast saw its second-lowest finish of 2025, with an average audience of 478,000 viewers from that sector. Its previous low was the week of June 30th, when it finished the week with 466,000 viewers from the key demographic.

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ESPN Signs Desmond Howard To Multi-Year Extension

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ESPN has signed college football analyst Desmond Howard to a new multi-year contract. He prepares to kick off his 21st season on College GameDay Built by The Home Depot. The Heisman Trophy winner and Super Bowl MVP has been a fixture on the 10-time Sports Emmy Award-winning pregame show since joining ESPN in 2005.

Howard also contributes to ESPN’s exclusive College Football Playoff coverage and ABC’s NFL Draft programming. He also contributes to the Heisman Trophy Presentation, bringing his expertise and on-screen charisma to each broadcast.

“I am thrilled to continue this journey with ESPN,” Howard said. “There’s nothing I’d rather be doing during the fall than showcasing the incredible sport that we all love alongside my College GameDay family.”

Burke Magnus, President of Content at ESPN, praised Howard’s enduring impact on the network and the program. “Desmond has played a pivotal role in ESPN and College GameDay’s success for two decades, so we’re thrilled that the Heisman Trophy winner and one of college football’s all-time greats will continue to offer his analysis and perspective – and, of course, occasional friendly jabs – across our coverage,” Magnus said.

Howard has become a cornerstone of the GameDay team. He appears alongside host Rece Davis and analysts Lee Corso, Kirk Herbstreit, Pat McAfee, and Nick Saban. The crew returns for the season opener this Saturday, broadcasting live from Ohio State on ESPN.

The 1997 Super Bowl XXXI MVP and 2000 Pro Bowl selection joined ESPN after an 11-season NFL career. Drafted fourth overall by the Washington Redskins in 1992, Howard played for multiple teams including the Packers, Jaguars, Raiders, and Lions. His 99-yard kickoff return in Super Bowl XXXI made him the first and only special teams player to earn Super Bowl MVP honors as part of Green Bay.

Howard’s collegiate career at Michigan (1988–91) was equally decorated. He was the first receiver in Big Ten history to lead the conference in scoring. Furthermore, he set or tied five NCAA records and 12 single-season Michigan records. In 1991, he won the Heisman Trophy by the second-largest margin in history, claiming 85 percent of the vote. He also earned the Walter Camp and Maxwell Awards.

In recognition of his achievements, Michigan retired Howard’s No. 21 jersey in 2015. He has been inducted into the College Football Hall of Fame (2011), the National Football Foundation College Football Hall of Fame (2010), the University of Michigan Hall of Honor (2008), the State of Michigan Sports Hall of Fame (2007), the Gator Bowl Hall of Fame (2005), and the Cleveland Sports Hall of Fame (2005).

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iHeartRadio Music Festival Brings Back ‘House of Music’

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The iHeartRadio Music Festival is adding a major fan component this year with the return of its House of Music. The free activation will run September 19-20 outside Las Vegas’ T-Mobile Arena, offering festivalgoers a series of interactive rooms tied to artists performing at the two-night event.

Attendees will be able to step into experiences inspired by Ed Sheeran, LL COOL J, Mariah Carey, Maroon 5, Tate McRae, and others. Installations include recreating LL COOL J’s BAD album artwork, exploring Maroon 5’s Songs About Jane era, and walking a runway built around one of McRae’s music videos.

Singer-songwriter Julia Michaels will also take the stage inside the House on Saturday, debuting her new single “No Heartbreaks Killed Me Yet,” which is scheduled for release the same day.

Fans can access the House of Music using a scannable “House Pass” to unlock digital activations, earn points, and qualify for prizes ranging from festival tickets to artist meet-and-greets.

iHeartMedia executives Tom Poleman and John Sykes said in a joint statement, “The House of Music continues to evolve each year, and this year’s experience is our most immersive yet.”

The 2025 iHeartRadio Music Festival will be hosted by Ryan Seacrest and broadcast live across more than 150 iHeartMedia stations nationwide. Hulu returns as the exclusive livestreaming partner.

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92.1 The Bone Expands to Panama City with 97.7 Simulcast

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JVC Broadcasting is expanding the reach of Ft. Walton Beach, FL Rocker 92.1 The Bone WBON by creating a simulcast with 97.7 WYXX Panama City beginning tomorrow morning at 9 am.

Spanning six decades, the format is described as a “wide variety rocker.” And promises thousands of songs and deep rock tracks. The station(s) will celebrate the addition of 97.7 with ten days of commercial-free music.

Matt Stone, Director of Programming, said, “Listeners are more engaged, they’re passionate. And they’re telling us every day this is what they’ve been waiting for. We can’t wait to share the Bone with Panama City and Southern Alabama.”

JVC Broadcasting Owner John Caracciolo said, “92.1 The Bone became a success because we listened to the listeners. They wanted more variety, fewer commercials, and a station that actually feels alive. Bringing The Bone to Panama City Beach wasn’t just a business decision — it was an answer to the audience.”

Market Manager John Griffo concurred, saying, “Since the launch in December, our WBON-FM app has thousands of downloads all over the world. This isn’t just another radio station; it’s a movement, and now, that movement covers Panama City Beach, too.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

San Antonio Spurs Name Dan Weiss New Radio Play-By-Play Voice

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The San Antonio Spurs have found their new radio voice. Beginning with the 2025-26 season, Dan Weiss will take over play-by-play duties on WOAI 1200-AM. He succeeds longtime broadcaster Bill Schoening, who retired following the conclusion of the 2024-25 campaign.

Weiss has been a familiar presence within the Spurs organization since 2009. He most recently served as the studio host for Spurs Television’s pregame and postgame coverage. For the past seven years, he has guided fans through game nights on the TV side. This has built a connection with viewers that will now carry over to the radio booth.

“It is an honor and a privilege to wear the headset that only six people have worn since the Spurs arrived in 1973,” Weiss said. “From Terry Stembridge to Bill Schoening, Spurs radio has established a legacy and tradition of excellence. This is both in our community and around the world that I look forward to continuing.”

A native of Weston, Massachusetts, Weiss began his tenure with Spurs Sports & Entertainment as the play-by-play announcer for the San Antonio Rampage of the AHL. He held that role until 2018 and earned recognition for his work. This included the James H. Ellery Award for outstanding league coverage in 2013-14. His skill behind the microphone also earned him the opportunity to contribute to the NHL Network’s broadcast of the 2018 AHL All-Star Classic.

Beyond hockey, Weiss has remained versatile. He has called games for the Austin Spurs of the G League and the now-defunct San Antonio Stars of the WNBA. Prior to his arrival in San Antonio, Weiss built a national resume. He served as the play-by-play voice for the Phoenix Mercury of the WNBA, the Phoenix Roadrunners of the ECHL, the Atlantic City Boardwalk Bullies, and the Corpus Christi Ice Rays. He was named the ECHL’s Broadcaster of the Year in 2005-06. This recognition cemented his reputation as a rising voice in sports broadcasting.

Succeeding Schoening will not be a small task. Schoening had been the radio voice of the Spurs since 2001. He became synonymous with the franchise’s championship runs and memorable moments. But Spurs Sports & Entertainment officials believe Weiss is uniquely positioned to carry the tradition forward.

“Dan has the experience and knowledge to seamlessly carry the tradition of excellence Bill built over two decades,” Mike Kickirillo, Senior Director of Broadcast at SS&E, said in the announcement. “He’s been a beloved piece of the Spurs fan experience for years now. We’re excited for Dan to make this new role his own, bringing his energy, preparation and love of the game to every broadcast.”

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Kitty Dunn Retires After 33 Years on Madison’s 105.5 Triple M

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After 33 1/3 years, Kitty Dunn has announced her retirement from Audacy’s AAA 105.5 Triple M in Madison, WI. She has been the longtime co-host of the station’s morning show alongside cluster OM and Triple M PD Jonathan Suttin.

Dunn’s last day will be tomorrow (8/29)

She told Barrett Media that the time seemed right, “Well, radio is changing. I’m changing. My boyfriend is retired. It seems awfully appealing not to get up when it’s super dark outside.”

Dunn said that meeting and interaction with the listeners is what she will miss the most.

“Meeting the listeners and knowing the impact that I’ve had on their lives. So many people come up to me and they’re like, I don’t know how I’m going to start my morning if you ever really retire. They’ll be okay. I told them they could be my friend on Facebook and I’d write snarky comments to them.”

And what does she anticipate to be the hardest part about stepping away after all this time?

“I think the thing that will be hardest for me is when I see a story in the news or something going on, and I think of what I would say about it on the radio. Because when you’re in radio and you’re an air personality, your life is show prep.”

You can stream Dunn’s final morning show here tomorrow morning from 5 to 10 CT. 

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Former 700 WLW Host Gary Burbank Dies

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Former 700 WLW host Gary Burbank has died at the age of 84 after a brief illness.

Burbank worked at the Cincinnati news/talk station from 1981 until 2007, working in both morning and afternoon drive. His show, at times, was regionally syndicated at stations like 610 WTVN in Columbus, WAKR in Akron, and WERE in Cleveland.

During his tenure, Gary Burbank won back-to-back Marconi Radio Awards for Large Market Personality of the Year in 1990 and 1991. After his tenure at 700 WLW concluded, he was inducted into the National Radio Hall of Fame as a member of its Class of 2012.

In addition to his time at 700 WLW, Gary Burbank worked at WNOE in New Orleans, CKLW in Windsor, WDAE in Tampa, and at 840 WHAS and WAKY in Louisville.

One of Burbank’s former colleagues, Bill Cunningham, took to social media to call the longtime 700 WLW host “the most talented radio host of all time.”

He later shared on social media that Burbank had passed away after what Cunningham called “serious health issues.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

DJ Marshmello Launches Monthly ‘Joytime Radio’ on SiriusXM

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SiriusXM is adding a new show to its lineup with GRAMMY-nominated, multi-platinum producer and DJ Marshmello. “Joytime Radio” will debut tomorrow, August 29, on SiriusXM’s BPM channel (52) at 11:00 p.m. ET.

The monthly program will feature an hour of music hand-selected by Marshmello, including hits from his career, collaborations with major artists, throwbacks, and tracks that have inspired him. The show will also include guest mixes and exclusive first-listen access to releases from Marshmello’s independent label, Joytime Collective.

The premiere episode will mark ten years of Marshmello and Joytime Collective, highlighting chart-topping hits and selections from the label’s new compilation series, “Jumpstart Vol. 1.” It will include a previously vaulted Marshmello track and showcase new electronic artists curated by the DJ.

“Joytime Radio” will air on the last Friday of each month at 11:00 p.m. ET on BPM and will be available on-demand via the SiriusXM app.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.