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Lesley Stahl, Bill Whitaker, Jon Wertheim to Remain on 60 Minutes

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After a tumultuous week at 60 Minutes, the network received word on Friday that its remaining correspondents — Lesley Stahl, Bill Whitaker, and Jon Wertheim — would remain with the program.

What We Know: Four of the seven correspondents from the past season have exited. In a memo to staffers on Thursday, new executive producer Nick Bilton called it a “hell of a first week” on the job. He also called Lesley Stahl, Bill Whitaker, and Jon Wertheim “core to the show’s success.” In a joint statement to staffers on Friday, the remaining trio committed to returning to the 59th season of the show.

What They Said: “We have decided to stay on. We feared that our returning might be construed as an endorsement of the existing power structure. That is simply, categorically not the case. Here’s why we’re staying: We don’t want to see 60 Minutes die. We have been grieving because this whole mess has wounded and damaged the broadcast.” -Lesley Stahl, Bill Whitaker, and Jon Wertheim in a joint statement

What Remains Unclear: What the response from CBS News executives will be. In the memo, the trio lambasted the decision to fire Executive Producer Tanya Simon and Executive Editor Draggan Mihalovich, as well as their former colleagues Cecilia Vega, Sharyn Alfonsi, and Scott Pelley.

What It Means: The move gives an answer to one of the largest questions remaining about the future of the show. The institutional knowledge of the trio is an important factor. Especially with new leaders like Bari Weiss and Nick Bilton overseeing the show.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Approaching the Summit: Cameron Hendrix, Magellan AI

Approaching The Summit is a series of special interviews created in partnership with Point to Point Marketing featuring speakers at the upcoming 2026 Barrett Media Audio Summit in New York City. Follow along with this series as prominent names surrounding the event June 30-July 2 share their insights and expectations for what’s to come in the Big Apple. The Summit takes place at the SVA Theatre on West 23rd Street. For tickets and hotel room reservations, click here or visit the Summit section at the top of the website.   

Garrett Searight: Before we get to the Summit, I’d like to ask you about the recent partnership between Magellan AI and Signal Hill Insights. Start me out with how things got rolling with Signal Hill. Why does this matter to you guys, and how does it all come together?

Cameron Hendrix: We’ve known Signal Hill for quite a while. First, the best way to think about our business is that Magellan AI is an audio ad intelligence and attribution platform.

Historically, attribution for us has meant offering middle- and lower-funnel measurement. That means we’re looking at events such as leads and purchases. An advertiser is interested in driving a listener to a website and tracking exposure to that website, then tracing it through to whatever event the advertiser cares about achieving. That’s more middle- and lower-funnel attribution, depending on where you’re measuring.

A partnership with Signal Hill allows us to go a little further up the funnel. Signal Hill is known for its brand lift studies. We had an opportunity to work with an advertiser that would be working with both Magellan AI and Signal Hill. We were able to serve as the point of contact for gathering data for both lower-funnel attribution and upper-funnel brand metrics.

In this case, the advertiser cared about website visits and purchases further down the funnel, but they also cared about how consumers perceived their brand after being exposed to the advertising. That’s where Signal Hill’s brand lift study came in. The partnership really grew organically out of the demand we saw from advertisers and culminated in this relationship.

GS: When you look at where the attribution space is in its life cycle, where would you place it right now?

CH: That’s a good question. I always find the baseball metaphors funny — whether we’re just pulling into the parking lot or haven’t even gotten our hot dog yet.

The bottom line is that the audio space is still in the early stages. It’s been a hot topic for a while, but we still see a tremendous amount of growth ahead for audio. While multiple attribution companies have launched and been acquired, we believe it’s still early.

We also think attribution itself is still evolving. For advertisers, attribution isn’t just about one channel; it’s about multiple channels. That’s why we measure not only audio but also connected TV, display advertising, and other digital channels. Within audio, we measure podcasts, streaming audio, and broadcast radio.

As an industry, we’re really just getting started in solving advertisers’ needs. And also helping them understand which campaigns are driving the strongest performance.

GS: What have been the biggest challenges in creating and evolving that space?

CH: In audio specifically, the medium can be complex because of the different ways ads are served and sold.

That’s both the challenge and the opportunity. We’re able to work with many different ad servers and formats while ultimately presenting data in a way that’s familiar. They can view audio performance through dashboards similar to what they’re accustomed to seeing in connected TV or digital advertising.

The challenge is that there are so many different ways audio can be bought, delivered, and measured. The opportunity is bringing all of that together into a unified measurement framework.

GS: How different does the future of this space look compared to where things are right now?

CH: I think we’ll continue to see advertisers gravitate toward platforms that can measure multiple channels. And also provide a broader perspective on overall marketing performance.

That’s part of why we partnered with Signal Hill. It enables us to provide advertisers with more top-of-funnel insights into how campaigns impact awareness, favorability, and purchase intent, in addition to lower-funnel outcomes like website visits and purchases.

I think we’ll continue to see a trend toward advertisers seeking platforms that offer a more complete picture rather than relying on a collection of separate point solutions to measure different parts of their marketing budgets.

GS: You’re going to be speaking at our Summit later this month. How important is it to get people from the industry together to share ideas, challenges, and experiences?

CH: One of the things we’ve found most gratifying about working in the audio space is how collaborative it is. There’s a lot of openness to new solutions and a willingness to share challenges.

That’s how we learn and grow as an industry — by bringing together potential customers, existing customers, and even competitors. Discussing the challenges advertisers and publishers face helps the entire industry improve.

I think it’s absolutely critical for us to be in the same room discussing these issues.

GS: When you attend a conference, what are the priorities that stand out to you?

CH: We really value attending events that attract the right people. People who are experiencing the business challenges we want to discuss within audio and the broader advertising and content ecosystem.

We prioritize events where we can connect directly with people who are facing challenges we can help solve or learn from ourselves. That’s really the biggest factor when deciding which events to attend.

GS: Cameron, I think that’s everything I wanted to cover. If there’s anything I didn’t ask or anything else you’d like to add, I’ll give you the floor.

CH: One thing I’d like to emphasize, going back to the Signal Hill partnership and attribution more generally, is that we think there are two types of marketing channels: demand-driving channels and demand-capture channels.

Demand-capture channels include things like search. Someone is already looking for a product, clicks on an ad, visits the website, and makes a purchase. They’re acting on an existing decision.

Demand-driving channels work differently. Someone hears about a product, relates it to a challenge they’re experiencing, and begins considering whether that product could help them. Audio often falls into that category.

That’s one reason we’re excited about the Signal Hill partnership. We view audio as a demand-driving channel. While we measure lower-funnel metrics such as lead generation and purchases, there’s also tremendous value in understanding upper-funnel metrics like awareness, favorability, and consideration.

That perspective helps address one of the challenges audio faces compared to channels where someone clicks a search ad and immediately purchases a product. Audio often introduces consumers to a product for the first time. It may take multiple exposures and a longer decision-making process before they make a purchase.

Being able to measure metrics such as purchase intent, favorability, and consideration makes a significant difference. That’s a major part of what we’re accomplishing through our partnership with Signal Hill.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Sports Podcasts Continue To Dominate Large Scale Advertising Campaigns In May

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Sports podcasts continue to hold firm as the go-to environment for major podcast advertisers in May. New Podscribe data shows seven of the top ten spenders targeted sports as their primary genre in May.

What We Know: Combined spending among the top 10 rose 7.6% month-over-month to $31.2 million. At the forefront, Shopify led all advertisers at $5.2 million, with BetterHelp ranking second at $4.7 million as both brands continued to prioritize sports programming. At the same time, Red Bull posted the month’s most dramatic increase. The brand surged 503% to $2.9 million across more than 1,500 shows. Elsewhere, Amazon, Progressive Insurance, Toyota, and Wayfair also invested heavily in sports-targeted campaigns, highlighting the genre’s continued appeal among major marketers.

What The Numbers Show: (via Podscribe)

RankBrandIndustryEstimated Spend1 Mo. Change %Advertiser TypeTop Show Genres
1ShopifyB2B$5.2M↑6%ShopifySports
2BetterHelpMental Health$4.8M↑32%BetterHelpComedy
3QuinceRetail$4.1M↑10%QuinceSociety & Culture
4Mint MobileCell Phones$3.8M↑6%Mint MobileNews
5Red BullDrink$2.9M↑459%Red BullSports
6AmazonE-Commerce$2.4M↑25%AmazonSports
7Progressive InsuranceFinancial Services$2.2M↑103%Progressive InsuranceSports
8ToyotaCars$2.1M↑75%ToyotaSports
9PrizePicksGambling$2.0M↑9%PrizePicksSports
10WayfairHome & Garden$2.0M↑4%WayfairSports

What Remains Unclear: Whether sports podcasts will maintain this dominance or improve on it heading into the second half of 2026 with large national sports events planned. It’s also unclear if non-sports genres can close the gap. BetterHelp favored comedy, Quince focused on society and culture, and Mint Mobile leaned into news — but none matched the scale sports delivered for competing advertisers.

What It Means: Sports podcasting continues to be the preferred proving ground for large-scale campaigns. The category’s reach, loyal audiences, and host-driven credibility make it an attractive fit across industries. Notably, the top 10 represented ten different sectors — from automotive and insurance to energy drinks and sports betting — yet most still gravitated toward sports.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

What Music Radio Professionals Can Expect at the 2026 Barrett Media Audio Summit

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Barrett Media started covering music radio in July 2024 after nine-years of sports media coverage, and a four-year head start with news. We leaped in after All Access shut down because I saw websites providing news but not much day-to-day analysis, insight, interviews or strategy. Staying updated on the news is important, and there are sites that do that well. Our approach is a little different though. We want to examine and explain why it matters so professionals get smarter, better, and learn more about each other and their business. The more you know, the better you do, and the more connected you are, the longer your career lasts.

Since entering this space, many have said that music radio lacks enough events for people to unite, network, and learn. I go to CRS and MSBC each year and think both are excellent. I encourage others to do the same. I’ve never subscribed to the small minded thinking that you have to pick one event over another. The only time that might be an issue is if two events fall on the same date. Otherwise we should all be rooting for each other and offering as many opportunities to grow as possible.

People have asked numerous times “when will you do for music radio what you’ve done for sports and news?”. So that’s what we’re doing on Thursday, July 2nd in New York City.

The agenda is action-packed and features a strong group of program directors, talent, consultants, measurement pros, and legends. Dedicated sessions have also been created for specific formats featuring experts from each area. I want folks in individual formats to know we’ve got something specific for them while also discovering what’s happening in other areas.

Why You Should Be Here

  • Did you know that Mike McVay, Fred Jacobs, and Lee Abrams have NEVER been on a panel together before? They are some of the most influential programming minds in music radio history. Brands, careers and formats exist today because of them. How is that possible? If you program a music radio station, when Fred, Mike, Lee and Buzz talk programming strategy, you should be listening and taking notes. If you care about brand building, growing ratings, and understanding audience habits, you can’t afford to not attend this session.
  • iHeart, Audacy, Hubbard and Connoisseur feature outstanding brands, talent, and programmers nationwide. Overseeing the performance of each are Jon Zellner, Greg Strassell, Jeff Sottolano, and Keith Dakin. If you want to know where the industry’s top leaders see the industry moving, what they’re investing in, and what their biggest concerns are, this is the conversation you have to be in attendance for. I’m excited to sit down with them and pick each of their brains on the business.
  • The work, the grind, and the pressure that comes with it occupy our worlds on a daily basis. When people have success, it’s important to both recognize it and celebrate it. We will do that when we welcome Scott Shannon and introduce The Scott Shannon Award, presenting it to Kevin Rolston. In addition, this Monday, I will introduce a second award that recognizes a rising Music Radio Program Director. Programmers, keep an eye out for the announcement. I think you’re going to like this.
  • Data shapes your brand’s narrative on a regular basis. Digital numbers looks different than radio data. Certain companies use traditional ratings while others don’t. Sales may or may not use them to generate revenue, and advertisers place different values on all of it. The best way to understand what matters and where things are going is to talk to those who know it best. So we’re doing that by welcoming Rich Tunkel, John Rosso and Cameron Hendrix. Executives, GMs, Market Managers, Advertising professionals, there’s no reason to miss this.
  • Four individual format sessions are scheduled: Hip Hop, Country, Rock, and Top 40. We also have a broader discussion with Scott Shannon, Jim Ryan and Broadway Bill Lee, three of radio’s best all-time talents. In addition, the session Murphy, Sam and Jodi have planned is going to be excellent. If you’re a talent trying to protect your future, be in the room for it.

Heading Towards the Finish Line

I plan to announce our final speakers next week. I’d like to have a few more record label folks and artist managers in attendance. There are many great relationships to make and extend, and it’s always helpful to know the other sides pain points. A lot of people are coming, which is great, but with 4-weeks to go, we do still have seats available. If even one remains open, I want it filled. I’d rather have someone in the room learning and using the information to help their brand than leaving it empty.

We’re hosting this show because we love the radio business and want to make it better. I believe we can put our own spin on a music radio conference that showcases a mix of discussions for programmers, talent, executives, market managers, and sales, advertising, and digital professionals. People often mention how big our sports and news media shows are. They mention the frequent promotion of our video clips, photos, and columns. It’s time for music radio to receive that same treatment. Over 10,000 stations are playing music nationwide. If you work for any of them, I’d love to have you join us.

Let’s keep this industry thriving by connecting, learning, and celebrating. Tickets are available in the Summit section up top. I look forward to meeting you hand having you be a part of our special event.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Corey Calhoun Leaves WMZQ Washington DC After Eight Years

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What We Know: Calhoun signed off following his show yesterday, closing a chapter that began in June 2018. Before joining WMZQ, he served three years as APD at sister station Country 97.5 WAMZ Louisville. Earlier in his career, he programmed iHeart’s Country 102.5 WYNR and CHR WQGA in Brunswick, GA, and Cumulus CHR WLTO in Lexington, KY. His roots trace back to Top 40, starting as an intern at WWWQ Atlanta.

What They Said: Calhoun marked the occasion with a heartfelt farewell. “8 years ago today I started at WMZQ, how time flies. Today is also my last day,” he wrote. He added, “Thank you Jeff Kapugi for giving me this once in a lifetime opportunity & taking a chance on me! Excited for my next chapter coming soon. Just know I won’t forget you.”

What Remains Unclear: Calhoun has not yet disclosed his next role, though he confirmed an announcement is coming soon. It’s also unknown whether iHeartMedia has identified a replacement. Additionally, no timeline has been provided for when his next chapter will officially begin.

What It Means: WMZQ now faces a significant void at a key programming position. Calhoun’s dual role as Music Director and evening host made him a central figure in the station’s identity. His departure signals a transition moment for one of DC’s most prominent Country outlets. Meanwhile, the industry will be watching closely to see where his next move lands.

Charles Barkley Reflects on First Year of ‘Inside the NBA’ on ESPN: “Honor and a Privilege”

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Charles Barkley made his first appearance on ESPN’s Get Up Friday morning. The Inside the NBA analyst reflected on a landmark debut season at his new network — including a first-ever crack at the NBA Finals.

What We Know: After more than two decades anchoring Inside the NBA on TNT Sports, Barkley and co-hosts Ernie Johnson, Kenny Smith, and Shaquille O’Neal transitioned to ESPN this season. The move came under an 11-year sublicensing agreement, ending TNT’s long run as an NBA broadcast partner. As a result, the Inside the NBA crew worked the NBA Finals on ESPN/ABC for the first time. Previously, TNT’s rights deal excluded postseason Finals coverage entirely.

What They Said: Charles Barkley on the opportunity to work the NBA Finals for the first time with ESPN: “Working for the greatest sports network ever has been an honor and a privilege. Every kid who’s ever touched a ball wanted to be on ESPN. To work with you guys, it’s been awesome. But to get to do the NBA finals, it was exciting, fun, and we had a blast.”

What Remains Unclear: What the plans are for Inside the NBA moving into next season. Several ESPN content executives have expressed a desire for more episodes. Also, more frequency throughout the entire NBA calendar. The show will air on site from every game of this season’s NBA Finals. However, the official schedule for next season is unknown.

What It Means: Despite his criticisms of the network over many years, Barkley now loves ESPN. Last offseason, Barkley shared many questions and concerns. That tenor was present with many media appearances about the future of the program. Yet, now he seems to be very satisfied with the overall outcome of the season. It will be interesting to see if ESPN and TNT Sports can work on more flexibility for more episodes of the program next season covering more of the NBA calendar. This season, the show often was seen for the better part of the first half of the season. Some, myself included, feel that because of the shift in network the program has lost some of the spark it once had. For now, the NBA Finals are better when Inside the NBA is present.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Dan Patrick Reveals Counseling Four ESPN Employees To Stay With the Network Since His Own Departure

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Nearly two decades removed from ESPN, Dan Patrick insists he isn’t going back full time. He is, however, telling others they shouldn’t leave as he revealed in an interview with Rich Eisen.

What We Know: Patrick departed ESPN in 2007 after 18 years with the network. He has since built an independent media operation with The Dan Patrick Show. He occasionally appears on ESPN programming but said he has declined previous full-time return opportunities, including a proposed 6 p.m. SportsCenter revival alongside Keith Olbermann. Most recently, speculation about Rich Eisen’s move to ESPN reignited questions about Patrick’s own future — questions he quickly dismissed. In an interview on This Was SportsCenter, Patrick also revealed that he has counseled four ESPN employees to remain at the network instead of leaving.

What They Said: (All quotes from This Was SportsCenter)

Dan Patrick on being asked once to return to ESPN for the 6pm SportsCenter slot with Keith Olbermann: “I think what we did, when we did it. How we did it was interesting and groundbreaking. It shaped the business in some ways. But we did it, and then I didn’t want to. They reached out to Keith [Olbermann] and I to do the 6 o’clock SportsCenter years ago. I love what I do now, and I just didn’t want to go backwards.”

Dan Patrick on still refusing to go back fully to ESPN: “Somebody said, ‘Hey, Rich Eisen’s going to ESPN. Are you going to ESPN?” No. They didn’t call with anything right there. There’s no reason to go back there, but I’m on good terms with people.”

Dan Patrick on counseling people to stay at ESPN: “I’ve counseled or given guidance to four people at ESPN and told them not to leave. I’ve been gone 20 years than I did 18 years working there. People would say, “Hey, I want what you got.” I told them you’re not going to get it. I’m in a small town, and we’re very lucky. There’s 12 people that work on this show. Stay there. Those four letters are extremely powerful, because you’re going to get your ass handed to you. If you leave there, and you think everybody’s going to fawn all over you, think again.”

What Remains Unclear: ESPN has not confirmed Patrick’s claims that he has received offers in the past in a full time role with Keith Olbermann. His occasional appearances on ESPN platforms keep the door ajar creatively, but not professionally. Patrick also did not name the four ESPN people that he counseled to remain with the network.

What It Means: Patrick’s position is genuinely paradoxical. He won’t return to ESPN himself, yet actively discourages others from leaving. That tension reveals something important. The brand equity of ESPN remains significant to Patrick — even to someone who walked away from it. For talent weighing independence against institutional security, Patrick’s advice carries weight precisely because he chose the harder path and still respects what he left behind. On a broader sense, the amount of transparency in the debut episode of This Was SportsCenter should provide some fascinating nuggets of information and story for longtime fans of the network.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Brendan Carr: FCC Not Planning on Investigating Bias, Interference Allegations at 60 Minutes

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60 Minutes has been in the headlines for several weeks. But that doesn’t mean the FCC is preparing to investigate, says Chairman Brendan Carr.

What We Know: After the firings of Scott Pelley and Cecilia Vega, both have stated that they were pressured by CBS News leaders to inject political biases into their stories. A spokesperson for CBS News has denied those accusations. However, as part of its regulatory approval to purchase the network, Paramount Skydance was required to appoint an ombudsman to ensure there would be no political bias at the network. Despite that, FCC Chairman Brendan Carr told CNN’s Jake Tapper that the commission wouldn’t be investigating the allegations.

What They Said: “We’ve not been in touch with the CBS bias ombudsman. I think this is one, though, where thankfully people can judge it with their own eyes. There were transcripts of these communications between the employees and CBS. I think a lot of people, including across the political spectrum, think that they’re reporting on how Scott Pelley behaved was just simply unprofessional. It’s not the type of stuff you get away with as an employee at Taco Bell, let alone at an institution like CBS. I don’t think there’s a lot of people that have concerns that this was about bias. I think it was about unprofessional behavior.” -FCC Chairman Brendan Carr

What Remains Unclear: Whether an investigation will actually occur. Carr was non-committal about an investigation, but also said he was unsure if CBS News would do its own investigation.

What It Means: It appears as if Carr is taking a “hands-off” approach to the situation. The messaging thus far has been that it is a problem for CBS News and 60 Minutes to look at. Not the FCC.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

ESPN Reportedly Preparing for Layoffs This Summer

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Another round of layoffs is reportedly coming to ESPN. The cuts will affect both on-air talent and behind-the-scenes staff, according to a report by Front Office Sports.

What We Know: ESPN is reportedly preparing a new wave of layoffs this summer. Both on-camera talent and non-camera-facing employees will likely be part of the cuts. This follows a spring round that eliminated roughly 30 behind the scenes positions as part of broader Disney company-wide cuts.

What They Said: In an April note to employees, Disney CEO Josh D’Amaro signaled more cuts were coming: “Given the fast-moving pace of our industries, this requires us to constantly assess how to foster a more agile and technologically-enabled workforce to meet tomorrow’s needs. As a result, we will be eliminating roles in some parts of the company and have begun notifying impacted employees.”

What Remains Unclear: The exact number of people that will unfortunately feel the effect of the layoffs. It’s also uncertain how deeply the cuts will penetrate ESPN’s current on-air roster. Additionally, ESPN’s acquisition of NFL Network complicates the picture — headcount reductions are common following corporate acquisitions. Deadline previously reported that Disney’s broader layoff initiative may not be finished.

What It Means: This shouldn’t come as any surprise. Unfortunately, with ESPN taking on the amount of NFL Network staff and talent with the network’s acquisition of the brand, decisions are a part of that process. With the summer months being crucial to lining up top talent and staff ahead of the NFL season, names will likely begin to surface soon. ESPN is heading into it’s first year broadcasting the Super Bowl. Ensuring the right talent are in place for the network’s debut is crucial for success.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Johnny Wilde Launches Video Series Spotlighting Digital Creators and Influencers

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Denver radio host Johnny Wilde is expanding beyond the airwaves. Wiilde has launched The Scrollstoppers Show, a new video interview series focused on digital creators.

What We Know: Wilde hosts early afternoons on 106.7 The Bull (KWBL) in Denver and is heard on iHeart country and classic rock stations nationwide. He is a three-time CMA Award winner with more than 30 years in radio. The Scrollstoppers Show explores the stories behind viral content. New episodes are available now on YouTube and across social media platforms.

What They Said: “Radio has always been about connecting with audiences through great stories,” Wilde said. “The Scrollstoppers Show is an opportunity to learn from the creators who are doing exactly that in today’s digital world. Whether they’re reaching hundreds of people or hundreds of millions, I want to understand what makes audiences stop, watch, and engage.”

What Remains Unclear: It is not yet known how frequently new episodes will drop. Additionally, whether The Scrollstoppers Show will expand into a podcast format or pursue distribution beyond YouTube has not been announced. The long-term guest pipeline also remains unconfirmed.

What It Means: The launch reflects a growing trend of traditional radio talent bridging broadcast and digital media. The debut episode features Sebastian Garrett-Davis — Executive Producer of the syndicated Woody Show and the creator behind CartNarcs, which has topped 100 million YouTube views. Wilde’s move signals that radio professionals are actively building platforms beyond the dial. The creator economy is no longer just for influencers.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.