On Wednesday, French President Emmanuel Macron and his wife, Brigitte, filed a defamation lawsuit against Candace Owens. The popular podcaster has fired back, saying she’ll fight the lawsuit tooth and nail.
An eight-part series produced earlier this year by Candace Owens continually claimed that Brigitte Macron was born a man, then later stole the identity of another woman, before undergoing a sex transition surgery to become a woman.
“These claims are demonstrably false, and Owens knew they were false when she published them,” the lawsuit says. “Yet, she published them anyway. And the reason is clear: it is not the pursuit of truth, but the pursuit of fame.”
In a statement, the Macrons said they grew determined to launch the defamation lawsuit after Owens continued to share the comments after several requests by lawyers for the couple asked for retractions to be made.
“Ms. Owens’ campaign of defamation was plainly designed to harass and cause pain to us and our families and to garner attention and notoriety,” the attorneys said. “We gave her every opportunity to back away from these claims, but she refused. It is our earnest hope that this lawsuit will set the record straight and end this campaign of defamation once and for all.”
“You are a very goofy man, Brigitte,” said Owens. “But I’ve got to give it to you, you’ve definitely got balls. Fire everyone around you — and I mean literally everyone around you — who told you this was a very good idea for you to be the first sitting first lady of a country to file a lawsuit against a journalist of another country. You are literally making history in all the wrong ways.”
Owens added that she plans to fight the lawsuit, stating that she was the one being defamed by Emmanuel Macron and his wife by them filing the suit.
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NBC Sports will break new ground in 2026 by presenting the Kentucky Oaks in primetime for the first time in the storied event’s history. Churchill Downs Incorporated and NBC Sports jointly announced the move Thursday, confirming that the 152nd running of the Kentucky Oaks — a race that showcases the sport’s top three-year-old fillies — will air Friday, May 1, 2026, at 8 p.m. ET on both NBC and Peacock.
The decision to shift the Oaks to a Friday night primetime slot represents a significant strategic play by both NBC and Churchill Downs to increase exposure and grow interest in the lead-up to the Kentucky Derby, which remains one of the most-watched events on the sports calendar.
This past year’s Derby broadcast delivered its largest audience for NBC since 1989 with an average of 17.7 million viewers. NBC reported a peak audience of 21.8 million viewers across linear and streaming platforms as Sovereignty crossed the finish line.
“We are excited to present the Kentucky Oaks in primetime for the first time ever,” said Jon Miller, President, Acquisitions & Partnerships at NBC Sports. “With the Oaks on Friday night leading into the Kentucky Derby on the first Saturday in May, we can’t wait to get back to Churchill Downs for another historic weekend of racing.”
Bill Carstanjen, CEO of Churchill Downs Incorporated, emphasized that the shift is about more than just ratings. “By moving the Kentucky Oaks to primetime, we’re giving one of horse racing’s most treasured traditions the national stage it deserves,” he said. “This decision is rooted in our commitment to growing the sport, reaching new audiences and creating unforgettable experiences for our fans.”
The primetime showcase will also continue to highlight the unique cultural traditions tied to the Oaks, including the race’s signature pageantry now enhanced by what they describe as a “spectacular twilight finish.”
The announcement comes just months after NBC and Churchill Downs renewed their long-standing broadcast partnership in May 2024. The new deal ensures NBCUniversal will continue airing the Kentucky Derby through 2032, marking a 32-year stretch of Derby coverage that began in 2001 — the longest run by any media company in the history of the event.
For the first time ever, @NBCSports to present the Kentucky Oaks in primetime – Friday, May 1, 2026, on NBC and Peacock.
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After several tumultuous months, CBS News has found a replacement for Bill Owens as the Executive Producer of 60 Minutes. Longtime colleague Tanya Simon will step into the role.
Simon has spent 25 years working for the program. In the wake of Owens’ high-profile exit, she was tabbed as the interim executive producer. She began her career at CBS News working as a researcher for 48 Hours in 1996 before rising to the roles of Associate Producer and Producer of the program, before ultimately shifting her attention to 60 Minutes.
Bill Owens left the program earlier this year, citing concerns about his editorial independence. The news program was the subject of controversy in the run-up to the 2024 presidential election, as critics claimed the network and show selectively edited answers from Democratic candidate Kamala Harris in an effort to make her appear more coherent.
Later, President Donald Trump launched a billion-dollar lawsuit against the outlet, which CBS News is in the final stages of settling for a reported $16 million.
“It is a privilege to lead 60 Minutes and its formidable team of journalists,” Simon said. “60 is in a class of its own, upholding a legacy of extraordinary and thought-provoking journalism for more than half a century. I’m deeply committed to this level of excellence, and I look forward to delivering an exciting season of signature 60 stories that cover a wide range of subjects for a broad audience and engage viewers with their world.”
Simon becomes the fourth Executive Producer in the news magazine’s long history. Additionally, she becomes the first woman to serve in the role.
“Tanya Simon understands what makes 60 Minutes tick. She is an innovative leader, an exceptional producer and someone who knows how to inspire people,” CBS News President Tom Cibrowski said. “Tanya knows that the success of today’s 60 Minutes depends on delivering a weekly mix of the most informative, impactful and entertaining stories and investigative journalism from around the world. This is the true essence and foundation of 60 Minutes.”
The season premiere of the 58th season of 60 Minutes is scheduled for Sunday, September 28th.
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The second quarter is over, and it was quite a fruitful one for YouTube, as it saw a multi-billion-dollar quarter for the digital video platform.
During April, May, and June, YouTube secured $9.8 billion in advertising revenue. That beat previous projections of $9.6 billion the platform was expected to reach during the second quarter.
The figure is the second-largest quarter on record for YouTube, with the previous coming during the final quarter of 2024, when the platform reached $10.5 billion in advertising revenue.
The second quarter represented a bounce-back of sorts for the platform, after its ad revenue fell to $8.9 billion during the first quarter of 2025.
“We had a standout quarter, with robust growth across the company,” Alphabet CEO Sundar Pichai said in a statement about the company’s financial results. “We are leading at the frontier of AI and shipping at an incredible pace. AI is positively impacting every part of the business, driving strong momentum. Search delivered double-digit revenue growth, and our new features, like AI Overviews and AI Mode, are performing well.
“We continue to see strong performance in YouTube as well as subscriptions offerings. And Cloud had strong growth in revenues, backlog and profitability. Its annual revenue run-rate is now more than $50 billion. With this strong and growing demand for our Cloud products and services, we are increasing our investment in capital expenditures in 2025 to approximately $85 billion and are excited by the opportunity ahead.”
The digital video platform’s financial results come on the heels of the latest Nielsen Media Distributor Gauge which shows that 12.8% of all television viewing happened with YouTube during the month of June. That marked the largest lead the platform has held since the Distributor Gauge was unveiled.
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According to a Thursday morning report by CNBC’s Alex Sherman, the National Football League has had discussions about buying a 10% stake in ESPN, as the two entities are currently working on an arrangement for ESPN to take over NFL Media. Previously, The Athletic reported that the two sides are now “the closest they have ever been” to agreeing on a deal that would grant ESPN control of the league’s media vessels, including NFL Network and NFL RedZone.
Furthermore, Sherman noted on CNBC this morning that the potential deal could be a combination of equity and cash.
“The reason we’re talking equity here is that ESPN needs all the cash it can get to buy sports rights. These talks for the league to take a stake in ESPN have actually been ongoing for years,” said Sherman Thursday on CNBC. “This was a story I broke two years ago where ESPN actually had talks with all four major sports leagues. Those talks have really narrowed in on the NFL in the past year or so. You can see why. If you were ESPN, you may want the league to take a stake in you.”
Additionally, the CNBC sports business analyst said the potential investment by the NFL into ESPN could signal that ESPN will continue to bid for rights from the league with comfort, knowing they’re a bought-in partner.
Regarding the future of NFL Media and the reporting by The Athletic, Sherman notes that the NFL has been attempting to find a suitor for NFL Network for some time now.
“The NFL did not want to run these NFL media assets anymore, so they’ve been looking for a buyer for them for years,” said Sherman. “That was sort of the carrot here, which made this to be somewhat of a one-off when the NFL was looking to unload assets.”
Despite the ongoing talks between NFL Media and ESPN—which will require regulatory approval that could take some time—there remains risk for the NFL in investing in ESPN, as subscriber counts continue to fall due to the rise of cord-cutting.
“ESPN, at its core, is still a legacy media company. That is a cable company first, and those subscribers are shrinking,” said Sherman. “If you’re taking an equity valuation in this company, naturally, you think that the valuation will grow over years. Certainly, depending on which analyst you speak to, you don’t always get the same answer with ESPN.”
At this time, exact details remain unknown about the specifics of the discussions between ESPN and the NFL regarding the sale of NFL Media. So far, the NFL has not commented on the reporting by CNBC or The Athletic.
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Danny Parkins is trading early mornings for afternoons on FS1, but he’s doing it with gratitude, excitement, and a little competitive fire. The FS1 commentator shared his feelings on The Colin Cowherd Podcast about his new role on the network which was announced on Wednesday.
It’s been two weeks since the cancellation of FS1’s morning show Breakfast Ball, which also included former WFAN host Craig Carton and Denver Sports 104.3 host Mark Schlereth. Yesterday, Parkins was confirmed as the newest co-host of First Things First, joining Nick Wright, Kevin Wildes, and Chris Broussard on the network’s afternoon debate show in a new third hour of the program.
“It’s surreal,” Parkins said. “First Things First is arguably the best show in sports TV fronted by my best friend of 20 years. I’m getting added to it—it’s a tremendous honor.”
Parkins acknowledged the disappointment of Breakfast Ball ending before it could build further momentum.
“Obviously, I’m bummed about Breakfast Ball. We were having fun, and I was looking forward to another football season to see what we could build there,” he said. “It’s a very tough business, and I’m just really thankful and excited for the opportunity.”
While the tone was reflective, Parkins was quick to praise his new teammates. He called Wildes “a TV genius” and described Broussard as someone “everyone in the world loves.” As for Nick Wright, Parkins didn’t hold back his admiration—or his friendly competitive streak.
“Nick is one of the most talented people in media,” he said. “Iit’s just going to be fun to be out there with my best friend.”
According to Parkin, that friendship will soon be tested during First Things First’s football segments. Parkins, who had a strong season picking NFL games last year, took a playful jab at Wright’s track record.
“How embarrassing is it going to be for Nick when I beat him in football picks again on his show?” Parkins joked. “It’s going to be so glorious.”
Parkins filled in for Nick Wright last week on First Things First as Wright served duties calling commentary on the World Series of Poker Main Event Final Table. Despite the competitive banter, Parkins is approaching his new role with respect for the platform and an eagerness to contribute.
“It’s a very tough business and I’m just really thankful and excited for the opportunity,” said Parkins.
In addition to all the moves at FS1, Barstool Sports founder Dave Portnoy announced that his company will debut a two-hour daily program on FS1 from 8:00 a.m. to 10:00 a.m. However, while no official start date or talent lineup has been confirmed, Portnoy mentioned the show “could” begin near the start of the college football season in late August. Furthermore, FOX Sports Radio host Colin Cowherd hinted on his The Colin Cowherd Podcast this past weekend that the initial plans are for the two-hour Barstool Sports program to repeat from 10 a.m. to 12 p.m. as The Herd with Colin Cowherd’s lead-in.
At this time, there has been no official word on any other remaining FS1 talent staying with the network following the cancellations of Breakfast Ball, The Facility, and Speak. Parkins’ first episodes on First Things First are expected to air soon, just in time for the NFL preseason.
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On Wednesday, Time Magazine released the 100 Best Podcasts of All Time list. To say it drew some strong reactions was an understatement.
For instance, the Barstool Sports podcast Pardon My Take — which probably deserves a spot on the list — shared Time Magazine calling a certain German chancellor its “Person of the Year” in 1938 in protest of not receiving placement as one of the best shows of all-time.
Six programs from the news and politics category made it onto the list. I don’t know that I can deny that any deserve to be included. If the list were a ranking instead, it’s like that The Daily from The New York Times is in the top five, or perhaps even in the top spot.
But, it’s just a list and not a ranking, so instead of complaining about where podcasts are ranked, I’m looking at which podcasts were listed. Or, more specifically, which podcasts weren’t listed.
Because while The Daily, Embedded, The Ezra Klein Show, Longform, Plain English with Derek Thompson, and The Prince are all included, there were three glaring omissions from the list.
Pod Save America
When you talk about politically influential podcasts, Pod Save America is impossible to ignore. Launched by former Obama staffers Jon Favreau, Jon Lovett, Tommy Vietor, and Dan Pfeiffer, the show didn’t just bring a new voice to progressive politics — it helped turn a generation of casual listeners into politically active citizens.
At a time when traditional media struggled to connect with younger audiences, especially young Democrats, the hosts of Pod Save America brought political analysis down to earth. The result? A show that helped shape narratives during key election cycles.
Its success didn’t come from clickbait or viral outrage, though conservative counterparts may disagree. It came from trust. Millions have listened not just for takes, but for a sense of political direction — what to care about, who to hold accountable, and how to get involved.
Whether you agree with its politics or not, Pod Save America changed the landscape of political podcasting. It redefined what partisan commentary could look like in a podcast format, and its absence from any all-time list would be a glaring omission.
Cultural impact? Check. Influence? Undeniable. A list of the 100 Best Podcasts of All-Time from Time Magazine feels incomplete without it.
The Ben Shapiro Show
Whether you agree with him or not, Shapiro has built one of the most influential and consistently downloaded political podcasts of the past decade. Daily Wire’s flagship show helped redefine conservative media for the digital age and proved that long-form political commentary could thrive in podcast form.
Shapiro’s show pioneered a business model that blends audio, video, and subscription-based content. The podcast also brought political talk back to younger audiences, especially those who had abandoned AM radio.
Time’s list of the 100 Best Podcasts of All Time seems more focused on cultural cachet and ideological alignment than actual impact.
Again, whether you like the content of the program or not is irrelevant. The Ben Shapiro Show — which has featured more than 2,000 episodes and was later added to hundreds of radio stations through an agreement with Westwood One, which ended in 2024 — is one of the most influential political podcasts in the world.
Like Pod Save America, few podcasts have had the ability to shape the narrative on one side of the political aisle like Shapiro’s program. Does that deserve some recognition, even if you aren’t a fan of the content? In my view, the answer is an unequivocal yes.
The Joe Rogan Experience
Joe Rogan is the face of modern podcasting. His show didn’t just break records — it changed the way people consume spoken-word content. At its peak, The Joe Rogan Experience was drawing more listeners than prime-time cable news shows, regularly ranking No. 1 on Spotify, and securing a reported hundreds of millions in deals with Spotify that signaled the mainstream arrival of the medium.
Rogan pioneered the marathon-format podcast, ditching time constraints and letting longform conversation thrive. He created a space where guests from a wide array of facets and avenues could sit for hours and speak uninterrupted and unfiltered. As a result, millions tuned in. And continue to tune in.
Critics focus on controversial guests or polarizing opinions, but that misses the point. The impact of The Joe Rogan Experience is undeniable. It’s the podcast that turned the medium from a niche hobby into a full-fledged industry.
The list from Time Magazine, for all its prestige, loses credibility by sidelining the very shows that built the foundation for podcasting’s explosion. If influence, innovation, and audience matter, The Joe Rogan Experience isn’t just deserving — it’s essential.
Leaving it off isn’t just a snub. It’s borderline insulting. And it tells us more about the list’s creators than it does about podcast history.
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The summer of 2020 will be remembered for many reasons as the world was working through a global pandemic with COVID-19. Massive amounts of the population felt isolated, staying indoors yearning for ways to connect with the outside world. For sports radio stations, there were no games to speak about. Stations instead became havens for engagement and lost connection, finding peace in the comfort of discussion. For Rico Beard, this was the moment where a phone call from Mike Valenti changed everything for the better.
“When Mike first called me, I’m like why do you need me? You already have the number one show,” said Beard about his initial phone call to join Valenti on Detroit’s 97.1 The Ticket. “It’s a lot different than I thought it was going to be.”
Beard was no stranger to Detroit sports media at the time. A native of the Motor City with two decades of experience covering local and professional sports. He hosted the popular The Spartan Beat podcast while working for Detroit Sports 105.1 and also brought a wealth of experience working in several television roles.
However, when Beard got the call from his friend Valenti, the interview process for the position was quite unique due to the circumstances.
“Our interview was literally myself and Jimmy Powers [97.1 The Ticket Program Director] side-by-side in a car to remain socially distant. We just rolled down the window and had an interview in the parking lot,” recalled Beard. “Their biggest concern was Mike [and I] think a lot alike. You both are Michigan State people. They didn’t want it to become ‘pro MSU, pro Sparty’ radio and it’s like that’s not really the case.”
Growing Into the Role With Mike Valenti
Concerns aside, Audacy gave the approval, and the duo eventually partnered up. Five years later, The Valenti Show w/Rico has continued to dominate afternoons in Detroit and has been one of the top-performing sports radio programs in the country. As Beard approaches his five-year mark with the program, he has seen his role transform over that time.
“My role has evolved from a sidekick to more of now actually a cohost. It was kind of bringing me along. I was learning all the ropes. They knew Mike, they didn’t know me,” explained Beard. “The audience has gotten to know me now. They realize that I have a voice, and I have different ways of seeing things other than how Mike sees them.”
Beard noted he’s often stopped by listeners saying they appreciate the fact he’s around to be a “perfect balance” to Mike Valenti. The longtime afternoon drive personality has made headlines over the years for his in-your-face and bombastic delivery to content, all while earning the respect of his peers and being considered one of the top personalities in the industry.
“I’ve learned with Mike; he’s a bit of a serial killer. No matter what happens, no matter how bad his day is. At two o’clock he’s on-stage, lights are on, and you can’t tell anything that goes on in his life,” noted Beard of his teammate. “For those four hours, it’s about the audience. He told me the audience doesn’t care how my day is going; they just want to be entertained.”
Carving Out a Unique Path in Motown
The city of Detroit has always had a very passionate sports audience. Loyal to a fault through good times and many more lean times. Known for the ‘Bad Boys’ of the late 80s and earning the nickname ‘Hockeytown,’ the market is home to teams in all four major sports and many alumni of the University of Michigan and Michigan State. Audacy’s 97.1 The Ticket serves as the only local option for sports conversation on radio, which Beard says is interesting based on the passion of the market for sports.
“I’ve often wondered why there hasn’t been [another sports radio station],” said Beard. “This is a city that has enough sports that you could have multiple stations. I guess they tried, but every time a station has come up, The Ticket crushed their dreams.”
With media consumption habits changing where more people are moving to an on-demand model, the pressure to provide key appointment listening is ever paramount. One way many sports radio stations enhance the appointment listening experience is through guest interviews. The Valenti Show w/Rico is one of the most listened to destinations in afternoons but doesn’t follow the model most of their contemporaries do.
“We don’t use guests. Guests normally come on the show, and they have an agenda. You’re never going to get the truth from a guest. You’re going to get whatever they want you to hear,” explained Beard. “We only have a guest if it’s going to bring some real information and not just what the PR team set up for them to say.”
Beard explained that the show’s approach is an honest one for the audience. When things are good, they’ll say things are good. When things are bad, they won’t shy away from the negative. However, by turning away any concept to challenge those who the program criticizes, Beard doesn’t feel the show is losing out on any opportunity.
“I don’t think that the teams would appreciate the challenge,” said Beard. “I think that they [the franchises] feel like certain dayparts would be more conducive to what they want… I don’t think they’re afraid to come on our show. I think the morning show [Costa & Jansen with Heather] and the midday show [Karsch & Anderson] are just more conducive to the type of things that they want to get out.”
The Valenti Show w/Rico does have guests on occasion appear on the program, but only in certain instances. There are no current contractual obligations with guest appearances during the daypart despite the partnerships the teams have with the radio station. Beard believes the goal is to get to the truth and facts of the matter versus filling time with hyperbole and useless opinion.
“There’s certain reporters that we like that tell us the truth and not necessarily tell the people what they want to hear,” noted Beard. “We’ll bring those guys on because we trust them and what they have to say. They won’t just spout the company line.”
Another unique feature of the program is the lack of social media use from the talent themselves. As social networks grow in users and engagement, both Valenti and Beard are very limited in how they approach using social media. With Valenti not active at all on key social platforms for the format, Beard has chosen a different route of approach.
“Social media is becoming a bit of a cesspool. It’s becoming a bit of us versus them. You almost got to be conscious of what you say so I’m not canceled,” explained Beard. “I like social media because it gives you instant access to news, so we know the latest things that are happening. That’s why I use social media not necessarily to interact with people.”
Paying It Back Building the Future
Instead of interacting with listeners on social media, Beard prefers being a mentor for the future of the industry. As a faculty member of Lawrence Technological University in Southfield, MI, Beard is a real-time member of sports media teaching audio for TV and video production.
“It’s my way of giving back. It’s my way of making sure that I get an imprint on the younger generation. So, when they come up, they’ll know the right way of doing things,” said Beard. “It’s kind of cool when you see one of your star students take off and they’re working in various places doing great things. Knowing that you had a hand in getting them where they are.”
For over 25 years, Beard has found his path to entertaining audiences in his hometown, carving out his own legacy in a town that prides itself on hard work. Five years after a phone call from a friend, Rico Beard finds himself as part of the pinnacle of sports talk in Detroit while paying it forward for the future leaders of the industry.
“We’ll just continue to build this thing and see how far we can take it,” Beard said.
Doing it his way. Doing it their way.
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When NFL reporter and commentator Peter Schragermoved from NFL Network to ESPN, my first question was why. Schrager had certainly established a name for himself, both on FOX and at NFL Network. On FOX, he appeared regularly on a host of NFL pregame shows, giving viewers news, unique insights, and stories to watch. In addition, Schrager was part of a terrific crew of talent on NFL Network’s Good Morning Football (GMFB). He blended perfectly with the likes of Jamie Erdahl, Kyle Brandt, Jason McCourty, and numerous regular and guest panelists on the program.
Schrager bought into and truly embraced the fan-like nature of GMFB. The show allowed him to show his personal side, a love of the game, and enthusiasm for even silly things like NFL merchandise and cool jerseys. With his packed résumé, Schrager truly had become one of the most recognizable and sought-after NFL contributors and commentators.
Despite this, I still questioned the move to ESPN, both for Schrager and the network. I didn’t feel that he was going to add anything to ESPN’s already stacked roster of NFL gabbers. With Adam Schefter, Mina Kimes, Dan Graziano, Dan Orlovsky, Marcus Spears, Bart Scott, Damien Woody, and numerous others, the network is quite set with reporters, journalists, and ex-players and coaches who know the game. Schrager’s move to Bristol, CT, seemed superfluous—just ESPN accumulating any available talent like George Steinbrenner’s 1980s Yankees.
While I wasn’t sure where Schrager would fit in and whether his talents would be misused, ESPN wasted no time in putting Schrager on all of their most popular shows. Schrager is a bit of a tweener as a broadcaster. He’s not quite the insider that Schefter is and cannot match the experience and color analysis of an ex-player or coach. In addition, he has always been part of a team—a key and important part—but not the lead person on a program à la Stephen A. Smith, Mike Greenberg, Laura Rutledge, or Pat McAfee.
Moving From One Network to Another
Whenever a well-known talent comes to an even more well-known network, there is always that awkward beginning, a period of adjustment, and a leaving-the-nest effect. For Schrager, my question was short and simple: Is it a fit?
ESPN had no such query. The network immediately announced that Schrager’s smiling mug would appear on Get Up, First Take, NFL Live, and The Pat McAfee Show—interestingly enough, the four programs dominated by the aforementioned Greenberg, Smith, Rutledge, and McAfee.
Schrager was clearly going to be a face to be reckoned with at ESPN, but still, I wasn’t sold. I always felt that Schrager’s end game would actually be at FOX. He seemed to fit that California-cool sportscaster essence that FOX emits. I put him in the same category with Charissa Thompson, Erin Andrews, Rob Stone, Joel Klatt, Nick Wright, Curt Menefee, Pam Oliver, and others. There’s just a different feel to FOX personalities. It’s a Hollywood thing—hard to define, but clear when you see it. Schrager was definitely in this mold.
While ESPN has its share of glitz with the ESPY Awards and such, there is still a palpable East Coast grit to it, emanating from backwoods Bristol and established by the old-school likes of Bob Ley, Chris Berman, the late Tom Mees and Stuart Scott, Rich Eisen, Keith Olbermann, Dan Patrick, Robin Roberts, Steve Levy, and Linda Cohn.
Was Schrager going to fit in with this aforementioned legacy? Could he stand out and make his mark at a network filled with gigantic personalities? The answer to my questions finally came last week.
Taking Advantage of Opportunity
The Fourth of July holiday and the ensuing couple of weeks are a weird time in sports. The NHL and NBA playoffs are done, MLB is approaching the All-Star break, and the NFL preseason has yet to kick in completely. It is also the time when front-line TV personalities and hosts go on vacation. At ESPN, Monica McNutt did a superb job as a fill-in host on First Take. Michelle Smallmon was similarly excellent hosting NFL Live, and with Mike Greenberg on holiday, Schrager took the anchor spot on Get Up.
I never doubted Schrager’s ability to shine on television, but my question lingered: Could he be the lead guy? On Get Up, Schrager answered that question with a resounding yes. The show did not miss a beat with him at the helm. It was almost like Superman emerging from the phone booth.
This dude shed his contributing-reporter garb, and underneath was a red and blue suit with a big H on the chest—for Host. Schrager maintained his own level of personality and content while moving the show forward and making his panelists and guests excel.
Could he dominate the screen? Could he be the anchor of a program? Is he worthy of having his own show on ESPN? Yes. Schrager is that guy, and it was really fun to watch.
Can Schrager Lead His Own Program?
The truth is that Peter Schrager surprised the hell out of me. He was glib, in charge, forceful, and insightful, while showing a real knack for inciting his guests to some fantastic debate. Schrager has always excelled with a group. In fact, he is the ultimate team player—always ready to play the heavy or the hero, the jerk or the jester, the nice guy or the nerd. On Get Up, it was totally different. He was an island, a mountain, the tallest redwood in the forest. In short, Schrager dominated and displayed the aura and demeanor of a front-line, first-rate, leading sports television performer.
Sometimes, all it takes is an opportunity for a personality to take a big step and rise to a level no one thought possible. Think Pacino in The Godfather, Ford in Raiders of the Lost Ark, Travolta in Pulp Fiction, or Washington in Training Day. The Get Up stint for Schrager might just be that kind of move.
ESPN clearly signed Schrager for a reason. His enthusiasm combined with rock-solid hard work make him a prime candidate to become the network’s next superstar. I now know why he was a target for the folks in Bristol. Schrager is not just a reporter or passionate football talker. He’s a burgeoning talent: mild-mannered, welcoming, and yes, still possessing that FOX coolness.
Is he ready to become the next big thing at ESPN? Darn right he is—whether it’s the rumored 5:00 p.m. time slot vacated by Around the Horn or some other vehicle. ESPN made the move to get Schrager. Now, they need to give him his own show.
Just make it happen, for Pete’s sake.
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If your radio content strategy is hoping no one misses “Seven Nation Army,” you don’t have a strategy. If you’re afraid a listener might disagree with an opinion, Pandora might be hiring.
Sometimes, skipping that Zeppelin or Beasties track won’t spark a ratings apocalypse. But what if it could spark a tsunami to sell?
Fact: Music-only platforms eventually hit a revenue ceiling.
Fact: Great talk doesn’t. It’s scalable. Non-music content travels across formats and demos.
In an era when radio stars like Heidi & Frank and podcasters like Pardon My Take, Rogan and countless others are topping the charts without playing a single song, it’s clear:
RockTernative needs to stop clinging to “music first” and start creating content that stands on its own.
That’s not a posterized dunk or me waiving the white flag on music. It’s a challenge to do better.
There are some at RockTernative doing it already: The Men’s Room, Preston & Steve, The Woody Show, Chaz & AJ. Music is present, but it’s complimentary – it ties them to the brand and comes in handy for smoke breaks. Talk drives those shows and their ratings.
This isn’t trending news. This case is closed – great talk wins.
I’m not saying abandon music. RockTernative has 24 hours a day to fill, and a great song — even in its 15,000th spin — still beats a bad talk break.
But a great talk segment? That has legs. That can drive long-term revenue. It can get clipped, shared, and remembered. Those pre or mid-roll spots — inside content — can be sold several times over.
Marrying music and talk content is the sweet spot.
Easier said than done. And it requires investment, but not as much as you may think. I’ll get to that.
The industry loves saying, “Content is radio’s secret sauce.” But what “content” are we really talking about?
“Dr. Feelgood” into “Lithium?”
Cool songs. Not a secret sauce. Even if downloading radio music segments were allowable, it’s not the kind of content that would drive 1M daily downloads, or the TSL/ATE radio would kill for.
And here’s the truth: You don’t need culinary school to make this secret sauce. You just need people who can cook.
The chart-toppers?
They’re genuinely interesting or have that X-Factor. Not everyone is interesting. Not everyone needs to be. But their content decisions must be.
They have clear opinions and cover familiar ground with fresh POVs and treatment. More on treatment here.
They have management or coaches that trust them as much as they do “Back in Black.”
Their content transcends the music appeal of the station — Preston & Steve draw fans from all formats, including Rock.
Some will say, “We can’t afford Big Cat & PFT or the big radio shows.”
You don’t have to. Shorter-form or long-form segments with strong local voices can work. But you have to find them and put in the work.
Try things. Hit the production room and test different content flavors and takes. Post it online. Find a smart group of people and let people tell you what they like and don’t.
If you can’t find talent locally? Find a national show you love — even if they aren’t syndicated to radio. License it smartly. Wrap it locally. Add your own personality around it.
You can still play Blink-182 when you need to. But creating killer non-music content makes “All the Small Things” even more sticky.
You don’t need to play a song to top the charts. Music can help, but to raise all boats, we need to give people a reason to listen even when the music stops.
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