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CBS Sports Golf Analyst Ian Baker-Finch Announces Retirement

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After more than three decades covering professional golf, Ian Baker-Finch is stepping away from the broadcast booth at CBS Sports.

The longtime CBS Sports golf analyst says he is retiring from broadcasting, capping a 30-year run in the industry, including the last 19 years with CBS Sports. The former Open Championship winner shared the news in a heartfelt message that celebrated his dual career in golf and television.

“After 19 incredible years as a golf analyst with CBS Sports and a remarkable 30-year journey in the industry, I am announcing my retirement from broadcasting,” Baker-Finch wrote via a statement. “I carry with me immense gratitude and pride for the moments we’ve shared on and off the course. Here’s to new adventures and the enduring love of golf.”

Baker-Finch’s voice became a trusted part of CBS’s golf coverage, contributing to some of the sport’s most iconic events, including The Masters, PGA Championship, and PGA Tour stops around the world. Known for his insight, humility, and calm demeanor, the Australian brought a thoughtful perspective to the booth that resonated with fans and colleagues alike.

In response to the news, CBS Sports President and CEO David Berson praised Baker-Finch’s career and legacy within the network.

“As a major champion during his successful playing career and over three decades in broadcasting, Ian Baker-Finch distinguished himself as one of the most respected and trusted voices in golf,” Berson said in a statement. “We’ll miss his passion, insight, warmth and steady presence on the air but know he will continue to make his mark across the world of golf.”

Berson added, “Finchy will always be part of the CBS Sports family, and we thank him for being an incredible teammate and friend, and for his immeasurable contributions the past 19 years at CBS.”

CBS has not yet announced who will replace Baker-Finch on its broadcast team, but the move marks the end of an era for a voice synonymous with the network’s golf presentation.

As Baker-Finch moves on to the next chapter, he does so with appreciation for the game and those who shared the journey. “You’ve made every moment in the booth a joy,” he wrote to his CBS colleagues, “transforming broadcasts into cherished memories.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

‘VSiN By The Books’ Moving Broadcast to the Mint Gaming Hall in Kentucky Beginning Next Month

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VSiN has announced a first for the sports betting information network, which will launch officially next month. During an episode of VSiN By The Books, it was revealed that, in partnership with Circa Sports, the opening of Circa Sports Kentucky at The Mint Gaming Hall will house broadcasts on VSiN, including VSiN By The Books with host Dave Ross live on site.

“We are really excited because this is historic,” said Ross on Tuesday following the announcement. “We’ve never done this before. Everything is emanated out of Las Vegas for the entirety of VSiN. Now to take this to Kentucky, we got big shoes to keep this thing running and take this thing out of state for the first time.”

Furthermore, according to Ross, the first broadcast of VSiN By The Books live from the new Kentucky studios is scheduled for next month, with the hope that it will take place before the start of the college football season. Ross will be based in Kentucky for the program, while co-host Jensen Lewis will appear for the debut episode but will continue to work from outside the studio.

Additionally, Circa Sports Kentucky announced earlier this year its expansion in the state with the debut of Kentucky’s largest retail sportsbook at The Mint Gaming Hall Kentucky Downs in Franklin.

Circa Sports CEO Derek Stevens spoke last month about the importance of the partnership with VSiN and how excited he is to have their programming broadcast from the Bluegrass State.

“When I was putting a sportsbook together, VSiN is a critical component for us,” said Stevens last month. “They have a big impact on our sportsbook in Las Vegas. Bringing VSiN here to this sportsbook here we felt was a pretty important element.”

Moreover, the new 21-and-over venue features an 80-foot-wide LED screen, a 31-foot-wide odds board, and over 5,100 square feet of action-packed space.

Finally, Bill Adee explained last month to Kentucky Downs Racing that the plan is for VSiN By The Books to broadcast every weekday live from The Mint Gaming Hall, which includes 350 radio stations around the country and simulcasts on NESN and Marquee Sports Network.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

98.7 The Bull Portland Taps Jamie Tanchyk for Middays

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98.7 The Bull Portland is adding Jamie Tanchyk to middays starting Monday, July 28.

“After months of answering questions like, ‘Where do you see yourself in five years?’ and ‘Have you ever worked a grill?’ I’m pumped to be back on the air with Portland’s incredible Country fans,” said Tanchyk. “Big thanks to Ross MacLeod, Dylan Salisbury, Phil Becker, and Robert Dove not just for giving me this shot, but for pretending to be fascinated every time I bring up my chihuahuas. That’s what I call leadership, or at least patience.”

“Bringing Jamie to KUPL is a strategic win for The Bull,” said Ross MacLeod, Content Director for 98.7 The Bull. “He’s got deep experience across multiple formats, strong local equity in Portland, and a track record of programming and performance success. He understands what makes this market tick, and he’s exactly the kind of talent who can strengthen our connection with listeners and grow the brand.”

Tanchyk is well-known to Portland listeners. He previously served as PD of Hot AC Bella 105 and afternoon host on Country sibling 99.5 The Wolf until March’s corporate downsizing.

This move follows the recent exit of Danny Dwyer and Jake Byron. (BMM 7/16)

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Netflix Climbs Into Top 3 Spot of June’s Nielsen Media Distributor Gauge

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Nielsen has released its latest Media Distributor Gauge, and Netflix has seen a large jump in recent months, all the way into the top three.

During the month of June, 8.3% of all television usage was spent with Netflix. That figure is the streaming platform’s highest overall percentage since January, when it held 8.6% of viewing. Netflix featured a new season of Tires — the popular comedy series starring Shane Gillis — as well as a documentary on the Titan submersible that imploded in 2023 attempting to visit the wreck of the Titanic, among several other new releases.

While Netflix rose into the top three after finishing May in fifth, YouTube expanded its lead over The Walt Disney Company.

YouTube held 12.8% of all television viewing during the month. Meanwhile, Disney held exactly 10%, which is down 0.7% compared to what it featured in May, despite having the top 33 broadcast network telecasts during the month, including the NBA Finals and ABC World News Tonight.

With the 2.8% lead over Disney, it marks the largest lead YouTube has held since the Media Distributor Gauge from Nielsen was first released.

NBCUniversal finished the month in fourth, aided by a large influx of Peacock users watching the Love Island USA program. Peacock saw a 13.4% increase in overall viewership during the month, according to Nielsen. However, NBCUniversal overall dropped by 0.2% points month-over-month.

Paramount rounded out the top five at 7.2% of usage, while FOX was close behind at 6.9%.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

102.7 WNEW-FM Documentary ‘Where Rock Lived’ Debuts Teaser

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The first teaser trailer for Where Rock Lived has been released, offering a preview of a feature documentary focused on the influential New York radio station, 102.7 WNEW-FM. The film highlights the station’s role in defining Album-Oriented Rock (AOR) and establishing a personality-driven approach to radio during its peak years.

The 90-second teaser features appearances from Gene Simmons (KISS), Todd Rundgren, Jon Anderson (Yes), Joan Jett, Mike Love (The Beach Boys), Marky Ramone (The Ramones), and Carl Palmer (Emerson, Lake & Palmer). It also features interviews with notable WNEW-FM air talent such as Dennis Elsas, Richard Neer, and Mark Chernoff, along with key figures like Robin Sagon of WNEW-FM’s news department and Bob Meyrowitz of “King Biscuit Flower Hour.”

The documentary details how WNEW-FM’s DJs, including Rosko, Scott Muni, Alison Steele, Jonathan Schwartz, Vin Scelsa, and Pete Fornatale, played a significant role in shaping the careers of artists like The Doors, Led Zeppelin, Bruce Springsteen, Elton John, and Billy Joel. The station’s format went beyond playing singles, focusing instead on full albums and deeper cuts that built a loyal listener base.

The film also examines WNEW-FM’s presence during major cultural moments, including the Vietnam War, Woodstock, the Women’s Liberation Movement, and the Kent State shootings.

“WNEW-FM was a reflection of America’s young generation who came of age through its DJs, bands and music, celebrating a counterculture that impacted millions of disillusioned youth,” said Tony Monte, creator and executive producer of “Where Rock Lived.”

“In an era focused on PPM and centralized programming, we explore a time when relationships between the DJ, artist and listener was the most important algorithm. This film is not just nostalgia; it’s a case study in how the power of live, local, and personality-focused broadcasting can affect a nation.”

The logline for the film states: “Where Rock Lived tells the story of WNEW-FM, a radio station that gave voice to a generation. It shaped cultural identity and was a musical touchstone, amplifying the legendary artists and bands who defined America’s youth, soul and rebellion.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

‘The Rich Eisen Show’ Heads to ESPN Radio September 2

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After announcing his return to ESPN, The Rich Eisen Show will take over ESPN Radio’s national noon-to-3 p.m. ET time slot beginning Tuesday September 2. Andrew Marchand of The Athletic was first to report Eisen will be taking over the timeslot currently occupied by Joe & Q hosted by Joe Fortenbaugh and Qiant “Q” Myers.

Eisen’s radio program, which is currently distributed by Westwood One and also airing on SiriusXM, will stream live on Disney+ and ESPN+ beginning this fall as ESPN announced the launch of its first direct-to-consumer offering in May called ESPN. According to sources, Barrett Media is reporting that The Rich Eisen Show will continue to be distributed through Westwood One through the end of 2025 while the program airs on ESPN Radio.

“Once we struck a deal with Disney for the video version of The Rich Eisen Show, it made complete sense to migrate the audio version to ESPN Radio, where I got started in the terrestrial radio world almost 30 years ago,” said Eisen via a statement. “It’s just another way to return to my roots with my old and now new friends at ESPN and Good Karma Brands. I couldn’t be more excited about our future together on multiple platforms.” 

With the addition of Eisen, Fortenbaugh will shift his focus to television appearances and sports betting content, while Myers will remain with ESPN Radio in a new role as the weeknight host of GameTime, airing during the network’s late-night window.

The addition of Eisen brings a well-known and respected name who served at ESPN previously before making the move to be the first on-air talent at the NFL Network in 2003. Eisen discussed the return to ESPN back in May.

“Rich Eisen is one of the most respected and recognizable voices in sports media. His ability to seamlessly blend insight, humor, and star power has built a loyal following across platforms,” said David Roberts, ESPN Executive Vice President, Executive Editor, Sports News and Entertainment. “We’re thrilled to welcome Rich back to ESPN Radio and to expand his show’s reach across our audio lineup and streaming services, including Disney+.”

Eisen’s show, which currently airs on a variety of platforms including YouTube and The Roku Channel, will not only be broadcast on ESPN Radio but will also be featured across Disney+, ESPN+, and the company’s much-anticipated direct-to-consumer streaming service launching this fall. The multimedia strategy underscores ESPN’s commitment to investing in content that travels well across digital and linear formats.

“To say this has been a long time coming is an understatement, especially considering I never thought a reunion with ESPN would happen in any role, let alone such a crucial one of ‘partner.’ Immense thanks to Jimmy Pitaro, Burke Magnus and Dave Roberts for their belief in The Rich Eisen Show and our amazing crew, without whom none of this could have been possible,” Eisen said in a statement.

The rest of ESPN Radio’s daytime lineup remains unchanged according to Marchand. Unsportsmanlike—hosted by Evan Cohen, Chris Canty and Michelle Smallmon—anchoring morning drive, followed by Clinton & Friends from 10 a.m. to noon, led by Clinton Yates will remain in place.

Good Karma Brands, ESPN’s partner across digital video, audio, and podcasts, will also be involved in the sales component of The Rich Eisen Show on all platforms. “We are excited to welcome The Rich Eisen Show into the Good Karma Brand’s family,” said Sam Pines, senior vice president for Good Karma Brands.

In addition to the daily radio show, ESPN will carry content from The Rich Eisen Podcast Network, which includes an upcoming series featuring interviews between Eisen and some of his former SportsCenter colleagues. Eisen was a SportsCenter anchor from 1996 to 2003 before becoming one of the foundational voices of NFL Network.

The Rich Eisen Show will also continue to hit the road for marquee events, broadcasting live from the Super Bowl, NFL Draft and NFL Combine, delivering on-the-ground coverage and high-profile interviews from the biggest stages in football.

Eisen’s arrival places him in direct competition with The Pat McAfee Show, which airs in a similar midday window on ESPN television and digital outlets. Additionally, Stephen A. Smith is launching a new program on SiriusXM that will also go head-to-head with Eisen’s national radio offering. Smith continues to hold down his high-profile role as the face of First Take on ESPN.

More details on Eisen’s ESPN Radio launch, including potential guest hosts or contributors, are expected to be announced in the coming weeks.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Barrett Media and iMAR Entertainment Partner on the 2025 BNM Summit, 4 More Speakers Join the Lineup

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Barrett Media’s 2025 BNM Summit presented by Newsmax comes to the Ailey Theater in New York City on September 3-4, 2025. Glenn Beck, Chris Ruddy, Mike Gallagher, Erick Erickson, Sid Rosenberg, Mark Simone and others have already been announced. Today, we’re adding four more speakers to our lineup. More on that in just a moment.

First though, I have some exciting news to share for those interested in joining us in the big apple.

Barrett Media has partnered with iMAR Entertainment to offer media brands an exclusive opportunity to attend the Summit through 100% barter – no cash required. iMAR Entertainment is a Los Angeles-based agency with over a decade of experience creating unforgettable experiences that power promotions, incentives, and rewards programs for global clients. They are facilitating this unique opportunity for us, and media groups can sign up by clicking HERE

The exclusive BNM Summit/iMAR experience includes:

  • Full Barrett News Media Summit registration (September 3-4, 2025)
  • Round-trip flights to/from New York City
  • 3 nights at the Park Central Hotel
  • Airport transfers to/from hotel
  • 24/7 travel support

The 2025 BNM Summit is a two-day event. It features many of the top voices and decision makers in the news media business. Attendees will gain valuable insights on content strategy, audience growth, digital, monetization, plus have ample opportunity to network. Everyone coming to the conference also receives a free invite to The Barrett Bash, our special 10-year anniversary party on Thursday night, live from 1604 Broadway in Times Square.

Tickets to the Summit are $324.99. However, you can work with iMar Entertainment to save money and time. Make sure to reach out to them to learn more!


Four More Speakers Join the BNM Summit Lineup

The lineup for the Summit continues to expand. Today, we are excited to welcome four more accomplished professionals to our conference schedule. Those additions are as follows:

  • Mike McVay – President of McVay Media and a member of the Radio Hall of Fame Class of 2025
  • Pete Mundo – Cumulus Media VP of News/Talk and PD/Morning Host of KCMO in Kansas City
  • Ann Thomas – Program Director of WJR 760 in Detroit
  • Jeff Katz – Longtime PM Drive Host at WRVA in Richmond, VA
Barrett Media's 2025 BNM Summit

The full conference agenda doesn’t get released until a few weeks before the show. However, I’m excited to add Pete to a panel that includes Audacy News/Talk VP Drew Anderssen and iHeartMedia VP of News/Talk and Sports Chris Berry. I’m also looking forward to having Ann alongside Ken Charles of WSB and Mary Sandberg Boyle of WGN. Details on Mike and Jeff’s sessions will be revealed closer to the show.


Two New Sponsors Sign On

Hosting conferences isn’t possible without strong support. We are thrilled to welcome back Ramsey Solutions and Bonneville International as conference partners. This marks the third straight year both companies have supported the show. We are truly grateful for their support.

Bonneville and Ramsey join Newsmax, Premiere Networks, Radio America, Jim Cutler, MRN Radio, Quu, JJ Surma Voiceovers, and Collette as 2025 BNM Summit partners. Core Image Studio is also supporting both the BNM Summit and Barrett Bash, and Damon Oaks has signed on to support the Bash as well. Additional opportunities are still available. Interested groups can learn more by emailing Stephanie Eads at Stephanie@BarrettMedia.com.


Still to Come

We will announce additional high-profile speakers, details on our After Party following day 1, and our awards winners in August. Also to be revealed will be the final two Thursday sessions prior to the Awards ceremony.

A reminder, day 2 of the show is brief (2-3 hours). Folks will have free time during the day to experience New York City before joining us at 5pm for one of the best industry parties of the year, The Barrett Bash.

We appreciate your support, encourage you to check out iMAR Entertainment to reduce your costs, and look forward to seeing you in September in NYC!


Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

The End of ‘The Late Show with Stephen Colbert’ Is Nothing to Cheer About, Even If You Can’t Stand Him

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CBS pulled the plug on The Late Show with Stephen Colbert this week, and if your first reaction was to throw a party, you might want to put the cake down and take a closer look at what this actually means.

It’s not just that one of television’s longest-running brands has been shelved. It’s not just that Stephen Colbert won’t be on your screen at 11:35 PM ET anymore.

The bigger problem is what it signals for the rest of the industry: when a major broadcast network can’t monetize one of its flagship programs anymore, we’ve got a much deeper issue than partisan fatigue.

No matter how you feel about Colbert — and let’s be honest, plenty of folks on the right saw his run as an unending monologue against everything they believe in — the cancellation of a show like The Late Show is the kind of media earthquake that causes cracks far beyond the walls of CBS.

Why? Because the media business — whether it’s television, radio, digital, or streaming — survives on a simple, ancient model: gather a big audience, then sell that audience to advertisers. That’s it. That’s the entire structure. And if that model no longer works for one of the most visible platforms in entertainment, we’re looking at a doomsday scenario for legacy media.

The end of The Late Show with Stephen Colbert isn’t about a host getting stale, or viewers switching to Netflix. It’s about the fact that CBS, a network that has aired late-night programming for more than 30 years, no longer sees a path to meaningful revenue in the timeslot. Not just less profit. None. They are choosing to give up the real estate entirely. That should terrify anyone in this industry.

And yes, that includes you, even if you spend your evenings watching YouTube instead of network TV.

This is a bigger threat than just another late-night show falling victim to a changing culture. This is the collapse of a trusted format — one that networks once considered essential to their identity and bottom line. If a show that consistently led in the ratings and regularly beat its rivals can’t survive in the current advertising ecosystem, what hope does anyone else have?

What happens when advertisers no longer value mass media exposure? What happens when prime-time leads to prime losses? And most crucially, what happens when executives start to believe there’s no point in swinging for the fences anymore?

For decades, media was a scale game. The more people you reached, the more money you made. Period. Late-night television was a linchpin in that strategy. It was supposed to be cheap compared to scripted drama, flexible, live-to-tape, and packed with built-in advertiser interest. It was also the perfect platform to promote a network’s other programming.

Now? Now we’re watching a network decide that the juice just isn’t worth the squeeze. And that’s a warning shot for everyone else.

If Stephen Colbert — a guy who regularly brought in the biggest audiences north of 2.5 million viewers — couldn’t deliver for CBS, then how does anyone justify the value of reaching a mass audience anymore? It’s a question that local radio stations, cable networks, and online publishers should all be asking themselves at the same time.

There’s a temptation in some corners of the political or cultural spectrum to cheer the downfall of people you disagree with. Colbert was no friend to conservative values. He often mocked the right, relentlessly, and was unabashed in his criticism of President Donald Trump. But celebrating the end of his show because you didn’t like the monologues misses the forest for the trees.

Because if there’s no value in producing The Late Show with Stephen Colbert, there may soon be no value in producing anything that appeals to more than a niche. And if we end up in a world where the only successful media is hyper-targeted, identity-driven content that exists to confirm existing biases, we’ll be worse off — not better.

Even in its increasingly partisan form, late-night television was still a space where celebrities launched movies, political candidates softened their image, and viral moments captured national attention. To walk away from that is to admit that appointment television is dead. And if it’s dead, what comes next?

I’ve seen plenty of comparisons between Colbert and the likes of hosts like Johnny Carson and David Letterman since the news of Colbert’s ouster was announced. But the game has changed completely even since Letterman vacated The Late Show. Gone are the days of having three broadcast networks and a few dozen cable channels. Now? Hell, there are more than 500 separate channels included inside The Roku Channel, let alone broadcast TV, cable TV, and millions of channels on YouTube, Rumble, and Twitch.

You can criticize Colbert’s content, you can criticize the show’s wildly inflated budget, and you can say that this is another example of “Go Woke, Go Broke.” Fine. You’re entitled to your opinion. But I’ll counter with “If this can happen to a property like The Late Show — with a consistent audience of more than 2 million people, what makes you think it won’t happen to you or your show?” So if you think Colbert’s show getting axed is just a win for “your side,” you’re missing the broader problem.

There’s a reason advertisers spent decades throwing their budgets at big-audience properties like The Late Show. Because it worked. Because scale mattered. If it doesn’t anymore, then the model that supports everything from your local sports talk station to the NFL’s next TV rights deal is at risk.

We’re not just talking about a guy in a suit telling jokes at a desk. We’re talking about an industry bellwether being pulled off the air. That’s not just a programming decision — it’s a flashing red light for media at large.

So no, the end of The Late Show with Stephen Colbert shouldn’t be a cause for celebration. It should be a wake-up call.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

What the Coldplay Couple Teaches About Office Relationships in Radio

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The past few days have been filled with online memes and on-air jokes about two executives being caught on the kiss cam at a Coldplay concert. And rightfully so.

10-15% of people meet their future spouse or long-term partner at the workplace. If you are married or engaged in a long-term relationship, meeting the next love of your life at the office is a bad thing.

I happen to like Coldplay, but I’ve never thought of them as mood music. I don’t think turning on this band would create moments of intimacy. Perhaps I’m wrong on this, but they are no Usher.

Normally, this column explores trends for improving your show or station. I want to be in the business of protecting you, your wallet, and your family. There is nothing more exciting than new love. The rush of feelings from a new relationship can be quite addictive. But this isn’t real life. In any relationship, there are ups and downs.

I don’t know the two people caught on the kiss cam, but I’m guessing they’ll soon be hiring attorneys over their moment — or moments — of indiscretion. Part of the cool stuff about being an on-air personality is that people know who you are. If you’ve never had an enamored listener from time to time, you’re probably doing this wrong. Heck, I know a couple of people who married listeners. One former co-worker even married a prize pig. Best thing ever for station promotions. I told him his wife won the biggest prize of all.

Radio people are generally not overly attractive. Have you seen a picture of me? Look at it carefully, I’m not a good-looking man. This isn’t a dig on the creative forces in this industry, but you’re likely unappealing to look at.

Now that I’ve insulted you, if you’ve been in this career for any time at all, you know people who’ve gone through a few marriages. Marital stress is a real problem in our industry. You’ll likely be moving, and many spouses can’t handle this. When I was early in my radio career, I often had “the talk” with any woman I was seeing. One woman told me she couldn’t live more than an hour away from her mother. That was our last date.

If your marriage is under stress, being a public figure can create additional issues. Also, working in an office where you interact with great people can present the opportunity to jump-start an affair. If you are married, this can be more than just a disaster. You could lose a large portion of your life savings. You may have to sell the house and split the spoils. If you have kids, you’ll be forced to navigate child support, visitation, and possibly alimony.

If you end up marrying your office fling, how can you trust each other? Whichever person in the new relationship was married when the romance began, the other person should have serious doubts about the long-term viability of the relationship.

If you re-read your employment agreement or contract, you’ll likely find language that used to be called a “morals clause.” If you are a radio personality, you may actually lose your job over an affair that becomes public.

Astronomer’s now-former CEO Andy Byron likely had a morals clause in his contract, and the focus of his affection, HR executive Kristin Cabot, likely had the same. This was horrific for their careers. GMA3’s T.J. Holmes and Amy Robach lost their jobs over an affair. I know of a program director who almost lost everything after being confronted by his market manager about an affair with a staffer. That program director survived, and as far as I know, is still married to the spouse he cheated on.

You are a powerful member of the media. You’re likely quite attractive to co-workers and listeners. If you let your guard down, you could easily lose everything.

I want you to protect yourself. Your career could be in serious jeopardy if you get caught up in a romantic relationship with a co-worker or a listener—especially if you’re married. Divorce, like Megan Rapinoe, is not a good time.

There are many problems in life. There’s no such thing as a perfect marriage. New love is a high like meth. For the record, I’ve never used meth. But from stories I’ve read and heard, it’s quite the sensation. New love can be just like that.

Don’t lose your career and your family. Radio jobs aren’t growing on trees. If you love what you do professionally, be forewarned: letting a moment of lust ruin everything around you is not worth it.

Now, if you’re in a bad marriage, try to fix it. Sometimes that’s impossible if your spouse doesn’t see the problem or refuses to change. Address your personal life situation before you fall into a professional and personal abyss.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

How Melissa Forman Lights Up Mornings on 93.9 Lite FM Chicago

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Chicago’s Gold Standard for Adult Contemporary is 93.9 Lite FM. For nearly 37 years, 93.9 Lite FM has generated monster ratings with discipline, consistency and investing in local talent.

This fall will mark the 25th year they will deliver record Nielsen numbers with their All-Christmas programming strategy – often posting double-digit numbers and double-digit leads over competitors.

It was told when we competed against them in the 1990s, then-owner Viacom invested over a million (!!) dollars each year in marketing alone. Our team at Oldies 104.3 WJMK only beat them twice. Both times in the summer book and at Infinity Broadcasting, that ‘didn’t count.’

The 93.9 Lite FM DNA is so strong. They thrive on digital and social media platforms for their branding outreach.

In the three and a half decades they’ve been in the format, only once – regrettably – have they booted the “Lite FM” audio logo. In 2013, they adopted the 93.9 My FM moniker but returned to “Lite FM” with the slogan “Relaxing Favorites” a few years later.

93.9 Lite FM has tinkered with their slogan, framing their music as with sell lines such as “Lite Favorites,” “More Variety From The 80’s and Now,” “Relaxing Favorites” and just this May, 93.9 Lite FM parked “Relaxing Favorites” in favor of “More Music, More Variety”—no matter as the 93.9 Lite FM powerhouse is immune to slogan addiction.

We wrote about slogan addiction in April. Read that piece – HERE.

Through the waves of iHeart staff reductions, 93.9 Lite FM has maintained its strong local personalities. Robin Rock has held down middays – several stints over 25 years- and Program Director Mick Lee has locally helmed afternoon drive for over a decade.

Anchoring the morning show is long-time host Melissa Forman. She was something of a unicorn in 2001 when she first hosted AM Drive before leaving for a successful television stint, only to return seven years later. Female-led Adult Contemporary morning shows 25 years ago were the exception.

Now, successful female-led morning shows are in Los Angeles (KOST – 103.3 – The Ellen K Morning Show), Houston (The Dana Cortez Show) and dozens of other smaller markets. We need to open our thinking to place talented female leads in mornings with our future openings.

We had a recent conversation with Melissa Forman, who is on her second tour of duty with 93.9 Lite FM.


Kevin Robinson – Tell us about you and your radio path from the beginning to Chicago.

Melissa Forman – Growing up in the Chicago suburbs, I listened to the greats like John Records Landecker and Jonathan Brandmeier and then heard Patty Hayes. That was the first time I heard a female as a full show host on WCKG.”

Then, when I went to school at the University of Illinois in Champaign, I heard a morning show called “John and Maura,” and they were just so good. I would wake up in the morning and hear what they were doing. Then at 10 O’clock, they would say goodbye, and I thought, “That’s the job I want!”  They get off at 10 am, and I thought they sipped cocktails all day. I was so wrong. I didn’t realize how much work went into it. A light bulb went off. I thought, “THIS is exactly what I want to do!” 

Then I went on to intern for them, and The Simpsons had just come out. I was in a production meeting, and they said it was going to be really big. The station was trying to find someone who could emulate the main character Bart’s voice for commercials. 

I thought it sounds like my Aunt Lindy (in Bart’s voice) ‘who kinda sounds like this’. Somehow Bart Simpson suddenly came out of me. It was gangbusters, and I was doing Bart’s voice in a bunch of commercials. 

After graduation, John and Maura left, and I got Maura’s job the week after. My dream job. They paired me up with Jerome Ritchie, who did a Homer to my Bart. We stayed together for five years, then Jerome went to do television. 

When you and I met (note – we interviewed Melissa to pair with John Landecker at Oldies 104.3 in Chicago, but it didn’t work out), it was the hardest decision of my life. I had not fully developed as a talent and had few skills in editing and running a board. I turned it down because I felt I needed to go to another market to sharpen my skills. I wasn’t Chicago–ready. So, I spent every Saturday morning in Champaign at 6 am for a year and a half in the studio learning all of the equipment. I felt that upped my game! 

From Champaign, I went to Cincinnati to work at Jacor’s Mix 94.5 for almost three years. With my boyfriend in Chicago and me having more experience, I thought I’d put a tape together and try to get back home. In the station editing bay, I ran into a guy named Harry Legg who was also putting together a tape. 

After meeting Harry, he said, “Melissa, I’ll never ever forget you.” About a year later, they were starting a station in suburban Chicago called Kiss FM. Someone called me and said that I need to send my tape for a morning show opening to Kiss FM and to the Assistant Program Director.  His name was Harry Legg.

How many Harry Legg’s are there besides my own two legs? So, I sent it, and that moment brought me back to Chicago, partnering me with George McFly.  After that, someone from Lite FM heard me and I got a call to join them.

KROB – What’s your best day in radio – and why?

MF – Oh, there are so many. I was trying out bands for my wedding, and my producer, as a joke, brought in Dennis DeYoung of Styx. He sang “Babe” first. I love him so much. In the studio, Dennis played a bunch of songs as a ‘try-out’ for my wedding band.  It was great. 

Also, it was not a great day, but it was memorable. In Champaign, we were doing a live show from a hot air balloon, and we started going down FAST in a chemical wasteland. We actually asked if we should go down LIVE or stop the broadcast. Thankfully, the pilot pulled up at the last minute!

KROB – What would you say or advise emerging talent on your role in getting into radio today?

MF – Learn all the social media and marry them a lot. Whatever I do on-air, I place or continue online. Do it yourself. Don’t farm it out to someone. Don’t rely on someone else. Learn how to do everything. If the station blew up tomorrow, I could put together a full-blown show by myself.

Make it about the listener as though you opened a door and let the listener in. Podcasting and TV are outward-focused. Radio is a two-way street between you and the listener. Make them feel included and create a fun, safe place to be. Make your show about things that connect us. Food, pets, goofy stories, and let the listener tell THEIR story! On air AND online.

KROB – If you could host a show with any guest, living or dead, who would it be—and what would you talk about?

MF – That’s a great question. I think it would be amazing if Princess Diana and I could sit down and ask her everything. What really happened in her marriage and her life? That would be a great show.

Melissa Fun Facts:

  • The first woman to host both AM Drive and PM Drive simultaneously in a major market
  • Sat in all 17,000 seats at University of Illinois Memorial Stadium for charity
  • Discovered while interning in Champaign, Illinois, with Saga Communications after doing a spot-on Bart Simpson impersonation (see above)
  • Raised over half a million dollars single-handedly for local charities
  • Lived for four days in a shopping mall as a radio stunt
  • Went over six G’s on-air in a fighter jet

Follow Melissa on social media on Facebook at Melissa Forman, @Melforman on Instagram, @MelissaForman on Twitter(x), and @Melforman on Threads.

We can all learn from the drive and passion Melissa Forman brings to radio daily, after more than three decades on the mic.

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