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Dana White Didn’t Expect Paramount To Be in the Top Three To Bid for UFC Media Rights

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UFC President Dana White admitted that one of the company’s most significant media-rights decisions in recent memory unfolded in a way he never anticipated, revealing that Paramount emerged as a surprise bidder late in the negotiation process.

During a recent appearance on The Ryen Russillo Show, White explained that Paramount was nowhere near the top of his expectations as the UFC began exploring options ahead of the expiration of its previous rights deal.

“If you were to ask me six months before our rights were up, give me your top three places you think you’re gonna land. Paramount would not have been in the top three,” said White. “I obviously didn’t see it coming. Its that fascinating thing about business.”

As talks progressed with networks, White described a process rooted in evaluating synergies and long-term fit rather than simply chasing the highest bidder. He noted that Netflix appeared to make sense at one stage, particularly as discussions leaned toward placing UFC pay-per-view events on a single streaming home while distributing Fight Night programming across multiple networks.

That’s when things changed with Paramount came calling for a bid.

“Literally at the at the 23rd and a half hour, Paramount came in and said, We want all or nothing. and the deal closed quickly,” explained White.

He emphasized that consolidation played a major role in the UFC’s decision-making. Having all events on one platform, including the organization’s expanding boxing footprint, eliminated fragmentation that fans had dealt with for years.

Under the previous model, fans needed subscriptions to services such as ESPN+ and still had to purchase individual pay-per-view events. White said the Paramount agreement simplifies access while reducing overall cost, a shift he believes directly benefits the UFC’s loyal fan base.

“For many years, the fans have had to pay for ESPN plus then buy the pay per view,” explained White. “Our fans have been very good and very loyal to us. Now for the entire year, that will cost you less than what a pay per view was last year.”

While long-term media deals often invite second-guessing years down the line, White expressed immediate confidence in the choice. He stressed that financial considerations alone did not dictate the decision, noting that the UFC would have remained profitable regardless of its partner.

“I don’t need five years [to see if Paramount was the right choice]. I already know we made the right decision,” said White. “Take the money out, because people always like all the money. We’re gonna make money no matter where we go, right? We’re gonna get paid no matter where we go, and we’ll make it work….. I couldn’t be happier and don’t need five years. I know we made the right decision, and we’re already pumped to be with Paramount.”

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Sean Hannity After FCC Chair Brendan Carr Shares Plans to Enforce Equal Time Rules: We Need More Freedom

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Earlier this week, FCC Chair Brendan Carr shared that the commission plans to enforce the Equal Time regulations when it comes to political candidates. Sean Hannity doesn’t think that’s a good idea.

In a letter to TV networks, the Commission noted that in 2006, an exemption of the Equal Time provisions was granted for The Tonight Show with Jay Leno, stating that an interview between Leno and then Gov. Arnold Schwarzenegger (R-CA) was a “bona fide news interview,” and shouldn’t be enforced as an equal time mandate.

That exemption was granted, but the FCC is reminding networks that it wasn’t a blanket exemption for any political purpose.

“Concerns have been raised that the industry has taken the Media Bureau’s 2006 staff-level decision to mean that the interview portion of all arguably similar entertainment programs — whether late night or daytime — are exempted from the section 315 equal opportunities requirement under a bona fide news exemption,” the letter reads. “This is not the case … these decisions are fact specific and the exemptions are limited to the program that was the subject of the request.

“Importantly, the FCC has not been presented with any evidence that the interview portion of any late night or daytime television talk show program on air presently would qualify for the bona fide news exemption.”

In a post on social media, Brendan Carr argued that networks have operated under the guise of news interviews in these situations, but that the FCC would be enforcing equal time rules going forward.

“For years, legacy TV networks assumed that their late night & daytime talk shows qualify as ‘bona fide news’ programs — even when motivated by purely partisan political purposes,” Carr wrote. “Today, the FCC reminded them of their obligation to provide all candidates with equal opportunities.”

After the comments from Carr were reported, many opined on the topic. Sean Hannity spoke to the Los Angeles Times and shared that he disagreed with Carr and any other FCC mandate about what political content should be regulated.

“Talk radio is successful because people are smart and understand we are the antidote to corrupt and abusively biased left wing legacy media,” Hannity said. “We need less government regulation and more freedom. Let the American people decide where to get their information from without any government interference.”

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Connoisseur Media Elevates Emily Harlan to Music Director 94.5 KBAY

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Connoisseur Media has promoted Emily Harlan to Music Director at San Jose/San Francisco Bay Country 94.5 KBAY, a move that reinforces the company’s emphasis on internal growth and long-term brand stability in a competitive market.

Harlan steps into the role effective immediately after spending more than three years as a key contributor to the station’s programming and promotional efforts.

During that time, she became deeply involved in music scheduling, label relations, promotions, and on-air support, helping KBAY maintain consistency while continuing to evolve its sound for Bay Area listeners.

The promotion places Harlan in charge of overseeing the station’s overall music strategy and direction. In that role, she will collaborate closely with programming leadership and on-air talent to ensure KBAY continues to deliver a contemporary country format that resonates with both core listeners and new audiences across the region.

“Emily has a real love for music and radio and a strong understanding of what serves our listeners,” said J. Love, Operations Manager. “She’s earned this role, and I’m excited to work closely with her as we continue to grow and strengthen the sound of Bay Country 94.5.”

As Music Director, Harlan will now help guide how new music is introduced, how familiar hits are balanced, and how KBAY differentiates itself within the Bay Area’s crowded audio landscape. With her experience and institutional knowledge, station leadership believes she is well-positioned to help KBAY remain competitive while staying true to the expectations of its listeners.

Harlan’s promotion reflects Connoisseur Media’s ongoing commitment to developing talent from within and
investing in the future of its stations and communities.

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Q99.7 Adds Ethan Cole To New ‘Kristin Show’ Debuting January 26

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Cumulus Media’s Q99.7 in Atlanta is reshaping its afternoon lineup with the addition of Ethan Cole, who will join Kristin Klingshirn as co-host of the newly branded Kristin Show.

The move brings a familiar Atlanta voice back to the market while pairing him with a personality already established with Q99.7 listeners. Together, Klingshirn and Cole will anchor afternoons from 2–7 p.m., debuting in the time slot on Monday, January 26, as the station looks to strengthen its presence during one of radio’s most competitive dayparts.

Cole returns to Atlanta following a three-year run hosting afternoons at iHeartMedia’s Power 96.1, where he held the role from January 2021 through early 2024. During that stretch, he became a recognizable on-air presence in the market, building familiarity with listeners while sharpening his skills in a high-profile CHR environment.

Cole and Klingshirn will succeed Jade Jones in afternoons on Q99.7. Jones debuted as co-host of Cumulus’ new syndicated CHR night show Nightly with Jade & Tyler earlier this month alongside Kansas City morning host Tyler Frye.

Before his Atlanta tenure, Cole’s career included stops in several major and developing markets that helped shape his on-air approach. He began in Boston as a producer while also gaining hosting experience on weekends at WFHN in New Bedford, Massachusetts.

Those early roles laid the foundation for his transition to full-time on-air work, which accelerated when he joined Channel 93.3 KHTS-FM in San Diego in January 2017.

While at iHeartMedia, Cole also tracked programming for multiple markets, giving him additional exposure to different audience expectations and programming strategies.

Since departing WWPW, Cole has remained active on the air, tracking middays for Bonneville’s Now 100.5 KZZO in Sacramento.

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Bari Weiss Taking Hiatus From Podcast to Focus on CBS News Duties

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Bari Weiss has announced she’s taking a hiatus from her podcast to focus on her role as Editor-in-Chief of CBS News.

In a short podcast episode, Weiss revealed that her role with the television network needs to be her biggest focus right now.

“As you may have heard if you have an internet connection, I’ve also taken on a new role, and that’s as Editor-in-Chief of CBS News,” said Weiss. “It’s a huge responsibility, and it’s an extraordinary opportunity to bring the values that drive this show and that drive The Free Press into a much bigger arena.

“That is the mission of journalism that is fair, fearless, and factual. Journalism that reports on the world as it actually is. That respects the audience enough to tell them the truth plainly wherever it leads,” she continued. “It’s journalism that embraces a wide spectrum of views and voices so that people can contend with the best arguments on all sides of a debate.”

The announcement from Bari Weiss comes as CBS News has undergone changes and controversy under her leadership. Earlier this month, Tony Dokoupil began anchoring the CBS Evening News. He has received criticism for his work in the early stages of his tenure.

Meanwhile, Weiss shelved a 60 Minutes story hours before its airtime, arguing that it hadn’t been reported out completely. It later aired weeks later, with no discernable changes made, which many observers balked at.

In the podcast episode, Bari Weiss committed to returning to her Honestly podcast in the coming months, but that CBS News would remain her focus in the meantime.

“My job is to take the values and the vision that you have supported and stood behind here at Honestly, and bring it to CBS News,” Weiss said. “So here’s the news: Honestly is taking a little bit of a pause. I know it’s hard to hear that. It’s definitely hard for me to do that, because I love doing this show. But I think, and I hope, that you’ll understand why. Don’t worry, it’s not forever. We’ll be back in just a few short months.”

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Former 600 KOGO Morning Host Ted Garcia Joining FOX 29, NBC 4 in San Antonio

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After departing 600 KOGO last year, former news/talk radio morning host Ted Garcia has his next landing spot.

Garcia is returning to local television. He is joining FOX 29 and News 4 NBC in San Antonio as the co-anchor of the morning and midday newscasts.

The move marks a return to both San Antonio and FOX 29, as he’s spent time on two separate occasions working in the city, including time at the station.

In a post on social media, Garcia shared the news, and his excitement for the move.

“Well, they say you can’t go home again,” Garcia said. “But what if it’s your adopted hometown? Yup, I’m headed back to San Antonio … This will be my third time living in the Alamo City (third time is definitely the charm) and the second time working at KABB.”

Garcia departed 600 KOGO, the iHeartMedia San Diego news/talk station, in late August 2025. He spent more than a decade working in morning drive on the station.

Ted Garcia’s first day at the local TV stations is scheduled for Monday, February 2nd.

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DAZN Reportedly Still Pursuing Purchase Of Main Street Sports Group

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DAZN’s long-rumored interest in acquiring Main Street Sports Group remains alive, according to new reporting from The Sports Business Journal. The reported interest remains as the clock continues to tick toward a critical funding deadline that could determine the future of dozens of professional teams’ local media rights.

According to the report, DAZN has stayed in communication with Main Street Sports Group and Major League Baseball after what previously appeared to be a stalled pursuit. With Main Street needing new capital by the end of the month, those conversations have taken on added urgency.

DAZN is tentatively scheduled to meet with MLB next week to evaluate the long-term outlook of baseball’s media rights landscape. At the center of those talks is whether owning Main Street — and the local rights to as many as nine MLB clubs — could position DAZN favorably as the league prepares to launch a national streaming package beginning in 2028.

That meeting could prove decisive, particularly if DAZN concludes that a durable partnership with MLB is unlikely and elects to walk away.

Meanwhile, uncertainty has spread beyond baseball. Main Street’s portfolio also includes 20 teams across the NBA and NHL, many of which are bracing for potential disruption. None of those clubs received scheduled rights fee payments on January 1, and Main Street has asked them to accept a 20% reduction while deferring payments until the second or third quarter.

The report states if DAZN agrees to act as a guarantor by February 1, league sources believe operations could continue largely uninterrupted for all 29 teams across the three leagues. However, the nine MLB clubs involved have indicated they will exit without new financing in place by that date, especially with the regular season approaching.

Among NBA and NHL teams, skepticism runs high. Sources tell SBJ privately believe Main Street could shutter by February 1, leaving full-season payments unresolved. Under that scenario, leagues have contingency plans ready.

The NBA would likely steer its affected franchises toward local over-the-air or direct-to-distributor partners while also making games available to in-market fans through League Pass. The NHL would emphasize a similar over-the-air approach, building on recent experiments with free, ad-supported platforms.

Despite ongoing discussions, doubts persist about whether DAZN will ultimately rescue Main Street. Both MLB and the NBA are planning national direct-to-consumer offerings by 2028 and 2027–28, respectively, which could limit the long-term value of a Main Street acquisition unless teams agree to extensions.

Complicating matters further, several markets served by FanDuel Sports Network face added risk if marquee teams depart, potentially triggering contractual issues with distributors and opening escape clauses for remaining franchises.

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iHeartMedia’s 1430 The Buzz Extends 40-Year Agreement With Tulsa Drillers

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The Tulsa Drillers and iHeartMedia are adding another chapter to one of Minor League Baseball’s longest-running broadcast relationships, extending their radio partnership through the 2026 season.

The organization announced that all 138 Drillers games during the upcoming campaign will again air live on AM 1430, The Buzz, continuing a connection that now spans four decades.

The agreement marks 40 consecutive years of collaboration between the Drillers and iHeartMedia. While also solidifying the station’s role as the team’s flagship radio home for a 22nd straight season.

Consistency has been a defining feature of the iHeartMedia partnership, and that theme extends to the broadcast booth. Dennis Higgins will return as the official Voice of the Drillers for his 18th season with the club. He brings more than 35 years of broadcasting experience, including work at the Major League Baseball level with the San Francisco Giants. His career has also been recognized locally, as he was named Oklahoma Sportscaster of the Year in 2017.

Drillers broadcasts will again be available across multiple iHeartMedia platforms. This ensures fans can follow the team in Tulsa or while listening from afar. In addition to live radio coverage on AM 1430 The Buzz, games will stream on the official Minor League Baseball app and the iHeart app. Each broadcast will typically be preceded by a 15-minute pregame show, offering listeners analysis and context before first pitch.

AM 1430 The Buzz serves Tulsa and Northeast Oklahoma as a 24-hour iHeartMedia sports radio station. It is also an affiliate of Fox Sports Radio. Its daily lineup is anchored by nationally recognized programs. These include The Dan Patrick Show and The Herd with Colin Cowherd. The station blends local sports coverage with prominent national voices.

The continued presence of Drillers baseball strengthens the station’s local identity while providing reliable access to the region’s Minor League Baseball team.

The upcoming season’s radio schedule will begin on Thursday, April 2, when the Drillers open their campaign against San Antonio.

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Molly Qerim Lands First Role Following First Take Exit With Zuffa Boxing

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Molly Qerim is returning to a national sports stage with her first high-profile assignment since departing ESPN, landing a key hosting role with the newly launched Zuffa Boxing.

According to a report by Front Office Sports, Qerim will serve as the desk host for Zuffa Boxing’s inaugural event, which takes place Friday night at the UFC Apex in Las Vegas and streams exclusively on Paramount+.

The move signals a notable reentry into live event television for Qerim, who spent more than a decade as the face of ESPN’s weekday debate programming.

Qerim will anchor studio coverage alongside former light heavyweight champion Antonio Tarver, boxing insider Mike Coppinger, and longtime reporter Mark Kriegel. The broadcast booth will feature a veteran trio, including Joe Tessitore, Max Kellerman, and former world champion Andre Ward. Heidi Androl will handle ringside reporting duties.

For Qerim, the assignment also marks a professional reunion with Kellerman. The two worked together for years on ESPN’s First Take, where Qerim moderated debates and steered conversations through some of the network’s most visible and polarizing moments.

She exited the show last year, closing a chapter that firmly established her as one of the most recognizable hosts in sports media.

Zuffa Boxing is a joint venture between TKO Group Holdings and Saudi entertainment conglomerate Sela, blending combat sports infrastructure with global entertainment ambitions. Oversight of the project includes influential figures such as Saudi official Turki Alalshikh, WWE president Nick Khan, and UFC president and CEO Dana White.

Zuffa Boxing recently signed a five-year agreement with Paramount, which already serves as UFC’s exclusive media partner. Friday’s debut card provides a competitive showcase designed to introduce the brand to boxing fans. The main card features Callum Walsh against Carlos Ocampo, Misael Rodriguez facing Austin Deanda, and Julian Rodriguez squaring off with Cain Sandoval. Preliminary bouts begin at 6 p.m. ET, followed by the main card at 9 p.m. ET on Paramount+.

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How Scott Rizzuto Found Success in the Gateway to the West at 105.7 The Point

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People are different in the Midwest, and those qualities run deep in St. Louis. The area is known for people who are practical, hard-working, community-oriented, and, more than anything else, incredibly loyal. Even people transplanted to the city often adopt those traits. While you can debate whether that is nature or nurture, you won’t find a better example than Scott Rizzuto, morning host on Hubbard Alternative 105.7 The Point.

A transplant from the East Coast, Rizzuto has not only settled in St. Louis but also mirrors the market and culture of the area. Talk to him, and you quickly hear how well he fits.

“I never thought I would be living in the suburbs of St. Louis,” said Rizzuto. “If you had asked me when I was fifteen if I thought that thirty years from now I would be living in Wildwood, Missouri I would have said ‘you’re crazy.’ I love it here and the station. I love working for (Operations Manager and Brand Content Director) Tommy Mattern and being a part of Hubbard broadcasting.”

Rizzuto realizes not everyone is that fortunate. Having management you get a feel that cares for you as a talent. He believes he’s in a good position with 105.7 The Point with the creative freedom that they allow. It’s something he never takes for granted, and doesn’t foresee giving up.

In fact, quite the opposite is true. Rizzuto is doing everything he can to stay right where he is, and it starts with another Midwestern trait, hard work. Even though his morning show has posted dominant ratings for many years, he continues to try to outwork everyone else.

“My alarm goes off at 2:30 and I’m out of the house by three. I’m usually the first one in the building, turning the lights on,” he explains. “I over-prepare. (Former morning show partner) Woody used to tell me, ‘You’re killing yourself,’ but I learned that work ethic from him.”

Jeff “Woody” Fife, host of The Woody Show, now finds himself syndicated by Premiere Radio Networks out of Los Angeles. When the conversation shifts to a mention of Woody, the common characteristic that comes up is loyalty.

Woody moved from afternoons to mornings at The Point in 2009, teaming with Rizzuto who was on nights at the time. The duo enjoyed a highly successful run until Woody left for Los Angeles in 2014. Since then, Woody’s syndicated show has aired in the market at times on competing stations.

This past November, however, the two reunited when The Woody Show was added to afternoons on The Point. For some hosts, adding another personality-driven show might cause concern or insecurity. Not here. The two have remained friends over the years, and Rizzuto welcomed his former partner back with open arms.

“He was huge when he was here and made his name in this market,” says Rizzuto. “When he left I wanted to make my own way and get out of that shadow. However, I also never shied away from talking about him or relating a memory.”

Rizzuto also points out key differences between the two shows. Possibly because of his early association with Woody, some people label Rizzuto a “shock jock,” but he says that description misses the mark.

“I’m not salacious to be salacious. That’s not what I do nor who I am,” explained Rizzuto. “When I was with Woody and he would say something outrageous I would sort of shrink into the corner.”

He says this not as a criticism of his former co-host, but explaining the moment in time. Rizzuto admits at the time he didn’t know how to host mornings, and didn’t know what was considered “shocking” for the daypart he now held.

While The Woody Show uses the tagline “insensitivity training for a politically correct world,” Rizzuto describes his program more moderately. Five people talking about what’s going on in their lives and in the city. Although the show avoids politics and anything too serious, Rizzuto has grown comfortable sharing opinions on the air believing that openness is a major part of what listeners hear.

“Even our opinions are not crazy. We have opinions that run the gamut but we’re not going over the line on purpose,” he said. “We’re just being ourselves. That’s what morning shows are, a chance to share opinions.”

That restraint reflects another Midwestern trait, practicality. If the show pushed too far, it wouldn’t enjoy the advertiser relationships Rizzuto has worked hard to build.

“When I go to an initial meeting with a client I always explain that this is a partnership. I appreciate them spending money and I’m giving them my listeners who will become customers. I always believe it’s going to be a win for everyone,” says Rizzuto.

That approach leads back to Midwestern loyalty and a deeper connection with partners and listeners alike.

“90% of the sponsors I deal with directly have been with me for ten or eleven years. I’ve been to weddings of kids of our sponsors,” explained Rizzuto. “We’re in the spot now where listeners say things like ‘I used to listen every morning with my dad when he was dropping me off for school.’”

Rizzuto admits that realization can be jarring from time to time. However the loyalty to his program and the many interactions with listeners who remain in St. Louis has led Rizzuto to not consider anything different.

“I love the city,” he explained. “My kids are from here. Cost of living is fantastic. I can get everything here that I get in any other city, and I’ve got a mile of woods behind my house.”

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