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FOX Sports’ Kevin Burkhardt To Receive 2027 Pat Summerall Award

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Kevin Burkhardt is the next Pat Summerall Award honoree. The FOX Sports voice will accept the award during Super Bowl LXI week in Los Angeles.

What We Know: Burkhardt will receive the award February 11, 2027, at the Legends for Charity Dinner benefiting St. Jude. The event takes place at the JW Marriott Los Angeles L.A. Live, the NFL Headquarters Hotel. Burkhardt joined FOX Sports in 2013 and became its lead NFL play-by-play voice in 2022. Since then, he has called two Super Bowls while also leading FOX’s MLB studio coverage. Past honorees include James Brown, Greg Gumbel, Jim Nantz, Chris Berman, Cris Collinsworth among many others.

What Remains Unclear: The release does not name who will present the award or emcee the evening. Additionally, organizers have not shared a fundraising target for the 2027 dinner.

What It Means: The honor carries extra weight for Kevin Burkhardt. After all, Summerall once held FOX’s lead NFL chair at one time. Moreover, Burkhardt joins a list that includes fellow current and former FOX Sports talent such as Michael Strahan, Joe Buck, John Madden, Erin Andrews, and Howie Long. Most importantly, Legends for Charity has now raised nearly $16 million for St. Jude over 20 years.

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NHRA Announces New Multi-Year Media Agreements With CW Network, FloSports, FOX Sports

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NHRA has struck new multiyear media rights deals with FOX Sports, The CW and FloSports. The agreements start in 2027 and give NHRA its largest household reach ever.

What We Know: Beginning in 2027, NHRA will reach more than 125 million households. FOX Sports keeps the first 13 races across FOX, FS1 and the FOX One app. Meanwhile, The CW takes the final seven, including the U.S. Nationals and the six-race Countdown playoffs. FloRacing, in turn, will exclusively stream all qualifying live and carry Sunday eliminations.

What They Said: NHRA President Glen Cromwell: “These new media relationships give us a huge opportunity to build on that and continue to reach new fans and introduce them to the incredible competition, drivers, race teams, and excitement that make NHRA Drag Racing so special. We’re extremely proud of these agreements for our race teams, tracks, and sponsors. We’re thrilled to see NHRA’s continued growth with our partners at The CW Network, FOX Sports, and FloSports.”

Mike Perman, senior vice president of CW Sports: “The CW has quickly become a top-tier broadcast destination for motorsports fans, and we are thrilled to add NHRA events to our growing portfolio of CW Sports. Beginning next fall, these seven adrenaline-packed NHRA playoff races will pair perfectly with the action of the NASCAR O’Reilly Auto Parts Series, making weekends on The CW the premier television home for all racing enthusiasts.”

Bill Wanger, FOX Sports EVP, head of Programming and Scheduling: “It’s fantastic to continue our long-standing relationship with the NHRA. With a sport built on speed, adrenaline, and mechanical mastery, being able to continue to deliver the blink-of-an-eye action across FOX Sports platforms to the NHRA’s dedicated fan base highlights the commitment to our motorsports lineup.”

Michael Rigsby, GM of FloRacing: “The NHRA is the crown jewel of drag racing and is going to be a standout addition to a FloRacing portfolio that is quickly becoming an essential destination for drag racing fans. We plan to give fans a deep dive into the sport and its drivers that will extend beyond our live streaming coverage.”

What Remains Unclear: However, NHRA did not disclose financial terms or the exact length of the agreements. Fans also face a more complex viewing path. For example, it is not yet clear how FloRacing’s Sunday eliminations will overlap with the TV windows.

What It Means: Ultimately, NHRA is betting big on reach across multiple platforms. Together, FOX and The CW give NHRA its most over-the-air broadcasts ever, spotlighting the Countdown playoffs. Plus, FloRacing adds a year-round grassroots audience across more than 1,800 events. As a result, 2027 could become NHRA’s strongest growth opportunity in years.

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Northwest Newsradio Names Jeff Pohjola Director of News & Programming

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Lotus Seattle has named Jeff Pohjola Director of News & Programming for Northwest Newsradio. The appointment comes as the station prepares for a new weekday programming lineup.

What We Know: Pohjola will oversee programming strategy and newsroom operations at Northwest Newsradio, effective immediately. He had served in the role on an interim basis for the past four months. Meanwhile, the station will end its midday all-news block and add Bloomberg Radio programming from 10 AM to Noon, followed by The Ramsey Show from Noon to 2 PM. Bloomberg’s Balance of Power will air at 10 AM, with Bloomberg Businessweek Daily following at 11 AM.

Additionally, Kevin Dodrill will expand his role with the station as Assistant Program Director. He’ll continue serving as Program Director of sister station 570 KVI.

What They Said: “Jeff’s experience, editorial judgment, and deep understanding of the Seattle market make him the right person to lead Northwest Newsradio’s news and programming. He will be instrumental as we continue to evolve our programming while maintaining our strong commitment to local journalism.” -Lotus Seattle Director of Operations & Brand Jeff Connell

What Remains Unclear: Lotus Seattle hasn’t detailed how Pohjola’s expanded responsibilities will affect his existing reporting and hosting duties. He currently hosts The Northwest Politicast and has worked as a political correspondent and special coverage anchor for Northwest Newsradio.

What It Means: The moves give Northwest Newsradio a broader programming leadership structure while shifting some midday hours toward nationally syndicated business and talk programming. Meanwhile, Dodrill’s expanded role connects programming oversight between Northwest Newsradio and KVI.

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Ari Hoffman Moving to Morning Drive on 570 KVI

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Ari Hoffman is moving to mornings on 570 KVI as Lotus Seattle reshuffles its weekday lineup. The host will take over the 6-9 AM timeslot previously occupied by Fox News Radio.

What We Know: Hoffman, who previously hosted afternoon drive on 570 KVI, will now host The Ari Hoffman Show from 6-9 AM on weekdays. The move places a local host in the station’s morning slot, while The Brian Kilmeade Show will shift to 9 PM-midnight. Zach Wildfang will serve as Executive Producer for the morning show while continuing as Digital Content Manager for Lotus Seattle. The station’s revised lineup also includes nationally syndicated programs throughout the remainder of the weekday schedule.

What They Said: “Morning radio is where the conversation for the day begins, and I can’t wait to be part of it. Washington is ground zero for so many of the debates playing out across America, and we’re going to make sure our listeners start every morning knowing what’s happening, why it matters and what the people in power would rather you didn’t know.” -Ari Hoffman

What Remains Unclear: Lotus Seattle hasn’t detailed what motivated the transition for Hoffman from afternoons to mornings.

What It Means: The change gives KVI a locally hosted morning show while moving Kilmeade into an evening slot. Meanwhile, Wildfang’s continued role provides production and digital support for Hoffman’s expanded presence during morning drive.

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Keyshawn Johnson is Betting on Himself With VSiN’s Thursday Night Betcast

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There are few former athletes who have done as much in their second act as Keyshawn Johnson. The top overall selection in the 1996 NFL Draft spent 11 seasons playing at the highest level. Since his playing days, the Super Bowl champion wide receiver has worked in nearly every sector of sports media, from local and national radio to network television and several successful podcasts.

Now, Johnson is entering a new chapter, one that very few former athletes choose to pursue. Earlier this month, Johnson joined VSiN, the sports betting network, as the co-host of Thursday Night BetCast, a live, interactive co-viewing experience surrounding Thursday Night Football games.

“Steve Cohen and I have a great relationship. One day I called and was asking what he was up to, and he explained his vision, seeing if I would be interested,” said Johnson. “Of course, I’m always interested in working with Steve on projects of this nature.”

Alongside co-host Patrick Meagher, the program centers on the evening’s NFL matchup. Every show begins airing just minutes before kickoff, providing initial thoughts heading into the contest. The remainder of the program gives Johnson an opportunity to lend his expertise on what he’s seeing on the field.

A Different Approach To The Game

For Johnson, the opportunity was one he couldn’t pass up. His day consists of a short flight to Las Vegas before meeting two hours prior to air at the VSiN studios inside the Circa Resort & Casino sportsbook. By accepting the role with VSiN, Johnson hopes to provide something different from the typical commentator.

“I’m bringing a different style and philosophy to the gaming world, because I’m not a sharp. I’m an ex-NFL player who knows a lot about sports in a major way. It lends itself to the audience totally different than a sharp,” explained Johnson. “I’m not an analytics freak. I base things on what I know and see. That’s a different angle that I can provide to the program.”

While his preparation has been reinforced through years of work in radio, podcasting and television, providing live analysis represents a new challenge.

“I need to always hit on all cylinders because the game is moving fast. I’ve never had to talk in the middle of a game about what I see and react to it. Then what and who to place a bet on in real time. I’ve never done that before,” said Johnson. “The lines are moving, and the clock is ticking. There’s all sorts of elements you need to be on top of.”

The goal of the program is to welcome every level of bettor, from hardcore sharps looking for an added player perspective to the casual small-dollar wager who connects with Johnson’s personality. It’s a similar approach to every project Johnson participates in, welcoming everyone to enjoy his insight.

Continued Expansion

This football season, Thursday Night BetCast is the latest project to feature Johnson’s expertise. The core of his work remains rooted in the podcast space, with a growing relationship with All The Smoke Productions.

Currently, Johnson is a frequent guest on the podcast and says there’s more in store from that relationship.

“I’m doing All The Smoke. The White House with Michael Irvin. I’m doing the Schultz Report with Jordan Schultz as well. Those are my core things I’m doing right now,” said Johnson. “My podcast All Facts No Brakes will be coming out around the NFL playoffs for a relaunch. That’s the plan with All The Smoke [Productions] producing it.”

Johnson says he enjoys the opportunity to work with different people on a variety of projects, which is what led him to sign up for Thursday Night BetCast. While the medium may be different, he views the work as an extension of what he has always enjoyed: talking sports without a filter.

“I like it this way, because I’m my own boss. I don’t have to listen to the corporate bulls**t all the time,” noted Johnson. “We know they [corporate] have favorites and they want to muzzle certain people from saying certain things. I don’t need that now.”

FS1 Fallout

The ramp-up to this NFL season has been much different for Johnson. At this time last year, he was caught up in a wave of cuts at FS1 as the network canceled his show Speak, along with Breakfast Ball and The Facility. Although his time with FOX Sports was short, he says he enjoyed the experience and the treatment he received from the network.

Even though Speak came to an end when it did, Johnson says he wasn’t caught off guard by the cancellation.

“I loved my time at FOX, but I’m never stunned by anything that these people do. Because all they do is sit up and lie. You already know they’re lying based on how they move around in the building,” noted Johnson. “You could tell something was going on. Whatever it was, you just didn’t know exactly what it was, but you knew something was going on.”

Although the network decided to go in another direction with Speak, Johnson says he would be very open to another opportunity with FOX Sports if the network were interested.

“If FOX called me back and asked to come work for them, I got no problem with that. None at all. They didn’t do anything to me at all. They made a decision, and they live with the decision they made,” said Johnson. “We can’t control anything with a decision on what they want to do… Why they made the decision? I don’t know. Was it the Charlie Dixon Joy [Taylor] stuff? I don’t know. It wasn’t my business; I wasn’t there. I got caught in the wash.”

A Radio Return?

Another opportunity Johnson hopes to return to is radio, a format he says he still has a passion for. Previously, Johnson hosted radio programs at the local level with ESPN Los Angeles and in national syndication with ESPN Radio.

“Radio is cool, and I enjoy doing it. I hope to be back doing it soon,” said Johnson. “I enjoy doing radio because it also allows me to get ready for television.”

From a potential return to sports radio to several high-profile podcasts and now Thursday Night BetCast on VSiN, Keyshawn Johnson continues to find ways to evolve without straying too far from what has always driven him: talking sports.

Twenty-five years removed from entering the NFL as the No. 1 overall pick, Johnson has built a second act that has taken him across nearly every corner of the sports media landscape. Now, with more control over the projects he takes on and the people he works with, he appears less interested in following a traditional media path and more focused on creating his own.

“My hope is with Thursday Night BetCast is it grows to a point where I can have my newsletter and build a larger platform in the end. I’m in the gaming space. There’s not a lot of high-level ex-professional athletes in the gaming space at this level,” explained Johnson. “I don’t know any, to be honest. There’s a lot of gamers that can identify with me, and that’s what I hope to bring to VSiN.”

For Johnson, the next chapter isn’t about finding another platform. It’s about finding the right one.

And as his latest venture with VSiN demonstrates, there doesn’t appear to be any shortage of ways for Keyshawn Johnson to keep talking.

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Salem Media CEO David Santrella Reflects on Going Private, Charlie Kirk, and the AM Radio Act

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David Santrella spent a decade hearing one question from Salem Media’s founding families: Who comes next?

WaterStone gave them their answer.

Now the Salem Media CEO says the company has new ownership, fresh ideas, and a clearer direction.

“It’s a fairly involved process to take any company from publicly traded to privately held,” said Santrella. “You have to get a fairness opinion done to make sure the stock is being purchased at a fair rate. In this case, the buyer was paying a 250% premium over the current average price of the stock. That’s more than fair. There are a number of regulatory and legal processes. Most of them involve the shareholders themselves.

“A couple of families owned a good number of our shares, so we had to make sure they were all amenable to it,” he continued. “At the end of the day, it was a pretty clean process for Salem. Waterstone was buying at a significant premium, and so much of the stock was owned by just a few people. That can make for a pretty clean transaction.”

Santrella’s explanation shows how the deal came together. However, the price tag tells only part of the story.

A Successor Who Shares the Mission

Santrella views the premium as validation. Consequently, he sees the deal as more than a financial event.

“I think it just shows the real upside value of Salem,” Santrella said. “Most media stocks are pretty depressed these days in terms of their overall value. In this case, Waterstone is an organization with a great vision for our company. It believes in the potential financial success of Salem, and it believes in the real impact our company can make from a mission perspective.

“Salem’s mission is impacting lives and communities by amplifying truth, faith, and self-governance through media. That’s at the heart and soul of WaterStone,” Santrella continued. “Beyond the financial attributes, WaterStone looks at Salem and says, ‘This company is already living out the mission we believe it should live out.’ That’s worth paying a premium for.”

Succession, in fact, had loomed for years. Santrella first raised the topic in an interview with Radio Ink months ago.

“The founding families have always wanted a successor to carry on the company,” the Salem Media CEO shared. “They wanted someone who’d share the same passions they had when they founded it. It’s been a conversation for the last 10 years of my time with Salem. It was always about who will succeed us. Who will have that same level of passion for our formats and our mission? I think it was providential that they found WaterStone. They’re very much in that same camp.”

What Changes Behind the Scenes

Going private trims some costs, but Santrella sees a bigger benefit. Specifically, he points to Waterstone’s fresh approach.

“Certainly, we don’t have as many regulatory issues as we had,” said Santrella. “It saves some money. You just don’t have the same kind of external auditing you needed as a public company. There are other expenses related to being publicly traded, too. More importantly, WaterStone brings new ideas, new sets of eyes, and new thoughts on how we operate.

“They’re changing a bit of the paradigm in how we spend money and what we focus on. I think all of that will lead to a company with more resources and a more defined direction going forward.”

Does private ownership make running Salem easier? Santrella says only slightly.

“A little, but not drastic,” Santrella admitted. “It wasn’t that hard to operate as a publicly traded company, other than the regulatory fees and compliance costs. Even as a privately held company, you still want to adhere to general accounting practices and recognize revenue appropriately. Honestly, it hasn’t been some drastic change in how we operate the business.”

A Year of Loss and Change

The past two years tested Salem far more than any ownership change. On November 12th, 2024, Dennis Prager fell at his California home and has remained paralyzed since.

Salem then moved Prager’s affiliates to The Charlie Kirk Show. Tragically, Kirk was assassinated in September 2025 while speaking at a Turning Point USA event at Utah Valley University.

Meanwhile, the Trump Administration tabbed afternoon host Sebastian Gorka. Morning host Chris Stigall also left Salem to run for Congress in Missouri.

“The Charlie Kirk assassination was emotionally devastating for all of us,” admitted Santrella. “In very many respects, it helped crystallize the fact that what we do is important. Our mission is important, because people don’t try to kill things that aren’t important. When you have something worth fighting for and something worth dying for, it puts it at a new level.”

Santrella acknowledged the string of changes candidly.

“We’ve had our fair share of changes lately,” the Salem Media CEO shared. “I’m honored that people think so highly of some of our hosts that they’ve asked them to either serve in the administration or run for public office.”

Prager’s resilience stands out to him. Santrella praised his longtime host’s attitude.

“Dennis has been so brave and so amazing through this whole thing,” Santrella said. “He keeps a positive attitude and remains very engaged. Even though physically he can’t do nearly the things he used to do, he continues to add value to society every day. He still provides his opinion and his view of the world. It’s wonderful to see that.”

Why AM Radio Still Matters

Santrella also sees a potential legislative win ahead. The AM Radio for Every Vehicle Act passed the House, but the Senate still has to act.

“First off, let’s make sure it gets passed,” said Santrella. “I’m thrilled it passed in the House. But if we go back to our Schoolhouse Rock days, ‘I’m just a bill on Capitol Hill.’ It has to pass in the Senate before it becomes law. Credit goes to the NAB and other organizations that have fought valiantly to make this happen. They’ve done a great job.”

Beyond the politics, Santrella views the bill as a business lifeline. He also ties it to public safety.

“I think ultimately it’s a very wise decision,” the Salem Media CEO shared. “Our emergency alert system is very much tied to and dependent upon AM radio. The ultimate business benefit is that it probably extends the life of AM radio by 20 or 30 years.

“Look at how long car companies have before they must comply,” he added. “Then look at how long they have to keep AM radio in the car before it sunsets. Add in how long people typically own a car, which I think is 11 years now. You’re really talking about adding at least 20 years to the effectiveness of AM radio.”

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The Industry According To: Andrew Curran, DMR Interactive

Thank you for checking out The Industry According To. Every Wednesday we speak with a different expert or leader from somewhere in the vast music industry — label executives, artist managers, programmers, talent, artists, consultants, and beyond. To be considered as a future guest, email me at keithblackboxgroup@gmail.com.

Today we sit down with Andrew Curran, President and CEO of DMR/Interactive, one of radio’s leading strategic marketing agencies.

Andrew began his career with ESPN Radio and iHeartMedia before joining DMR/Interactive in 2004. He became COO in 2011, President in 2013 and CEO in 2023. Along the way, he has helped the company combine data analytics, consumer insights and targeted marketing so radio brands can recruit listeners, strengthen listening habits and turn audience relationships into ratings and revenue.

In 2007, as PPM measurement and the iPhone were changing the media landscape, Andrew created DMR’s social and digital practice. Today, his team works across digital, OTT, AI discovery, social, video, direct mail, mobile, email, databases and word of mouth — but the ultimate objective remains the same: Get the right listeners to choose your brand more often and turn them into fans.

So, let’s dive in.

*Editor’s Note: Answers have been edited for clarity and length.*

Your First Radio

Keith: You bought a radio with your First Communion money in 1986. What did that radio experience give you that today’s audio products don’t, and what should modern radio reclaim from it?

Andrew: Best part of that story is that it’s true. I got $40 from my grandparents for First Communion, and I bought a radio with a cassette deck.

My love affair with radio was born.

I wouldn’t learn about Theatre of the Mind until years later as a communication major at Boston College, but listening to my first radio had already taught me what it meant. It created companionship, imagination and a sense that you were part of something happening beyond yourself.

Forty years later, that shared experience is one of radio’s greatest advantages.

Personalized playlists and on-demand content give individuals exactly what they want. Radio should not try to beat them at that game. Our strength is creating moments, personalities and experiences that people share.

Years ago, I added a phrase to my email signature that also appears on our money: E Pluribus Unum, which means “Out of Many, One.”

That is radio at its best. We connect communities of people with each other and with advertisers.

The opportunity now is to capture that sense of belonging. Not simply getting someone to listen, but giving them a reason to say, “That’s my station. Did you hear it too?”

The Industry Through the Listener Lens

Keith: We all see the headlines, but you’re working in the trenches studying listener behavior every day. If listeners — not pundits — wrote today’s headline about radio, what would it say? Still relevant, loved and critical? Diminished by other choices? Or something else?

Andrew: “Still important. No longer automatic.” Edison’s recent finding that mobile devices have overtaken AM/FM among 13- to 34-year-olds listening in vehicles is the latest evidence of that shift.

That makes the relationship with listeners more important, not less. People love their station. It’s not because it’s a last resort or they don’t know other options exist. They intentionally seek it out. The challenge is that there are fewer people in the radio-first camp, and listening occasions we once took for granted now have to be earned.

Listeners First

Keith: You’ve advocated a “Listeners First” strategy, but virtually every radio company claims it already puts listeners first. What decisions would the industry be making differently if that were true?

Andrew: Spot loads are an easy one, but I’ll shift the conversation to something else. As an industry, we need to understand the lives of our biggest fans so we can serve them better and become a bigger part of their daily routine.

Even your best listeners spend 95% of their lives away from radio. We don’t know enough about those other 23 hours or how their favorite station can earn a bigger role in their day. As we capture these deeper insights and use them to craft a stronger value proposition on-air and off, investing in deeper engagement helps future-proof the relationship. We want listeners to say, “My favorite station understands me and it’s part of who I am.” That’s a lofty bar, but it beats the alternative.

Radio’s original sin: being satisfied with an anonymous audience.

More awareness and cume create the opportunity to build P1s, but thinking about the audience in aggregate can hide where the real value sits. Our job is to identify, cultivate and retain heavy radio listeners who drive the majority of listening, whether they already listen to the station or we recruit them from elsewhere.

If 25% of your audience is generating 60% to 70% of your listening, putting listeners first starts with knowing who those people are by name, understanding what matters to them and investing disproportionately to grow those relationships while efficiently targeting new heavy listeners.

When you build and maintain an army of heavy listeners, you have a proactive and repeatable process to turn cume into habitual listening and reduce your exposure to ratings volatility.

Product Before Promotion

Keith: Great marketing can put a station into the stack of choices, but it can’t make someone love a weak or undifferentiated product. Have you ever told a client, “Don’t spend the money yet — the product needs work first”?

Andrew: When it comes to marketing funds, most groups aren’t spending on stations with a weak product. The bigger issue is timing. When approvals come in late, sometimes there’s a limited runway to cement new habits before a predictable shift in listening behavior, such as the arrival of Christmas music or the end of the school year. In those cases, we’ll talk through how to maximize the impact of the available window to ensure we’re always good stewards of your money.

The Savannah Bananas Lesson

Keith: You’ve pointed radio toward the Savannah Bananas and their fans-first approach. What is the radio equivalent of the Bananas experience — something so distinctive that people don’t merely consume it but actively want to belong to it?

Andrew: Make the listener feel like an insider rather than merely an anonymous member of an aggregated audience.

The Savannah Bananas understand that the game is only part of the experience. The relationship surrounding it matters just as much.

Radio can do the same through personalities, experiences, access, recognition and community. The goal is to create something people want to identify with and talk about.

Jesse Cole is the man in the yellow tuxedo, and he is obsessed with super-serving his fans. He has built the business around enhancing their experience, even when that means walking away from short-term revenue.

Who’s the More Important Target?

Keith: According to your campaigns, which produces the greater return: getting P1s to listen more often or recruiting like-minded people who currently listen very little or not at all?

Andrew: Not all P1s are created equal. The same is true of P2s and P3s. A listener can listen to radio for five minutes a week and still be a P1. I’d rather focus on winning more listening from an employed P1, P2 or P3 who commutes to work and listens two or three hours per day.

Cume tells you how many are listening, but it doesn’t tell you how much. The greatest return comes from heavy listeners.

About 90% of the people we recruit and engage in our station marketing campaigns are heavy radio listeners who listen at least one hour per day. With limited marketing dollars, it’s not just about growing cume. It’s about growing the right cume.

Changing Listener Behavior

Keith: Changing behavior is the objective when a station wants someone to listen more often or stay longer. “Make the station better” doesn’t count as an answer — what is the simplest, most reliable way to get a listener to change an established habit and give a station more time?

Andrew: Offer an incentive, deliver an amazing listening experience and set appointments, multiple times a day.

Contest franchises like Double Your Paycheck, Pay Your Bills or a Grand in Your Hand are great examples. They should be timely, relevant and support your brand position. They invite people to daydream. Then, when their name gets announced, their phone starts blowing up with texts from friends and co-workers making sure they call back and win. Incentives make the world go round, and radio is no exception.

Trying to convince someone to “listen more” is abstract. Winning two or three additional occasions per day is tangible. Repeat it daily until it becomes habitual. Now you have changed their habits, and you’re getting more of their listening.

Habit Versus Passion

Keith: DMR works to make listening habitual, but habits can be broken when new choices are constantly appearing on phones and dashboards. Is radio too dependent or too focused on habitual usage and not focused enough on making listeners passionate about choosing it?

Andrew: I don’t think it is either/or.

Passion gives someone a reason to choose you. Habit makes that choice repeatable.

There’s a danger in assuming yesterday’s habit automatically survives tomorrow’s technology. Declining PUMM levels draw that out.

Radio has to keep earning both the emotional connection and the next occasion.

Contests, Entries and Actual Listening

Keith: Stations continue to lean heavily on contests — $1,000 here, water park tickets there — even though some listeners distrust them or assume they’re rigged. A national contest or social campaign can generate astonishing numbers of entries and impressions without proving anyone listened more. When do contests truly change listening behavior, and which metric ultimately proves it?

Andrew: Whether it’s rewarding your kid for getting an A in school, a football coach earning a bonus for making the playoffs or Nielsen incentivizing PPM panelists, incentives make the world go round.

Yet a million contest entries misses the point.

The question is who played, how often they played and whether their listening behavior changed.

We routinely see a small percentage of contest players generate a disproportionate number of entries. That distribution tells you much more than topline numbers.

The ultimate metric is listening. Did the contest create additional occasions, increase frequency or strengthen the relationship with people capable of moving the ratings?

We are heavily involved in group contest analytics and work with clients to implement a robust strategy that recognizes loyalty and gets players to not only come back but also increase their listening occasions and contest entries.

If you aren’t actively working with your first-party data, you’re leaving listening on the table and risking irrelevance in the world of AI.

The Targeted-Digital Arms Race

Keith: DMR helped pioneer precision digital targeting for radio. That was once a significant advantage for those who used it. Now it’s just a cover charge. Competition has grown, and reaching desirable consumers has generally become more expensive. What’s the next marketing hack stations should be using before everyone else catches up?

Andrew: The next advantage is not another media channel or platform. It’s better audience intelligence and consistency.

Everyone has access to digital advertising, and stations sell more and more of it each year. Unfortunately, the skills associated with generating leads for a personal injury law firm don’t necessarily translate to heavy radio listening. In addition, the marketplace is full of tactics sold as a magic bullet. Cheap marketing that doesn’t work is still expensive. What matters is delivering an outcome you can monetize.

The opportunity involves using first-party data, behavioral signals and AI to identify the people most likely to become valuable listeners and then determine the right message, platform and moment to reach them.

Precision used to mean targeting. Increasingly, it also means relevance to the right person at the right moment, so you win their next listening occasion as we build an army of fans.

The Database Problem

Keith: Stations have spent decades building listener databases, but many still use them as little more than places to send contest emails and client messages. What should a high-functioning brand be learning from its database, and how should it use that information tactically in 2026?

Andrew: You’re not wrong. Long before AI came along, technology allowed stations to segment their data and personalize the message. As an industry, radio simply hasn’t put enough value on that relationship.

A database allows you to monitor signals and segment interests and behaviors so you can identify the people who matter most to you and your advertisers.

Who is highly engaged? Who is becoming more active? Who is disappearing? Who streams? Who plays contests? Who attends events? Who recruits friends and co-workers?

Your database strategy should transcend the station email newsletter that started back in the 1990s. With the right strategic vision, first-party data becomes an audience intelligence engine that can drive monetization and help future-proof your brand.

Streaming Knows Us

Keith: You’ve talked about how Spotify uses AI to map behavior and personalize a listener’s experience, much like TikTok serves up more of what a user engages with. Advantage digital. How can radio overcome that disadvantage when the broadcast product itself cannot be personalized for each listener?

Andrew: Radio cannot personalize the broadcast signal for every person, but it can personalize the relationship around it.

We should know who someone is, what they respond to, how they listen and when their behavior increases or decreases so we can accelerate that growth or prevent a lapse.

The broadcast might be one-to-many. The marketing surrounding the station should increasingly be one-to-one. We help stations accomplish that every day, which starts with a specific point of view on heavy users and strategic touchpoints that leverage repeat and varied contact.

Proving It Without Nielsen

Keith: Some companies and markets now operate with limited Nielsen measurement or none at all. When there’s no reliable ranker, how does DMR prove that a campaign is needed and that it has been successful when it’s done?

Andrew: Start with the behavior you are trying to impact and monetize.

Streaming occasions. Monthly active users. In-car listening behavior. Donations. Database engagement. App session starts. Contest entries. Listener acquisition. Retention. Reactivation.

That can include new sources such as DTS AutoStage, which gives broadcasters another view into how people are listening in the car.

Measurement should never begin with what data happens to be available. It should begin with the business outcomes you are looking to achieve.

The Blank Slate

Keith: Last question — blank slate. Say anything you want to any sector of the industry. What do you want them to hear?

Andrew: Just like Vince Vaughn said to Jon Favreau in the iconic movie Swingers, “You’re so money and you don’t even know it.” That’s radio in a nutshell. Before chasing people who are not listening, win more of what’s available.

If you’re #1, grow your share of the pie. If you need to improve your rank, take listening from your competition. Analyze your CPR reports. Most stations are only getting about half of the current listening from their top panelists. There’s enormous upside right in front of you.

But the road isn’t getting any easier.

Even your best listeners spend most of their lives with the radio off. During those hours, they are exposed to countless alternatives competing for their attention.

Strengthen relationships with current heavy listeners and efficiently recruit more of the right people.

At DMR, our job is to make sure the right people hear your content and keep coming back for more.

Technology will keep changing.

The objective does not.

Create fans who love your brand.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

MLB Swung and Missed at a Giant Opportunity To Serve Local Playoff Hungry Fans

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Not every MLB team can be the New York Yankees. Or the Atlanta Braves. Even the Los Angeles Dodgers. For my 45 years on the planet, I have been a fan of the Chicago White Sox, a team that had made the postseason seven previous times during my lifetime, not including this magical 2026 run to an AL Wild Card berth.

Do I expect a World Series on the South Side in 2026? No. But if I were still a resident of the Windy City, the bigger question would be whether I could watch the games.

This year marks the first year of NBC Sports’ media rights agreement with MLB. It’s also the first year that MLB playoff games will air on a streaming service. That means local residents in some markets have to pay an added fee to watch playoff baseball featuring their local teams.

This isn’t right, and it’s something NBC and MLB could fix immediately.

Where’s The Game?

There’s nothing like playoff baseball. You can have the drama of the NFL postseason. Even the grind of the quest for the Stanley Cup. October baseball has a feel all its own. The chill in the air. The roar of the crowd. For more than a century, every October has brought new memories and legendary moments that generations celebrate.

It’s difficult to do that if you can’t see it. Baseball should know better.

For all the noise surrounding last year’s ESPN dispute with MLB, baseball fans understood that the games needed to remain accessible. The Wild Card Round schedule is perfect. Baseball from lunch to dinner, with a nightcap on the West Coast. It bleeds into the Division Series, setting up the Championship Series on TBS and FOX.

But if you’re a fan of the White Sox, Cubs, Astros or Padres, you’ll need to pay a little extra.

Yes, the games are on the revamped NBC Sports Network, which relaunched in November. And if you have Comcast Xfinity, Fubo or YouTube TV, you should be set. But fans shouldn’t have to pay extra to watch postseason baseball.

The NFL Does It Right

MLB and NBC could take a page out of the NFL’s playbook.

Every Monday Night Football game on ESPN and ABC is available on a local over-the-air station. Every NFL playoff game, even those exclusive to streaming services, finds a local over-the-air television partner in the markets involved.

Prime Video did the same thing for last year’s Chicago Bears-Green Bay Packers matchup. Two stations in those local markets had one hell of a night in terms of viewership because the NFL understands that fans shouldn’t be restricted from watching their local team in the postseason.

Did NBC and MLB miss the memo on what the NFL has successfully done in its evolution with streaming platforms? For a sport that continues to say it is addressing the struggles surrounding how fans watch the product, MLB couldn’t get out of its own way.

As much criticism as MLB levied against ESPN early last year over how the network shifted its programming priorities toward other sports, at least ESPN showed the games without placing them strictly on the ESPN App.

The irony is that MLB had a giant opportunity sitting right in front of it. And it swung and missed.

Walls Never Work

Instead of using the postseason to make its product as accessible as possible in the markets that care most about these teams, baseball chose to put another barrier between the fan and the game. For a White Sox or Cubs fan in Chicago, a Padres fan in San Diego or an Astros fan in Houston, the postseason should be the time when the connection between a team and its market becomes stronger, not more complicated.

MLB has spent years talking about the importance of growing the game, reaching younger audiences and making baseball easier to watch. That mission doesn’t begin with finding another streaming subscriber during the postseason.

It begins with making sure a fan can turn on the television and watch his or her team when the stakes are at their highest.

The NFL has already shown there is a way to balance streaming, television partners and local access. MLB had the opportunity to do the same thing this October. Instead, it placed playoff baseball behind another paywall for some of its most passionate fans.

There are plenty of things MLB can’t control once October arrives. But it can control whether the people who have spent an entire season investing their time, money and emotion into their local team can actually watch that team when it matters most.

That shouldn’t have been a difficult decision. It should have been an obvious one.

Then again, that’s baseball.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Don’t Be Troy Aikman: How Music Radio Hosts Can Ditch Crutches

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As announcers go, Troy Aikman is doing fine. His current contract with ESPN pays him just under $18 million a season to be the color commentator for Monday Night Football. That equates to just under $1 million a game. So, I guess, from a career standpoint, if you can be Troy Aikman, you should be. You might say he’s as good as anyone in football when it comes to announcing.

At least that’s what Aikman himself might say, considering he has a crutch that he leans on when he’s commentating. He frequently refers to players or coaches as being “as good as anyone in all of football” or some variation of that phrase.

After a recent Monday night game, sports talk host Dan Le Batard pointed out Aikman’s crutch. It drove him so crazy that he claims he didn’t watch the second half of the Denver Broncos game against the Kansas City Chiefs. Instead, he went back and reviewed the first half. He found seven examples in the first quarter, and eight more in the second, of Aikman calling something “as good as anyone in football.” You can see a clip of the discussion here.

And it’s not just color commentators who have crutches. I recently came across a short thread on Reddit’s r/artificial where a user asked for help getting Google’s AI to stop saying “you hit the nail on the head” in response to some of his queries. So even artificial intelligence can have a crutch, which does make me feel better about Aikman’s issues, considering how many hits to the head he took during his playing days.

Radio Isn’t Immune

I’m mentioning all this because if it can happen to a guy who makes nearly $20 million a year and an AI with Google’s resources behind it, then it can definitely happen to any radio announcer. And take it from me, it does.

It’s something I encounter all the time listening to stations. It happens to young talent just finding their way on the air and to veterans who should know better. And once a listener notices a crutch, they can’t unhear it, and it can be maddening. Remember, for every Dan Le Batard or Reddit user twennywanshadows who calls attention to the issue, there are a lot of listeners who are suffering in silence or, worse yet, turning off your radio station.

How to Lose the Crutch

Now, in an effort to help you not be Troy Aikman, here are a few notable ways to avoid crutches based on what I hear most often:

  1. Brainstorm five ways to talk about each station promotion or feature. This is an area where I hear some of the worst offenses. I understand. It’s hard to talk about the app or a contest for what feels like the ten-thousandth time. Often, that leads to hosts giving up and doing it the same way every time. If you prepare by brainstorming ideas for how to tackle these repetitive promos ahead of time and rotate your approach, you’ll lose the repetition.
  2. Don’t say your name during your show for one full week. One of the most common crutches radio hosts develop is using their name as a transition point in their breaks. When it’s really bad, I can say the person’s name at the exact same time as they do because I know when it’s coming. The best fix is generally just not saying your name on your show for a week. That’s usually long enough to break the habit, and then you can consciously start to reintegrate it.
  3. Listen back to your show. I know self-critique is hard, and being a radio host requires putting your ego on the line every day. But going back and listening to your show regularly will teach you a lot of great things, and it’s especially good at identifying crutches. Trust me, once you hear it, you’ll be very motivated to fix it.

Less Margin for Error

Unlike Monday Night Football, which is all but guaranteed an audience regardless of the announcer’s crutches, your show has much less margin for error. It’s hard enough to get people to tune in. If you want to be one of the best in all of radio, don’t drive them off by repeating the same thing over and over.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

The First AI Co-Host on News/Talk Radio Will Reap Massive Rewards

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AI is coming to the microphone, and news/talk radio should brace for it. Chatbots like ChatGPT sound warmer and more natural every month. Consequently, it’s only a matter of time until someone uses the technology as an on-air co-host.

Make no mistake about it: this is on the horizon. You can pretend it won’t happen, but it will. Right now, the only thing stopping companies is quality. The technology isn’t good enough. Yet. But that’s changing fast.

I could fight it. You could, too. We could all vow never to interact with AI voices on the air. However, I don’t think we’d win that fight. I’m not sure an audience boycott could stop it, either.

Risk Rewards The Bold

Innovators and disruptors usually see the largest return for their risk. Yes, there are concerns about moving too early. Some pioneers get burned by racing too far ahead of the curve. Still, I’ve always believed it’s better to experiment. Take the risk, take the chance, or use whatever word you’d like. Then either succeed or learn from the mistake. Both outcomes beat standing still.

Radio has already seen hints of what’s possible. For instance, Spotify’s AI DJ showed that listeners will accept a synthetic voice guiding their listening. Likewise, Futuri’s RadioGPT offered an early look at automated on-air content. Those experiments were small, but they proved audiences are curious.

The pace of improvement also matters. Voice models that sounded robotic two years ago now handle pauses, laughter, and interruptions. Furthermore, they can pull in headlines, weather, and traffic in seconds. For a news/talk format built on timely information, that’s a natural fit. It won’t replace a great host. Instead, it could become a sparring partner, a fact-checker, or a punchline machine.

Credit And Criticism Arrive Together

The first prominent figure to use AI in an on-air role will reap the benefits. Certainly, a segment of the audience will rebuke it. Meanwhile, another segment will find the technology interesting and compelling. That split isn’t a problem. In fact, it’s an opportunity.

Consider how ratings work. Curiosity drives sampling, and sampling drives cume. Even the loudest critics will tune in to hear it for themselves. Then they’ll tell their friends, post about it, and argue about it online. As a result, the buzz alone could be worth more than any promo budget.

Of course, execution will matter. Programmers should tell listeners exactly what they’re hearing. Transparency builds trust, and trust softens backlash. Additionally, the AI voice needs a defined role and a real personality. A gimmick fades quickly, but a well-built character can stick.

Perception Is Reality

The first show or station to do it will absorb all of the criticism and all of the credit for setting the trend. Everyone else will look like copycats. They’ll have waited for somebody else to take the risk.

Afterward, they’ll rush to catch up, and audiences will notice.

So the choice is simple. Fight the technology and lose, or embrace AI and use it prominently. If perception is reality, why not be perceived as cutting-edge? Somebody’s going to grab that title.

I’d rather see a bold programmer or host claim it than watch the industry wait for permission.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.