Home Blog Page 67

Can A.I. Actually Make Radio Talent Sound More Human?

0

There are two things we do when first engaging with a new client:

  1. De-DJ the DJ. Take talent through steps to improve their transparency through “listener eye contact.” Create and deliver content conversationally, eliminating encumbrances that prevent a true connection between talent and the listener. This is harder to accomplish than one realizes.
  2. Fire prep services. We find when talent develops their own content, emotional equity is higher and talent “owns” their breaks. Another impediment prep services create is hearing the same content across markets and across America. Our Barrett Media colleague Jim Ryan wrote about this two weeks ago. You’ll end up with the same content as your competition.

This brings us to the question for our talent and ensemble shows: How do you sound more connected and more entertaining in an audio world where listeners have unlimited choices? The answer – ironically – sits in the same machine where you get your prep service.

Artificial Intelligence.

A.I. tools like ChatGPT, Claude, and Gemini are becoming powerful prep partners for radio personalities and programmers. They are not replacements. They are not a magic wand. These tools help talent move faster while allowing more time to work on their “listener eye contact.”

But – wait a second. Isn’t A.I. bad? Won’t this sterilize content production and homogenize the radio experience?

Many people in the news – including this writer – were initially skeptical, cautious, and openly critical of A.I. Not anymore. Here are a few examples of high-profile people who initially warned us about the dangers of A.I. and now actively use, discuss, or promote it in their work:

Glenn Beck

We interviewed Glenn on this subject over the winter. Glenn spent years warning about the dangers of artificial intelligence, often comparing unchecked A.I. to a societal or even spiritual threat. In 2023, he released content warning that A.I. could become “apocalyptic.”

More recently, however, Beck has embraced A.I. as a tool for education and media, including creating an A.I.-powered “George Washington” project. He’s also using A.I. to write a Christmas album with his daughter.

Elon Musk

Musk famously warned that A.I. was “more dangerous than nukes” and repeatedly called for regulatory pauses. At the same time, he helped found OpenAI and later launched xAI and the Grok chatbot platform. Today, Musk is one of the most aggressive public advocates for rapid A.I. development.

Bill Gates

Gates initially expressed concern that A.I. could eliminate jobs while creating social disruption. However, over the past 24 months, Gates has become one of A.I.’s biggest evangelists. He says A.I. will transform medicine, education, and office work in ways comparable to the internet explosion.

The loudest critics have moved from saying, “this is dangerous and should stop,” to “this is dangerous, powerful, and unavoidable, but we better learn how to use it wisely.”

My personal experience

Is that A.I. – across all platforms – “crawls” deeper than Bing or even Google. One small example came while researching Christmas programming for a 2025 Barrett Media piece. Google told me a St. Louis radio station was the first to go all-Christmas. A Bing search revealed it was a small-market station in the 1990s. In reality, it was a Phoenix AM station that played all Christmas music in 1989. A.I. discovered that.

One of the biggest misconceptions about A.I. and radio is that its use somehow removes creativity. The uses are endless, and your talent most likely is already using one of the major A.I. platforms. Here are a few obvious examples:

  1. A.I. generates conversation starters tied to culture and your local market.

• A morning show can ask Claude, “Give me five funny discussion topics about graduation season.” In seconds, talent has material to build phone topics, text interaction, and audience engagement.

  1. A.I. helps personalities create artist and music content.

We find listeners love stories and trivia about songs and artists. Songfacts.com is a great tool for this. A much better tool is A.I. ChatGPT quickly summarizes artist interviews from multiple outlets, identifies new music releases, and gathers touring information. Our stations use it for promotional content when writing for “Taste of Country” and “Backstage Country.”

  1. A.I. aids in creating promotional and imaging ideas.

Promotions departments are stretched thin. A.I. rapidly generates contest concepts, benchmark ideas, and promotional hooks.

Radio personalities are time-starved – juggling multiple responsibilities. Talent post social media content, record daily promos, edit show audio, make appearances, reply to texts, and voice-track multiple shifts. The time available for true show prep has shrunk dramatically.

A.I. can become a tremendous advantage.

When Barrett Media began building this platform beyond Sports to include News and Music, Jason told his writers, “No A.I.” We agreed. Using it as a tool to build content for you is powerful. Today, it is a different world entirely.

Great audio content is built on connection and reliability. No machine can truly replicate that. If A.I. can help talent spend less time searching for content ideas and more time delivering connected content, then music radio may have found its most useful new tool.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

The Breakfast Club Goes Live on Netflix. Is That Good or Bad for Radio?

1

The news broke this week, and it didn’t take long to get the industry talking. Starting June 1, The Breakfast Club, the iHeartMedia morning powerhouse (radio station concert pun intended) co-hosted by Charlamagne Tha God, DJ Envy, and Jess Hilarious, will stream live on Netflix every weekday. The show will become the streamer’s first daily live program, airing at 6AM EST for nearly three hours of uninterrupted programming.

Netflix’s stream will include exclusive bonus content in place of the radio broadcast’s commercial breaks. The radio simulcast continues on more than 100 syndicated stations and the iHeartRadio app. With all audio rights retained by iHeartMedia.

On paper, it sounds like a win for everyone. But when talking to my radio buds, not everyone is celebrating.

Two Programmers, Two Very Different Reactions

I spoke with two programmers who carry The Breakfast Club on their stations, and they couldn’t be further apart in their thinking.

One told me he’s “annoyed.” Not angry, not panicked — but annoyed. And that’s actually the more telling reaction. Annoyed is what you feel when something isn’t catastrophic but is still wrong. His concern is real: if a listener can watch the show on Netflix — uninterrupted, with bonus content, on a platform they’re already paying for — why does he tune into the radio station? What does the local affiliate offer that Netflix doesn’t? That’s a question that programmers running syndicated shows have been quietly wrestling with for years, and this deal just put it in neon lights.

The other programmer I spoke with had a completely different take. “You have to reach people everywhere,” he said, “and the live stream does that.” He pushed it further: “Anytime the iHeart logo can be in front of someone’s face, it’s a win for radio.” It’s a reasonable argument. Brand ubiquity matters. The more people who see iHeart attached to a major cultural moment — and The Breakfast Club is very much that — the more the brand stays relevant in a media world that is not waiting for radio to catch up.

Both perspectives have merit. But I’d argue the tension between them reveals something important about where radio stands right now.

The Case for Concern

The programmer who’s annoyed is thinking locally. He’s thinking about his market, his ratings, his listeners, and whether his station gets credit for the audience that’s now watching on Netflix instead of tuning in. Those are legitimate concerns.

Nielsen measures radio listening, not Netflix viewing. So if a 28-year-old in Atlanta watches The Breakfast Club on her TV every morning but never touches the FM dial, that programmer gets nothing from it — no cume, no ratings, no ad revenue. The show wins. The network wins. The local station? It’s complicated.

The Case for Optimism

The programmer who sees it as a win is thinking about the big picture — and he’s not wrong to do so. Netflix bringing The Breakfast Club into living rooms globally is a legitimacy move. iHeart Chairman and CEO Bob Pittman framed it as “expanding the reach of our biggest brands while giving audiences entirely new ways to experience them.”

That’s the corporate line, sure, but it’s also true. The Breakfast Club built its brand on radio. Now it’s using that brand equity to plant a flag on the world’s largest streaming platform. That’s not radio dying — that’s radio-born content evolving.

A longtime iHeartMedia personality, who shall not be named, is also optimistic, saying “it fits right into how people star their day. You throw the TV on while you’re waking up and getting ready at home, and then as soon as you walk out the door, you just switch it over to the car radio to keep listening. Plus, seeing a massive powerhouse like Netflix team up with iHeart for their first ever daily live show says everything you need to know about how huge radio still is. It proves that even the biggest streaming giants know they can’t replicate the daily habit and culture pull of broadcast radio.”

The Real Question Radio Has to Answer

The deeper question isn’t really about The Breakfast Club at all. It’s about what role terrestrial radio stations play when the content they’re carrying is simultaneously available — and frankly, better packaged — somewhere else. Local programmers have to offer something Netflix can’t: local connection, local music, local personality, local relevance.

If a station is just a pipe delivering syndicated content and hoping listeners don’t notice it’s also on a screen in their living room, that’s a problem that predates this deal and won’t be solved by worrying about it.

A Milestone, But for Whom?

Former HOT 97 and Power 106 executive Damion “Damizza” Young shared his thoughts on Instagram saying “for all you ‘radio is dead’ people, one of the biggest streaming companies on earth just said ‘daily live conversation still matters’. And peep the chess move, Netflix isn’t just airing the radio feed, they’re stripping commercials and replacing them with exclusive behind the scenes content, bonus segments, extended convos.”

What iHeart and Netflix have pulled off here is a genuine milestone. Charlamagne himself signed a five-year, $200 million deal with iHeartMedia — a signal that the company is betting big on audio-first talent crossing into video and streaming. That bet may pay off handsomely for iHeart at the corporate level. Whether it pays off for the local affiliate is a different conversation.

Survival vs. Thriving

Radio has survived television, the internet, satellite, and streaming music. It will survive The Breakfast Club on Netflix, too. But survival and thriving aren’t the same thing.

The programmers who figure out what they uniquely offer their local audiences will be fine. The ones who are just annoyed without adapting? That’s where it gets harder.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

How the Sports Betting Boom Is Reshaping Sports Radio and Broadcasting Economics

When the Supreme Court overturned PASPA in 2018, most of the media industry treated it as a story about gambling. Seven years in, it has become increasingly clear that it was just as much a story about broadcasting. The legalization of sports betting across more than 35 states has fundamentally changed how sports radio, regional sports networks and digital sports media make money, allocate inventory, and approach audience engagement.

I have spent the past few years watching this play out from the inside and the pace of change has surprised even people who expected it. What started as a few sportsbook ad spots during evening drive has turned into something much more structural. 

Sportsbooks are now among the largest advertisers in sports media. The integration of betting content into editorial coverage has become routine and the business models of entire networks have shifted to account for the new revenue stream.

The advertising boom that changed the math

In the first three years after legalization, sportsbook advertising spend in the United States grew from a rounding error to one of the largest ad categories in sports media. DraftKings, FanDuel, BetMGM, Caesars – and a handful of smaller operators – collectively spent more than a billion dollars annually on broadcast and digital ads at the peak. With sports radio capturing a meaningful slice of that.

For station groups like Audacy, iHeart and Bonneville, the timing was a lifeline. Traditional sports radio advertisers, particularly automotive and quick-service restaurants, had been pulling back on terrestrial radio spend for years. Sportsbook money filled that gap and then some, particularly in football markets where the cross-promotional value was obvious.

The market has matured since then. Sportsbook spend has consolidated as DraftKings and FanDuel have pulled away from the chasing pack. And the days of every operator throwing money at every market are over. But the baseline has reset permanently. Sportsbooks are now a structural revenue category in sports media, not a temporary boom.

Editorial integration and the credibility question

The harder question for sports media operators has been how to integrate betting content without compromising editorial credibility. Some have leaned in fully, building dedicated betting podcasts, daily picks segments or betting-focused shoulder programming. Others have kept a more cautious line, treating betting coverage as a separate vertical rather than embedding it across their flagship programming.

When discussing this subject with Ziv Chen, author at Casino.com, he had the viewpoint that the operators succeeding in the long run are the ones who treat betting integration as an editorial discipline rather than a sales channel. His observation matches what I have heard from program directors across multiple markets. 

The shows that have built durable audiences around betting content tend to share a few traits: they treat the audience as informed adults, they are transparent about the limits of their predictive power, and they invest in genuine analytical depth rather than empty hype.

The stations that got this wrong early on, treating every segment as a pitch for the latest sportsbook promo, learned quickly that listeners tune out the moment they sense they are being sold to. The ones that found the right balance now have some of the most engaged audiences in the format.

Regulatory risk is the underappreciated story

The other dimension that doesn’t get enough attention is regulatory risk. State-level gambling regulators have been increasingly active in scrutinizing how sports betting is marketed and discussed in the media. Ohio, Massachusetts and New York have all taken action against operators or broadcasters for promotional content that crossed lines that did not exist five years ago.

For sports media companies, this creates a compliance burden that did not exist before. Disclaimers, age-gating, responsible gambling messaging and the line between editorial commentary and promotional content all have to be managed actively. Most of the larger station groups have invested in dedicated compliance staffing for their betting content, which would have been unimaginable a decade ago.

The federal picture remains less clear. There have been periodic discussions about national-level standards for sports betting advertising, similar to the rules that exist for alcohol or pharmaceutical ads, but no concrete legislation has moved. Most operators and media companies I speak with expect that to change at some point in the next few years, though no one is sure exactly when or in what form.

What I am watching for the rest of 2026

A few things are at the top of my list. First, the consolidation question. The sportsbook market has effectively become a two-horse race between DraftKings and FanDuel in most states, which has implications for how much ad spend they need to deploy to maintain share. If that spending drops, sports media revenue planning will need to adjust quickly.

Second, the streaming layer. Amazon Prime Video’s NFL coverage and Netflix’s growing live sports footprint are introducing new venues for integrated betting content – and the rules around that are still being written in real time. Watching how those platforms handle the integration will tell us a lot about where the broader industry is heading.

Third, the responsible gambling pressure. The volume of public concern about problem gambling rates, particularly among young men, has grown significantly over the past two years. Whether that translates into tighter regulation, voluntary industry standards, or a public relations problem that operators eventually take seriously, the issue is not going away.

Sports media has spent the better part of a decade adjusting to the post-PASPA reality. The next phase is going to be about which operators, networks and shows actually built sustainable models on top of the new economics. But also a watchlist on the ones that were just riding the initial wave.

About Casino.com

Casino.com is a comparison site dedicated to helping players make informed decisions in the online casino space. The platform provides in-depth reviews, up-to-date bonus offers and expert guides to help users find casino sites that suit their needs. With a focus on transparency and player-first content, they aim to simplify the process of choosing a trusted casino in a crowded market. They’ve built up a deep editorial team covering casino strategy, game reviews and regulatory developments, including contributions from veteran iGaming writers like Ziv Chen.

If you or someone you know has a gambling problem, help is available. Call 1-800-GAMBLER (National Council on Problem Gambling) for confidential support, available 24 hours a day.

This Week with George Stephanopoulos Wins Total Viewer Ratings For 16th Straight Week

0

ABC News leads in the ratings in the nightly newscast category with World News Tonight. It also leads in the Sunday political affairs arena with This Week with George Stephanopoulos.

What We Know: The latest Nielsen Media Research figures tell the story for ABC. This Week with George Stephanopoulos grew 7% from the prior week. Performance in the key Adults 25-54 demographic also climbed, rising 15% week to week. The momentum extends beyond a single week. For the seventh consecutive Sunday, the program grew its total viewer audience year over year — up 3% compared to last year. Currently, the show ranks first in total viewers for the fifth consecutive year, averaging 2.8 million. That gap over Meet the Press is now the widest it’s been in 30 years, since the 1995-1996 season.

What The Numbers Show:

Program Total Viewers Adults 25-54
This Week with George Stephanopoulos 2.5 Million 338,000
Meet the Press 2.2 Million 405,000
Face the Nation 2.2 Million 299,000
Fox News Sunday 886,000 173,000

What Remains Unclear: It’s not yet clear how long the current streak can sustain its trajectory heading into the summer months, when Sunday morning viewership traditionally softens. Whether any of the competing programs make programming adjustments in response to ABC’s dominance also remains to be seen.

What It Means: The performance by the George Stephanopoulos-led show has increased impressively in recent months. Since the turn of the calendar, the program has seen a steady climb in the total viewership category. The race remains tight between ABC News, CBS News, and NBC News in both total viewers and the key demographic.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

A Competitor’s Classy Send-Off: KS95 Morning Show Honors Dave Ryan’s Exit

0

Today is Dave Ryan’s final broadcast. We reported his retirement earlier this month. And now, after 33 years at iHeartMedia’s 101.3 KDWB, a Twin Cities legend signed off for good.

What We Know: Hubbard Radio’s KS95 Morning Show didn’t sit on the sidelines. Host Crisco — who got his start in radio interning for Ryan — welcomed his former mentor onto the air for a live call-in conversation this morning. Additionally, KS95 launched a Twin Cities billboard congratulating Ryan on behalf of the KS95 Morning Show. The timing is sharp. KDWB simultaneously announced that afternoon duo Falen & Colt will take over mornings starting Tuesday, May 26.

What They Said: Crisco and Ryan can be seen chatting on the show this morning below:

What Remains Unclear: It’s unclear whether the billboard was coordinated with Ryan in advance or came as a surprise. Furthermore, how listeners respond to Falen & Colt in mornings remains to be seen. The transition at KDWB is significant, but the long-term ratings impact won’t materialize overnight.

What It Means: This is smart competitive strategy. KS95 honored a market legend while simultaneously spotlighting its own show — and its personal connection to Ryan’s legacy. Crisco’s history with Ryan gives the moment authenticity that could not otherwise be manufactured. Consequently, KS95 earns goodwill with listeners and positions itself as the market’s morning show worth paying attention to — right as its biggest competitor restarts from scratch.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Final CBS News Radio Newscast to Be Anchored by Christopher Cruise

1

As CBS News Radio ends on Friday, we now know who will anchor the final broadcasts heard on the network.

What We Know: Friday marks the conclusion of the CBS News Radio network. After announcing it would cease operations earlier this year, the network chose May 22nd as the final on-air date. It concludes 99 years of existence. Anchor Christopher Cruise will anchor the final broadcast at 11:31 PM ET on Friday evening. That newscast will be focused on the legacy and history of the network. Cruise will also anchor the final top-of-the-hour newscast at 11:00 PM ET.

What They Said: “I’ve been here almost five years. But some people have been here 30 and 40 years. When I lived in North Carolina, I had a plaque on my office wall that said, ‘I’m not from the South, but I got here as soon as I could.’ And I feel the same way about CBS News Radio. I tried all my life to get there, and finally made it at age 62… I just never thought it would end.” -Christopher Cruise

What Remains Unclear: Which current or former CBS News Radio personnel, if any, will join Cruise on the final newscast. Current and former CBS News Radio staffers will assemble at the network’s broadcast center on Friday evening to commemorate the end of the network, several sources told Barrett Media.

What It Means: Cruise faces the unenviable task of delivering the network’s final sign-off. A room full of people who deeply love and appreciate the network’s history will only heighten the emotion surrounding the moment. Many observers are eager to hear how the network chooses to close out its operations.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

UMG and TikTok Ink New Multi-Year Licensing Deal

0

Universal Music Group (UMG) and TikTok have a new long-term agreement. The deal expands their partnership and takes direct aim at unauthorized AI-generated music.

What We Know: The companies signed a multi-year strategic licensing agreement, building on their May 2024 deal. That prior agreement had restored UMG’s full catalog to the platform. Under the new terms, both parties will expand marketing campaigns, boost e-commerce tools, and develop artist-centric resources. Additionally, the deal deepens collaboration around fan engagement and artist development on a global scale.

What They Said: Michael Nash, Executive Vice-President & Chief Digital Officer of Universal Music Group, said: “We’re proud of the pioneering work we’ve done with TikTok to create wide-ranging benefits for our artists and songwriters. With this new agreement, we look forward to driving innovative new fan experiences, while further improving social media monetization, and protecting and amplifying human artistry.”

Tracy Gardner, Global Head of Music Business Development at TikTok, said: “We’re excited to take our partnership with UMG to the next level, and build on the strong foundation we’ve already created together for artists, songwriters and fans. TikTok is a unique platform where music discovery, culture and fandom intersect, and this agreement will help create even more opportunities for artists and songwriters to engage audiences, grow their communities and achieve career success on a global scale.”

What Remains Unclear: Financial terms of the agreement have not been disclosed. Furthermore, the specific enforcement mechanism for removing AI-generated music remains undefined publicly. It is also unclear how attribution standards will actually be monitored at scale.

What It Means: This deal signals a sharper industry stance against unlicensed AI music. Notably, just one day prior, UMG and Spotify announced an AI remix tool for premium subscribers. Showing UMG is simultaneously monetizing AI while policing it. For artists, the outcome could mean better revenue visibility and stronger audience discovery tools. Ultimately, TikTok’s cultural influence makes this partnership one worth watching closely.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Falen & Colt Replace Dave Ryan on Minneapolis’s 101.3 KDWB

0

Dave Ryan retired from 101.3 KDWB after 33 years. Falen Bonsett and Colt Parkey will take over Minneapolis mornings starting Tuesday, May 26.

What We Know: iHeartMedia made the move quickly and cleanly. Rather than searching outside, the station promoted its own afternoon duo straight to drive time. Falen originally co-hosted mornings with Ryan from 2012 until 2023, so the slot isn’t new territory for her. Colt joined her in afternoons in February 2024 after a stint at KHKS/Dallas.

What They Said: Falen didn’t hold back on the significance of the moment. “To lead mornings on such an iconic station and become the first woman to hold this role is incredibly special,” she said. iHeartMedia Minneapolis SVP of Programming Rich Davis added that replacing a legend isn’t easy — but the right person was already in the building.

What Remains Unclear: Producer and co-host Bailey Hess’s status is still unresolved. Meanwhile, Jenny Luttenberger stays in mornings alongside Falen and Colt, and Vont Leak moves to afternoons.

What It Means: This transition signals a smart, low-risk succession strategy. Instead of importing outside talent, iHeart built continuity from within — rewarding patience over flash. The move also reflects a common pathway developing across radio: grow talent in nights, season them in afternoons, then elevate them to AM drive when the moment is right. For Falen specifically, the promotion carries historic weight as KDWB’s first female morning host, proving the pipeline works on every level.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Dirty Mo Media Launches New Western Lifestyle Vertical with ‘This Cowboy Life’

0

Dirty Mo Media is heading west launching a new western themed vertical with a the new podcast This Cowboy Life. Dirty Mo Media is expanding beyond the racetrack. The company founded by Dale Earnhardt Jr is launching This Cowboy Life, a new podcast hosted by rodeo legends Jerome and Tiffany Davis, premiering June 24.

What We Know: The show kicks off with a three-part documentary series on the Davises’ journey. It then transitions into a weekly talk show covering the rodeo road, ranch life, and the Carolina Cowboys. Dirty Mo Media — already home to NASCAR-focused content — is using this launch to plant a flag in the western space. The show tapes at Davis Rodeo Ranch in Archdale, North Carolina.

What They Said: Dirty Mo Media President, Executive Producer Mike Davis: “There’s a tremendous overlap between NASCAR fans, rodeo fans, and people who simply appreciate real personalities. We don’t look at This Cowboy Life as a one-off project. We see it as an important first step in building a meaningful western vertical alongside voices and stories that genuinely connect with everyday people.”

What Remains Unclear: The depth of Dirty Mo Media’s western investment is still taking shape. With This Cowboy Life, it still is the lone outlier of the Dirty Mo Media catalog outside of racing content. Also the vertical currently does not have an official partnership with the PBR or any other organization.

What It Means: This launch signals a real strategic shift for Dirty Mo Media. Rather than staying in one lane, the company is chasing a broader, underserved audience. Recently, many content factories have been doing the same such as All The Smoke Productions (MLB) and Bussin’ With The Boys (NASCAR). It will be interesting if there is an audience for this type of content. The PBR was acquired in early 2025 by TKO Holdings. TKKO also oversees WWE, UFC, Zuffa Boxing among other properties. It could be a play if initial success is found through Dirty Mo Media that an expanded vertical may be possible.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

FOX Sports Pairs Tom Brady, Zlatan Ibrahimović for FIFA World Cup Program

0

FOX Sports is launching a new long-form digital conversation between two global icons. Zlatan x Brady: GOATS on GREATNESS drops ahead of this summer’s FIFA World Cup 2026 on Tuesday exclusively on the FOX Sports YouTube channel.

What We Know: FOX recorded an hour-plus sit-down between Tom Brady and newly signed studio analyst Zlatan Ibrahimović. The network will release the conversation in digital clips before posting the full discussion on social and YouTube next Tuesday. That date aligns with the U.S. Men’s National Team (USMNT) roster reveal. FOX continues expanding its World Cup content footprint as the exclusive English-language broadcaster, with Ibrahimović joining Thierry Henry and Alexi Lalas in the studio lineup.

What They Said: FOX Sports President Brad Zager to The Athletic: “The back and forth was absolutely engaging and teaching, understanding their mindsets of who made them them and what separates certain athletes from others.”

What Remains Unclear: Brady has no confirmed role in FOX’s actual World Cup match coverage yet. Nevertheless, James Corden’s late-night World Cup show on FOX could still feature him. Meanwhile, FOX continues building out its programming slate, so further announcements do remain possible. Additionally, Brady does hold a minority stake in Birmingham City, an English soccer club. Notably, he also was a featured guest as part of the World Cup Draw held on FOX Sports.

What It Means: FOX Sports continues their all in approach to the global tournament. The hour-long sit-down is very similar of what NBC Sports attempted with Michael Jordan this past season. However, it will be interesting to see if FOX works these clips into the programming during the tournament. FOX continues to treat Brady as far more than a broadcast analyst in the NFL. He’s a talent recruiter, a brand ambassador, and now a content driver. Making his record-setting contract with the network more an example for others to copy in the future.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.