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Sean McLaughlin, VP of News for Graham Media Group, Worries About the Value of Vetted, Real Information

He’s a man on a mission to change the industry for the better. “Everything from what [news] is to how we do it, to how we present it and distribute it, is in the process of kind of being upended right now,” said Vice President of News for Graham Media Group Sean McLaughlin. “My job’s actually gotten easier because people can no longer argue with the reality, this business is in trouble.”

Always thinking outside of the box, McLaughlin’s passion for news began in middle school. “I knew in eighth grade what I wanted to do,” he said. “I was sitting in the living room, and my mom was watching the news, and I had to come up with a project for two weeks at school and thought it might be kind of fun to go follow a reporter around.” McLaughlin called KSTP the next morning and asked to shadow their reporter.

After some more schooling, his childhood dreams came true. McLaughlin said, “I got a reporting job after doing an internship in Austin, Minnesota.” He later got into anchoring and worked a political reporter beat in Springfield, Illinois before becoming a News Director at 27. “I was a rare news director that came out of the field, and I found that very helpful to me because for me, it’s all about the story,” he said. “As I sit here all these years later, it’s still all about the story, not the newscast which I think is kind of an antiquated relic that’s about to go by the wayside.”

The former Scripps Senior Vice President is now taking a fresh look on how to monetize the industry, which is rapidly changing. “One of the problems I think in the industry is the audience has changed completely but the way we do news has hardly changed at all,” he said. “I think that gap is causing a lot of problems.”

One major example he gave is the time newscasts are aired saying, “The local news times are not even close to convenient for the way I live my life. I get up in the morning, I go to the gym for an hour. I come home. I’m in a crazy rush the rest of the day until I get out the door. There is no way I have time to turn on the TV and watch the news in the morning.”

McLaughlin believes it’s more than a morning news problem as he adds, “I’m still at work [when the evening news is happening]. I end up watching the news as my job but if I was running a machine somewhere, there’s no way I’m watching the news at 5 or 6.”

He noted, “70% of the people who consume our content are consuming it off our platforms and in ways that we don’t get monetized for that. The days of us just relying on advertising revenue from TV stations and retransmission fees paid by cable companies, that train’s left.”

To future journalists looking to follow in his footsteps, McLaughlin put an emphasis on something he is very passionate about. “I was at the RTDNA board meeting in Los Angeles the last few days and we talked about the future of the industry and the future of journalism,” he said. “I worry young people don’t value journalism enough and vetted, real information. When I look at everything going on in society, there’s a lot of things that are f***ed up right now.

“When I look at what’s really f***ed up, and this isn’t political because I think you could talk to people on either side and they will both say this, there’s not trust in journalism anymore. Misinformation is a big, big problem. Multiple versions of reality exist in our space right now, which is not healthy or good or sustainable.”

With the onslaught of young journalists being quasi activists, he wants them to be aware of implicit bias saying, “I still need to be able to take a step back as a journalist or as somebody who makes decisions about journalism and make sure that we’re inclusive, that we’re telling the whole story, that we’ve covered it thoroughly because a lot of people think they’re covering things in a way that doesn’t show bias, when it can easily happen.”



McLaughlin added, “As happens in newsrooms, what are the predictors of bias right now or what are the predictors of political affiliation right now in education level? City versus rural income level will get into most newsrooms. Check, check, check, check. You’re going to absolutely have a liberal bias. It’s not intended. Nobody came in today and said, ‘let’s go to the left’. It’s just ingrained in everybody. And so, I think you need to be aware of what your implicit bias is.”

Most importantly McLaughlin said, “In the craft of journalism, you trade your ability to be able to blast your opinions on social media around controversial or complicated political issues. Otherwise, people aren’t going to believe you and people believing you is the currency. Your credibility is at the center of who you are as a journalist.”

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NBC Sports Hires Frank DiGraci as Coordinating Producer for NBA Coverage

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NBC Sports, staffing up for next season when it will be broadcasting NBA games, said it hired Frank DiGraci as coordinating producer for its NBA coverage;.l

DiGraci, who is now the coordinating producer/producer of Brooklyn Nets games for the YES Network, will oversee all production elements of NBC Sports’ game coverage and will serve as its lead producer, the network said. 

He will join NBC Sports in June 2025, after the current NBA season concludes.

DiGraci has been producing Nets telecasts for 26 seasons. At YES he has also produced Yanees games, studio programs and specials.

Earlier this year NBCU signed a $27 billion 11-year deal to carry NBA games that will appear on the NBC broadcast network and Peacock streaming service.

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Jimmy Pitaro: ESPN Direct-to-Consumer ‘Could be Disruptive to the Traditional Ecosystem’

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Although leaders at ESPN may have roles that delineate focus in certain areas of the company, there is synergy evident within conversations and contributions towards the aggregate. ESPN chairman Jimmy Pitaro and his colleagues converse in a mandatory weekly meeting in which they discuss the company’s annual operating plan, five-year plan and 10-year plan. Throughout his career, Pitaro has strived to surround himself with people who are smarter than him, and there has been an ostensible return on investment on successfully identifying and nurturing future talent.

On top of that, Pitaro’s direct reports know that he wants to be challenged, a regular part of meetings geared towards fulfilling its mission. The decisions made within the company are guided by four pillars of “Discuss, debate, decide, align,” and it has held true as the company prepares to launch its flagship direct-to-consumer product next fall. The ESPN Flagship platform will allow consumers to receive access to view network programming without a traditional cable television subscription.

“This could be disruptive to the traditional ecosystem,” Pitaro said on the Corporate Competitor Podcast. “Now, we’ve done more than just about anyone to protect that ecosystem. It has been very good to us, and it will be a priority for us going forward. This is parallel paths. At the same time, we see declines month after month, year after year, and you get to some point where you have to disrupt yourself, and that’s where we are right now.”

Over the last decade, the pay TV penetration rate has declined as more homes opt to cut the cord and subscribe to OTT streaming services. According to data from Nielsen Media Research released this past summer, ESPN is distributed in under 68 million homes, down from its peak of 100 million homes a decade ago. Continuing to invest in the traditional ecosystem, he explained, would be a safe thing to do that would simultaneously be short sighted. While ESPN is not deprioritizing traditional distribution, it is making its networks available à la carte amid changing paradigms.

“There are 50 or 60 million households right now that are not subscribing to the traditional ecosystem,” Pitaro said. “There’s an opportunity there, but it’s called direct-to-consumer for a reason. Get them in, and we will have access to the data. There’s no middle person there. We will know what our sports fans, what our customers are consuming, and as a result, we will have the ability to present to them a more compelling digital sports experience – a more personalized experience, a more interactive sports experience – and that’s exciting to me.”

While ESPN is not as widely distributed on linear television as in the past, its ratings for studio programming, live game broadcasts and digital ventures continue to proliferate. Pitaro acknowledged that there has been a shift of thinking, commensurate with record numbers of households watching programming spanning different genres within its overall portfolio.

“Last year in Fiscal ’24 – our fiscal year ended [at the] end of September – we saw the most linear television consumption in prime time since 2006,” Pitaro said. “We saw the most total day linear TV consumption since 2016. Just think about that. In a world where 8% fewer households are watching television – and again, I’m not talking about share; I’m talking about number of people, number of households watching this programming, it is up, setting records.”

As ESPN continues to produce, disseminate and facilitate the power of live sports, he acknowledged that there have been heated discussions surrounding taking its networks over-the-top. Moreover, there are still conversations surrounding the name of the venture, price point and its exact launch date. Through discussion, debate, decision and alignment, the process surrounding the platform has moved forward and will be available next year.

“My goal is to decide as a team, and oftentimes, we are able to do that,” Pitaro said, regarding his decision-making process. “If we can’t decide as a team, Bob [Iger] and the board pay me to decide. That’s my job, but more often than not, we are able to decide as a leadership team, and then the expectation is that you align.”

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Tom Hamilton Named Recipient of 2025 Ford C. Frick Award

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Tom Hamilton, the radio play-by-play announcer for the Cleveland Guardians over the last 35 seasons, has been named the recipient of the 2025 Ford C. Frick Award for Broadcasting Excellence, granted annually by the National Baseball Hall of Fame and Museum. The longtime broadcaster is the 49th winner of the award in its history, earning the highest point total among the 16-member committee tasked with voting for the distinction. Hamilton will be honored as part of the Hall of Fame Weekend within its award presentation over the summer in Cooperstown, N.Y.

Criteria for the award, as established by the Board of Directors, is a “Commitment to excellence, quality of broadcasting abilities, reverence within the game, popularity with fans, and recognition by peers.” Hamilton is a sevent-ime winner of the Ohio Sportscaster of the Year award and is the only broadcaster in franchise history to call three different Cleveland teams that have made the World Series. Furthermore, he has called more than 100 postseason games and has worked with various partners, such as Mike Hegan, Dave Nelson, Jim Rosenhaus and Matt Underwood. Newsradio WTAM 1100, which is owned by iHeartMedia, has been the flagship radio station for the team since 1998.

“With an unmatched love for Cleveland, Tom Hamilton has narrated the story of one of the franchise’s most successful eras since joining the team’s broadcast crew in 1990,” Josh Rawitch, president of the National Baseball Hall of Fame and Museum, said in a statement. “Guardians fans adopted Tom as one of their own as soon as he arrived in Cleveland thanks to his knowledgeable play-by-play and passionate calls of some of the franchise’s most historic moments. For a generation of listeners, Tom Hamilton is the very definition of Cleveland baseball.”

Hamilton has been a finalist for the prestigious award three times before this year and becomes the fourth straight radio broadcaster to win the honor, following Jack Graney (2022), Pat Hughes (2023) and Joe Castiglione (2024). The 16-member voting electorate consists of the 13 living recipients and three broadcast historians/columnists, some of whom include Marty Brennaman, Bob Costas, Al Michaels and Bob Uecker. The 10 finalists for the award this year included Skip Caray, Rene Cardenas, Gary Cohen, Jacques Doucet, Tom Hamilton, Ernie Johnson Sr., Mike Krukow, Duane Kuiper, Dave Sims and John Sterling.

Following the retirement of former pitcher Herb Score, Hamilton became the full-time voice of the team starting in the 1998 season. The 35 years he has spent in the radio booth for the team tie him with television analyst Rick Manning for the longest-tenured broadcaster in team history.

Prior to his time with the team, he started his career working as a disc jockey at a country music radio station in Shell Lake, Wisc. Hamilton volunteered to call games for the Triple-A Columbus Clippers while working at WBNS in Columbus, Ohio. While he was with the station, he also hosted morning drive, called Ohio State basketball and served as the pregame and postgame show host for Buckeyes football. Throughout his career behind the microphone, he has called seminal moments in franchise history, one of which is the game-tying home run by Rajai Davis in Game 7 of the 2016 World Series.

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Cumulus Cancels ‘PickleJar Up All Night’ With Patrick Thomas

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Cumulus Media has announced the conclusion of “PickleJar Up All Night,” a program that aired live during overnight hours on many of its country stations since 2022.

The show, hosted by Patrick Thomas, was produced through a collaboration between Cumulus and the music and entertainment software firm PickleJar Entertainment.

It was nominated for a CMA Broadcast Award in the Daily National category this year.

The show, based out of WKDF in Nashville, launched on 47 stations nationwide in 2022, airing from midnight to 5 am local time.

Before joining PickleJar, Thomas served as President of Silverfish Media and was the Executive Producer and co-host of the nationally syndicated Country morning show “Big D & Bubba.”

Reach Thomas here.

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SiriusXM CEO Jennifer Witz: Podcasting ‘Provides the Best Opportunity For Us to Monetize Through Advertising’

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On Tuesday, SiriusXM announced a strategic shift away from its digital offerings and a renewed focus on its satellite radio offerings. CEO Jennifer Witz says the company isn’t completely abandoning digital audio, however.

The SiriusXM CEO called the “investments” it made in the digital audio space by prioritizing its app in its market efforts “have not produced the results that we were hoping for.” She added that company was going to take a “more analytical, RIO-driven focus” heading into 2025.

However, despite the change in focus, Witz added that the company still views the podcast space as a frontier it can compete and win in.

“It provides the best opportunity for us to monetize through advertising, so I’d expect that to be our strategy going forward. Much of the talent wants that as well,” Witz said while speaking at the UBS Global Media and Communications Conference in New York. “On the podcasting side, we can look to pursue a slightly broader set of audiences, because we’re selling to advertisers across audiences and they want to make sure they have younger audiences as well.”

SiriusXM now has podcast deals with talents like Alex Cooper of Call Her Daddy and Ashley Flowers of Crime Junkie in its podcasting portfolio. And the increased inventory in those shows has been a bright spot in the advertising efforts. But Jennifer Witz shared she was aware that you can overload a podcast with ads, equalling a tune-out for listeners.

“Obviously we don’t want to increase ad load too much to detriment the listener experience,” she concluded. “We don’t really want to drive ad load anymore in podcasts, but with this added inventory we have a much more robust offering, and that helps the overall portfolio.”

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Dave Quinn Exits Cumulus Youngstown In Ongoing Budget Cuts.

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Dave Quinn, a longtime personality in the Youngstown, OH, radio market, has departed his position at Cumulus Media‘s eight-station cluster due to budgetary constraints. This exit concludes a career that has spanned more than three decades in the region.

Quinn’s radio career in Youngstown began in 1989 when he joined WQXK (K-105) as an air talent. By 1995, he shifted to behind-the-scenes operations and became a full-time Production Director.

Amid the radio industry’s consolidation, Quinn broadened his scope of work, overseeing aspects such as station imaging, voice tracking, creative writing, continuity, and traffic coordination, all while also providing sales support.

In 2000, Quinn was named Production Director for the Cumulus Youngstown cluster, a position he has held for over twenty years.

With a strong background in mobile recording and creative audio production, he has also utilized these skills in his freelance business, Quinn Imaging.

Reach him here.             

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

ESPN Sets Live Heisman Trophy Coverage

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ESPN said it will televise the presentation of the Heisman Trophy on December 14 at 8 p.m.

For 90 years, the Heisman has been presented to the top player in college football. ESPN has carried the event for 31 years, and Chris Fowler has been the host for all of them. Last year’s Heisman telecast drew 2.3 million viewers, the most since 2019.

Fowler will be joined by ESPN college football reporters Holly Rowe and Marty Smith, along with three ESPN analysts who won the Heisman during their careers as college football players: Desmond Howard, who took the 1991 trophy, Tim Tebow (2007) and Andre Ware (1989).

Finalists Travis Hunter, cornerback and wide receiver for Colorado; Ashton Jeanty, running back from Boise State; Dillon Gabriel, quarterback, Oregon; and Cam Ward, quarterback, Miami are expected to be in attendance during the live one-hour program.

Nissan is the presenting sponsor of the telecast.

ESPN will also be featuring the top 10 finishers in the Heisman voting during The Top 10 Heisman Trophy Finalists Show Presented by Nissan hosted by Kevin Negandhi,  Ware and Tebow on December 13.

The network also plans Heisman coverage on SportsCenter, which will have live coverage and conversations with the finalists. A feature by Mark Schlabach profiling Travis Hunter will be published December 12 on ESPN.com.

After the Heisman is awarded, Schlabach will post a Way-Too-Early look at the top candidates for the 2025 Heisman.

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KNX News 97.1 FM Shares Behind The Scenes Footage of New Studios

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KNX News 97.1 FM in Los Angeles has a new on-air studio for the first time in more than 20 years, and has released footage of the new operations center.

The station unveiled the new studio over the weekend, ensuring that any kinks could be worked out before hitting the air on Monday morning from the new “Studio 1.”

In posts to social media, KNX News shared a walk-through of the new studio, as well as the newsroom located just outside the main air studio.

“The makeover took over a year to complete,” the Audacy Los Angeles all-news station said of its studio project. “KNX News extends its heartfelt thank you to the crews and IT team who worked tirelessly to bring this new newsroom and studio to life.”

Previously, the studios for the station were located on a different floor in the same building on Wilshire Drive in Los Angeles. The project was led by KNX News Director of News and Programming Alex Silverman, Audacy Los Angeles Director of Technical Operations Damon Stewart, and Audacy Corporate Real Estate Workspace Manage Tracy Schutt.

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Mel McCrae 98.7 Cat Country Pensacola Morning Co-Host/Promotions Directer Is Stepping Down

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Mel McCrae, morning co-host and Promotions Director at Cat Country 98.7 WYCT Pensacola, FL, is stepping down at the end of the year.

McCrae, who joined the station three years ago, co-hosts mornings with PD Brent Lane.

Previous stops include KORA, Bryan, TX, and KOKE, Austin.

While at WYCT, McCrae was honored with the CMA Personality of the Year award in 2022. Additionally, she was a key contributor to the team that secured the ACM Station of the Year award in 2023, followed by the CMA Station of the Year award in 2024.

Plans include a focus on life outside of radio.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.