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Report: Michael Connelly Exiting FanDuel Sports Network

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As Diamond Sports Group aims to fully emerge from Ch. 11 bankruptcy with a new strategy to diminish overall debt and continue broadcasting regional games for professional sports teams, there is reportedly a change taking place behind the scenes. Michael Connelly, the senior vice president and executive producer of FanDuel Sports Network, is said to be leaving the company. Connelly, who has worked in production and management roles for regional sports networks for the last two decades, had held the executive producer title for the cluster of regional sports networks since 2011. Daniel Kaplan was first to report the news of Connelly’s exit from Diamond Sports Group for Awful Announcing.

According to a source cited in the report, Diamond Sports Group chief executive officer David Preschlack sought to reduce the production budget from $180 million to $150 million. Yet there is ambiguity towards whether or not his egress was being laid off as part of the cost cutting or if it was an unrelated mutual decision.

“As part of our reorganization, we are reassessing our organizational needs in order to modernize a company that has remained unchanged for decades,” Diamond Sports Group said in a statement. “The needs and opportunities we face today demand a forward-looking approach, and we are fully committed to evolving to meet them with purpose and clarity.”

Diamond Sports Group currently holds local broadcast rights for 13 franchises in the National Basketball Association, along with eight National Hockey League teams and six Major League Baseball organizations. Bally’s Corporation previously held naming rights for the broadcast entities; however, FanDuel Corporation agreed to a deal with Diamond Sports Group amid its process of crafting a restructuring support agreement. Additionally, Diamond came to a commercial deal with Amazon that will allow subscribers to watch the regional sports network through Prime Video. The Sinclair subsidiary also reached carriage deals with several key distributors, including with Comcast after an impasse that lasted several months.

Diamond aims for its regional sports networks to be profitable by 2027, reducing its debt from about $9 billion to $200 million upon completion of the restructuring process. Moreover, Diamond will have more than $100 million in cash and cash equivalents on its balance sheet at this time. Several executives with Diamond, including Preschlack, are remaining in their roles with the company, but there will be new members of its board upon full emergence from bankruptcy.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

How News Talk and Sports Talk Hosts Can Remain Employed

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Tis the season that people are being separated from their radio employment. If you are currently employed as a News Talk or Sports Talk host, there is something that you can do to protect your job.

The paradigm has changed. You can no longer live in ignorance over the billing assigned to your show. If you work for one of the larger companies that has debt, the bean counters are looking for things that lose the company money. Your job is a gift from your employer. There was a time when hosts did their work, and the sales department sold. The sales department and programming department had separate floors and rarely interacted unless it was for an endorsement lunch. Even the hand off for copy was rarely direct. I know a lot of hosts who love it that way. Ok crew, those days are gone. I will be giving you a game plan.

Find out how much your show is billing. Ask the Market President about the ROI (Return on Investment). Is it four times the investment they make in your show? What is that number?

Next, here is the follow-up: what is the minimum ROI demanded by the company’s leadership? That is a tough question to ask, but you need to know the answer, TODAY!

Let’s say that that ROI Number required is four times their investment. If you are anywhere near that minimum ROI, it is time for you to aggressively act. Your Market President wants and needs your show to succeed. The sales department wants the same thing. If your current ROI is 4.3 times expenses (and your company’s figure is 4 times expenses), consider your employment in jeopardy.

There is no more patience. I would ask your Market President about how you can assist in helping the sales department. If you are a morning show host, be dressed for success. Be available to go on sales calls every day after your show. Ask for a meeting with the Market President and General Sales Manager. Ask them for a day or two a week so that you can go on sales calls with a wonderful Account Executive.

You must be the catalyst. You must be the aggressor in this relationship. Ask for a schedule with a specific AE. Then, you must be the squeaky wheel. If you want to remain employed doing what you are meant to do, tell your Market President that you want to increase your ROI to two times the minimum ROI required by your company. This is 100% on you. I get it, we want to be the stars. We want to be good guys. That is no longer acceptable.

You need to be the Market President of your show. We are all in charge of our futures. I wrote about this a while ago. Have you accepted regular raises? Is your show’s billing down 3%? The person making the decision on your show’s future does not know you. This person only sees you as an expense. All expenses are based on revenue. We all have had to tighten our belts at some point. What do you do? The person making the cuts does not know how much charity work you do for your community. Even if they knew, THEY DON’T CARE! It’s all about the money.

P. Diddy doesn’t seem like all that good of a guy, but his song on money is true…

Ok, should you ask to renegotiate your contract? I think that is something that you should seriously consider. If you have been at your station for a while, think of yourself at risk. You must consider everything. I can tell you that the bean counters are looking at everything. The accountants are not considering market size. They don’t care about your ratings. They just don’t. It’s all about the return on investment.

Do you love your job? I guarantee you that everyone who has been downsized in the past 6 months loved their job. For many of our friends, it is really the only thing that they can do. Walking into a studio alone like a gunfighter waiting for a duel in the old west. The on-air shift is a soul bearing exercise that is your personal identity. Have you thought of what you would do if your radio job was eliminated? Think that through.

I hate to be so negative and that is not the purpose of this column. I want you to know what it will take to keep doing your show. I want to let you know that your destiny is in your hands. You can keep doing this. You are valuable and needed. The business of our industry is changing.

Right now, digital is gaining in use for advertisers. It is easily verifiable that 2,000 people saw an advertisement graphic. The data does not necessarily show an accurate look at effectiveness of the copy. That on-line ad does not build an emotional connection to the product or service. Influencers like you create HUGE marketing success. How often do you stop by to see station clients? You can literally do that every day. Visit and thank a client. Ask for a selfie and toss it up on social media. If the client is not utilizing endorsement spots, tell them that you would love to endorse them.

Ok, this article was not my usual salt and light. Go win and be that great radio story.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Music Radio Needs To Cultivate Great Storytellers

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“You’re never going to kill storytelling because it’s built in the human plan.  We come up with it”.  Margaret Atwood, author of The Handmaid’s Tale

The process of identifying, recruiting, interviewing, and hiring local talent is long. 

THAT process is the most important thing coaches do – people development

Then, in MUSIC radio – as part of that ‘coaching process,’ we tell them to shut up.

When – in reality – we need them to build content to attract listeners and keep listeners.

You know – tell a story.

Storytellers often emerge from unexpected places.

In the middle of the last decade, a struggling ‘B-Level’ actor was landing one-off parts in CSI, NCIS, and Star Trek Enterprise. 

Now, Taylor Sheridan has six series of his own in production and earns $1,000,000 per episode for Yellowstone alone.

In that same decade, a deployed Navy SEAL dreamed of creating a character around his own experience in combat. 

That SEAL – Jack Carr – just published his seventh novel centered around fictional SEAL James Reece.

Our clients have unearthed talent behind a counter, making sandwiches in Duluth, battling a lunch rush in Evansville, and creating holistic videos in Central Illinois.

Point is – everyone has stories to tell. 

We just need to teach them – how.

Many reasons exist for a music talent transitioning to long-form spoken word to hold anxiety:

1. Fear of Judgment

Talent often worries about being negatively evaluated by their coaches and failing to meet expectations.

2. Perfectionism

Emerging talent have unrealistically high standards for themselves, leading to anxiety about their performance.

3. Lack of Confidence

Feeling uncertain about the content can amplify nervousness.

It’s our job—as coaches and mentors—to give the talent a safe space in coaching, know that when they start, there will be mistakes, and build their confidence in the coaching process.

Our way of coaching talent is only ONE way, as road mapping assistance for building stories from peer colleagues is everywhere.

A place to start from Wordsmith Expert Jeffery Hedquist:

“Every relationship you’ve ever had has at least one story attached to it. Make a list of everyone you’ve ever known. Add to it. Your life is made of relationships. Every one of them has a story.”

Driveway Moments is a term adopted by National Public Radio (NPR), creating a story so compelling that you’ll sit in your car listening for the end – in your driveway.

Long-time NPR Talent Mentor Lorna Ozmon believes in creating conflict in story development:

“Conflict involves one person against another, a force of nature or an over-exaggerating of the truth.”

Coaching Legend Valerie Geller keeps it simple:

  • Tell The Truth
  • Make It Matter
  • Never Be Boring

Programming Guru Tracy Johnson encourages exaggeration:

“Exaggerating the scene with details makes the story come alive.”

At times – the student teaches the teacher.

To tell an engaging STORY, think F.L.O. – a technique learned from a client colleague during a session.

  • Feeling – how are you FEELING about the issue
  • Lesson – what LESSON did you learn from the issue
  • Outcome – from your FEELING and LESSON – what was (is?) the OUTCOME

Kevin Costner is a fantastic storyteller.  He spins stories in front of the camera, behind the camera, and as a guest on talk shows.

Costner’s day with George Bush was EPIC – because of the exaggerated details. 

Watch HERE.

Comedians NEED to be great storytellers. 

Watch as Jay Larson plays with a wrong number – HERE.

Reading information about an event makes you – a news anchor.

Telling a lean-forward story takes creativity, effort, and time.

And – coaching.

As talent, YOU are the difference maker.

As a coach, YOU are the difference creator.

Get into The F.L.O.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Aircheck: JoJo Kincaid 1987 PM Drive At Top 40 KKLQ San Diego

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Today, Barrett Media launches a new feature, “Aircheck.” It will examine some of the biggest talents in all formats and what we can learn from them.

Today, we begin with JoJo Kincaid at KKLQ, San Diego, in 1987.

This high-energy performance illustrates the value of being in the moment and keeping a finger on the market’s pulse. Aside from his high energy, what’s equally amazing is that there is a producer, but he runs his board while juggling elements and phone calls.

A great takeaway is that Kincaid is performing each break. Had there been cell phones in 1987, there is no doubt that he would not have been playing on his phone between breaks.

The show is a performance and he is obviously having a blast.

Enjoy.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Nielsen Audio releases November Day Four PPM 6+

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Nielsen Audio has released Day Four PPM 6+ November numbers.

#35 Raleigh Durham

Urban AC WFXC gains half a share to sit atop the music stations 7.7-8.2

Classic Hits WKIX gains 7.4-7.8

AC WRAL drops 8.0-6.5

#38 Indianapolis

AC WYXB remains the music radio leader 8.4-8.7

Classic Hits WJJK makes a nice jump 7.0-8.1

Country WKHK falls 5.4-4.5

#39 Nashville

Midwest Communications continues to hold down the top two spots.

Adult Hits WCJK drops 10.1-8.9

AC WJXA falls 9.5-8.5

Classic Rock WNRQ up 5.1-5.8

Top 40 WRVW grows 4.2-5.3

#43 Jacksonville

Classic Hits WJGL up 8.3-8.8

Top 40 WAPE grows 3.7-4.5

AC WEZI down 4.6-3.9

#44 Milwaukee/Racine

Classic Rock WKLH tumbles 8.1-6.3

Classic Hits WRIT continues a three-month slide 7.3-6.3-5.6

Urban WKKV gains 2.6-3.7

#45 Providence/Warwick/Pawtucket

AC WWLI up 8.4-8.8

Country WCTK falls 8.1-Urban WVKL drops 9.7-9.3

Hot AC WSNE off 6.1-4.9

#46 Norfolk/Virginia Beach

Urban WVKL off 9.7-9.3

AC WTWV drops 6.5-5.9

Country WGH up 3.1-3.6

#47 Greensboro/Winston-Salem

Urban WQMG continues to lead the way despite a drop 13.6-12.9

Adult Hits WSMW up 8.0-8.6

Classic Rock WKRR up 5.6-6.3

#49 West Palm Beach

Urban WMBX stays on top 6.6-6.7

Hot AC WRMF drops from first to second 8.4-6.7

AC WOLL up a full point 5.4-6.4

#55 Memphis

Urban KJMS far outpaces the field 15.4-16.0

AC WRVR holds down second 8.9-9.2

Hip Hop WHRK up 7.3-8.1

#56 Hartford

AC WRCH back to double digits 9.-10.2

Hip Hop WZMX is also in double digits 9.5-10.0

Classic Hits WHCN grows 8.0-9.1

Classic Rock WDRC off 6.9-5.8

You can dive deeper into each market in Barret Media’s ratings page here. Powered by Harker Bos Group.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

The Interview: The Hugh Hewitt Show

When you’re starting something new, I think you start with the best. Hugh Hewitt, host of The Hugh Hewitt Show, is one of the finest interviewers in the the news media space.

Each week, Barrett Media is going to dissect news/talk radio interviews to see what went right, what went wrong, what could have been better, and how the art of interviewing continues to be mastered by some of the best in the industry.

Hugh Hewitt’s interview ability has led him to participate in several televised debates, including Presidential debates with CNN and NBC News.

Like yours truly, Hugh Hewitt is a Buckeye, which naturally puts him on an elevated intellectual pedestal. No one is smarter than people from Ohio, I always say.

And it shows. Hugh Hewitt knows his stuff. With a background in law, government, and politics, if a guest is scheduled on The Hugh Hewitt Show, they should be aware of the dangers of not being completely knowledgeable on the things they should be, and what the consequences will/can be. For instance, Hewitt essentially ended the presidential campaign of former Miami Mayor Francis Suarez (R) last year after asking him a difficult question that the politician didn’t have an answer for. That’s what happens when you step into his dojo.

Three things stand out during interviews with the Salem Radio Network host.

The first? Pace. During a recent interview with Sen. Susan Collins (R-ME), the runtime of the discussion was just under 14 minutes. And while it spanned over two different segments, Hugh Hewitt asked Collins 12 questions during that window. Which is quick.

That also encompassed some pleasantries at the start of the interview. Which is — generally — a bad thing. I know most interview teachers will tell you to skip the “How are you?” greetings that a normal phone call usually features. And while I most often agree, I think there can be some wiggle room, especially in news/talk. When you’re trying to get information for your listeners, I’m ok with some “buttering up” of the interview subject if that gets them to loosen up, think it’s a safe environment, and share information they might not be so inclined to do if there is an adversarial tone in the questions.

The reason Hewitt interviewed the Seantor was because of her recent appointment as incoming chair of the Senate Appropriations Committee. If you’re a political junkie, it’s a big deal. The job was viewed as one likely for Sen. Mitch McConnell (R-KY), but Collins got the job.

So, naturally, that’s where Hewitt began. Which is the logical launching point. Collins isn’t dumb. She knows why Hewitt wants to talk to her, so get that out of the way. People want to hear what her thoughts are on taking the job, the election of Donald Trump, and what the incoming Congress hopes to accomplish, almost in that order.

Hewitt approaches interviews with a purpose. Rather than looking at them as an “innings eater”, looking to fill up time in a three-hour show, you can hear the preparation he’s put into the questions he’ll ask, but is flexible. He knows what he wants to accomplish during the discussion and does so reliably. And if you’re not working on his timeline, he isn’t afraid to interject and get an answer from you, which is a great quality to have.

Secondly, and while this seems like something you don’t have to point out, Hugh Hewitt always asks a question. Oftentimes, you will hear an interviewer will make a statement and expect the subject to react. That often leads to the guest to just regurgitate the point the host just made, which doesn’t serve the listener.

Hugh Hewitt asks questions. And he asks one question. There are no double-barreled questions. There is a clear expectation from the interview subject on what your answer should entail. And if they try to find a proverbial exit ramp, Hewitt will push them back to the original question. While it feels as if that’s a common sense approach, it often isn’t. Many interviews will include a “talk about” section, where the host simply says “Talk about (insert topic here.” It’s bad, it’s lazy, it accomplishes absolutely nothing, and it’s a problem.

But that problem doesn’t exist on The Hugh Hewitt Show.

There is one downside, in my humble opinion, to a Hugh Hewitt interview. And that’s the length of the time it takes Hewitt to ask a question. Obviously, some explanations are needed as a precursor to a question.

Most questions, though, are best served in two sentences or less. With as few words as possible. That isn’t Hewitt’s strong suit. One of the downsides of being prepared and knowing your stuff is that you have that information at your disposal. And if you have it, it’s natural to share it, right?

During the interview with Senator Collins, it was somewhat on display. For instance, this was the leadup to one of the final questions: “I agree with you, Senator, on appropriations, on both riders and on earmarks. One of those earmarks I’d like to see is for more Arleigh Burke destroyers, because I’ve read everything that I can. I’m a civilian. I’m not a military person. But they work. They’re important. They do a lot of heavy lifting. They protect our carriers. We only have three of them in the Kennebec. What about more of those per year, Senator?”

That’s some next-level stuff that the average listener might not understand. But it’s also the long, somewhat meandering path to the question. It took Hewitt 25 seconds to get to the end of the question. While I try to find the best in everyone, attention spans don’t last 25 seconds anymore. We live in a TikTok, instantaneous, immediate world. Holding a listener through a 25-second question about naval ships — while a badass topic — isn’t a likely outcome anymore.

Additionally, it gives the interviewer subject a second to tune out for a moment and provide an answer to something else that was broached and not about the actual question.

But believe me when I tell you, that if being over-prepared and having too much information is the downside an interviewer has, they’re doing boatloads of things extremely well. Hugh Hewitt is someone aspiring broadcasters — and even those already established in the industry — should study as an interviewer. Because few do it as well as he does.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

For Ray Stevens, It’s Time to Focus All of His Energy on WLS-AM 890

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Since June, Ray Stevens has been pulling double duty. During morning drive, he’s been hosting a show for WLS-AM 890 in Chicago. Meanwhile, from 10 AM to Noon, he’s been on in Kansas City on sister-station KCMO.

But that changed Monday, as it was announced he would relinquish the KCMO timeslot to focus all of his attention on mornings in Chicago. In his place, the Kansas City news/talk station has launched a one-hour show hosted by former sports talk host Kevin Kietzman, in addition to airing an additional hour of the nationally syndicated Dan Bongino Show to cover the window Stevens’ was previously in.

As one can imagine, hosting two different shows, in two dayparts, in two local markets was quite the challenge for Stevens. After doing it for months, he now knows it’s time to focus his efforts on making his morning show on WLS the priority going forward.

“I loved my time at KCMO and without (program director) Pete (Mundo) and (Cumulus Media Kansas City Market Manager and Vice President) Donna (Baker), I’m not sure I get hired back in Chicago,” Stevens said. “I owe them a lot, both for their professionalism and their friendship.”

KCMO became a landing spot for Stevens. In 2016, the Country Radio Hall of Famer joined Big John Howell in mornings on the Cumulus Media Chicago station. But changes were made, and in 2019, he departed the news/talk genre.

However, he got a second chance at KCMO in 2023 after being away from the format. His return coincided with the exit of Chris Stigall from the station, leading to that new opportunity and fresh state in the news/talk genre.

Under the direction of Mundo and Baker, Stevens reshaped his sound and quickly grew an audience in the Missouri city. But when Cumulus Media and already established morning host Steve Cochran couldn’t come to terms on a new contract, Ray Stevens couldn’t say no at the chance to return to his old stomping grounds. And he didn’t want to leave Kansas City behind, either. So he did both.

And while that was manageable for a time, he knows focusing on one show is the right thing for everyone involved.

“WLS needs every ounce of my being,” he admitted. “We expect to continue with our heavy street presence. Our job is to be in every neighborhood in Chicagoland doing charity work and bringing our show to the public. To do that makes it hard to give my best to KCMO. So that’s why I relinquished my slot at KCMO.”

The charity aspect is one that’s near and dear to Stevens’ heart. His mantra has long been “Doing good in the ‘hood,” helping people all around the Windy City however he can.

In addition to his praise for Mundo and Baker, Ray Stevens added he’ll miss working alongside producer Mark Van Sickle, calling him “the OG of KC” and labeling him an integral part of his success in the market.

“I wish them the best and will look back at it as one of my favorite all-time gigs,” he shared. “If you don’t know Pete Mundo, get to know him. I think we will all be working for him soon. The guy is a star.”

Stevens admitted the decision to leave KCMO was a harder decision than he originally anticipated. But, in his mind, it is the correct choice and the timeline just simply no longer worked in his favor.

“If there wasn’t that hour in between where I come down from doing the morning show and then amp back up to do the two hours, I think it would have been easier to go from one to the other,” admitted Stevens. “But it’s difficult doing talk radio for five hours a day in two different markets. It’s hard.

“I’d like to be in the market again, maybe in some kind of a syndicated role, if that would allow. But to try to plug yourself in from Chicago to KC on a daily basis is tough. Chris Stigall did it for many, many years, and I give that guy a lot of props, because it’s not easy.”

Stevens added that he believes a host needs to be local to provide what the audience expects from a news/talk host.

“The only reason I left is because I feel like … for talk radio, or any radio really, to survive, you’ve got to be as local as possible. And from that standpoint, I guess (deciding to step away) was a little bit easier if you looked at it that way because you’ve got to be boots on the ground to make this stuff work. You got to do stuff that Pandora and some of the streaming services can’t do. That’s the only way radio will survive.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Elvis Duran Says Radio Isn’t What It Used To Be

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iHeartMedia syndicated morning host Elvis Duran, host of Elvis Duran and the Morning Show, was featured in a profile yesterday with “CBS Sunday Morning.”

CBS correspondent Mo Rocca caught up with Duran at iHeart’s annual “Jingle Ball” at New York’s Madison Square Garden.

Duran heard on 70 markets across the United States from his flagship Z-100, New York, told Rocca that he grew up wanting to be on the radio and feels a special bond with his listeners.

“We are in the friendship business. I think about you when you hop in your car in the morning. You’re either leaving a house that may be full of turmoil or going to a job with a boss you don’t like. But I have you for 20-30 minutes, and I can be your friend,” said Duran.

In a surprising statement and question, Rocca said, “Growing up, I remember big-name radio DJs. Now it’s kind of you and Ryan Seacrest. What happened?

Duran responded, “Radio isn’t what radio used to be. A lot of radio companies gave up on personalities; they just wanted to play music, it’s cheaper. That’s not good for our business. So, I’ve done everything I can to keep personality on a radio show in the mornings.”

We asked Derek “Big D” Haskins of the nationally syndicated Country morning show, “Big D & Bubba,” for a reaction to that statement and Duran’s answer.

“We love Elvis, but I think he simply forgot the other formats and their great national talents. Country, NewsTalk, AC, etc. are all benefiting economically and receiving strong ratings from those national shows,” said Haskins.

You can see the interview here.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Arthur Kogan Joins Netflix in Sports Social Media Role After Five Years with ESPN

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Arthur Kogan, who worked at ESPN over the last five years within its social media content, has joined Netflix to serve as the manager of social media for sports. Kogan, who started at ESPN in 2020 as a social media manager, previously served in a social media programming position at Bleacher Report where he worked on its House of Highlights property. After four years as a social media manager at ESPN, he was promoted to senior social media manager this past April as the brand continued its growth trajectory. Kogan revealed the news of joining Netflix through a LinkedIn post on Monday afternoon.

Several former colleagues at ESPN liked and commented on the post offering their congratulations and wishing him the best in his future endeavors. Kogan shared that he had recently completed his final day at ESPN and that his next stop was Los Angeles, Calif after having worked in the New York metropolitan area. Throughout his time with the company, Kogan covered a variety of events such as the Leagues Cup, the NBA All-Star Game and Nathan’s Famous Hot Dog Eating Contest.

“There are simply too many people to thank, but I’ll always be grateful to Omar Raja for taking a chance on me back in 2018 to help shape House of Highlights at Bleacher Report and for bringing me along for the ride to ESPN,” Kogan wrote in the post. “And a huge thank you to Kaitee Daley for the opportunity to contribute to what truly is the best social media team in sports media.”

Over the last several years, ESPN has precipitously grown its presence on social media across a wide variety of platforms and consistently ranks among the top brands in engagement and following. In fact, the company recently secured its 40th straight month finishing as the No. 1 sports property on social media, cultivating 738 million engagements throughout the month of October. Daley oversees the department as the senior vice president of digital, social and streaming content at ESPN, a position to which she was appointed amid a restructuring of the content organization earlier in the summer.

Netflix has continued its expansion in live sports coverage, recently working with Most Valuable Promotions to broadcast a fight between Jake Paul and Mike Tyson that attained 65 million concurrent streams. The bout secured an estimated average minute audience (AMA) of 108 million live viewers globally and generated 1.4 billion owned impressions on Netflix-owned global social media channels.

The streaming company will present exclusive broadcasts of two National Football League games on Christmas Day this year, the first season of a three-year deal it agreed to with the league in March. During its last quarterly earnings report, Netflix revealed an addition of 5 million subscribers over the span, accruing a total of 282.7 million global subscribers with net income of $2.3 billion.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Jon Jansen: I Don’t Think Gus Johnson ‘Understands the Context’ of Ohio State-Michigan Rivalry

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As the Ohio State Buckeyes and Michigan Wolverines fought on the gridiron following the conclusion of the game, FOX Sports was documenting the action for a nationwide audience to observe in real time. The fight, which is believed to have precipitated from Michigan players planting their school flag at the 50-yard line of Ohio Stadium, began while sideline reporter Jenny Taft was in the midst of interviewing Wolverines defensive tackle Mason Graham. Upon the chaotic scene beginning, the broadcast cut away from the interview and went back up to the booth where play-by-play announcer Gus Johnson and analyst Joel Klatt conveyed what was taking place and their feelings on the situation.

Throughout the quarrel, Johnson opined that Michigan planting its flag at midfield was an “unsportsmanlike gesture” and classified it as being “unnecessary.” The Wolverines had already secured the 13-10 victory, marking the university’s fourth consecutive win over their Big Ten Conference rivals, and that there was no reason for the team to be disrespectful towards the opponent. Once the audio finished playing, 97.1 The Ticket morning co-host Jon Jansen remarked that it was purportedly a matter of perspective on the situation. Jansen was on the call with Doug Karsch on the Michigan Sports Network providing analysis during the annual contest and witnessed the fight break out from the press box.

“I mean, if you got to talk about [something], talk about something you know about, and I don’t really think he understands the context of this rivalry, so sign off,” Jansen said regarding Johnson. “Hopefully everybody enjoyed the radio broadcast – turn your TV down.”

Jim Costa, who is in his first year as the co-host of the weekday program, voiced that the display may have been disrespectful by Michigan, but at the same time, there are instances where Ohio State emits vitriol and antipathy as well. Jansen later referenced a marching band routine in which Ohio State visually maligned Michigan weeks before the matchup took place.

“We’ve seen disrespecting the rivalry, but to me, you win, you get to celebrate,” Costa said. “If you lose, you get to tuck your tail and get the hell off the field, and Ohio State wasn’t willing to do that. That’s on them. Michigan’s allowed to revel in it. They had four quarters to defend their field.”

Greg Hargrave, who was behind the glass for the morning show, referenced a situation when Ohio State players ripped down the ‘Go Blue!’ banner at Michigan Stadium in 1973. The clip, he explained, is used in historical retrospectives reflecting on the impact and eminence of this rivalry. As the matchups between the two teams continue under the seven-year media rights agreement with the Big Ten Conference reportedly worth about $8 billion, Hargreaves expects the clip to be part of recurring highlights.

“Like Gus Johnson and Joel Klatt saying, ‘Nobody wants to see this,’ while this is going to be used as promo fodder for the next decades to come is the high point of hilarity,” Hargreaves remarked.

Costa added that when Michigan head coach Sherrone Moore was waving to the crowd after the game and reveling in the victory, Johnson voiced that he was saying, “We didn’t cheat – this time.” Furthermore, he added that it was something Michigan fans did not like on top of Johnson’s broadcast of the game, leading Jansen to elucidate that everyone is going to take their shots. When he asked what the Buckeyes were doing this week, he hypothesized that they had no plans since the path to the Big Ten Championship Game had become more complicated.

“And planting a flag doesn’t have to turn physical,” Costa said. “We’ve seen it happen in years past in this rivalry and other rivalries and other big games. It got physical because Ohio State had an attitude about it, because they were sore losers. That’s what it came down to.”

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