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98.1 KMBZ Host Jon Grayson Announces Retirement

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98.1 KMBZ midday host Jon Grayson has announced he’s stepping away from the Audacy Kansas City news/talk.

Grayson joined the station in 2019. Previous stops included KMOX in St. Louis as host of Overnight America, as well as 550 KTRS in St. Louis, as well as WFLA in Tampa, and SuperTalk 99.7 WTN in Nashville.

“I hate to be ambiguous, but the fact is I’ve learned that there are some things I need to do in my life that simply run in conflict with my remaining on-air,” Grayson wrote in a blog post published to the station’s website. “My wife and I are making some changes in our lifestyle, our geography, and our living standards to protect our safety and sanity, which include an international move. That simply makes this job no longer feasible.”

Jon Grayson — who was paired with Jayme Monacelli in the 10 AM-2 PM timeslot — has spent 35 years in radio. He shared his admiration for the 98.1 KMBZ audience and for allowing him into their lives, as well as the Audacy Kansas City leadership.

“Thank you Kansas City for opening your arms and your ears to me five years ago,” he continued. “I’ve loved learning this city, your ideas and ideals, your rhythm, your problems, and the ways you shine. Keep trying to do better, you’ll find it’s always worth it. Thank you KMBZ, for providing me yet another platform and connection to some truly great human beings. And thank you, Jayme, for bearing with my antics long enough to have turned our show into the true partnership I believe it’s been.”

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CNN Tabs Washington Post Podcast Host Aaron Blake for Senior Reporter Role

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Aaron Blake, who has worked as a podcast host for The Washington Post, is leaving the publication to join CNN in a senior reporter role.

Blake hosted the Post Reports podcast — a weekly political podcast — which was previously branded as Campaign Moment. He also served as the managing editor of The Fix, the political blog for the Post.

In his new role with CNN, Aaron Blake will focus on a wide range of political topics, including coverage of President Donald Trump, Congress, and the happenings inside the federal government.

“Super excited to start a new chapter with the great team over at CNN,” said Blake. “Super sad to be leaving so many wonderful and talented colleagues at the Washington Post — my home for the last 15 years and a place with some of the loveliest people in journalism.”

Blake will be based at CNN’s Washington D.C. bureau when he begins his duties with the cable news network.

Prior to joining The Washington Post, Blake served as a staff writer at The Hill, covering Congress and presidential campaigns.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Music Radio Remembers 99 KISW’s Kevin Diers

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Kevin Diers, the host of “Metal Shop” and “Loud & Local” at 99.9 KISW Seattle, has passed away. He was 39.

99.9 KISW posted, “KISW lost a member of the family this week, Kevin Diers. Kevin has been a part of the family here at The Rock after winning a contest to host Metal Shop with his friend and co-host Ian Reas. He later went on to be the long-time host of Loud and Local as well.”

Social media tributes remembered Diers as a music advocate and friend.

Iron Mike Savoia, who photographs events for KISW, posted a tribute blog that included some of his favorite photos, which you can read here. 

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

The Megyn Kelly Show, The Charlie Kirk Show Largest Growing Conservative Podcasts in 1st Quarter, New Data Shows

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The Megyn Kelly Show and The Charlie Kirk Show are both big players in the conservative podcast space. New data from TheRighting shows they are the fastest-growing, too.

According to data from TheRighting, Megyn Kelly saw her subscriber base grow by 176% in the first quarter of 2025 compared to the same window in 2024.

Additionally, Charlie Kirk saw a 68% year-over-year increase in subscribers for his show with Salem Radio Network.

Only three other podcasts — The Ben Shapiro Show (28%), Steve Bannon’s War Room (16%), and Morning Wire (10%) — saw double-digit increases compared to last year’s first quarter.

“Since endorsing Donald Trump the night before the November 2024 election, the popularity of Megyn Kelly’s podcast has soared exponentially and it shows in hockey stick growth on the Castbox platform,” TheRighting President Howard Polskin said.

“There’s clearly a growing audience for her MAGA-friendly point of view, and she has ridden the Trump wave perfectly since his January 20 inauguration,” Polskin continued. “It’s no wonder that she is extending her brand and creating an entire podcast network with like-minded voices.”

The show from Ben Shapiro has the most subscribers, while Jordan Peterson, Megyn Kelly, Bill O’Reilly, and Steven Crowder round out the top five positions on the chart.

The data from TheRighting comes from podcast app Castbox, which features only a small sliver of podcast listening in the United States.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

2025 BSM Summit Presented by Point to Point Marketing: Day 2 Recap

Day 2 of the 2025 BSM Summit presented by Point to Point Marketing is once again live at the Edlis Neeson Theater in Chicago, IL. Key takeaways from this year’s sessions and speakers are being shared by Barrett Media Sports Editor John Mamola, and Barrett Media Associate Editor Derek Futterman. Check back today to catch up on anything you might’ve missed.

Jason Barrett opened up the day thanking all our fantastic sponsors who have supported the 2025 BSM Summit and all the attendees who made the trip. He then went into a discussion about sports radio getting more attention in a very crowded space. Between social media and all the other distractions including cell phones, job, families and so much more, it’s tough for content to cut through more than ever.

He discussed while sports radio stations have done a great job reacting to news, there is still work to do. Referencing US99’s morning show celebrating being named the 21st best morning show in the latest BSM Ranking, Barrett believes radio needs to be better with reactive marketing.

When discussing why sports radio station operators might be so hungry for new revenue, Barrett shared news that some of the bigger brands are simply taking events to go viral that aren’t their own events.

Brand, talent, ideas, and fans are what leads to great success when it comes to thinking what no one else ever thought and monetizing the moment. There is no reason why sports radio and sports media brands can be any different. Barrett says that local stations need to better with taking opportunities and making them your own.

Welcome to Day 2 of the 2025 BSM Summit

9:10-9:45 = The 3-Minute Switch

  • John Snyder, Nielsen

John Snyder opened up the session discussing the why behind the 3-minute change with Nielsen, it really comes down to all digital because it’s in line with what is going on around us. There were a lot of instances as well where the five minute rule was simply outdated and there were instances where a listener even listening for 23 minutes could only give a station a single quarter hour.

He states the 3-minute rule overall allows a better representation of how consumers take in content. So how do you determine a winner with the new 3-minute rule? The first winner of the new rule is radio as overall cume has grown to higher levels the past three months, and listening is beginning to see year over year growth in ppm markets for the first time since 2021 coming out of COVID.

Using data from JAN/FEB of 2025 compared to JAN/FEB 2024. population updates went into effect seeing certain growth in certain demographics especially with Hispanic listening. Snyder discussed an apples to apples comparison from May of 2024 in AQH by format, and sports radio rose by more than 25%. He shared data for A18-54 in over 40 markets, and a good representation of some markets going up and some down based on a lot of different factors.

If you look at the stations by rank position last year and using A25-54 as the metric, the higher ranked stations are seeing either flat or down numbers while the mid-ranked stations are seeing more rise than any other. If your station was ranked 16-20 in the market in the A25-54 demo, according to Snyder’s data you are seeing great growth as well.

The biggest factor driving station AQH is your market daily cume, especially for the larger and higher ranked stations. The game is still the game, and daily cume is king. Even in a world where the majority of new listening is coming from existing quarter hours.

Snyder insist for programmers to look at the daily cume of the market, and the daily cume for your station. If you can drive daily cume to the station every day, he insists your numbers will go up. Every station in a market correlates similar with average qtr hour and daily cume. The goal is just to drive listeners.

The relationship between market cume and AQH is so important. Two possibilities to grow daily cume include finding new listeners in the market who didn’t think or know of you before, and bring back listeners who listen to the station yesterday according to Snyder. While daily TSL is important, you’re daily cume is so much more important.

He added if sports radio stations can attract the right amount of cume, you win. He added you can’t make sports appealing to everyone. Cume drives the Nielsen PPM system.

When asked about the headphone problem with the Nielsen, Snyder said that Nielsen did a survey to see how much listening is missing from PPM.

“It’s not a great situation, it’s not ideal,” said Snyder about the headphone situation.

When asked about how Nielsen will measure YouTube viewership for credit, Snyder wasn’t sure how to address the situation because YouTube streams are typically not encoded audio. He stated that Nielsen will need some help from third parties to get all the correct data for measurement.

Snyder said the ratings that are produced and how they are used in individual markets are two different things. Stations need to understand that trends can fluctuate based on sample size, and you can’t react to a simple survey. “A five share is the same as a four share,” said Snyder noting that advertising agencies will buy the five share instead of the four share.

When pressed on digital listening not being measured when stations have first party data that says different than Nielsen third party data. Snyder says more times than not they do match, but if they don’t it could be the sample.

When asked about radio investing in the PPM measurement for Nielsen tracking audio, what are the next things coming from Nielsen as far as measurement? Snyder said they are working on some new ideas, but he can’t comment specifically on it. Snyder says audio should be getting some sort of help from television, but it’s tough. He did say there are now some announcements coming this year.

9:45-10:30 = The Art of Interviewing

  • Jason Barrett, Barrett Media

Jason Barrett held court about the art of how to conduct an interview based on his experience with John Sawatsky training, where it became a verb in the building in Bristol. The art of interviewing has flaws still, including wasted minutes and bad structure. Using Dan Patrick saying the interview quality is based on the answers you get instead of the questions you ask.

The art of crafting your interviewing comes down to an interview or a conversation. A conversation is an exchange, an interview you’re earning insight. It comes down to earning trust when it comes to moments in interviews. What are memorable in interviews are moments stemming from that trust.

Referencing press conferences and Clay Travis’ critique of what has happened with beat writers. There are two things at your disposal as the interviewer. Your question, and the ability to listen. If you have bad questions, you will get bad answers. People often forget that an interview gets something out of it you didn’t know.

Regarding the question: Open, neutral and lean. Open is your who, what, where, when, and how. Lean is short, brief and making sure that the question is simple. What’s your topic and what’s the query regarding it, that makes a great question. There are seven deadly sins when it comes to crafting how to avoid a great interview.

The first sin is not having a query. Meaning, you didn’t ask a question. Gives you a TV moment but not exactly a great answer. If the guest is simply repeating what the interviewer is saying, or the guest seems to trail into an answer that simply confirms with what you said.

The second sin is being double barreled. Multiple questions when you allow the guest to stray away from the bigger and more important question by adding an optional question for the guest to lean to the easier question.

The third sin is overloading, which is double barreled but multiple times over. Keep the questions simple and direct instead of attempting to answer the question for the guest.

The fourth sin is remarks. The interviewer feels the need to share his opinion before asking the question. This leads the guest to take the easy route to simply agree or disagree, leading to nothing being gained by the interview.

The fifth sin is closed query, which are yes or no questions. They never work, especially with athletes and coaches. The goal is to get a data from the question, not a simple word.

The sixth sin is hyperbole, when you try to paint a colorful picture. However inside of interviews, they don’t really land. For example, “They call”…. who is they?

The seventh sin is using trigger words. which are words you should avoid using to simply insult or demean your guest. But also not having the right information regarding your guest.

Overall, when you have a poor plan you will have poor execution. Having a great plan can lead to some great results. Making sure you don’t take up the time instead of leaving the guest to fill the time is key, because they are the guest.

The one thing Barrett recommends to programmers, go back to an interview and remove the answers from the guests and use that as an aircheck with your talent. Get to the point, and put the pressure on the guest to get to the point. Every interview doesn’t have to be a full segment, and don’t get into a predictable pattern.

10:30-10:45 = Connecting and Profiting From Live Events presented by MRN

  • Demetri Ravanos, Barrett Media

Demetri Ravanos took to the podium and introduced a quote from Rich Greenfield about cost cutting being a great way to juice profitability, but also being a very short term strategy. Referencing Jim Henson and The Muppets, he asked if companies are willing to take a chance and do cool stuff to see if it leads to something greater.

Noting it takes a lot to get people to leave their home for an event. 85% of sports fans would rather watch a game at home on TV instead of going to a stadium. As tickets for events climb higher and higher, it’s easier for the consumer to say no. When people are watching their finances, you need to put on a product worth the price of admission.

Why can’t sports radio stations put on events with sports media figures outside of their building?

Also partnering with with local apparel companies is possible, sponsorships into aspects of the event, and a good ticket price for the average consumer.

If you can make revenue now, you will make more potentially later. Can it be successful? How do you make it bigger for next time? These are the questions you need to ask regarding putting together an event.

Try to be patient with evolution when it comes to putting on an event with an original idea. You win loyalty by creating value for people. Great memories is what attracts a bigger audience year after year.

10:55-11:35 – Afternoons in the Morning presented by Core Image Studio

  • Matt Spiegel, 670 The Score
  • Laurence Holmes, 670 The Score
  • Marc Silverman, ESPN 1000
  • John Mamola, Barrett Media

John Mamola commenced the panel by mentioning some of the legendary radio programs that have taken the airwaves in the Chicago area. With a distinctive legacy featuring accomplished hosts, he asked how important it is to keep the tradition therein. Laurence Holmes of 670 The Score mentioned that he never thought of having to be there to remain relevant, but he did talk about that in considering how people may perceive the competition, it is cool to know that they are going up against Waddle & Silvy from ESPN 1000.

“Even though it’s not necessarily competition with as much respect as I have for him and their show, I’m like, ‘Okay, what are those guys doing. How can we be competitive while also not being acrimonious?,'” Holmes explained, “and that’s how I look at it.”

Marc Silverman of ESPN 1000 added that he views the situation from the perspective of a fan getting out of work and not having any idea of what is going on. The responsibility he feels the show holds is to help people escape, keeping them informed and allowing them to laugh. As a student of the game who listened to Mike North on The Score when it first took the airwaves, he felt inspired to pursue a career in the business.

“My responsibility that I always look to is, ‘Let’s have fun,’ and if people after a long day of work or maybe even going to work for second or third-shifters, if they can say, ‘Hey, Silvy,’ or especially Waddle, ‘made me laugh today or I found out something I didn’t know,’ that’s the responsibility that I love,” Silverman explained.

Matt Spiegel of 670 The Score reflected back on some of the previous afternoon shows and averred that the daypart feels special, and it is not something he takes for granted. Afternoon drive, he explained, feels like the opportunity to express opinions in a different way. On top of that, it is essential to have thoughts and opinions that can draw audience.

Holmes started at The Score as a producer, and he conveyed how he still feels like he holds the role in having a voice in what content will be discussed. In fact, he feels it is almost maniacal and divulged that they were already at 30 texts before their afternoon show. With everything they are consuming, he is trying not to miss anything and watching games, and they work on Google Docs to see where everyone is with the show.

“That level of preparation, you want to bring something to the table, and the way that our show is set up, I think, is really good, and I wasn’t used to it,” Holmes said. “It took some adjustment to me the way that they had it set up before I moved into the afternoon show, and I had never really thought about it.”

Silverman spoke about how he still wonders if they are doing the show correctly after being on the program for the last 18 years. Rather than doing the show beforehand, he wants to save the content, but he has also learned that people come in with some anxiety through prepping and that the program will loosen everyone up. The way he has evolved as well has been completely different despite producing and reporting, but he expressed how he has not lost what he did before and can approach the show from various prespectives.

Spiegel wondered if Silverman trusted himself more now and thusly would not have to do as much beforehand. Holmes also discussed institutional knowledge and an awareness of what is going on through Chicago, allowing them to recall all of the things taking place. When it comes to something specific though, they are able to effectively talk about it.

“You’re better off just starting with what’s in front of you because the more time that you spend trying to live or re-live stuff that’s already gone on is time that you’re wasting on coming up with critical thinking or really sharp opinions on what’s right in front of you,” Holmes said.

Mamola asked about how the group goes about gleaning feedback from management and being aware that the show is clicking and moving in the right direction. Spiegel voiced that you have to trust yourself, the group and the closest people who matter. Over the years, he has garnered some listeners who have become friends and vice-versa, feedback from whom he values. The danger with ratings, however, is that the ratings can sometimes contrast from the qualitative opinions surrounding the quality of the show.

“I think trusting yourself and really examining and making sure your colleagues and you are really tight and trusting that and bosses,” Spiegel said. “All bosses I’ve ever had by the way – great instincts, terrific instincts.”

Silverman explained that he still gets in his head sometimes, remembering that he will drive home and occasionally be mad at himself. There was a recent show where he did not like the way they started, and he realized that they needed to loosen up and proceeded to have the best segment of the day.

“I think we hear from friends, we talk to fans and all three of us have always engaged on social media, so I think that can be good and bad, but it’s still a work in progress,” Silverman said.

Holmes qualified his thoughts on callers by explaining that they were more radical than most. There are times where he feels they need to be more primary, but conversely, while working as a producer, there was an abdication from hosts of doing phone topics. Although he is more adverse to it than other hosts, he admits that there are certain days where it should be a big part of what they are doing, such as the Monday following Chicago Bears football games.

“The idea of the same caller saying the same thing to try to elicit responses from hosts, I don’t think that that’s particularly good radio,” Holmes added, referencing how everyone has had people who frequently phone the show.

Spiegel explained that “Calls beget calls,” essentially bringing a tension through the portrayal of tangible verve and differing opinions. From the perspective of him as a host, he tries to have a balance with it, but he also hosts a weekend show featuring regular voices that ultimately contribute to the total content. Silverman added that Mike Thomas helped him evolve in taking calls, identifying when listeners were funny and encouraging him to dig deeper in the dialogue.

Mamola talked about how people feel differently about the value of using social media. While there is no preset book to this, he always encouraged his talent to get out there in the right manner. When asking about the balance and how to advise those who are hesitancy, Holmes spoke about how he is doing less stuff on X and more on Instagram.

“If there are things that I want to watch – if I just want to be a voyeur – I think that is where the value is, and you do have good experiences and, I would say, most of the experiences are good where people are trying to engage with you or engage with your show, but it’s also like having another job on top of the other jobs that you have as you’re preparing for your show. That life and what it is that you’re doing online, like your life online as it connects to the show, I’ve been thinking about what Wright Thompson said about Twitter that, ‘Twitter will only get you fired.'”

Holmes acknowledged that it is difficult to navigate the platform, wondering if it is an extension of the brand or if talent should feel obligated in this regard. He is not sure he has the answer to it but has been thinking about these questions. Holmes proceeded to convey that if a station is hinting that one should be on social media, they have a responsibility, in certain cases, to protect them.

“I laughed at ‘Protect us from ourselves’ because I can relate,” Spiegel said. “It’s such a personal thing because I have deleted and reinstalled Twitter on my phone I suppose 30 times, 40 times, 50 times in my life. Right now it’s not installed, but I can just go to Chrome and do it there.”

Holmes also feels that it is incumbent on programmers to consider what is happening with their talent on social media. Moreover, he explained that they need to be trained on it and the impact it has on their employees, avouching how talent receive real-time evaluation in what they are doing. After he was giving a recent opinion on Aaron Rodgers, someone reached out and said that he should be shot for his opinion, and the user doubled down when Holmes asked if he genuinely meant that.

Silverman explained that his philosophy is to build his show through a grassroots approach, but reading his mentions began to affect his mental health. One day, he decided to text ESPN host Mike Greenberg to ask what he did with the mentions.

“He responded, ‘Why are you reading your mentions?,’ and I think that’s easier for a lot of people than it is maybe for me,” Silverman said. “I came up through a time when Twitter was first invented…. and so this is the way I grow my brand. I like to be the most approachable host in the city. You can get me on Twitter, you can get me in sporting events. Talk to me, I want to make you feel like you’re a part, but now it’s gone down this road where I think we’ve all seen it gone down.”

Holmes mentioned how he was pissed off about how The Score was treated in the cluster, but he has seen the level of respect that used to go to news/talk stations back then is not being reciprocated to sports stations. In addition, he spoke about how sports stations are keeping clusters together around the country and that they are still being viewed as operating in the proverbial toy store per se.

“There needs to be a different way and a different tone in which sports radio is treated because sports radio is keeping the f****g lights on right now,” Holmes said.

11:35-12:10 – The Ups and Downs of Managing presented by Backbone Broadcast

  • Ozzie Guillen, CHSN Chicago White Sox Analyst

Jason Barrett reminisced on producing the Dan Patrick Show in 2005 when the Chicago White Sox won the World Series over the Houston Astros. Barrett outlined how many people at the conference are running brands and trying to ensure they operate a winning organization that makes money. Ozzie Guillen discussed how winning organizations have scouts who are in charge to bring talent, coaching who prepares the prospects and possessing a winning attitude. Furthermore, he articulated how it is important to be on the same page within the organization.

“To build an organization, you have to suffer, No. 1,” Guillen said. “You have to suffer because nobody can be good from the beginning, and hopefully you can stay the longest you can with a winning situation and compete every year.”

Guillen does not like the word “rebuilding” and instead thinks about “building a new generation,” and he also mentioned how teams sometimes suffer in the near-term with the intent to ameliorate the product for the future. Losing games in any sport can drive people crazy, he said, but staying with the plan can hopefully engender more auspicious outcomes.

Barrett asked Guillen to outline the differences between organizations that are winning and struggling, specifically mentioning how media coverage differed in this regard. Guillen also conveyed that he said the same things but that they were being looked at differently amid the on-field struggles. Additionally, he voiced how important is it for people to play hard, pointing out how they get paid to do as such.

Guillen pointed out how when the White Sox won in 2005, there was no one who picked them to become World Series champions and that there were a lot of “if” factors. From the first day though, he had a spring training meeting and that the ballclub remained consistent for the entire season.

“People think winning the World Series is easy,” Guillen said. “People think having a winning organization for long is easy. It’s not easy.”

Guillen noted that you need to treat your athletes with protection from the media, but do it the right way. It’s not about being liked, it’s about getting the job done.

Guillen joked how he enjoys getting paid to talk s**t for a living now compared to managing. He notes he doesn’t care about himself, he cares more about others. It’ easier to manage a team with no title when you manage a team that has a title.

Guillen insists he’s always been the same guy no matter if he was a player or a manager. There is no expectation because he’s always been the same. It’s easier to forget stuff than remember he notes. You only remember the lessons you are taught throughout time. Guillen says he loves his job, and can control his language when the light is on.

Guillen says working in sports media is the toughest job because it’s filled with constant feedback. He says about 90% of the sports media love him, but there is a new appreciation he has for people in the sports media profession on how many work so hard to sound informed on the game.

When it comes to what a manager wants from the media, Guillen wants honesty. He said that Chicago media is weak right now because of the level of questions. His rule for the clubhouse was for players to speak to the media first before showering because players tend to hide. He understood that the media has a job to do too.

It’s simple, you want the media to talk good about you, play good. Speak the truth, and you’ll speak fast. The power of the microphone is still paramount.

12:10-12:55 – The 2025 Premiere Networks Awards Ceremony

  • Mark Chernoff Award: Jeff Catlin, Sports Radio 96.7/1310 The Ticket
  • The Champion’s Award: Danny Parkins, FS1/670 The Score
  • The Jeff Smulyan Award: Bruce Gilbert, Cumulus Media/Westwood One
  • The Lifetime Achievement Award: Mike North, ESPN 1000

Mark Chernoff sent in a video message introducing Jeff Catlin as the winner of the Mark Chernoff Award.

Catlin was appreciative of being the recipient of the award, and said the BSM Summit has been inspiring these last two days. He will be taking a ton of notes back to The Ticket. He noted the support of his upper management staff for their support and his wife Laura for being there for the whole ride.

Catlin noted he was shocked when he got the call that he won. He said PDs are blessed to get the opportunity to create the radio station that they feel they want to hear. He listed the long list of accolades that The Ticket have gained, and treated this award as a ‘we’ award. He said listeners don’t tune in because of the PD, but they will tune out if the station is not great. The job is supposed to be fun, and this BSM Summit has been a great reminder of this.

He says this award means so much because it’s given by those who understand the role.

Danny Parkins of FS1 Breakfast Ball was awarded the Champion’s Award.

On behalf of Parkins, Barrett Media will donate 1000.00 in his honor to Brain Up. Parkins thanked Jason Barrett for the donation and then moved into his thanks for 670 The Score accepting him to come back this year to raise more money for cancer research. He discussed the transition from The Score to FS1 and how welcoming the Audacy team has been for him to return to the city for the event.

He then encouraged all sports radio stations to put together a radio-thon for causes as he considers radio a public-trust. Because he feels all it takes is an idea and handshakes through relationships which all stations have. Making a difference in your communities will help your community understand the impact you have. He says the industry needs to do more good because it’s all about doing the good for the community.

Bruce Gilbert is the 2025 recipient of the Jeff Smulyan Award.

Gilbert appreciated his brother providing the voice over for the video package that was presented before receiving the award. He shared some photos of his family and how being raised by his parents in the mid west was so valuable. Showing some photos of his extended family, he was over appreciative for the moment to share these family moments with the crowd.

He then showed four slides of names of people wanted to thank, but the people in red on those slides allowing him an opportunity to mess up and be great. He is eternally grateful to be honored with the award being in the same breath with Kraig Kitchin, Dan Mason, Traug Keller, Julie Talbott, and Steve Cohen.

The ceremony concluded with Chicago sports radio legend Mike North taking the stage. North extended his appreciation to Barrett Media for bestowing him with this year’s honor. He shared how Jason Barrett called him, and upon receiving the call, reminded JB that his face was not on the poster, as he hadn’t been invited to participate. Barrett then explained ‘that’s what I want to talk to you about’, and proceeded to inform North he had been chosen as this year’s recipient of the Lifetime Achievement Award, becoming the 4th ever to win it. The gesture left North speechless.

Mike then proceeded to share a story of how he got his break into the business, relayed his appreciation to all who gave him an opportunity, recognized many who he previously worked with and helped him deliver great content, and talked about the early days of The Score.

Before wrapping up, North singled out his wife BeBe and the important impact she’s had on his life both personally and professionally. He then thanked everyone for coming, and reminded them he’s got more gas left in the tank.

Another One Bites The Dust

Jason Barrett puts a bow on the show, thanking everyone who graced the stage over the 13-hour event. JB also extended his appreciation to the Summit’s 19 partners, the Barrett Media staff and on-site support crew, the MCA’s Edlis Neeson Theater team, and plugs the poll question on BSMSummit.com asking attendees where they’d like to see the Summit originate from in 2026. The options are New York City, Los Angeles, Las Vegas, and Dallas.

Lainey Wilson, Ella Langley Dominate 60th Annual ACM Awards

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Lainey Wilson was named Entertainer of the Year at this year’s ACM Awards Show. It is the second time Wilson has taken home the honor. She ended the night with four awards.

Ella Langley took home five awards, including New Female Artist.

The show hosted by Reba McEntire featured performances by Rascal Flatts and Boys To Men, and a new song, Trailblazer,” was introduced with a performance by McEntire, Miranda Lambert and Wilson.

Alan Jackson was awarded the Lifetime Achievement Award. In accepting the award now named after him, Jackson said, “A few years ago, one of my fans named their dog after me, and I thought that was something. Man, this is really amazing.”

The complete list of ACM winners follows:

Entertainer: Lainey Wilson

Album: “Whirlwind,” Lainey Wilson

Single: “you look like you love me,” Ella Langley and Riley Green

Song: “Dirt Cheap,” Josh Phillips, recorded by Cody Johnson

Music Event: “you look like you love me,” Ella Langley and Riley Green

Female Artist: Lainey Wilson

Male Artist: Chris Stapleton

Duo: Brooks & Dunn

Group: Old Dominion

New Female Artist: Ella Langley

New Male Artist: Zach Top

New Duo or Group: Red Clay Strays

Visual Media: “you look like you love me,” Ella Langley and Riley Green

Artist-Songwriter: Lainey Wilson

Songwriter: Jessie Jo Dillon

Alan Jackson Lifetime Achievement Award: Alan Jackson

ACM Triple Crown Award: Keith Urban

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FOX Sports Radio Host Doug Gottlieb to ‘Dial It Back’ on UWGB Game Days Next Year

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Doug Gottlieb has one of the more challenging dual roles you could imagine in the media space: working as afternoon host at FOX Sports Radio while simultaneously serving as the head men’s basketball coach at Wisconsin-Green Bay. His role with UWGB will take a little more precedence during the 2025-2026 season, however.

Gottlieb told the Green Bay Press Gazette that he intends to focus more on basketball during game days as he approaches his second season leading the Phoenix.

“We talked a little last year about do I want to do it on day of games? Do I want to do day before games?” Gottlieb said. “I would think I would probably dial back on day of games. Some of it is for optics, but a little bit of it is you just want to be fresh and resting.

“It’s weird, because game day, there is so much nervous energy because there is nothing to do. Now, look, if you haven’t done your homework, sure, I guess. But we are pretty well prepared, and we will be even better prepared next year.”

UWGB Athletic Director Josh Moon said he has not directed Gottlieb to shrink his radio involvement in any way and that it is the FOX Sports Radio host’s job to ensure that he is doing his best work at both endeavors.

Doug Gottlieb concluded that he will “make smart adjustments” to his radio schedule when the time comes.

In his first season leading the men’s basketball team at UWGB, the Phoenix went 4-28 overall, including a 21-game losing streak.

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CNN White House Correspodent Kayla Tausche Announces Exit

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CNN senior White House correspondent Kayla Tausche has revealed she is exiting the network two years after joining from CNBC.

According to an internal memo obtained by Oliver Darcy’s Status News, Tausche informed colleagues that she was departing CNN.

“I’m off to chase the next big story,” she shared with co-workers.

Kayla Tausche joined CNN from CNBC, where she anchored the network’s election night coverage in 2020. She was originally hired in 2011 and worked as the co-host of Squawk Alley from 2014 to 2017 before taking the role as the senior White House correspondent covering the former Biden administration and the first term of President Donald Trump.

During the Trump administration, Tausche procured interviews with Vice President Mike Pence, Treasury Secretary Steve Mnuchin, White House Chief of Staff Mark Meadows, and Sen. Mitch McConnell (R-KY), among others.

Tausche’s exit comes after CNN named Kaitlan Collins as the network’s chief White House Correspondent at the beginning of the new presidential administration earlier this year. She had previously worked in that role for nearly two years before taking a primetime hosting role with the network.

Tausche did not reveal where her next home would be in her memo to co-workers.

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Why Jeff Warshaw Believes the Time Was Right For Connossieur Media to Expand and Purchase Alpha Media

On Monday, Connoisseur Media — the group led and founded by Jeff Warshaw — announced it was acquiring Alpha Media and its 207 radio stations in dozens of markets around the nation.

The move wasn’t completely unexpected or unprecedented on a variety of fronts. First, Alpha Media had been in cost-cutting mode for awhile, including a large round of layoffs last year. Additionally, Warshaw has not been shy in his approach of looking to acquire larger groups to expand his Connoisseur Media holdings.

But there hadn’t been much industry speculation that a deal between Connoisseur Media and Alpha Media was imminent. And yet, when reached by Barrett Media to discuss the acquisition, Jeff Warshaw admitted it had been several years in the making, starting when Alpha Media was emerging from Chapter 11 bankruptcy in 2021.

“I have tried to engage with Alpha for over four years,” Warshaw said. “Finally, last year, it was clear that they were looking for potential strategic opportunities, and that’s when we opened the dialogue.”

When asked why he was interested in purchasing the Alpha Media stations, Jeff Warshaw said they already closely align with the way he prefers to operate his stations.

“The heritage of these stations has been to be committed to the communities, being live and local, treating people with dignity and respect, and having a strong market position in attractive markets,” he shared.

Warshaw added that he wasn’t simply looking to add stations just for the benefit of having a large number of brands under his umbrella.

“I think that there is a benefit to scale. I’ve been trying to make an acquisition for quite a while — that’s not a secret — because we think that what we do as a successful and is vital to our communities,” Warshaw shared. “We’re big believers in having a substantial salesforce and local programming. Connoisseur is well known to have extremely high market share in our markets, very strong ratings, large staffs with tremendous relationships with the community and our advertisers.

“We’re not big believers in a small salesforce and being reliant on large national and regional advertisers. We like to focus on where we think we have more impact and control, which is in our local marketplace.”

Integration shouldn’t be a difficult thing for the new conglomerate to accomplish. Warshaw knows that each side will bring their best to the table.

“Before we integrate everything, we need to know how they operate from financial, digital, engineering, programming, and sales structure,” said Warshaw. “Obviously, we did as much work as we could prior to the acquisition, but now that it’s open to the entire company that this is what we’re doing, it’s a much better opportunity for us to understand what we’re doing and take the best of what they’re doing and integrate it.”

Generally, when two radio groups are involved in a sale, it’s not the smaller company purchasing the larger one. But that’s the case as Connoisseur Media — which owned 11 stations at the start of the week — acquires Alpha Media, which encompassed 207 stations.

But that expansion isn’t necessarily the end of the line for Jeff Warshaw and Connoisseur Media.

“I don’t have a crystal ball,” said Warshaw on other potential targets for mergers and acquisitions. “You never know what life has in store for you. But, certainly, we’re in a tremendous position to grow. We have a great balance sheet. We have great assets and strategy that seems to work. And we embrace being local and providing community service and being a great place to work. So we have every reason to think that we’ll be able to grow. This is not an industry at this moment that is on you super strong financial footing. There are real benefits to scale, and we think that we offer some of those benefits.”

In 2022, Warshaw reportedly offered near $1.2 billion to purchase Cumulus Media outright. He wanted to take the company private. The offer would have given Cumulus shareholders between $15 and $17 per share, which CEO Mary Berner declined. Berner reportedly felt the offer undervalued the company. The company closed Thursday’s trading with its stock price at 19 cents per share.

Warshaw said then, Connnoisseur Media was working on another, separate, “strategic acquisition” , which also didn’t materialize. Now that the dust has settled, Warshaw has strong opinions on the way things have shaken out.

“Our strategy has obviously been way different than Cumulus’ strategy. The performance of our company has been strong throughout. Personally, I think Cumulus has not been run to the benefit of its shareholders. Turning down my offer was not to the benefit of the shareholders at the time. History has certainly proved that to be correct,” said Warshaw.

“Throughout my career, I’ve always put my lenders and partners’ interests above mine,” he continued. “That’s one of the reasons that I have long-standing and beautiful relationships with everyone that’s ever invested or lent money to any of my companies. It’s just the way that we operate. Time has shown that it was not worth more than $15 then. We were never given a real shot. Our offer was never given full consideration, either of our offers. And it’s unfortunate for the shareholders.”

When asked if the deal with Alpha Media is an “I told you so” to Cumulus Media for not accepting his offer, Warshaw stopped short of that encapsulation.

“No, it’s not an ‘I told you so.’ It’s too bad that we weren’t able to get together then,” said Warshaw. “We remain committed to having a great company that embraces our communities, and the importance of our employees, associates, and clients’ interests. Because if we take care of the business, the business will take care of us.

“We don’t look at it like ‘Let’s take care of ourselves first,” the Connoisseur Media founder continued. “That’s the way we’ve conducted ourselves, and that’s how we’ll always conduct ourselves. Having the opportunity to grow is a direct result of putting those principles first.”

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How Sports Radio Can Score More Sports Fans For Free

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“Why is it so hard to just watch the game?” That’s what Texas Senator Ted Cruz asked a panel of executives from Major League Baseball, the National Basketball Association, and the National Hockey League earlier this week as the U.S. Senate held a hearing regarding the future of sports broadcasting. The NFL sat out because they don’t have regional rights agreements like the other three major leagues.

It’s no secret that fans continue to find it very difficult to watch a game featuring their favorite team. As technology continues to evolve at a rapid pace, prices continue to go up for fans just to enjoy a game on the couch after a long day at the office. Rising ticket costs push more of the common fan away, while multiple games on multiple streaming services—and some on just basic cable—have led to so much frustration that Congress is now noticing.

While the frustrations of being a fan continue to mount, this is also radio’s biggest opportunity to grow awareness and cume with a FREE product for those same fans.

Consumers go through struggles of finding the best product for the most affordable price possible. We do this with clothing, cars, gas, food, and so many other items we need for our daily lives. Sports is no different. It’s the single greatest entertainment product that is provided to an audience on a near-daily basis throughout the entire year.

Where the Opportunity Lives for Sports Radio To Win Big!

How many times have you tried to find an illegal stream of your favorite sports team because you didn’t want to pay a massive amount of money to just to sit on your couch and watch your team? Don’t be shy—we’ve all at least tried. The Senator from Texas is correct in his question, it is harder to watch games and be able to afford it for many people.

For example, I live in the Tampa Bay area. To watch the Tampa Bay Rays, I need to subscribe to FanDuel Sports Network for the season at the low price of $19.99 a month. FanDuel Sports Network doesn’t carry every game of the Rays’ baseball season. They have games on AppleTV+, which costs $9.99 a month. Then, if they make the postseason, there are added costs for TBS, ESPN, and FOX through their subscription services or a cable plan.

So, just to watch every game of the Rays’ season, it will cost a minimum of $30.00 a month—plus more if I expect postseason access—because most cable packages in the Tampa Bay area may not include FanDuel Sports Network. I also have the option of using my Amazon Prime account (another fee) to tie into FanDuel Sports Network as an add-on for an additional cost.

Why is it so hard to just watch the game? The better question might be: why aren’t more radio stations saying with added emphasis, “Don’t pay anything—listen to all the action here”?

In most cases, the single most-listened-to product on a sports radio station is live and local play-by-play. It’s a marketing arm using franchise rights to cross-promote your radio brand. It’s a tool to drive advertising dollars to your station and talent. It’s a great portal for people to connect with your talent during, before, and after games—on air or on social media.

If Congress is saying sports on television is getting too complicated and expensive for the average sports fan, has there ever been a better opportunity for sports radio stations to shout the word FREE?

Sports Radio Needs a Better Gameplan

I’ve talked and consulted with programmers and talent across the country on sports radio brands that house local play-by-play rights. They cross-promote the broadcasts in updates, shows occasionally mention the game is tonight, and there might be a social graphic or two scheduled on the station’s accounts to drive digital listening.

Simply put, the promotion of listening to the game on the radio station seems like an afterthought. Social engagement or marketing is nearly invisible in most cases. It’s almost like it’s more inconvenience than opportunity for most sports brands.

Has sports radio forgotten the value of the word FREE to drive appointment listening?

If sports radio stations can give away FREE tickets to the biggest concerts in their areas, why not promote the FREE broadcast of your local team’s hometown call on the radio?

If sports radio stations can hand out FREE swag at promotional appearances, why not slap the word FREE on your station gear to market that the broadcasts can be heard for FREE on your brand?

“It’s frustrating and it’s annoying to the dedicated sports fan,” Senator Ted Cruz said. “It’s not just frustrating—it can be expensive. … It can cost hundreds of dollars per year for a hardcore fan.”

Where is SportsTalk 790 in Houston reaching out to Senator Cruz, inviting him to listen to the hometown call of the Houston Astros or Rockets for FREE?

“Streaming may well be the future, but it shouldn’t sideline the fans,” Cruz said.

Where is SportsRadio 610 in Houston informing the senator that you’ll never be sidelined from any of the Houston Texans action all season long for FREE?

If Senator Cruz thinks that any act of Congress is going to make it easier or cheaper for the average fan to watch their favorite team anytime soon, he’s mistaken. Leagues are in the business of making money and care very little about how many hoops they make the average fan jump through to find their product. Sports is life, and fans will never cease to exist.

Sports radio stations have made it easier for fans to catch the action—not just on the radio like it’s been since the early twentieth century—but now through streaming. Many leagues have loosened geofencing reach to allow fans to stream games on their favorite radio station however they choose.

The best part? No additional cost for the fan. FREE!

Plus, you’ll not only get the regular season, but in many cases the preseason and full postseason run of your favorite team—with a hometown call of the action.

Seems like a sweet deal we could market to a consumer, right?

The Time Is Now To Swing for the Fence

Today we wrap up day two of the annual BSM Summit in Chicago. We’ve been discussing how sports radio can continue to evolve and reach new consumers through traditional and digital means. Is there any better way to reach a new customer than by giving them what they desire—for FREE? Wouldn’t that customer return to your product and continue to consume as much FREE content as they could handle?

Sports have become harder to watch; Senator Ted Cruz isn’t wrong. Even the biggest celebrities in our industry face this issue from time to time, though they have the means to purchase whatever they need to enjoy the product.

This could be a massive rallying moment for sports radio brands across the country—a little added promotion, some creative digital graphics, and added marketing—all in the name of giving sports fans what they want most:

Sports. For FREE!

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.