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Yahoo Sports Adds Josh Norris, Hayden Winks After Underdog Shutters Content Network

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Josh Norris and Hayden Winks have found a new home at Yahoo Sports. Yahoo Sports quickly added Josh Norris and Hayden Winks after Underdog ended its sports content network.

What We Know: Yahoo Sports announced that Norris and Winks are joining its fantasy football coverage after Underdog shuttered its sports content division earlier this month. The duo built one of fantasy football’s fastest-growing YouTube brands during their time at Underdog, attracting more than 170,000 subscribers. Now, they’ll become part of Yahoo‘s established fantasy content lineup as the company continues investing in original programming around its fantasy products. The move also gives Norris and Winks immediate stability after Underdog exited the sports media business despite maintaining its core fantasy gaming operations.

What They Said: “When we heard Underdog was ending its content network, we immediately wanted Josh and Hayden, and Underdog worked closely with us to ensure their show had a new home.” -Yahoo Studios Head Sam Farber

“Yahoo Fantasy is a legacy platform. We’ve all played on it for decades, and the current team—led by Matt Harmon, Justin Boone, Nate Tice, and others—is as good as it gets. We are honored to join them, and look forward to making even better content for our dedicated fans for years to come.” -Hayden Winks

“It has been an incredible journey building a YouTube channel from zero to over 170,000 subscribers — our community is so loyal and passionate — but I know the best is still ahead. I can’t wait to see what we build together.” -Josh Norris

What Remains Unclear: Yahoo Sports hasn’t detailed the full scope of Norris’ and Winks’ programming schedule or whether their existing show format will remain unchanged. Likewise, financial terms of the agreement weren’t disclosed.

What It Means: The addition strengthens Yahoo Sports’ fantasy football lineup at a time when recognizable personalities continue driving audience growth across digital platforms. Meanwhile, Norris and Winks retain the audience they built at Underdog while gaining the reach of one of fantasy sports’ most recognizable brands. The hiring also signals that established media companies remain eager to acquire proven digital talent when opportunities emerge.

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MLB Network Adds Cole Hamels to MLB Draft Studio Team

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MLB Network has added Cole Hamels to its MLB Draft coverage this weekend. The former World Series MVP expands the network’s analyst lineup for the annual event.

What We Know: Cole Hamels will join MLB Network’s coverage of the MLB Draft, scheduled for Saturday and Sunday in Philadelphia. The first round will air on both MLB Network and NBC, while MLB Network will carry comprehensive coverage throughout the event. Hamels joins returning analysts Greg Amsinger, Mark DeRosa, Harold Reynolds, and former general manager Dan O’Dowd. Additionally, the former Phillies ace enters his second season as a part-time analyst on Philadelphia Phillies broadcasts for NBC Sports Philadelphia, giving him recent television experience alongside his decorated playing career. In an interview with the Philadelphia Inquirer, MLB Network producer Chris Roenbeck shared insight into why they wanted Hamels.

What They Said: “When we started brainstorming months ago, we quickly thought of Cole, given his decorated career with the Phillies and being a first-round pick. We’ll go to him early and often for pitching insights, relying on his unique perspective, which will only enhance our broadcast.” -MLB Network Producer Chris Roenbeck

What Remains Unclear: MLB Network hasn’t detailed exactly how Hamels’ responsibilities will be divided during the two-day broadcast. It’s also unknown whether his role will extend beyond this year’s draft coverage or lead to additional national assignments with the network.

What It Means: Hamels brings credibility from multiple perspectives. He was a first-round draft selection, developed into a World Series MVP, and has already gained experience behind the microphone in Philadelphia. As a result, MLB Network adds another analyst capable of explaining pitching evaluations while connecting draft prospects to the realities of reaching the major leagues. That combination could strengthen the network’s coverage as baseball spotlights its next generation of talent.

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Yung Joc Signs Two-Year Extension At Streetz 94.5

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Core Radio Group has locked in Yung Joc for two more years. The hip-hop personality will continue leading mornings on Streetz 94.5 WWSZ in the Atlanta market.

What We Know: Yung Joc has hosted mornings on WWSZ since November 2016, building one of the market’s most recognizable shows. He is currently joined by co-hosts Mz. Shyneka and Shawty Shawty. The show also airs nationally through Superadio Networks across more than 15 markets. Additionally, Streetz TV has expanded the program’s reach into the visual media space.

What They Said: Yung Joc reflected on the renewal with enthusiasm. “Core Radio Group gave me the platform to connect with the culture in a whole new way,” he said. “With Super Radio taking us into over 15 markets and Streetz TV bringing us to your screens, we’ve built something incredibly special. We’re turning the energy up even higher for the next two years.” Core Radio Group CEO Steve Hegwood added that signing Joc was a top organizational priority, calling him a premier media personality.

What Remains Unclear: The financial terms of the extension have not been disclosed. It is also unclear how many additional markets Superadio may target during the contract period. The specific scope of upcoming digital initiatives and community activations has yet to be detailed publicly.

What It Means: This extension signals Core Radio Group’s confidence in personality-driven, multi-platform programming. By combining terrestrial radio, national syndication, and visual content, the company is building a model beyond traditional broadcast. Furthermore, Joc’s long tenure in Atlanta gives the show deep cultural roots to expand from. This deal reinforces that local authenticity and national reach can coexist effectively.

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The Hill Launches Insider Subscription Tier

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The Hill is expanding its subscription business. Nexstar Media Group hopes premium content attracts its most engaged political readers.

What We Know: The Hill officially launched The Hill Insider, a new subscription offering designed for readers seeking deeper political reporting and exclusive access to its newsroom. The new service features two membership levels, starting at $5.99 per month or $59.99 annually. Meanwhile, a premium option costs $9.99 monthly or $99.99 annually and adds ad-free reading plus VIP access to live events. Importantly, The Hill will continue offering its standard news coverage at no cost. Instead, the new memberships focus on premium newsletters, expanded analysis, interactive video discussions, and behind-the-scenes editorial content. New subscribers can also begin with a 14-day free trial.

What’s At Stake: Subscription revenue has become increasingly important for digital publishers as advertising markets remain competitive. Consequently, The Hill is attempting to strengthen its relationship with loyal readers while creating a recurring revenue stream beyond traditional advertising. The strategy also complements Nexstar Media Group’s broader efforts to grow its national media brands alongside its television station portfolio.

What Remains Unclear: The Hill hasn’t disclosed subscriber targets or long-term financial expectations for the new membership program. Whether exclusive features like live newsroom discussions and specialized newsletters drive sustained growth also remains to be seen.

What It Means: The move reflects a broader shift across digital media toward premium experiences instead of broad paywalls. By keeping its core journalism free while reserving additional analysis and exclusive access for subscribers, The Hill hopes to grow audience loyalty without reducing its overall reach. If successful, the approach could provide Nexstar Media Group with another scalable digital revenue opportunity while reinforcing The Hill’s position as a leading destination for political news and policy coverage.

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KDAO-FM Drops Soft Rock for 90s Hits Format

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OnTheGoMedia flips Iowa AC station to 90s Hits format. The move adds another outlet to Shawn Dietz’ growing Iowa radio network.

What We Know: Effective Monday, July 6, OnTheGoMedia flipped KDAO-FM Eldora/Marshalltown from AC “Soft Rock 92.9” to 90s Hits “Rewind 93.” The format centers on Pop and Rock hits from the decade, with core artists including Matchbox 20, Sheryl Crow, Alanis Morissette, and Goo Goo Dolls. OnTheGoMedia began operating KDAO-FM and its sister station, Oldies 1190 KDAO, under an LMA agreement on May 1.

What They Said: Owner Shawn Dietz made clear the flip is about more than music. “We are incredibly excited to introduce Rewind 93 to our listeners, but this transition is about much more than a new music format,” Dietz said. “By bringing KDAO-FM into the RadioOnTheGo network, we are doubling down on local news, sports, and weather.” He added that the goal is keeping audiences informed and engaged while delivering advertisers meaningful access to listeners.

What Remains Unclear: It’s unknown how quickly Rewind 93 will build a distinct audience identity in the market. Additionally, programming specifics — such as local air talent, syndicated content, or automation — have not been disclosed. How the format will differentiate from other 90s-leaning stations in the region also remains to be seen.

What It Means: OnTheGoMedia is steadily expanding its Iowa footprint. Beyond KDAO-FM, the company operates Classic Hits 98.9 KQCR-FM Parkersburg and Country/Classic Rock 104.9 KLMJ-FM Hampton, along with the Hampton Chronicle newspaper. The Rewind 93 launch signals Dietz is building a multi-format cluster with a clear local-first strategy. If executed well, the move could strengthen the network’s overall position across Central Iowa.

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John Clay Wolfe Show Expands to 116 iHeart Stations

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The John Clay Wolfe Show is going national in a major way. A new multiyear agreement with iHeartMedia more than doubles the show’s distribution, expanding from 55 stations to 116.

What We Know: Beginning July 11, the four-hour Saturday morning program will air on iHeartMedia stations across the country, including WAXQ-FM in New York, KYSR-FM in Los Angeles, KOSF-FM in San Francisco, and KZPS-FM in Dallas. The show’s live YouTube simulcast continues alongside the expanded radio rollout. Additionally, the show will broadcast live from Jay Leno’s Garage on July 25, with Leno appearing as a special guest.

What They Said: Wolfe credited the show’s longevity to authenticity over format. “For 20 years we’ve never tried to fit into a radio format,” he said. “We’ve simply tried to make people laugh. The cars brought people to the show, but the stories, characters, the guests and the friendships are what kept them coming back every Saturday.” iHeartMedia Division President Eddie Martiny called it “one of the most entertaining and engaging programs in radio.”

What Remains Unclear: Financial terms of the multiyear deal were not disclosed. It is also unclear whether additional affiliate stations are planned beyond the initial 116.

What It Means: This deal stands out as a genuine bright spot for terrestrial radio. At a time when the industry faces ongoing consolidation and cutbacks, a personality-driven show more than doubling its distribution is notable. The Wolfe Show’s growth demonstrates that distinctive, audience-connected content still commands real value on the FM dial.

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Marcellus Wiley Speaks Out After Domestic Violence Arrest, Divorce Details Go Public

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Marcellus Wiley has publicly addressed allegations tied to his ongoing divorce. The former sports media personality says he’ll fight the claims through the legal process.

What We Know: Marcellus Wiley issued a public statement after his July 4th arrest and subsequent release on bond Monday. The statement comes as his divorce from his wife, Annemarie, has become increasingly public. Court filings include allegations of emotional, verbal, and sexual abuse, along with claims of financial manipulation. Wiley has not admitted wrongdoing and said he’ll respond through the legal system. His comments marked his first extensive public response since the allegations surfaced.

What They Said: “I never wanted my family’s issues and struggles to become public for any reason, including divorce leverage. But I unfortunately knew this day was inevitable. I was willing to endure anything—even hell itself—if it meant being with my children every single day. I am their hero, and now I am fighting to make sure the positive and real image they know of me is the one that endures. I am prepared to address these allegations and related matters through the legal process and with evidence. My focus remains on my children, my integrity, and the truth. Thanks for your understanding.” -Marcellus Wiley

What Remains Unclear: The legal proceedings remain ongoing, and a court hasn’t ruled on the allegations made by Annemarie Wiley. It’s also unclear when additional hearings or evidence will become public. As a result, many of the claims remain disputed.

What It Means: Marcellus Wiley’s statement signals he’ll contest the allegations in court rather than through media appearances. Meanwhile, the case has drawn significant attention because of his high-profile sports media career. Until the legal process concludes, the allegations remain unproven, and the outcome could shape both his public image and any future return to broadcasting.

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The Big 12 Didn’t Land a Monster Deal — It Sold Its Soul for Peanuts

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I thought the news from the Big 12 yesterday was a joke when I initially read it. No way would a College conference put an energy drink’s name in front of its own, right?

Guess again. That’s exactly what they did. They sold the naming rights to their entire identity, rebranding as Monster Energy Big 12 Football and Monster Energy Big 12 Basketball.

This is not only an embarrassment to the conference, but it opens the door to copycats. What’s next, Olive Garden Audacy? Car Shield’s Daily Wire? CitiBank ESPN? If companies spend enough maybe we’d have JetBlue’s Jason Barrett too.

Let’s look at the math for a second. Twenty million annually for the entire conference. Divided among sixteen member schools that amounts to roughly one million dollars per program per year. Doesn’t that seem awfully low to own the identity of an entire conference?

But wait, it gets worse.

The deal is for conference naming rights over two sports, football and men and women’s basketball. However, a name change like this most certainly affects every other sport. There is no separation in the eyes of the public. Furthermore, if you add up the total amount of football and basketball games each season, each school plays roughly 70-75 games. Assuming the twenty million figure is correct, that means each school receives roughly 15K per game to rename an entire conference.

Owning the conference’s name is bad enough, but this deal also includes co-branded jersey patches worn by every team in football and basketball, co-branded logos on every playing field and basketball court, and a renaming of the conference’s regular seasons — now officially known as “Monster Energy Big 12 Football” and “Monster Energy Big 12 Basketball.” Big 12 Commissioner Brett Yormark labeled Monster Energy as the conference’s “entitlement partner” for both sports.

This is the equivalent of a radio sales person selling a $300 per month package to a client for one hundred spots, ownership of a show’s podcast channel, and the naming rights to the media company.

I want to be clear, this isn’t an emotional response. My interest in the Big 12 is low. This is simply business analysis. There is no justifiable explanation to sell a conference’s identity for peanuts. Stupid short-term decisions create long-term consequences. It reminds me of when Major League Baseball tried to replace Cracker Jacks with Crunch and Munch in the early 2000’s. The powers that be forgot that the 7th inning stretch literally said “Buy me some Peanuts and Cracker Jacks“. Fans were not going to insert the Crunch and Munch name into the popular song, let alone buy the product. They revolted as soon as they heard about it.

The difference is, this is much worse.

The Big 12 Conference is 31 years old. It has produced Heisman Trophy winners, Final Four programs, and national championships. Kansas basketball. Texas football. Oklahoma’s dynasty. These are identities built over decades of genuine cultural investment that no sponsorship dollar can replicate or accelerate. When you put an energy drink’s name in front of your own, you are making a statement about what your brand is actually worth to you.

The statement the Big 12 made this week is that it is worth $20 million annually. That number might sound significant until you compare it to what the Big Ten and SEC generate in media rights deals. They earn billions. Twenty million is not a landmark deal for a Power Four conference. It is a sign that the conference needs money so bad they might soon let fans bid to call plays.

Every advertiser and sponsor currently associated with the Big 12 now operates under a brand umbrella that identifies an energy drink ahead of a college athletics conference. Sponsorship is a prestige business. Companies pay to be associated with names that carry cultural authority. When the name of a conference becomes subordinate to the name of a sponsor, the conference’s ability to attract premium partnership dollars from companies that require that authority is diminished — not enhanced.

Yormark called this deal “the first of its kind” in college athletics. He is right. It is the first of its kind. Because no executive has made the dumb decision to devalue their conference’s reputation and identity for a one dollar holler.

The history of media and sports business is full of organizations that chased short-term revenue at the expense of long-term brand equity. The Big 12 may look back at this deal as necessary survival in a restructured college athletics landscape. Or it may look back at it as the moment it decided an energy drink was worth more than its soul.

Either way, it made a choice. Publicly. Without fully understanding the harm it was doing to its reputation. If they did any research, it must’ve been done by the group that told Cracker Barrell to change its logo.

Fans are going to dislike this move. That’s not hard to figure out. But the conference might want to take some of that newfound money to investigate whether their identity was worth more than the equivalent of a Jelly of the Month Club membership.

Better yet, they can save their time and money and just read this column. It doesn’t take a genius to know that staining your name is a bad business decision. The least they could’ve done was partnered with McDonalds to put the Big 12 logo on the Extra Value Meals Menu.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Two Years Later, Audacy’s WCBS 880 Decision Looks Smarter Than Ever

Two years ago this week, Audacy announced it was ending WCBS 880’s all-news run in New York, striking a deal with Good Karma Brands to move ESPN New York onto the historic 880 AM signal. The news sent a jolt through the industry, and it left plenty of longtime listeners wondering what had happened to a brand that had defined New York radio for decades. Looking back now, though, the anxiety over that decision looks a lot bigger than the outcome turned out to be.

At the time, I wondered whether the move signaled trouble ahead for all-news radio across Audacy’s portfolio. That question felt especially urgent since it came right after KRLD 1080 in Dallas pivoted away from all-news programming in favor of talk. Two major markets losing their all-news identities within a short stretch felt like more than coincidence — it felt like the start of a trend.

But trends don’t always play out the way we expect them to. WCBS 880 was a heritage brand, and it meant something to generations of New Yorkers who relied on it for weather, traffic, and breaking news updates. Still, 1010 WINS never skipped a beat. Ben Mevorach has kept the brand humming along near the top of the ratings and revenue charts, and that success has quieted a lot of the concern that spread through the industry back in 2024.

What This Anniversary Really Reveals

Hindsight makes this a lot clearer than it seemed two years ago. The WCBS 880 decision wasn’t really about walking away from all-news radio. Instead, it marked a turning point where Audacy showed it was willing to partner with other radio groups whenever those partnerships made business sense.

Good Karma Brands got a more affordable New York outlet for its ESPN content, and Audacy got to reallocate resources toward its strongest news product already in the market.

That willingness to collaborate didn’t stop there, either. Since striking the Good Karma deal, Audacy has worked with iHeartMedia to place its stations on the iHeartRadio app, expanding its digital footprint well beyond what either company’s platform could offer alone. Audacy also partnered with Townsquare Media to launch a Michigan sports network built around content from 97.1 The Ticket in Detroit.

Neither partnership would’ve seemed obvious a few years back, yet both moves suggest an Audacy that’s now more focused on smart business than on rigid competitive lines.

Why New York Radio Came Out Ahead

New York’s radio landscape looks stronger today than it did the week Audacy made its announcement. ESPN New York found a stronger signal in 880 AM, giving the brand better reach and a clearer path to compete in one of the country’s toughest sports radio markets.

Meanwhile, WINS solidified its position as the market’s go-to all-news source, and that clarity has benefited both listeners and advertisers who know exactly where to turn.

None of that erases the sentimental loss plenty of longtime WCBS 880 listeners still feel today. Nostalgia matters in this business, and heritage brands carry weight that goes beyond the ratings books. But nostalgia alone can’t sustain a format if the business fundamentals don’t support it, and Audacy’s leadership clearly understood that reality when they made this call.

Two years later, the numbers back up the decision. Audacy’s willingness to partner across the industry has paid dividends well beyond New York, and its approach to collaboration now looks like a blueprint rather than a gamble. So while it’s fair to feel a pang of nostalgia every time this anniversary rolls around, it’s also fair to say the radio landscape adapted, and adapted well.

Sometimes the boldest moves in this business don’t look bold until you’ve had a couple years to watch them play out. This is one of those moments. And if Audacy’s recent track record is any indication, it won’t be the last time a tough call turns into a smart one.

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Spotify’s Explicit Music Drop Reveals a Bigger Shift for Radio

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One statistic caught my attention this week, and it had nothing to do with radio.

According to a recent Digital Music News report, just 13% of Spotify’s Top 50 songs now carry an explicit label. That is down dramatically from 74% in 2018. Meanwhile, Apple Music’s Top 50 continues to feature a much larger share of explicit tracks.

At first glance, it looks like listeners have decided they want cleaner music. However, I don’t buy it.

DSPs Are Developing Their Own Identities

Instead, I think we are witnessing something much bigger. The major digital service providers are beginning to develop distinct personalities, and that is changing the kinds of music that succeed on each platform.

For years, the music business chased one universal hit. A song broke on radio, found its way to streaming, showed up on YouTube, and eventually became part of pop culture. Today, however, success looks very different.

Spotify Has Become Everyday Listening

Spotify has evolved into the soundtrack for everyday life. Whether you are working, driving, exercising, or cooking dinner, Spotify has become the default choice for millions of listeners. That environment naturally favors songs with broad appeal. Therefore, a clean record has more opportunities to appear on editorial playlists, algorithmic recommendations, workplace playlists, and family listening sessions.

Apple Music, on the other hand, appears to serve a different purpose. Its audience has long leaned toward intentional music fans — listeners who actively search for artists, albums, and genres instead of simply letting an algorithm decide what comes next.

TikTok Creates Moments, Not Always Hits

Then there is TikTok. TikTok does not necessarily create hit songs. Instead, it creates hit moments. Fifteen seconds can launch an artist into the mainstream without the rest of the record becoming a streaming powerhouse.

YouTube brings another audience altogether. It rewards videos, live performances, fan communities, and long-tail discovery.

The result is significant. The same song no longer has to dominate every platform to be considered successful. That is a meaningful change from even five years ago, and it raises an interesting question for radio programmers.

Radio’s Advantage Has to Shift

For decades, radio distinguished itself by playing the clean version of popular music. Programmers edited lyrics because they had to. Broad audiences expected it, advertisers appreciated it, and regulators required it.

However, what happens when the biggest streaming platform is already rewarding cleaner songs? That advantage begins to disappear.

Consequently, radio’s value shifts away from simply providing a family-friendly version of today’s hits. Instead, it moves back toward the things streaming still struggles to replicate: trusted personalities, local storytelling, community involvement, companionship, and human curation.

Streaming Has Grown Up

There is another trend worth watching. Streaming has matured. The audience is no longer made up exclusively of teenagers. Millennials are parents now. Generation X has fully embraced streaming.

Meanwhile, music increasingly fills kitchens, offices, living rooms, and workplaces instead of only headphones. That broader listening environment naturally favors songs that fit more situations.

None of this suggests explicit music is disappearing. Hip-hop remains one of the most influential genres in the world. Artists are not suddenly changing how they write because Spotify says so. Instead, listeners are making different choices depending on where they are listening.

The Platform Now Shapes the Hit

That is the distinction I think matters most. We are no longer living in one music culture. Rather, we are living in multiple music ecosystems.

Spotify has its own identity. Apple Music has another. TikTok has become its own launchpad. YouTube, meanwhile, rewards entirely different behavior.

And yet, radio continues to offer something none of those platforms can fully replicate: personalities who create a genuine connection with listeners every single day.

Maybe the real story is not that music is getting cleaner. Maybe every platform is simply becoming better at serving a different audience. If that is true, then programmers, labels, and artists should not be asking how to create one song that wins everywhere. Instead, they should be asking which platform they are trying to win in the first place.

That may turn out to be one of the biggest shifts in music consumption this decade. It deserves far more attention than whether a song carries an “Explicit” label.

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