Tag: Paul McCartney

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The Industry According to Gary Jay, Land Shark Promotion Studio

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"Radio cannot afford to become a tired jukebox with 15 minutes of commercials every hour."

Attention Spans Are 40 Seconds. What Does That Mean for Radio?

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"Listener Eye Contact is the most important skill an air personality — regardless of format — can develop."

Why Mike Golic Returning Is a Home Run Hire for ESPN Radio

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"If ESPN Radio wanted to make the strongest statement possible about its commitment to the platform, there may not have been a better option available at this moment than bringing Mike Golic home. Sometimes the smartest move isn't chasing what's next. It's recognizing the value of what already worked."

Has the C-Suite Generation of Hard Work and Ethics Lost Its Way

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"I'm saddened that it's often the largest media companies — those that rely on creative content and entertainment — that repeatedly eliminate the very people who helped build those organizations into the giants they have become."

The Industry According to: Jill Weindorf, Concord Label Group

Features Keith Cunningham Keith Cunningham -
"Overall, radio helps contextualize the artist. It creates cultural awareness, drives more curated exposure, and can help build community."

The Beatles Radio Presence Fades as London Museum Arrives

Music David Hill David Hill -
"There are so many special memories within the walls, not to mention the rooftop."

Concerts Over Cash: Country Radio’s Secret Weapon

Columns Jeff Lynn Jeff Lynn -
When a listener gets a ticket to see someone they’ve loved since they were 14, you’re not just filling a prize slot. You’re making a lifelong listener.

Music Radio Remembers Legendary Rocker Rick Derringer

Radio BMM Staff BMM Staff -
The northeast Ohio native began his career with The McCoys, where he had chart success with “Hang On Sloopy.”

If It’s Good For A Super Bowl Ad Why Not A Music Format?

Columns Robby Bridges Robby Bridges -
What’s fascinating is the “mad men” (and women) seem to have no issue regularly using “oldies,” i.e., 1960s hits, IN their ads but balk at the idea of media serving up the music.

James Rosen Still Asking the Tough Questions as He Covers the White House for Newsmax

Features Krystina Alarcon Carroll Krystina Alarcon Carroll -
“The only reason good reporters become reporters, is because we suffer from a peculiar compulsion to adduce new facts for the record of our times,”

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Attention Spans Are 40 Seconds. What Does That Mean for Radio?

Columns 0
"Listener Eye Contact is the most important skill an air personality — regardless of format — can develop."

Why Mike Golic Returning Is a Home Run Hire for ESPN Radio

Columns 0
"If ESPN Radio wanted to make the strongest statement possible about its commitment to the platform, there may not have been a better option available at this moment than bringing Mike Golic home. Sometimes the smartest move isn't chasing what's next. It's recognizing the value of what already worked."

Has the C-Suite Generation of Hard Work and Ethics Lost Its Way

Columns 0
"I'm saddened that it's often the largest media companies — those that rely on creative content and entertainment — that repeatedly eliminate the very people who helped build those organizations into the giants they have become."

How Matt Barrie Is Prepared To Tackle the Challenge of Hosting SEC Nation

Features 0
"If you're a college football junkie like I am, there are few jobs with ESPN that scratch that itch. SEC Nation is one of them."