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Salem Media’s Handling Of Charlie Kirk’s Death Deserves Praise One Year Later

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Tomorrow marks one year since Charlie Kirk was shot and killed at Utah Valley University, and few companies in this industry feel that anniversary the way Salem Media does. The company had spent years building The Charlie Kirk Show into one of the crown jewels of the Salem Podcast Network. It had also just expanded the program across Salem Radio Network, handing Kirk the afternoon affiliates once carried by Dennis Prager. Then, in an instant, the host was gone — killed in public, with video that spread online before Salem’s leadership could even process what had happened.

There’s no manual for that. Losing a syndicated host to a contract dispute is difficult enough. Losing one to an assassination that millions watched unfold on their phones is something else entirely. Every executive at Salem had to mourn a colleague while also running a business that depended, in real and immediate ways, on that very person.

Nobody could have gotten this perfect. But Salem came about as close as a company reasonably could. It walked a genuinely difficult line, balancing unfathomable grief against legitimate business obligations. And it did so without ever losing sight of Kirk’s family, his audience, or the legacy he’d spent a decade building.

Steady Leadership Through an Impossible Year

Salem’s leadership team deserves serious credit. David Santrella, Phil Boyce, Allen Power, and Tom Tradup didn’t have a playbook sitting on a shelf, so they built one under pressure. They kept The Charlie Kirk Show on the air through a rotating slate of guest hosts, starting with Vice President JD Vance in the days right after the shooting.

From there, they worked alongside Erika Kirk and executive producer Andrew Kolvet as the program found a longer-term shape. That transition could easily have looked chaotic from the outside. Instead, it looked deliberate.

Meanwhile, the rest of Salem Radio Network kept moving. Affiliates didn’t lose programming. Sales teams didn’t lose inventory. Listeners didn’t lose a daypart they’d come to rely on.

That continuity mattered for Salem’s bottom line, sure, but it also mattered for an audience that needed something familiar during a genuinely destabilizing moment in the news cycle.

Honoring Kirk Without Freezing in Place

This is where most companies stumble. They either move on too fast and look callous, or they freeze completely and let the business erode around them. Salem avoided both traps.

Tomorrow, the company airs a tribute special across Salem Radio Network, Salem News Channel, and Townhall, narrated by Mike Gallagher, Larry O’Connor, and Alex Marlow, with an appearance from Larry Elder. CEO David Santrella called the situation “deeply personal”, and that framing tracks with everything Salem has done over the past twelve months. For a lot of people inside that building, this loss was personal, not just professional.

Still, Salem never let mourning become an excuse to sit still. The company found new hosts, protected its affiliate relationships, and kept its podcast network running at a level Kirk himself would probably recognize. That balance is hard to strike under normal circumstances. Under these circumstances, it’s remarkable.

There are difficult situations in this business, and then there’s this one. Salem Media faced a tragedy that was personal, public, and professional all at once, and it made it through a full year without losing its footing. That deserves real recognition — even though, and maybe especially because, nobody at Salem ever wanted the chance to prove it.

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Fall Radio Programming: 50-Year Album Anniversaries Worth Promoting

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Labor Day is past, and the kids are back in school. Commuting patterns have returned to normal. Pumpkin spice is in everything. Additionally, for diary markets, ratings books will soon be in the listener’s hands. The fall is gearing up to start its annual crazy run to the New Year.

Before things get totally crazy, let’s take a second to prepare. Some notable moments can easily catch you off guard. Furthermore, they can slip by completely if you don’t work ahead. At minimum, put notes on the calendar.

Music Milestones Worth Celebrating

Let’s start with four albums celebrating their golden — fiftieth — anniversary. Each of these releases offers unique programming opportunities.

The Eagles Hotel California (12/8): Notably, what a great way to wrap up the fall ratings period for diary markets. An album that won two Grammy Awards topped the chart for eight weeks. Moreover, it sold thirty-two million copies and turns fifty.

Bob Seger Night Moves (10/22): Importantly, this first album to feature The Silver Bullet Band includes a couple of the best deeper but familiar Seger tracks. The songs “Sunspot Baby” and “Come to Poppa” stand out particularly well.

Electric Light Orchestra New World Record (10/15): Furthermore, the band’s sixth album features a couple of the group’s biggest hits. “Livin’ Thing” remains iconic and relevant.

Queen A Day at the Races (12/10): Since the biopic, Queen has been remarkably relevant. This album is worth mentioning. Consequently, consider dusting off “Tie Your Mother Down” to play after “Someone to Love.”

The Eagles probably warrant a full-fledged weekend promotion celebrating the album and the artist. However, despite being from Detroit, Night Moves may not be on the same level. Yet it’s certainly worthy of featured play on the day. Similarly, E.L.O. and Queen deserve recognition.

Notable Anniversaries Beyond the Golden Standard

While Emerald, Coral, and Sapphire — 55, 45 and 35 years respectively — aren’t as exciting, there are notable releases worth exploring. Specifically, some merit special feature programming.

Led Zeppelin IV (11/8/71): Probably the biggest of the rest, this iconic album marks its Emerald Anniversary on a Sunday. This creates a great opportunity to wrap a weekend promotion around one of the format’s biggest acts.

Nirvana Nevermind and Red Hot Chili Peppers Blood Sugar Sex Magik (9/24/91): These albums share a U.S. release date. The Chili Peppers album started the band’s transition toward being commercially accessible. Meanwhile, the two coming together on the same day provide an opportunity for great programming.

Guns N’ Roses Use Your Illusion I and II (9/17/91): What a fall! A week before Nirvana and the Chili Peppers hit, Guns N’ Roses dropped both Use Your Illusion albums. Between great covers and notable originals, if Guns N’ Roses fits your station, this makes for a great hourly feature. Additionally, special blocks work well too.

AC/DC For Those About to Rock (We Salute You) (11/20/81): Fire the cannons. The follow up to Back in Black was released forty-five years ago. Admittedly, For Those About to Rock wasn’t chock full of memorable tracks like its predecessor. However, anyone who’s seen them live understands the impact. Therefore, the title track remains powerful.

Ozzy Osbourne Diary of a Madman (11/7/81): Obviously, this is always a good excuse to feature some of Randy Rhoades’s best work.

The Police Ghost in the Machine (10/2/81): This one has several good “oh-wow” tracks. “Spirits in the Material World” could be fun to pull out. Additionally, it’s Sting’s 75th birthday.

Birthday Celebrations Across All Formats

Beyond album releases, there are notable birthdays to celebrate. These cross the lines for all three Classic/Adult formats. Programming around these moments adds significant value.

October 2: Sting turns 75, as mentioned above.

October 7: John Mellencamp turns 75 as well.

October 11: Daryl Hall turns 80.

December 18: Keith Richards turns 83. Admittedly, this is not statistically significant. However, any Keith Richards birthday is impressive.

December 20: Chris Robinson of the Black Crowes turns 60.

The bigger point I’m hoping you take away from this list is important. In our Classic Rock/Hits and Adult Hits stations, taking advantage of special dates matters. Anniversaries and birthdays are fertile opportunities. Furthermore, too often they sneak up on us because we are busy. Consequently, many opportunities are lost.

Work Ahead to Stand Out

Please use this column for planning ideas. Do your own research, whatever it takes to work ahead. Make plans accordingly. Ultimately, that way you can have special production and artist audio. Additionally, other special touches make the music come alive in unique ways. That’s our opportunity to stand apart from the streaming services. Indeed, automated competitors can’t match what you create.

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ABC’s Jimmy Kimmel Live! to Reportedly End in 2027

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Jimmy Kimmel could be nearing the end of his run on ABC, with reports claiming his late-night show will end in 2027. The network, however, says those reports are inaccurate and that the show’s future remains speculative.

What We Know: Kimmel has hosted Jimmy Kimmel Live! since 2003, giving him one of the longest runs in late-night television. Only David Letterman and Johnny Carson have hosted a network late-night show longer. Reports indicate Kimmel’s current contract won’t be renewed after the upcoming season, which is scheduled to conclude in 2027. However, ABC Entertainment pushed back on the report, saying the “information is inaccurate” and that any reports about the show’s future are “purely speculative.”

What’s At Stake: If the reports prove accurate, ABC would lose one of its most established late-night personalities after nearly a quarter-century. Kimmel’s departure would also leave another major broadcast network searching for a new strategy in a late-night landscape facing declining traditional television audiences. The timing could further fuel questions about how much networks are willing to spend on established late-night franchises.

What Remains Unclear: The biggest question is whether ABC has actually decided to end Jimmy Kimmel Live! after the 2026-27 season. Reports have suggested the decision would reflect broader cost reductions rather than Kimmel’s relationship with the Trump administration or FCC. Still, ABC has directly disputed the premise, leaving the show’s future unresolved.

What It Means: For now, Kimmel remains under contract through May 2027, following a one-year extension signed in December. If he does leave afterward, it would mark the end of one of the longest-running late-night eras in television.

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Britt McHenry Joining the State Department as Press Advisor

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Britt McHenry is taking her media career into government, joining the State Department as a Press Advisor. The former ESPN reporter brings nearly two decades of on-camera experience to the role.

What We Know: McHenry has spent much of her career covering sports and news across television and digital media. She previously worked at local television stations in Washington, D.C., before joining ESPN as a reporter. After leaving ESPN, she continued building a media career that included work with The Spectator and Real America’s Voice. McHenry also returned to Washington television during her career, adding further experience covering news and politics. Her move to the State Department now shifts that experience from covering public affairs to helping communicate them.

What They Said: “I am beyond excited to start this new chapter today and am thankful to every person who helped me in pursuing and achieving this opportunity. For 17 years, I have worked on camera covering the news. Now, I get to take that experience and apply it to our country’s highest diplomatic agency.” -Britt McHenry

What Remains Unclear: The State Department hasn’t publicly detailed McHenry’s specific responsibilities or which officials and offices she’ll directly support. It’s also unclear whether she’ll maintain any outside media commitments as she begins the new role.

What It Means: McHenry’s appointment gives the State Department an advisor with extensive experience working in front of television cameras and across news platforms. Moreover, her background spans sports, political commentary, and digital media. That combination could prove useful as the department works to communicate its message across traditional and emerging media. The move also marks a notable transition for McHenry, who will now help shape the messaging she once spent her career reporting.

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ESPN Partners With Apple Music For Monday Night Football Music Curation

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ESPN and Apple Music are teaming up to curate music for Monday Night Football during the 2026-27 NFL season. The partnership comes as ESPN prepares to broadcast its first Super Bowl.

What We Know: Apple Music will curate music for select Monday Night Football games throughout the upcoming season. The partnership expands ESPN’s recent tradition of working with major artists and music brands to shape the sound of its NFL coverage. Previously, ESPN collaborated with Saweetie, J Balvin, Timbaland and Justin Timberlake, Marshmello, Drake, DJ Khaled, and Diplo. This time, Apple Music will provide music for ESPN’s promotional spots, live telecasts, and Monday Night Countdown. The first selection is Lil Baby’s recently released single “Dead Fresh,” which will appear in ESPN’s Week 1 promotional efforts. The season begins Monday, September 14, when the Denver Broncos visit the Kansas City Chiefs at 8 p.m. ET. Additionally, Apple Music’s weekly selections will feature during Week 5, Week 7, Week 13, Week 15, and the Week 18 doubleheader.

What They Said: “Lil Baby sets the tone at kickoff for us. The sound, energy, and moment are right, just like Pharrell’s beat. This is the biggest season yet for ESPN, and Apple Music is perfect to help carry that energy from Monday Night Football all the way through to the Apple Music Super Bowl Halftime Show.” -ESPN Vice President of Sports Marketing Curtis Friends

“There’s nothing like the energy of a Monday Night Football game. We’re giving that energy a soundtrack, powered by Apple Music’s deep bench of curators and tastemakers. We can’t wait to bring artists and music to this audience in a way that matches the moment.” -Apple Music and Apple Podcasts Global Head of Marketing Matt Plotnik

What Remains Unclear: ESPN and Apple Music haven’t revealed the complete list of songs or artists that will appear throughout the season. The companies also haven’t detailed how the weekly selections will connect with specific game moments or broadcasts.

What It Means: The collaboration gives Apple Music another prominent platform ahead of the Apple Music Super Bowl Halftime Show. Meanwhile, ESPN gets a global music brand helping shape its NFL presentation during an important season. The partnership also continues ESPN’s effort to make music a larger part of its Monday Night Football identity. With the Super Bowl coming to ESPN for the first time, that connection could become even more significant.

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Netflix Executive: WWE Has Hit “Every Metric” In Year Two Of Partnership

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Netflix’s WWE partnership is nearing its two-year mark. Gabe Spitzer, Vice President Global Live Sports and Entertainment for Netflix says results are exceeding expectations both domestically and internationally.

What We Know: Netflix and WWE signed a $5 billion, ten-year deal announced in January 2024. The agreement took effect in January 2025, giving Netflix exclusive U.S. rights to Raw and all WWE programming internationally. Gabe Spitzer, Netflix’s VP of Global Live Sports and Entertainment, discussed the partnership with Richard Deitsch on the Sports Media podcast. Additionally, WWE has begun meeting with Netflix’s film and scripted teams about talent crossovers.

What They Said: (All quotes via Sports Media podcast w/Richard Deitsch):

Gabe Spitzer, Vice President Global Live Sports and Entertainment for Netflix is happy with the WWE partnership with Netflix in the U.S.: “We knew in the U.S. with something like Raw, having that every week, there’s going to be that passionate, loyal fan base, and they were going to show up. They have come in expected ways over to Netflix and predictable ways. So it’s hit you know every metric that we hoped for on the U.S. side.”

Gabe Spitzer, Vice President Global Live Sports and Entertainment for Netflix on surprising growth globally with WWE and Netflix: “I think the place where we’ve been surprised in a good way, and that will continue to grow, is outside of the U.S. That’s really where we see the potential to continue to grow this partnership. Is in the U.S. we have Raw only. Outside of the U.S. and in most countries around the world, we’re the home for all of WWE.”

Gabe Spitzer, Vice President Global Live Sports and Entertainment for Netflix on how the WWE works with Netflix on global event planning: “It’s been cool to see as different countries have come online. As example, Italy this year came online and they did a big PLE, the Clash in Italy there shortly after. So, they’re working with us and they’re saying, ‘Hey, what are the countries you want to continue to grow, or how can we boost that viewership, or can we bring in an event there?'”

Gabe Spitzer, Vice President Global Live Sports and Entertainment for Netflix on navigating more WWE talent into Netflix programming: “I think we’re constantly meeting with other WWE talent to see if there’s a fit in the sports space. They’ve been great partners and trying to volunteer that time. I would say not just in sports. They’re meeting with our film and scripted series teams. How can we cast some of those superstars in some of our shows? That creates that larger cohesiveness across Netflix that I think can help with the WWE. Help them, and help us in terms of viewership too, to create more of that fan affinity.”

What Remains Unclear: Spitzer didn’t detail specific viewership numbers behind the U.S. “every metric” claim. It’s also unclear how many additional global markets could host WWE premium live events beyond Italy.

What It Means: Spitzer’s remarks suggest Netflix sees WWE as more than a U.S. viewership play. Instead, international growth and cross-platform talent deals appear central to the partnership’s next phase. Consequently, WWE could become more embedded across Netflix’s broader content slate, not just its sports lineup. Ultimately, that expansion may deepen fan affinity while strengthening the agreement’s long-term value.

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KOOL 107.9 & 97.5 KHCM Relaunches in Hawaii’s Greatest Hits Station

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Malama Media Group just revitalized two Honolulu stations. KOOL 107.9 and Country 97.5 KHCM both launched fresh formats this Labor Day weekend.

What We Know KOOL 107.9 (formerly Decades 107.9) repositioned to Hawaii’s Greatest Hits. The station is voiced by Joe Cipriano and produced by Luis “Speedy Jr” Gonzalez. Notably, the audience never stopped calling it KOOL anyway. Meanwhile, Country 97.5 KHCM transitioned from Westwood’s satellite model to live, local programming with contemporary country artists.

What They Said Senior VP of Programming Rick Thomas explained the strategy simply: “The station was actually known as KOOL in the past. The Decades product needed to be reimagined for optimum success. KOOL 107.9 will be locally programmed, proudly serving our Honolulu community with an up-tempo mix of favorite songs and a generous dose of feel-good vibes.” On Country 97.5, Thomas emphasized that “contemporary country artists like Ella Langley, Morgan Wallen, and Luke Combs, as well as red-hot up and comers like Hudson Westbrook, have a home in Honolulu on a radio station that connects them with our local audiences. 97.5 KHCM also leans into the listener’s desire for longer blocks of music with our Commercial Free approach.”

What Remains Unclear The timeline for on-air personality hires hasn’t been announced. Specific ratings metrics for the new formats aren’t yet available. Broader details about Malama’s competitive strategy in Hawaii’s market remain limited. Additionally, how these stations will differentiate from existing island competitors needs clarification.

What It Means Honolulu listeners now have two revamped alternatives targeting distinct music audiences. Furthermore, this represents a meaningful shift toward local programming over syndicated satellite formats. Finally, Malama Media Group signals serious investment in Hawaii’s radio market through on-air talent and production resources.

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Fox News Leads on YouTube With Nearly 300 Million Views in August

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Fox News remained the top news television brand on YouTube in August, despite a monthly decline in views, according to Emplifi. Meanwhile, ABC News and CBS News posted modest gains as NBC News held steady.

What We Know: YouTube continues to provide a major distribution platform for television news brands. Fox News led the group again in August, although its monthly total fell from July. ABC News remained a distant second, while NBC News finished third. CBS News trailed the other three networks, but it recorded the strongest percentage growth during the month. The four brands generated 578 million YouTube views in August. That marked a 6% decline from the 613 million views recorded in July. Fox News accounted for nearly half of the August total, despite losing 37 million views month-over-month. CBS News added 10 million views, giving it the largest percentage increase among the four networks.

What the Numbers Show:

NetworkAugust 2026July 2026% Change
Fox News287 million324 million▼ 11.4%
ABC News137 million136 million▲ 0.7%
NBC News109 million109 million0.0%
CBS News45 million35 million▲ 28.6%

What Remains Unclear: What led to the decline for Fox News on a month-over-month basis. It is also unclear how the performances by ABC News and NBC News remained steady over the two months.

What It Means: Still, the numbers reinforce YouTube’s importance for television news brands seeking audiences beyond traditional linear viewing. Fox News maintains a sizable advantage, but ABC News and CBS News showed that the rankings can shift when monthly viewing patterns change.

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Four ESPN Studio Programs Earn Highest August Viewership

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ESPN’s daily studio lineup posted its strongest August yet. Multiple shows hit all-time highs for the month.

What We Know: Overall studio viewership climbed 13% year over year in August 2026. NBA Today led the surge, up 64% YOY to 328K viewers — its best August on record. Get Up, First Take, and The Pat McAfee Show all matched or set August highs. SportsCenter’s 2 p.m. and 6 p.m. editions also hit new August peaks, part of a stretch where five editions have grown YOY every month this year.

What The Data Shows: (All data via ESPN PR):

ProgramAugust 2026 Avg. Viewership% Lift Year Over Year (2025)
Get Up378,000+19%
First Take419,000Tied (2025)
The Pat McAfee Show405,000+19%
NBA Today328,000+64%
SportsCenter (7 a.m.)212,000+12%
SportsCenter (2 p.m.)298,000+39%
SportsCenter (5 p.m.)413,000+40%
SportsCenter (6 p.m.)403,000+12%
NFL Live366,000+22%
Pardon the Interruption568,000+14%
SC AM (Saturday)422,000+17%
SC AM (Sunday)349,000+24%

What Remains Unclear: Moving into football season, it’s unclear how Big Day with Peter Schrager, debuting September 10, will affect the 2 p.m. weekday slot’s momentum. Also, the added Bussin’ with Pate Friday program could also factor in.

What It Means: The numbers suggest ESPN’s daily studio strategy is paying off broadly, not in isolated pockets. PTI’s best August since 2019 and NFL Live’s best since 2015 point to sustained, multi-year audience rebuilding. Adding Schrager’s show ahead of college football season signals ESPN is betting the momentum continues into fall.

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1010 WINS Plots 25th Anniversary of 9/11 Coverage

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As the nation marks the 25th anniversary of 9/11, 1010 WINS will provide extensive live coverage from New York. The Audacy news station will carry the annual 9/11 Memorial ceremony on September 11.

What We Know: Beginning at 8:30 AM ET, 1010 WINS will carry the annual ceremony commemorating the victims of the attacks. Reporters Juliet Papa and Scott Stanford will co-host the opening coverage from the studio. They’ll continue through the first moment of silence at 8:46 a.m. The broadcast will also feature the reading of names and additional moments of silence. Those remembrances will honor victims of the 2001 attacks, the 1993 World Trade Center bombing, and 9/11-related health effects.

What’s At Stake: The 25th anniversary represents a major milestone in the nation’s remembrance of 9/11. Therefore, 1010 WINS will provide coverage across New York throughout the morning. Reporters will be stationed at the 9/11 Memorial & Museum, Atlantic Beach, Yankee Stadium, and Citi Field. The station will also provide live updates from the Cantor Fitzgerald Relief Fund.

What Remains Unclear: 1010 WINS hasn’t detailed the full scope of its interviews or additional programming beyond the morning coverage. However, the station says it will offer extensive reporting and eyewitness accounts throughout the anniversary.

What It Means: The coverage will give 1010 WINS an opportunity to provide local perspective on one of New York’s defining moments. Moreover, its reporters will connect listeners with commemorations taking place throughout the region.

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