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PGA Tour Cuts Four Percent of Overall Workforce

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The PGA Tour laid off 56 employees Thursday representing four percent of the organization’s total workforce.

CEO Brian Rolapp announced the decision in an internal email obtained by The Athletic.

He called it “a difficult — but important — step.”

The reductions followed a review by FTI Consulting. Beyond the layoffs, 73 open positions will go unfilled.

The Tour is aggressively restructuring as it shifts to a for-profit model. In January 2024, the PGA Tour launched PGA Tour Enterprises. Strategic Sports Group, a private equity firm, backed the venture with $1.5 billion.

That deal gave players equity stakes in the tour. SSG’s stated goal was to “maximize revenue generation.”

Cost-cutting extends beyond headcount. The Tour recently confirmed it will skip Hawaii to open the 2026 season. The Sentry in Maui and Sony Open in Oahu are both off the schedule to reduce logistics expenses.

Rolapp said the staffing changes will help the Tour “move faster, make better decisions and continue to evolve as the future competitive and commercial model takes shape.”

He is currently working with board members and players to redesign the Tour’s competitive structure. Hiring isn’t stopping entirely. Rolapp said the Tour will add talent in reprioritized areas going forward.

Rolapp addresses all Tour employees Monday in a company-wide meeting. The Tour also ran a voluntary retirement program in 2025.

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SiriusXM Shade 45 Adds “Real Life With Peter Rosenberg” Program

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Peter Rosenberg is taking his long-running hip-hop program to a bigger stage. Real Late with Peter Rosenberg lands on SiriusXM Shade 45 every Thursday at 10pm ET.

New episodes are also available on the SiriusXM app.

The show carries nearly two decades of credibility. Rosenberg built it as a platform for both emerging artists and classic hip-hop. He curates DJ sets and conducts interviews with legends and rising talent alike.

Rosenberg described the program in his own words.

“It is my love affair with hip hop that’s been going on basically my whole life, on the airwaves,” he said. “New music, classic music, interviews, conversation, and really just great music. If you’re a real hip-hop head, this is going to be the place for you.”

The move makes strong programming sense for Shade 45. Rosenberg brings deep cultural knowledge and a loyal audience. His credibility in underground hip-hop circles spans his entire adult life.

Rosenberg’s media footprint extends well beyond this show. He co-hosts the Ebro Laura Rosenberg Show and pulls afternoon drive duties on ESPN Radio’s Don, Hahn & Rosenberg. He also serves as a WWE Network correspondent.

His resume speaks for itself. Previous credits include Ebro in the Morning on HOT 97, the Juan Epstein podcast, VH1’s This Is Hot 97, MTV’s Hip Hop Squares, and Complex’s Open Late.

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Jeff Hurley Added as iHeartMedia SVP Programming Philadelphia

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Jeff Hurley is adding more responsibility at iHeartMedia. The EVP/Programming for upstate New York, Mid-Atlantic and New England will now serve as SVP/Programming for the company’s Philadelphia cluster.

Hurley’s roots in Pennsylvania run deep. He built much of his career there as Program Director for FM 97 WLAN and 99.3 Kiss-FM WHKF. He later served as SVP/Programming for the Allentown/Harrisburg region before joining iHeart’s National Programming Group as EVP/Programming in 2020.

Former Philadelphia SVP/Programming Derrick Corbett moves into the VP/Programming role. He will continue overseeing Power 99 and 105.3 WDAS.

Hurley expressed genuine enthusiasm for the opportunity.

“I’m excited to step into the role of Senior Vice President of Programming and guide these legendary stations that have meant so much to the community for decades,” he said. “It’s an honor to be part of their future. Growing up in Pennsylvania, this feels like a dream come true in the best possible way. I’m looking forward to working closely with Derrick Corbett and the talented staff across all of these stations to continue growing in 2026 and beyond.”

iHeart EVP/Programming Thea Mitchem championed the decision.

“Jeff is a proven leader with a deep understanding of our brands, our audiences and the power of strong programming,” said Mitchem. “His ability to strategically elevate stations while developing great teams makes him the right choice to lead programming in Philadelphia, and I’m confident he’ll continue to drive success in this important market.”

Hurley now oversees programming across a significant footprint. Philadelphia is a top-ten market, making this expansion a notable move for both Hurley and iHeartMedia.

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Three Years Later, There’s a Clear Winner in the Tucker Carlson-Fox News Break Up

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April 24, 2023, was one of the most consequential days in cable news history. Fox News fired Tucker Carlson. CNN fired Don Lemon. Two of the biggest names in the business were gone before noon.

At the time, many believed Fox News had made a catastrophic mistake. The prevailing theory was simple: Tucker Carlson was so dominant at 8 PM ET that losing him would irreparably damage the brand. Three years later, that theory hasn’t aged well.

Let’s be fair about what happened immediately after. There was a ratings slump. That’s almost always going to happen when a network parts ways with its biggest star. Audiences don’t transfer overnight, and the 8 PM ET window felt uncertain for a stretch.

Critics were ready to write Fox News’s obituary. But the network didn’t spiral. It stabilized, recalibrated, and moved forward.

Fox News Stayed Strong

Jesse Watters stepped into the 8 PM slot, and the results have been, frankly, remarkable. During the first quarter of this year, Jesse Watters Primetime averaged 3.4 million viewers. For context, Carlson averaged 3.2 million viewers in the first quarter of 2023 — the final months before his exit.

Yes, measurement methodologies have evolved. Yes, the media landscape has shifted. But the core point stands: Fox News didn’t miss a beat.

Carlson’s post-Fox trajectory, however, tells a different story. He launched Tucker on Twitter and initially saw a surge of digital interest. Audiences were curious. The rebellious outsider narrative was compelling. Then Elon Musk renamed the platform X — arguably one of the top five digital blunders in recent memory, but that’s a conversation for another day — and that branding had to change. So did Carlson’s strategy. He embraced digital video outlets like YouTube and TikTok upon the creation of the Tucker Carlson Network.

Beyond the platform drama, Tucker Carlson’s positioning has shifted in ways that appear to have cost him. He stumped aggressively for President Donald Trump during the 2024 election.

Since then, he’s reversed course, consistently and publicly criticizing the President — particularly regarding the war in Iran. That pivot hasn’t gone unnoticed, and the data suggests it’s done real damage to how audiences perceive him.

Tucker By the Numbers

A recent UMass-Lowell/YouGov study paints a striking picture. Carlson’s overall favorability sits at just 17%, while 31% view him unfavorably. Among men — traditionally one of his core audience groups — 43% hold an unfavorable opinion. That number climbs to 47% among those 65 and older.

Consider that for a moment. Fox News’s viewership is largely comprised of that 65+ demographic. Nearly half of those same viewers now view Tucker Carlson unfavorably, just three years after he was viewed as so important to the Fox News brand that the network might not survive without him.

It doesn’t stop there. The skepticism isn’t limited to Democrats, liberals, or independents. Among Republicans, 24% hold an unfavorable view of Carlson. Another 35% say they have no opinion of him at all. Only 31% of Republicans view him favorably.

For a figure who built his brand on being the voice of a political movement, those numbers are difficult to explain away.

Fox News, meanwhile, keeps humming along. Watters is thriving. The network’s overall footprint remains dominant in cable news. Advertisers haven’t fled. They’ve actually embraced the network in droves. The machine didn’t break. Reports of Fox News’ death were greatly exaggerated.

That’s the real story of the past three years. When Carlson was fired by Fox News — regardless of whether or not it had to do with the network’s settlement with Dominion Voting Systems — conventional wisdom said Fox News needed him more than he needed Fox News. The evidence now suggests the opposite was true.

Networks are built on systems, audiences, and institutional strength. Stars come and go. The ones who forget that tend to find out the hard way.

Tucker Carlson found out the hard way. Fox News didn’t.

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Billy Madison Explains How Morning Radio Must Adapt to a Changing Content Landscape

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There have been a lot of societal changes that have impacted the flow of morning show content. In particular, those with a primarily male audience. There was the Super Bowl wardrobe issue involving Janet Jackson that led to a clampdown on so-called adult content. A pandemic also impacted everything, including commuting hours.

Most recently, the growth of politics as a pop culture phenomenon has had a surprising effect on the types of stories reporters cover. There are far fewer human interest and weird news stories for morning shows to riff on because of this. Now, reporters fill those slots with coverage of political machinations instead.

For Billy Madison, morning host on Cox Media Group’s rock station KISS/San Antonio, that last change has impacted how he builds his show as much as anything.

Madison avoids politics and serious topics as a whole. Websites he once relied on for content no longer prioritize the types of stories he chooses to focus on.

“There’s hardly any lifestyle stories anymore,” says Madison. “I get it. They [newsrooms] need the clicks on their websites to make money. It just means we have to be more creative. But if I’m properly prepared, there’s always something to talk about.”

Madison has made a career at being good with prepartion. He’s successfully hosted mornings on KISS-FM for fifteen years with a long run of excellent ratings.

He attributes that success in Nielsen to several factors. Beginning with his background in Top 40 radio, including time on KHBZ in Oklahoma earlier in his career.

“I’ve always formatted the show a little more Top 40 in terms of the speed we move. Attention spans are very short. So, I’m not going to stay on a topic if it’s not generating a lot of interest,” explains Madison.

Listen to Your Audience

He gets that feedback not only from being live on the air, but also from streaming the show on multiple video platforms. Every show is broadcast live on Twitch, YouTube, and Facebook Live. Madison says having upward of five hundred people chatting in real time helps him quickly evaluate whether a topic is working. Great engagement is what drives the show’s content direction.

“Let the listener be the star. I’ve applied that to every market we’ve been in,” says Madison. “Make them a part of the show, and feel like they contribute.”

Despite being on a rock station, Madison insists that one key to his success is having a large contingent of women listeners who participate in the show. He estimates about half of his program’s callers are female, which leads to more men leaning into the program.

That doesn’t mean the topics are watered down or that he avoids sex. Instead, Madison focuses on presenting those topics in a way that doesn’t drive women away from the show.

“Women love funny, they’ll engage in funny. They don’t like gross,” Madison says. “Anytime you’re on a rock station, people automatically assume you’re just being gross. You’re just pigs. But if you really listen to our show, we’re trying to make people laugh and help them have a good experience.”

Keep Them Guessing

A lot of that listener experience comes from Madison’s interaction with his team. Co-host Derek Allgood, third mic Nard, and producer Chris. He says much of the show depends on their willingness to give each other grief.

The teasing is driven by differences in their personalities. Madison describes himself as kind of a nerd, while Allgood is more of a guy’s guy. Nard, however, is tougher to succinctly describe.

“He can barely get a sentence out. A lot of times it’s just funny because what he says doesn’t make sense. But people love the kid,” says Madison. “It’s such a good crew. I couldn’t be happier with the guys I’ve got. It makes doing the show fun.”

One thing Madison doesn’t believe in when crafting the listener experience is setting benchmarks at regular times. He strongly believes in teasing to build forward momentum, but he prefers to keep listeners guessing about what’s coming next.

“I prefer organized chaos, which is what has brought us success,” Madison explains. “People don’t know what’s going to come up. They know we’re going to give them something great. But I like that they don’t know exactly what’s going to happen.”

Another area where Madison takes a different approach than many other hosts is social media, where the show has a limited presence.

“If you’re too accessible, does it make you less interesting,” Madison wonders. “It can be a tool to push clips from our show. But if you’re so accessible that people can get to you at any time, does it kind of lose its excitement? It’s possible you could turn people off.”

While that point of view suggests Madison leans toward a traditional, radio-first mindset, the show is also fully live-streamed with video across three platforms.

So which is it—a radio show or a video show?

“Mostly I’m just making content,” Madison says. But he does lean toward radio. “I still love radio because my family was in radio, but I do think having the video available is a bonus. But overall, I’m just trying to create great content in whatever form. That’s the main thing.”

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Coast to Coast AM Host George Noory Reflects on 25 Years of Strange

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25 years ago this month, George Noory slid behind the microphone for the first time as a guest host on Coast to Coast AM, filling in for the legendary Art Bell on April 28, 2001.

Nobody — including Noory himself — could’ve predicted what would follow.

Today, he’s the full-time host of the most-listened-to overnight radio program in America, distributed by Premiere Networks, and he’s showing no signs of slowing down.

“I always thought I’d be part of the program,” Noory admitted. “I never thought I’d be doing it full-time. Because I thought Art would go on until the end of time.”

But the universe, as Noory might say, had other plans. The team at Coast to Coast AM recognized something in the St. Louis broadcaster — the same energy, the same format, the same kind of guest — and brought him aboard. The fit was immediate. The impact has been lasting.

For a program built around the unexplained, perhaps it’s fitting that Noory’s path to the chair came with its own strange twist — one he’s still talking about decades later.

The Long Road to the Overnight

The paranormal and absurd have always fascinated George Noory.

“Years ago, I was working at WXYZ Television as a production assistant,” said Noory. “Then I got hired at WJBK, TV-2 in Detroit, as a producer. My anchorman was Ken Thomas. We got along well. Ken would bring his little boy in every once in a while, and the kid would run around the newsroom. I was in my 20s at the time.”

Little did he know that the kid would play an influential role in his career somewhere down the line.

“I’m in the office of the Premiere Radio Networks President at the time, Kraig Kitchin. I look on his desk, and there’s a picture of Ken Thomas. It turns out Kraig is Ken’s son,” Noory shared. “I looked at him and said, ‘Kraig, you were that little boy running around the newsroom!’ You can’t make that stuff up.”

That story captures something essential about Noory’s worldview — the sense that life’s connections aren’t random. That there’s a design beneath the surface of things.

It’s the same instinct that drives Coast to Coast AM night after night.

“It convinces me there’s more to life than what we think,” the Coast to Coast AM host said. “Things happen in strange ways. Things are arranged in strange ways. It’s out there. It adds to the magnificence of living.”

Over 25 years, Noory has shaped the show into something distinctly his own. What began as a primarily paranormal program has grown into a broader platform — one that keeps the strange at its core while expanding to meet the moment. He’s not afraid to tackle the headlines alongside the mysteries.

“I’ve added some more influential elements to the program we never had before,” Noory said. “It was primarily paranormal when I came in. Right now, there’s a mixture of about 75% strange and unusual and 25% current events. I still stay away from politics.

“But we’re doing things like news of the day, the Iran war, and topics that are important to people,” he continued. “I want them to know we’re on top of that. That has evolved into some special guests we’ve had. We’ve got an upcoming show next week on missing or dead scientists who’ve been working on programs. That’s a bizarre topic to me. Something strange is going on. Nobody’s really touching it yet. We’re going to jump into that.”

The Audience That Never Sleeps

If there’s one thing that defines Noory’s tenure, it’s his relationship with his listeners. Late night is a tough time slot — guests are sometimes reluctant, audiences are scattered — but the loyalty Coast to Coast AM commands is something most broadcasters never experience.

“I’ve seen a loyalty with an audience that is so passionate,” shared Noory. “We’re on really late. Some of these people have jobs during the daytime, and they still stay up with us. They’re in bed, they’re truck driving, they’re everywhere. It’s growing like crazy, and I love it.”

That devotion runs both directions. From the beginning of his run, Noory made a pledge to his audience that he’s kept every year since — one that speaks to just how seriously he takes the responsibility of the overnight shift.

“It’s heartwarming,” Noory stated. “I appreciate my audience. We go live on holidays. Most talent takes time off with their family, and I understand that. But I made a pledge when I came in over 20 years ago. There are a lot of lonely people on holidays like Christmas and Thanksgiving. This program is their family. I told them we won’t run tapes on holidays. If a holiday falls on my workday, I’ll be live. If it’s a day where our part-time hosts are on, they’ll be live. We’ll never run a tape on a holiday without a live show.”

The Future of Coast to Coast AM

Just as he thought about Art Bell, George Noory thinks of himself. As the soon-to-be 76-year-old said, “I’m going to stay on Coast to Coast AM ’til the end of time.”

“I didn’t expect to be doing it as long as I have,” said Noory. “And I’m going to keep going until God says ‘You’re done, kid.'”

As the show airs on well over 600 stations and continues to grow its streaming audience, Noory’s mission hasn’t shifted. He wants his listeners informed, engaged, and maybe just a little unsettled in the best possible way. He’s still chasing the questions nobody can answer.

“I want to give listeners the kind of information they need to keep their lives going in a pleasant way,” said Noory. “That’s my goal every night. I want people happy and informed so they can go about their day-to-day lives. I’ve tried to have physicists on the air to explain why we’re here and what the Big Bang was that started the universe. Not one scientist can tell me how it all started. Nobody knows.

“Those mysteries keep our show going,” he said. “They keep you thinking about after-death experiences, what might be out there, how we started, and what God is. It keeps fueling the program, and it keeps getting bigger.”

Those mysteries will also include the use of the theater of the mind. As many in the industry pivot to include video elements, George Noory admits it isn’t something that he’s interested in.

“I still like theater of the mind,” he admitted. “I’ve resisted putting a camera in the studio because it’s so late at night. And I want people’s imaginations to run. We’ve done some television shows. I’m on Ancient Aliens and BeyondBelief.com. But I still prefer theater of the mind. Let’s keep people wondering.”

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Why the NBA Has a Watchability Issue With the Oklahoma City Thunder

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The NBA sold this postseason as a reset. All the noise from the regular season—load management, the 65-game rule, tanking, stars sitting, nightly lineup roulette—none of that was supposed to matter anymore. The playoffs were supposed to clean it up. Tighten the product. Sharpen the focus, and remind everyone what the league looks like at its best.

Instead, the playoffs have exposed something the league doesn’t want to discuss. The NBA doesn’t just have a perception problem. It has a watchability problem.

The most uncomfortable version of that truth sits right at the top of the standings: the best team in the league is the worst watch.

Enter the Oklahoma City Thunder.

From a basketball standpoint, they are everything the league should want. Young, deep, smart, relentless, analytically brilliant, a front office blueprint, and a coach’s dream. They are built to win now and dominate later.

From a television standpoint, though, they are something else entirely. They are a grind, and operate with an efficiency that borders on clinical. That clinical nature is exactly what makes them difficult to sit through over the course of a two-and-a-half-hour broadcast.

The Superstar Attraction

It starts with the likely MVP, Shai Gilgeous-Alexander. He’s the master the modern NBA better than anyone. Game 1 against the Phoenix Suns provided a perfect snapshot of everything he does well and everything that defines this era of basketball.

Gilgeous-Alexander went 5-for-18 from the field and still finished with 25 points by going 15-of-17 from the free-throw line. That stat line is both impressive and revealing. It shows why he’s dominant, efficient, and why he’ll win another MVP.

It also shows why the product can feel exhausting. Possession after possession turns into a negotiation with the whistle. Drive, stop, lean, initiate contact, wait. The whistle blows, defense reacts, and the broadcast cuts to replay. Somewhere along the way, the viewer checks their phone.

That’s not just a basketball issue. It’s a television issue.

The NBA isn’t just competing with the NFL or MLB this time of year. It’s competing with distraction and second screens. It’s competing with the reality that if the game slows down or starts to feel repetitive, viewers don’t sit through it anymore. They drift, and this style invites drifting in a way the league should recognize.

That’s why Game 2 mattered beyond the scoreboard.

Speaking Out

After the loss, Suns All-Star guard Devin Booker didn’t hedge or hide behind the usual postgame clichés. He addressed it directly. Calling out the officiating and, more importantly, what it represents.

“In my 11 years, I haven’t called a ref out by name, but James (Williams) was terrible tonight. Through and through,” said Booker. “It’s bad for the integrity of the sport. People are going to start viewing this as a WWE if they’re not held responsible.”

That’s not noise or social media. That’s a five-time All-Star in the middle of a playoff series questioning the integrity of what he’s watching. Booker didn’t stop there.

“It’s hard. It just feels disrespectful. I know I haven’t won a championship in this league, but I have been in it for 11 years now. To get to this point and get treated like that. For me to be even saying something out loud, it’s bad,” said Booker.

That’s where the conversation shifts from a style critique to something much bigger. When viewers question what they’re watching, you have a perception issue. Worse, when players say it out loud, you have a credibility issue.

Credibility is the one thing a professional sport cannot afford to lose. Once the audience starts wondering what’s real, earned, and being sold to them possession by possession, the emotional investment that drives ratings begins to erode.

Zoom out, and it becomes even more complicated. Oklahoma City isn’t a temporary story. This roster has an average age barely over 24, with more assets still coming including another lottery pick via the Clippers in this year’s draft.

This isn’t a moment. It’s a runway.

A Lingering Issue

The Thunder aren’t just good; they are positioned to stay here for the next five to seven years. Maybe longer. In other words, we are not just watching a contender. We are watching the early stages of what could be the league’s next dynasty.

That’s where the tension truly sets in. Dynasties elevate a league. They’re supposed to become appointment television. They should pull viewers in, not push them away.

The Golden State Warriors at their peak were more than dominant—they were kinetic. Steph Curry ripping nets from 30 feet. The ball snapping around, chaos turning into rhythm. You didn’t look away because you felt like you might miss something. The Chicago Bulls had star power led by Michael Jordan, who changed the game on the court and influenced culture off it.

This version of the NBA is different. Too often, it’s a three-pointer or a free throw. Increasingly, it’s the free throw that defines the experience. At some point, the line between great offense and great acting begins to blur.

Drawing contact is a skill. Selling contact is an art. When the art overshadows the game, and possessions feel more like performances than competition. You don’t just lose flow—you lose trust. Unfortunately, you start to wonder how often officials are being sold. Questioning why certain calls keep coming.

You see less basketball and more choreography with a whistle.

The NBA spent the entire season dominating conversation. However, too often for the wrong reasons—availability, tanking, rules, and noise around the game rather than the game itself.

The playoffs should fix that. Instead, they’ve sharpened the focus on the one issue that matters most. What does this product feel like to watch? If your postseason is defined by whistles, player complaints, and a style that feels repetitive and transactional, then the playoffs aren’t rescuing the narrative. They’re confirming it.

Everyone Loves The Bad Guy

Which brings us to the most interesting media question of all. What if Oklahoma City becomes the villain? Fans don’t just love greatness. They love rooting against it. If the Thunder become the team everyone complains about, there’s a version of this that helps ratings.

Not because people love watching them, but because people love watching them lose.

That’s the tightrope the NBA is walking. You can have a dominant team, and an MVP who bends the game to his will. You can even have a brutally effective style. But if that combination turns your best team into your least enjoyable watch, you’re asking your audience to make a choice leagues never want to force.

It’s greatness. It could be history. But do I want to consume it?

If the NBA is truly on the verge of its next dynasty, built around its best team and its best player. It might want to ensure those things still align. Greatness alone doesn’t guarantee attention anymore. Not in this media landscape, or this level of competition for eyeballs.

If this is the future of the NBA, the real question isn’t how long Oklahoma City can dominate.

It’s how long people will want to keep watching them do it.

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Is Sports Radio Already Too Late to the Video Podcast Boom?

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If you were to ask a general sports content consumer where they go for their sports content, you’d get a range of answers. Social media, podcasting, sports radio, and sports television are just some of the ways fans now search for and consume content.

Each industry’s silo attempts to branch its content into the others. Sports television shows podcast their on-air content to distribute it in audio form. Sports radio does the same, transferring audio to on-demand platforms. Both television and radio also attempt to capture video of those same segments for streaming platforms. In the end, podcast and streaming video distribution hubs, along with social media, earn the traffic based on content created by television and radio.

The one panel at this week’s NAB conference that grabbed my attention focused on the future of podcasting through the lens of video. The discussion brought together representatives from Amazon and Audacy to explain why now is the time for radio to combine video presentation with its podcasting strategy. If their words and data reflect reality, sports radio must get to the party sooner than later.

According to the IAB, the podcasting industry has grown into a nearly $3 billion business. That represents a 17.6% increase from the prior year. This growth has also appeared in the local revenue lines for most sports radio stations.

Digital advertising buys are now the biggest driver of local revenue, with 24.4% of an average station’s total ad revenue coming from digital. Meanwhile, traditional broadcast revenue continues to decline year after year.

Ready for Your Close Up?

The need for local sports radio stations and talent in the podcast space has never been higher. New analysis from S&P Global Market Intelligence shows that sports is the most popular podcast genre among men in 2026.

However, most sports radio stations don’t package their show content for a podcast audience. Many talents don’t create individual content separate from their daily programs. Too many part-time employees recognize limited growth potential at sports radio brands and leave early, often pursuing other opportunities.

Sports radio needs a reset. If advertisers believe in your digital product, that’s where talent and programmers should focus.

“Why wouldn’t you want to extend what you’re doing?” said Andy Slater, Head of Partnerships for Amazon’s Art19 at NAB this week, referring to how radio companies should rethink podcast discovery through video platforms. “You’d be going from a $3 billion market to getting a piece of a $78 billion market.”

That quote alone should motivate programmers to push for cameras in their studios and invest in technology that supports a video-driven podcast strategy. Some sports radio brands have moved ahead by investing in video capabilities. Many have not and risk missing what could be the single greatest revenue opportunity available.

“If you want to grow your revenues — add cameras,” said Michael Biemolt, President of Digital Sales at Audacy. “You will grow audience from discovery that exists within the YouTube ecosystem.”

With that larger reach comes more ad impressions, which leads to additional revenue.

Video Needs the Radio Star

Recent S&P Global Market Intelligence data shows that six in ten (62%) podcast listeners watch video podcasts on YouTube, followed by Netflix at 34%, Spotify at 23%, and Apple at 11%. That data clearly shows how video options are reshaping podcast consumption habits.

Yes, video extends beyond YouTube. Apple announced this year that it will offer options for consumers to watch video versions of podcasts. Spotify introduced that capability two years ago.

Netflix is investing heavily in proven, high-performing podcasts, placing video versions behind its paywall. The company is betting that exclusive video content will drive more subscriptions.

iHeartRadio became the first broadcast company to partner with Netflix on this initiative. That should signal what’s coming next.

Meanwhile, many sports radio podcast products remain audio-only. They rely on RSS feeds, assuming that flooding the audio space will drive digital growth.

For everything podcasters have borrowed from what made sports radio special, the format shouldn’t allow them to dominate this new era of content.

“There’s a perception that video has to be super polished and has to look perfect, and the barrier to entry is perceptively high. But the reality is, it doesn’t matter,” said Neha Taleja, Senior Product Manager for Podcast Consumer Experiences at YouTube. “Capture that natural, authentic recording and that builds connection with your audiences.”

Read the Signs

There are signs everywhere that sports radio must pivot. More people are consuming sports radio content digitally than ever before. Sports content leads all podcast categories among men. Since the pandemic, sports radio has adapted long-form content for video distribution across live and on-demand platforms.

Now, the format must connect those pieces to catch the next wave as audiences shift from audio to video. Ignoring these trends is no longer an option. It’s now on sports radio to lead again and set the standard for winning in the next generation of content.

And that’s the choice facing the format: evolve with intention or fade through inertia.

Sports radio already has the voices, the relationships, and the daily discipline required to create compelling content—the hard part is done. What’s missing isn’t talent; it’s alignment.

Alignment between where the audience is going and how content is delivered. The next generation of listeners isn’t choosing between audio and video; they expect both, seamlessly and on demand.

If sports radio treats video as an extension instead of an afterthought, it won’t just stay relevant—it can reclaim its position as the engine driving the entire ecosystem.

The window is still open, but it won’t stay that way forever.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

The NFL Draft Mindset Rock Radio Programmers Need Right Now

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Imagine if RockTernative radio was run like the Premier League. Where bottom-ranked stations didn’t just have lower ratings, they were fighting to avoid being kicked out of the market. Ok, let’s be more realistic. What if RockTernative were run like the NFL or NBA: built around a draft?

It’s NFL Draft week, so let’s play it out.

  • Salary caps to (somewhat) even the playing field.
  • Average career-length windows for leadership and talent.
  • Each year there’s a Combine, followed by a Draft.
  • Talent, coaches, executives, and AEs are all tradeable assets.
  • Every book, up or down, would have even more economic impact and turnover.

The competition would instantly get more intense.

The real winners would be listeners and advertisers. Outcomes would be determined by the best talent, smartest coaches, and sharpest strategies. That’s not always the case at radio.

Formatting the Draft

Radio surely has its Yankees and Dodgers — teams that creatively find ways to outspend. Every market also has its Cleveland Browns — sorry, Browns fans — but a station that hasn’t updated its imaging or held a strategy meeting since Obama was in office.

That’s a problem that isn’t talked about much because there’s no real pressure for The Browns of Radio to get better. It is what it is, they’re not going to get bigger — so why bother trying new things or investing?

But add this context: There are a limited number of signals to begin with, half are stagnant, some are flankers or static boxes, not all are locally focused, and only a handful of different music formats are being programmed.

I’m not asking for fairness, just more competitive intensity across the whole dial. That’s all.

For such a fantastic industry, filled with talent, generating billions in revenue, there’s far less competition at radio than in many sectors. The NFL and NBA have 30+ teams facing 30+ head-on competitors each season. RockTernative won’t see more than one or two locally. The Premier League has 20 clubs and the worst gets kicked out each season.

So what would happen if RockTernative — or all of radio — really operated like a sports league?

The Combine

Every young programmer, on-air talent, AE, or digital talent with a dream would walk into a room and get evaluated against each other.

They’d be graded based on performance and potential, then sent to the Draft.

The Draft

Stations get to — and are forced to — choose new voices coming from podcasting, social, streaming, college radio, anywhere and everywhere. A constant crop of young programmers and talent who see formats and radio differently, and an army of AEs that grew up on experiential, digital, deeper data, and even qualitative selling.

Some veterans would still go in the first round. Some wouldn’t. Now we have real competition for brand excellence.

The Trading Deadline

Stations that have been flat or stumbling don’t just ride it out and settle for being ranked 18th — they can make big moves to make a big difference.

Yes, I’ll trade for your morning show — you can have our promising night jock and our first and second round picks next year.

The Salary Cap & Term Limits

The biggest companies can’t just use powerful credit lines to annually grow expenses and push debt down the line to get anything they want.

And not unlike a point guard aging out of the NBA, even great on-air talent and executives will eventually have to bow out to make room for new, more competitive blood.

Relegation

We may as well continue this fever dream and include relegation. If a brand chronically underperforms, refuses to invest, or doesn’t fiercely compete — they’re not allowed to just exist. They’re demoted to compete against suburbia’s pirate stations until they’re fit to come back.

Or worse — they must sell the signal to an owner who will noticeably fight.

Back to Reality

None of that will ever be radio’s reality, but it’s how sports leagues stay healthy and competitive.

Radio has structure, but not all individual brands face intense pressure to grow, and consequences for underperformance aren’t a lock. For clarity, there may be pressure from investors to make Q3 inch above last year, and every PD wants ratings to go up — but I’m talking about white-knuckle, sweat on the brow, local pressure on a consistent basis to be highly rated, the most competitive, the best in the market — or else.

Pressure creates champions. And when pressure also means consequences, it’s amazing what can happen. The Browns of Radio are not bad people; the model just means that continually being last place is survivable and acceptable.

Radio doesn’t need an NFL Draft. But it could use the draft mindset. Compete, evolve, or get replaced. The winners won’t just be the brands and talent — it will also be the fans and advertisers.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Why Radio Management Has Never Been More Stressful

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Being a leader has never been easy. But in today’s environment, it’s become far more complex, demanding, emotionally stressing, and taxing than ever before. My previous four roles in radio were as General Manager. And the one prior — over a decade ago — was as corporate VP of programming.

All I can say is, “Times have certainly changed.”

What was once primarily about overseeing productivity and hitting targets has transformed into more of a balancing act that involves diverse cultures, incredible technological advances, identifying potential employees, mentorship, and constant change throughout each department.

I would often joke that, “I’d be a great manager if it wasn’t for people!” These days, for some, it may not be a joke.

Why So Stressful?

One of the biggest drivers of increased stress I addressed in a recent column is the challenge of finding salespeople, so that aside, the huge shift in employee expectations — particularly among younger folks entering the workforce — is another variable with which managers must contend.

While this next generation brings a huge amount of energy, creativity, and a strong sense of purpose, they also arrive with fundamentally different expectations about the work itself. Employees under 30 tend to prioritize things that those of my generation never even considered, like mental health, flexibility of time and hours, inclusivity, and rapid growth.

They are also more likely to question traditional roles and expect transparency and authenticity from leadership. I’m not suggesting this is a problem. I only believe it means managers must adapt more quickly to a workforce that is less willing to accept, “Because that’s the way it is,” or “Because that’s how it’s always been done,” as acceptable answers.

For the record: if you believe that you do anything because that’s the way it’s always been done, it’s very likely time to find a new way.

Managers are now expected to be far more than supervisors. We must act as coaches, mentors, and at times, emotional support systems. Gen Z employees in particular often seek frequent feedback, clear direction, and ongoing development opportunities. While these are positive traits, they all require a level of time and attention that can stretch managers thin. Especially when balancing the needs of other generations within the same team who don’t share the same concerns.

Experience Is Walking Out the Door

We must also consider the significant wave of retirements among Baby Boomer and Gen X managers who create additional management pressure. I remember dealing with my most experienced team members talking to me about leaving the company. It’s painful to have to face losing your most seasoned pros. And if you’re a CEO or COO, it occurs among your top leadership as well.

Today, those leaving who are at the top of the industry happen in greater numbers. They’re taking with them decades of knowledge, experience, and relationship capital.

As that experience and knowledge depart, it leaves huge gaps that are not easily or quickly filled. In truth, sometimes they are never filled. That creates a pressure cooker of a void. Newer managers are being asked to step into roles earlier in their radio careers, often without the benefit of mentorship or the gradual development that previous generations experienced.

Sometimes, team members are promoted to management who, frankly, aren’t qualified to lead. I have seen terrific salespeople promoted to General Manager who should really just continue to sell.

This type of transitioning often creates a ripple effect. Just look around our industry. It’s not just retirement, either. It’s often budgetary cost cuts and RIFs that translate to remaining managers and team members being forced to absorb additional responsibilities and teams, and make high-stakes decisions with less experience and fewer resources.

Look at what Audacy has done by eliminating local Market Managers and going to a regional management model. I remember when every radio station in the country had its own GM, even within the same cluster. Then the Market Manager role was created, and today the model is being redesigned again. For the good? Who knows.

But Audacy must feel positive about it. I am certain, though, that it creates a heck of a lot of pressure for the regionals. In turn, that pressure will increase on local direct sellers and respective sales managers. Then you must ask how local programmers get the local support they desire and require. The point is, managers still must deal with fewer people who must manage more challenges.

Added Challenges

The rise of remote and hybrid work adds yet another complex layer to the mix. Managing a team that isn’t physically present requires new skills and presents new challenges. Communication becomes more intentional, trust and accountability must be built without face-to-face interaction, and performance must be evaluated differently. Some managers want to measure hours, while others are focused on results.

For Gen Z, many of whom entered the workforce during or after the pandemic, remote work is not a perk but an expectation. I have worked for companies since then that simply won’t allow any employees to work remotely, while others create hybrid opportunities, and still others have little concern about location.

Managers must still find ways to engage, motivate, and connect with employees who may have never experienced a traditional office environment, making relationship-building more challenging.

Next on the growing list of challenges is technology. Sure, it’s a powerful tool. But it has also intensified daily pressure. Managers are expected to be constantly connected, responsive, and informed. Emails, texts, messaging platforms from Teams to Slack, video calls, and virtual meetings, and every other project management tool ever imagined all create an “always-on” culture where downtime is something only remembered by someone born in the 20th century.

Accountability Matters

Another major challenge is navigating the global uncertainty and divisiveness that impacts how employees and team members interact. Economic and political conditions, industry disruptions, and shifting organizational priorities mean managers are often forced to lead through ambiguity. They are expected to provide clarity and confidence even when they themselves may not have all the answers, while also doing their best to stabilize the environment.

Managing today is largely about leading with confidence and reassurance.

Manager accountability has certainly intensified. We’re held responsible not just for outcomes. But for team engagement, retention, diversity, and culture. With a strong emphasis on values and workplace culture, and with fewer seasoned leaders to lean on for guidance, managers are under constant pressure to get it right.

The openness today around mental health — especially among younger workers — is a positive cultural shift, but it also means managers are more frequently navigating sensitive conversations that require care, understanding, and time. Many are simply not trained or prepared for this important role.

Being a manager means operating for positive business performance as well as human experience. The combination of rising expectations from younger workers and the departure of experienced leaders has added new layers to an already difficult role.

Managers who can adapt, communicate effectively, and lead with empathy will succeed. But there’s no question the job has become more difficult and more stressful than ever before. So, ask yourself if you are truly up to the challenge. I had a former Marine as an old boss. And he once told me early on, “When the bullets are flying — lay low and duck!”

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.