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It’s Time For Radio To Start Exploring Again

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“Music stations must constantly innovate and connect with their audience on a deeper level. It’s no longer just about playing the hits; it’s about creating an experience that resonates with listeners amidst a sea of options.”  Jeff Smulyan

When did we stop exploring?

Much has been written – including on this platform – about the state of radio.

Yet few are doing little to change.

Lunchtime in the 80s included perusal of record stores – Karma Records – Virgin Megastores – and Tower Records.

Now – the record store is the keyboard sitting in front of you.

Radio always bounces back when facing negative “headwinds.”  When early television stole radio serials – Lone Ranger, Fibber McGee and Molly, Flash Gordon – led by early innovators like Todd Storz, introduced Top 40 with super-tight song lists.

Challenging “headwinds” blow into radio’s dashboard – radio survives.

When the 45 RPM record was introduced, programmers were soaked with anxiety that kids would no longer listen to radio, having their musical freedom.  Radio responded by building brands with lean-forward, bigger-than-life talent.

Radio has survived the 8-track, the cassette, the compact disc, satellite radio, file-sharing platforms, and the internet.

Radio is still huge in music discovery – echoed by the release of this insightful Edison Research piece.  Digital platforms – led by Spotify – have for years tail-gaited hard in the rearview mirror – now surpass radio as the primary source to follow music among Americans 12+.

All levels of radio lack bold innovation, or as my 7th-grade P.E. Teacher would say, Testicle Fortitude, to make radio required listening.

Last week, we covered how to build a solid research foundation without funding.

Think – for a moment – about how you weekly curate your playlist.

Likely, an e-mail from record promoters or an industry-influenced tip sheet arrives in the inbox.  You listen to the proposed new product and plot from data sources you follow the best match for your Music Matrix.

Free yourself from this repetitive music discovery routine – add some of the following non-sequitur platforms below for emerging music options.

First – a quick story.

August 1986.  Lansing, Michigan. 

The new film One Crazy Summer is released with a wicked-good soundtrack.  The movie is riddled with hits, and surely, most will find their way to radio.

Except one.

The best song in the movie is from Canadian Power Pop – Rock band Honeymoon Suite.  The sound is far different than their previous projects to make it to the radio – “New Girl Now” and “Feel It Again.”

The song – “What Does It Take” – had the odds stacked against it from ever making radio airplay.

One Crazy Summer’s soundtrack was on the A&M Record Label, while Honeymoon Suite was on loan from Warner Electra Atlantic – Canada (WEA) Label.  A&M would only release their artists as singles from the soundtrack.

The track sounded more like REO Speedwagon than any other band.  In the 80’s, we knew that if REO Speedwagon simply burped The ABCs, it would perform well among listeners and music testing.

And – it did.

While that record with a fat hook wouldn’t crack the Top 50 on Billboard’s Hot 100, it would test Top 5 at the legendary small-market Top 40 WVIC/Lansing, sitting in the power category for weeks.  We continue to put it on Classic Rock/Classic Hit Playlists.

Now – back to music platforms that are robust but foreign to most readers:

a break Music—This outlet is headed by music trending pioneer Bruce Tyler and brilliant innovative programmer Jay Stevens. Taking submissions from all genres, this platform grooms and mentors emerging artists to get them ‘label-ready.’ Their aBreak58 playlist is a must-follow for music discovery. Put their player on your toolbar today.

Bandcamp—This outlet is a destination for artists to sell their music directly to you. Artists here have a high level of control over their music. Subscribe to their Bandcamp Daily, a detailed newsletter that spotlights new and trending music releases.

The Train—This Americana-based format is on Kurt Hanson’s Accuradio Platform. Curated by legendary programmer, researcher, and Hall-Of-Famer Jonathan Little, it streams label submissions but also quickly adds high-quality songs from amateur and emerging artists.

The little-recognized, unfamiliar title is known among partner clients as a – Secret Weapon Record. 

When Z100 was on their 1980s white-hot ascent from Worst-To-First in New York City Ratings, decorated programmer Scott Shannon had a stack of Fidelipac Carts (I’ve Googled that for you) on his desk containing unknown but great songs.

Driven solely by gut, Scott would occasionally march into the air studio, hand it to the air talent and say, “play THIS – next”.

Then he’d have it returned to his stack of Secret Weapon Records.

Brilliant.

Let’s start exploring – again.

Our survival depends on it.

Behind The Voices: Loren Raye

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Loren Raye is a Voice Actor based in New Jersey. In addition to her voice work, she is a public speaking coach and passionate about women’s issues and reducing the stigma around mental health.

She lives with her husband Matt and preschooler Sophie and believes three things are essential to a happy life: good food, good company, and a comfy pair of sweatpants.

Loren is today’s featured Voice Actor.

Jeff Lynn: I like to start with some background and how you got started.

Loren Raye: I was introduced to radio imaging by the legendary Dave Foxx, AKA The Voice of Z100 New York. My career started in 2007 at Z100 as an intern for “Elvis Duran and the Morning Show,” and I eventually moved on to become their phone operator, assistant producer, and on-air contributor. I left in 2013 to co-host “The TJ Show” on WODS-Boston, and in 2020, after industry-wide “Covid Cuts” shut our show and station down, I focused on voiceover.

I had done VO work in the past (a few commercials, some radio imaging clients, and narration for an MTV show), so I worked with some great coaches again to brush the dust off. I eventually got signed by Atlas Talent, which was a literal dream come true. I’ve been in the voiceover industry since, and I’m back on the air doing mornings on New 102.7 in New York City when the host, Karen, is on vacation. 

JL: And you became the first female imaging voice of the Elvis Duran Network. Congratulations, and how did that come about?

LR: Thank you!  Never one to burn any bridges, I had always kept in touch with Elvis, and in 2021, he saw an opportunity to move the show’s imaging forward in a way that would truly reflect the demographic of his morning show.

His show is about highlighting the lives of real people, and real women in particular. It just made sense to include a woman’s voice as the anchor of the image, especially a woman who truly understands the essence of the show and has a production background, thanks to having worked there before.

JL: What advice would you give other women trying to break into the voice actor business?

LR: It’s really important to get the proper training and create a professionally produced demo to be a voice actor. For radio imaging in particular, a lot of it is relationships-based. So, don’t burn your bridges, be sure to remind people that you exist, and don’t be afraid to toot your own horn.

I once heard someone say, “It’s not bragging if it’s facts,” and that’s stuck with me ever since. So, I’ll take this moment to share a fact with you: I was nominated for One Voice’s 2024 Best Radio Imaging/TV Affiliate Performance, and it was such an honor!

JL: How do you manage your day, and what is a typical workday like? And manage mom duties, too.

LR: Oof, my day changes a lot but I’m trying so hard to get my weeks more scheduled. With voiceover, though, you need to have a lot of flexibility! I’ll try to get to the gym most mornings in an effort to put myself in a good headspace so that when I return, I can take care of whatever auditions came in overnight.

I’ll work on marketing, client relations, and scheduling for my other business (I’m a public speaking coach for kids – more on that later!) and tackle any scripts from clients that might have come in. I usually pause my day around 3 to pick up my kindergartener from school, and then around 5, I often work with my public speaking clients until 7 or so. They’re busy, long days, but I love it so much. The only way I’m able to sustain this lifestyle is thanks to my incredibly supportive and flexible husband and mom!

JL: Tell me about your speaking coaching.

LR: In high school, I was on the speech & debate team and named the 2004 NJ State Champion for Prose Reading. I owe so much of my career success to that program, and after having moved back to my hometown with my husband to raise our daughter, I wanted to find a way to marry the things I love most: speaking, connecting, and giving back.

I worked with my mom, a retired educator, to create an 8-hour curriculum focused on the Six Essential Skills of Public Speaking. I offer courses in NJ (and online!) for students in 3rd – 12th grade, and it’s been such a cool thing to not only watch my business grow but to see these kids find confidence within themselves.

 It feels so great to give the gift of speaking to a new generation, just like my coaches had done for me. Balancing this business alongside my voiceover business and motherhood is the opposite of easy, but it’s very rewarding, and I’m incredibly grateful.

JL: I always ask about bloopers.

LR: I don’t get embarrassed easily (is that sad?), so it’s hard to think of something that stands out! Sorry to be lame!

JL: Tell me three funny things people might not know about you.

LR: I introduced the “Impractical Jokers” on stage at Boston’s TD Garden six hours before my water broke.

I broke my ankle freshman year of college at Penn State, so I used a motorized scooter to get around campus (yes, like a grandma scooter). I became known as “Scooter Girl.” I swear that is how I learned to loosen up and get a sense of humor!

My car once caught on fire in the parking lot of the radio station, and I finished out the last hour of the morning show because, really, what else could I do? The fire department was keeping us safe, and my car was totaled. The show must go on!

Atlas Talent represents Loren.

Listen to demos here.

Connect directly here.

KISW’s Ryan Castle Knows Good Radio Hinges on ‘Great People’

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Ryan Castle has been serving rock listeners of Seattle in the midday time slot for over 20 years, a dream job that grew from his roots as a kid KISW caller. A self-described “music omnivore” and “bit of a connoisseur” when it comes to beer and whiskey, Castle also does Pacific Northwest double-duty by helping out Portland’s Classic Rock at KGON. 

For Castle, a career in radio really began with a phone and a cassette player. “I was the geeky kid who used to call radio stations and record the radio on a cassette player and try to play DJ,” he says. 

Those early days of chatting up radio personalities all started at the same station he now calls the office. “Coincidentally, it was KISW in Seattle when I was growing up, and it was really the inspiration for me getting into doing what I do now. I always wanted to work here… But it seemed incredibly unrealistic as I was growing up,” he explains.

Ryan Castle got his first radio job when he was 16 years old in Yakima, Washington, helping out with overnights and board op during Mariners and Seahawks games. A few brief stints at other stations in the Midwest and beyond, he landed at Seattle’s KISW just about 21 years ago and never looked back. 

“I got the opportunity to come home in 2003, and I’ve been here ever since,” he says. Castle knows that if a childhood version of himself could see him now, working at the station he called into in his free time as a kid, young Ryan would be mind-blown. The move to KISW was a “no-brainer” for him.

He also helps remotely program and manage Audacy’s KGON in Portland while making time every two weeks to visit in person. “Portland’s cool as hell. I’m a Portland apologist,” Castle says of the city that’s been the center of some questionable headlines over the years. “Portland has the edge that Seattle somehow lost over the course of the last 15 years. We’re very polished up here [in Seattle] now.”

Being so radio-passionate since his childhood in the PNW, Castle has a lot of admiration for the legendary broadcasters of the area who he’s always looked up to.

“Cathy Faulkner was definitely one of those people, and Cathy and I have become good friends over the years,” he says. “We did our 50th anniversary here at KISW back in 2021, and I got to talk to a lot of the people I grew up listening to on the radio. It was pretty wild. There was a guy named Jon Ballard, who I remember listening to when I was young, and of course, Bob Rivers, a legend and now a hall of famer and maybe one of the kindest, smartest guys. There were a handful of those… Gary Crow was here on KISW. There’s just so many legends that came out of this place.”

Castle also reflects on the pros that helped usher him into a career in broadcasting, taking note that the industry is full of people who have a knack for lifting up the next class of radio talent. “It takes somebody to go, ‘Ya know, that kid’s a pain in the ass, but maybe there’s something there,’” he jokes.

Sporting a tee that looks at first glance to be a standard from the Hard Rock Shop, closer inspection reveals the “Yacht Rock” spoof plastered across the iconic logo. Castle’s music tastes are vast, and he’s lucky enough to have some passion for the music he plays on air.

“I’m a total music omnivore,” he says. “We launched a Soft AC station here years ago called The Sound…and I used to joke that KISW and The Sound have one thing in common, and that’s that I like about 80% of the music.” 

He admits he gets his rock fill at work, though. “I can’t imagine anyone who does this for a living, who spends their days listening to AC/DC, Metallica, and Nirvana, goes home and puts on Appetite for Destruction. I don’t think you could do it as much as I love it.”

Still, some of Castle’s most iconic career moments have been born of the rock world, most notably, perhaps, an occasion at a studio in LA while recording an album premiere with “the best-smelling person in music,” Ozzy Osbourne.

“If you know Ozzy, you know he smells fantastic. Later on, Nikki Sixx walks down the hall and asks if Ozzy was around. I said he was in the other room, and he said, ‘Yeah, I can smell him.’”

It’s quirky moments like this that have Castle sure that his younger self would be so stoked to see what his daily life is like now. “I’ve been able to do some pretty cool stuff. I always like to go back to ‘What would 14-year-old Ryan think of this?’ and it keeps me from getting completely jaded or taking some of the opportunities and cool things we get to do for granted.”

As it became more clear early on that a career in radio was within reach, no other job options really crossed Castle’s radar. “The only other thing I have done besides this is I worked at a McDonald’s, and I worked at a Sizzler [Steak House]…and Sizzler isn’t around anymore, so I guess it would be back to McDonald’s,” he quips.

If he had to choose a different path, Castle knows he would probably still be in the music industry. “I think I would still do something around music because I love it. I think any marketable skills I might have pulled out of a radio station over the last 30 years would probably lend themselves to something like that,” he says.

Having a career that capitalizes on a boisterous personality, Castle admits the learning curve within any other role would be too great. “I would be an HR nightmare,” he jokes. 

When asked about the secret ingredient to the great radio shows he grew up listening to and now produces, Castle has a quick and confident answer.

“People,” he reiterates numerous times. “People, people, people. Great people. I always say I have the entire history of music in my phone, why would we ever turn on a radio? And it’s all the other stuff. It’s the people and the personalities that 100% make the difference. That’s it. The music is important, but it’s the other stuff and it’s the people that really are difference makers.” 

Dusty Likins Excited For ‘The Call Up’ to Morning Drive with Bob Fescoe on 96.5 The Fan

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Just like the first player off the bench on a basketball team, veteran Kansas City sports radio host Dusty Likins has always considered himself the ‘6th man’. During a two-year run of hosting “After Hours” from 6 p.m. to 9 p.m. on 610 Sports, Likins would often get ‘called up’ to the morning show to fill in for either Bob Fescoe or Josh Klingler.

That experience endeared him to a different audience just in case the opportunity for a permanent move to the morning show ever came up.

“I kind of got lucky to where I was able to build those relationships ahead of time to where people knew my voice and knew who I was and knew what I was about,” said Likins. “I’m not going to sugarcoat it, I’m a loose cannon.”

Well about a month ago, Likins was shot out of a cannon from evenings to morning drive replacing Klingler, who continues to work for the Kansas City Chiefs Radio Network but stepped back from the morning show. 

Moving from nights to mornings might be tough for some people, but Likins has not only embraced it, but he’s loving it. 

“It’s been great,” said Likins. “The morning show has been a hit so far. I like to call myself a shot of espresso. I don’t know how many people can actually say they enjoy getting up that early in the morning, but I honestly love it.” 

And when you couple the prior experience of filling in with the first month together on the air, Likins and Fescoe have already created some great chemistry. Likins has considered Fescoe a mentor for the last four or five years so he was ecstatic when Fescoe came to him to talk about the opening in the morning.

They are ten years apart in age but share many of the same interests.

“When this opportunity opened up, Bob had told me that (he thought) it would be a good mix between the two of us,” said Likins.  “He gets my humor. I get his humor. We really click. We have a lot of common similarities even though he’s 47 and I’m 37.”

And while there may be some loyal listeners in the morning who may take a little longer to accept change, hearing the comparisons to Josh Klinger isn’t something that Likins is going to spend a whole lot of time worrying about. It’s wasted energy. 

“I think if you worry about that, you’re too far behind,” said Likins. “What you have to do, like in anything in life, you have predecessors, and you have successors. I love Josh Klingler. He has been a huge impact in my life ever since I got into radio back in 2015.”

What makes the move to the mornings even more special for Likins is that 610 Sports has flipped from AM to FM and has become 96.5 The Fan. Moving to FM has improved the station’s sound and reach while also attracting a broader audience.

For the entire station, the move has been a game-changer. 

“Oh man it’s like a face-lift or a tummy-tuck,” said Likins. “The FM side of the radio is so much better. It’s so much clearer. It’s a broad band of listeners as opposed to just an AM station.”

To further illustrate how important the move has been from AM to FM, Likins likes to dip into the world of pop culture, something he did a lot of at night and is such a staple on any successful morning show.

And in Kansas City, there isn’t a bigger example of pop culture than worldwide singing sensation Taylor Swift dating Chiefs tight end Travis Kelce.

“Pop culture is big,” said Likins. “You either love (Taylor Swift) or hate her but either way you know her. I kind of lean into that as well where you may not understand it, or you may not like it, but you get it.”

Swift is certainly a megastar and speaking of megastars, another area of pop culture that Likins loves to cover is professional wrestling as he is a huge fan of WWE United States Champion LA Knight. When it comes to the magnitude of moving from nights to mornings and from AM to FM, it’s something that just about everyone can agree on.

“If you’re a heel or you’re a face, you have to lean into that and believe it,” said Likins.

So, to steal a couple of lines from LA Knight, I’m here to tell you whose game it is now in the mornings at 96.5 The Fan.

With everybody saying…Dusty Likins.

Yeah!

Ransom Garcia Exits 107.9 Coyote Country, Las Vegas

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Beasley Las Vegas layoffs continue, with the latest being Country KCYE (107.9 Coyote Country) MD/PM driver Ransom Garcia.

The Las Vegas native has been on the air in Las Vegas since 2003 and with KCYE since 2017.

He previously worked for the company’s Top 40 WNKS (Kiss 95.1)/Charlotte.

Next month, Garcia will be inducted into the Nevada Broadcasters Hall of Fame.

Reach out here.   

        

Tom Brady: ‘I Still Get to Be a Quarterback’ as ‘NFL on FOX’ Analyst

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Tom Brady is entering his first season as the lead broadcast analyst for FOX Sports, officially commencing his time working alongside Kevin Burkhardt, Erin Andrews and Tom Rinaldi under a 10-year contract reportedly worth a total of $375 million. Brady, a seven-time Super Bowl champion and frequent league leader in several key offensive categories, is widely considered to be among the best players to have ever taken the gridiron. Ahead of his debut in Week 1 on Sunday, Sept. 8 as the Cleveland Browns face the Dallas Cowboys, he has been practicing his craft. Brady expanded on his approach and what he looks to bring to the booth during a recent interview at Fanatics Fest NYC airing on Monday’s edition of The Stephen A. Smith Show.

Brady was in Santa Clara, Calif. over the weekend practicing his commentary with Burkhardt from Levi’s Stadium during a preseason game between the San Francisco 49ers and New Orleans Saints. Pursuing a career in sports media was not something he thought about when he retired; however, seeing former teammates such as Teddy Bruschi, Willie McGinest and Rodney Harrison attain success in the field led him to recognize the association between leadership and disseminating one’s thoughts.

“So when I retired, it was just [I] met with FOX, and they said, ‘This is what we think we want you to do,’ and [I] didn’t realize that type of opportunity was out there,” Brady explained, “and then I couldn’t turn it down when they said, ‘Hey, you’re going to be the lead analyst,’ and I thought, ‘Okay, you know what? I still get to be a quarterback because in some ways now, I’m just quarterbacking something a little bit different,’ but in the end, you’re sitting in that hot seat, you’re in the one calling the shots, and that’s where I like to be, that’s where I’m most comfortable.”

Over the last several months, Brady has solicited advice from color commentators on NFL broadcasts, some of whom include Troy Aikman of ESPN, Cris Collinsworth of NBC Sports and Tony Romo of CBS Sports. There are aspects of each announcer that Brady likes and will look to incorporate into his style, but he is focused on trying to establish an approach that works for him after he had a different mindset towards watching games in the past as an active NFL quarterback when he would solely focus on the quarterback.

“I would say in the last 18 months, it’s totally transitioned to now I could care less what the quarterback’s doing,” Brady said. “I’m still watching, but I’m really listening to what’s going on between the two people – the analyst and the play-by-play guy.”

When asked by Smith about the personality he will bring to the broadcasts, Brady said that listeners should expect him to be authentic and close to his natural self. The difficult part will be suppressing his extreme criticism towards play in the NFL related to him and his team when on the gridiron. Smith followed up by asking why he would not just come out and say that something was horrible on television, leading Brady to acknowledge that there are parents and family members watching and that he does not always want to articulate it in that manner. Even so, his expertise on different plays is something fans are eagerly awaiting as the new season approaches.

“Yeah, I don’t think I’m going to dial it back to make something that was negative into a neutral or a positive,” Brady said. “I think if something’s not good, I’m going to point it out why it’s not good and how it can be better. That’s the important part, and I think a lot of it, even the criticism of a player vs. the criticism of a play is very different, and just because someone is attached to the negative aspect of a play doesn’t mean you’re being negative toward that player.”

After 23 seasons in the NFL, Brady did not immediately begin his work in color commentary, instead taking a year-long hiatus from starting his role with FOX Sports. Throughout that time, he has focused on other aspects of his life, including business ventures and co-hosting the Let’s Go! podcast with Jim Gray and Larry Fitzgerald. As he was told by longtime New England Patriots head coach and general manager Bill Belichick, he stored everything in his direction in a drawer that he would look at when the season concluded.

“I had a 23-year-old drawer, and that thing was full, and I needed, I think, 18 months to unpack that drawer [and] see what the hell was in that drawer,” Brady said. “Yeah, there was a few trophies in there, but I had to unpack that drawer and then figure out really what needed attention and really where I could reorganize some things to make sure the next 23 years of my life went the way that I wanted.”

ALLCITY Network Launching in Dallas Next Week, One of Three New Markets Expected in Next 12 Months

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In news first reported by Joe Pompliano earlier today, ALLCITY will be adding its fifth market in Dallas. ALLCITY is currently in Denver, Phoenix, Chicago and Philadelphia. Barrett Media spoke with company CEO and Co-Founder Brandon Spano who confirmed the launch will happen next week. Pompliano’s report also said Marc Stein, the former ESPN NBA reporter, will be one of the talent involved with the new market. Spano said the full talent roster will be announced next week when they launch. He did say Stein would be a part of Dallas programming and will also contribute to other ALLCITY Networks.

In addition to the new market, the report included details of a new funding round the company completed of $12 million, with TEGNA being the largest Series B investor. Pompliano reported the TEGNA investment, “includes a commercial agreement to place ALLCITY content on TEGNA-owned TV stations nationwide.”

“That’s a big part of it because in this agreement that we have with TEGNA there are promotional opportunities including spots on the local television station and our talent will be featured. And there’s opportunities for our products and shows to be distributed on their linear and FAST television feeds.”

Spano said even more distribution is on its way and will be announced prior to the start of the NFL season. He also said that the five markets they are in will be joined by two more within the next year.

“Counting Dallas, we will have launched three markets in a 12-month span,” he said. “And the next markets will be TEGNA markets under our commercial agreement.”

TEGNA Chief Digital Officer Adam Ostrow posted on LinkedIn, “At TEGNA we’ve seen firsthand the audience demand for fan-centric local sports coverage through our ownership of Locked On Podcast Network and the explosive growth it has had since we acquired the business in 2021. We’re now doubling down in local sports as lead investor in ALLCITY Network’s latest round. ALLCITY operates digital local sports channels in four markets and goes deep, with audio, video, text, in-person events, memberships, merch and more dedicated to each city’s local teams. They have huge levels of engagement in these markets, and we’ll be working with them to bring this approach to more places and leverage the distribution/content/monetization opportunities across TEGNA and Locked On to do even more.”

When asked about looking at new markets and how those decisions are made, Spanos said, “At the end of the day, it really does come down to talent. And then what does the media landscape look like there?”

As for the Dallas market, Spano said what his team saw was, “one major [sports radio] station that is really impactful. And, you know, probably one of the strong stations still nationwide at a local level. You’ve got one sports talk station that became a music station. You have another sports talk station with some 1099’s. You have some teams there like the Stars that are completely under covered. And then you look at the talent pool there because of how big the traditional media structure used to be. You just have all these names out there of really talented people that have massive followings and they’re free agents. And so, it creates kind of a perfect storm.”

WBAP Host Casey Bartholomew Signs Extension with Dallas News/Talk Station

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WBAP midday host Casey Bartholomew has signed an extension to remain with the Cumulus Media Dallas news/talk station.

Bartholomew hosts from 9-11 AM on WBAP. He has hosted the daypart since August 2022, when he joined from KFRU in Columbia, Missouri. He had previously served as the Program Director for that outlet.  Bartholomew has held on-air roles at New Jersey 101.5, KFI AM-640 in Los Angeles, The Big 550 KTRS in St. Louis, and 580 WDBO in Orlando, among others.

In a social media post, Bartholomew revealed that he had signed a two-year extension to remain with the news/talk station that added an FM simulcast late last year on 93.3 FM.

“I’ll be holding down the 9-11 AM slot for at least another 2 years…unless something better comes along,” he wrote with a winking face emoji.

Casey Bartholomew took over the timeslot that was previously occupied by Ernie Brown. He moved to the station’s morning show, which now consists of Brown, Hal Jay, Carla Marion, and Nicole Osei, in 2022.

The Rich Eisen Show Added to Daily Lineup at 102.7 ESPN Austin

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102.7 ESPN Austin has announced the addition of The Rich Eisen Show to its daily lineup in the Texas capital.

The station will broadcast the nationally syndicated show from 11 AM-2 PM. The station previously featured a local midday show hosted by Nick Hajda, Noah Kreitz, and Jason Dick in the timeslot. However, Hajda and Erin Hogan moved to mornings with Game Time, which is heard from 7-11 AM.

The Waterloo Media station continues to offer local programming in the afternoon, as well, with shows hosted by Trey Elling, Ed Clements, and Jeff Ward.

During his debut episode on 102.7 ESPN Austin, Rich Eisen featured a nearly 20-minute-long conversation with Texas Longhorns head coach Steve Sarkisian.

Apple Podcasts Expands to the Web

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Today, Apple announced the launch of Apple Podcasts on the web. The announcement means the powerful app will have new features available across major browsers including Safari, Chrome, Edge, and Firefox.

The new web feature allows users with an Apple Account to browse, subscribe, and queue podcasts from their browser of choice. The dedicated web experience eases the discovery process for already established shows, allowing users to see programs they subscribe to on the new interface rather than utilizing a search engine to find their favorite programs.

Additionally, listeners can now sync their Apple Account to the web feature to pause a podcast on another Apple device, and seamlessly pick up where they left off on another one.

The new integration is available in 170 countries worldwide. With the new enhancements, Apple Podcasts is now on par with Apple Music and Apple TV, which have previously featured their own dedicated web app versions.

The introduction of podcasts on the web comes a month after Apple introduced a web version of Apple Maps to compete with Google Maps.