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How Riply Is Using AI to Help Radio Stations Stay Hyper-Local

The radio industry’s been shrinking for decades, and Jen Austin knows it better than most. Austin, a radio veteran since the 1990s, has watched newsrooms contract, dayparts go unstaffed, and local content slowly fade from the dial. So instead of lamenting the shift, she built something to fight it — a hyper-local AI-powered news platform called Riply.

“It’s a radio problem with a technology solution,” Austin said. “That’s what we wanted to apply here.”

Riply functions as an always-on content intelligence system, continuously harvesting local, state, and national news for stations across America — and beyond. Stations log in and find a curated feed of stories, complete with cited sources, ready to be turned into newscasts. Every piece of content goes through human review for accuracy before being voiced, either by an AI agent or by the station’s own talent. It’s designed to do what a part-timer or intern used to scramble to do manually — only faster, cheaper, and around the clock.

Austin didn’t arrive at the idea by accident. Years of watching a once-vibrant industry get stretched thin drove her toward a solution that technology could actually deliver. “When I started in the 90s, there was 24/7 staff and live people on every daypart,” said Austin. “It’s gotten smaller since then. And the people who are there need help gathering information, staying local, staying relevant, and delivering to listeners.”

Staying Local Is the Mission

For Austin, the core value proposition isn’t just speed — it’s specificity. Anyone can pull generic headlines from a national wire, but Riply drills down to the community level. “Really, it’s staying local,” the Riply executive shared. “It’s harvesting information 24/7 constantly. For any city in America and anywhere in the world. You don’t have to sit at a computer or have an intern or part-timer bring back stories one by one. This does it continuously.”

That local emphasis also positions Riply as a complement to national news providers, not a competitor. With CBS News Radio‘s exit, Austin sees an opportunity for stations to pair with Riply’s hyper-local content. “We could be the local complement to that,” she said. “It’s whatever the station needs, and that’s key for Riply. We are highly customized and continue to work with the station, respond to their voice, and let them tell us what markets or areas they want to cover.”

The platform verifies information across three to four web sources before surfacing a story, mimicking the process a careful journalist would follow — just at machine speed. Austin was direct about the stakes of accuracy.

“Just like a human would look around the web for news, this is doing the same thing and stamping the source so we know exactly where it came from.” She added that the platform spent 10 to 11 months in testing before launch. They worked to refine its outputs to meet broadcast standards. It’s not, as she emphasized, AI running unchecked.

“It follows a dedicated path and comes back curated to save time and money for radio stations,” said Austin.

Overcoming the Fear Factor

Adoption hasn’t come without hesitation. Austin acknowledged that perception remains one of Riply’s biggest hurdles — not performance, but fear. The radio industry, like many legacy media sectors, carries anxiety about AI replacing the humans who give it character. Austin pushed back on that concern directly. “AI is nothing to be afraid of. It’s a great tool, especially on the local level and in local newsrooms.”

Still, she recognized that skepticism requires a demonstration, not just reassurance. “Hesitation is probably the right word, but once they hear the voices and see the content and writing, they believe it,” the longtime radio leader stated. She added that stations that’ve tried it have come back with confirmation that the stories Riply surfaced matched exactly what their teams were already discussing. That kind of real-world validation has accelerated momentum. “I feel like there’s been rapid adoption in the past month or two,” Austin said. “More stations are getting on board, trying AI themselves, and realizing it’s nothing to be afraid of.”

Flexibility has driven much of that buy-in. Riply offers human voices, AI voices, or the option for local talent to read scripts outright. Austin put it simply: “It’s whatever they want it to be.” What’s right for a major market like Detroit doesn’t fit a smaller market like Poughkeepsie, and Riply’s design accounts for that variance.

For Austin, success ultimately comes back to something personal. She grew up in rural Nebraska, where local news wasn’t just convenient — it was currency. “My grandma would know by 3:30 in the afternoon who fell off a tractor that day,” she said. “AI is even faster than my grandma.” That connection to community is what she wants Riply to restore. “Responding to that local need for information and giving it to communities is exciting to me,” Austin said, “and that’s success.”

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Sharyn Alfonsi Exits 60 Minutes: The Good, The Bad, and The Ugly

Sharyn Alfonsi didn’t walk away from 60 Minutes — she was shown the door. After nearly two decades at CBS News and more than a decade as a correspondent on one of television’s most storied newsmagazines, her contract expired over Memorial Day weekend. And it was apparently not renewed.

This situation didn’t happen in a vacuum. It grew from an editorial dispute last December, when CBS News Editor-in-Chief Bari Weiss pulled Alfonsi’s reported segment on Venezuelan men deported to El Salvador’s CECOT prison — a piece that had already been publicly promoted. Alfonsi believed the decision was political. Weiss said the story wasn’t ready. The segment eventually aired in January, but the damage between the two was done.

This wasn’t just a workplace disagreement. It became a flashpoint for larger questions about where CBS News is heading, who’s steering the ship, and whether editorial independence still means anything inside that building. Those questions don’t have comfortable answers right now.

The Good

It’s good that Alfonsi is leaving — even if she clearly didn’t want to go. That distinction matters. Nobody should confuse this departure with a journalist deciding she’s done and heading for the exit on her own terms. Her contract lapsed, her representatives were met with silence, and CBS News made its choice without saying a word. Still, even if the circumstances are painful, getting out of an environment she disagreed with is ultimately the right outcome for her.

Furthermore, she’s not alone in her skepticism. Alfonsi now joins a growing chorus of people raising their eyebrows at the direction of CBS News and 60 Minutes. Bill Owens, the longtime executive producer of 60 Minutes, stepped down earlier this year citing concerns over editorial independence. Wendy McMahon, the former CBS News president, also departed under a cloud of internal tension. Anderson Cooper reportedly had his own reservations about the show’s trajectory before his exit as well. That’s not a few disgruntled voices — that’s the leadership structure of one of the most respected programs in broadcast history walking out the door, one by one. When it keeps happening, it stops being a coincidence.

The best thing Alfonsi can do from here is land somewhere that values what she does. She’s a talented journalist with a track record that speaks for itself. If CBS News didn’t want that, somebody else will.

The Bad

That said, it’s generally not a good practice to trash folks on the way out the door — even when you’ve earned the right to.

Does Alfonsi have reason to be angry? Absolutely. Does she have reason to be critical of CBS News and Bari Weiss on the way out? Also yes. She poured years into that newsroom, stood behind a story she believed in, and got the cold shoulder in return. That stings, and no reasonable person would blame her for feeling it.

But does sharing those thoughts publicly help anyone? That’s where it gets murkier. Her statement was pointed, detailed, and damning. It accused network leadership of tearing down the wall between corporate interests and editorial independence, and it called her exit a deliberate choice to penalize a journalist for doing her job. Again — she’s not wrong. However, torching the building on the way out doesn’t rebuild it. It also doesn’t make her next chapter easier to write. Prospective employers watch how people leave just as closely as they watch what people accomplish. Burning bridges loudly can cost more than it gains, even when the frustration behind it is entirely justified.

She had every right to say what she said. Whether it was wise is a separate question.

The Ugly

Here’s the part that CBS News can’t spin its way out of: when virtually everyone who departs the network or 60 Minutes raises the same concerns on their way out, it’s no longer a personnel problem. It’s a credibility problem.

A few unhappy former employees? That’s easy to wave away. Disgruntled ex-staffers exist everywhere. But when it’s the executive producer, the network president, multiple correspondents, and now a decade-long contributor all saying the same thing — that editorial independence is under threat, that corporate interests are bleeding into journalism — the “disgruntled employee” defense collapses under its own weight.

This isn’t a “he said, she said” situation. It’s closer to “everyone said” — and the network’s rebuttal essentially amounts to “Nuh uh.” That’s not a counter-argument. It’s a deflection. CBS News has a real problem on its hands, and the longer leadership responds with corporate euphemisms instead of genuine accountability, the uglier it gets. Whether the people running the place recognize that yet is a different discussion entirely. But the rest of the industry is watching — and so are viewers.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Jimmy Knight Exits Federated Media Fort Wayne After 15-Year Run

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Two long-tenured talents have left Federated Media Fort Wayne. Jimmy Knight and midday host Dan have both departed.

What we know: Knight served as OM/PD of Hot AC 97.3 WMEE and Country “K105” WQHK for over fifteen years. He joined Federated in 2011 after leading operations at Artistic Media Partners in Lafayette. Before that, he held roles at stations in Melbourne FL, Wausau WI, and Cedar Rapids IA. Meanwhile, midday host Dan departs WMEE after holding that slot since 2017, following earlier weekend work at the station.

What they said: Knight took to LinkedIn to address his next move publicly. He stated he is actively seeking roles as an Operations Manager, Program Director, on-air talent, or Media Buyer — and noted he is “open to other opportunities.” Fort Wayne remains his preferred market, though he added, “for the right opportunity I am willing to relocate.” No public statement from Dan has emerged so far.

What remains unclear: No official reason has surfaced for either departure. Additionally, Federated Media has not yet announced replacements for either role. It also remains unknown whether Dan plans to seek on-air work elsewhere in the market.

What it means: Together, Knight and Dan represent decades of institutional knowledge at two of Fort Wayne’s most prominent stations. Their exits leave Federated with notable gaps — both operationally and on-air. For the Fort Wayne market, these changes signal a significant programming transition ahead.

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Broadcasters Foundation to Host Media Mixer at iHeartMedia New York on June 25th

The Broadcasters Foundation of America is bringing its popular Media Mixer back to New York City on June 25. The event will be held at iHeartMedia’s studios and aims to connect rising talent with broadcasting’s biggest names.

What We Know: The event takes place on June 25. It runs from 5:30–7:30 PM ET at iHeartMedia’s studios at 125 West 55th Street. Legendary radio executive Dan Mason will attend and share career insights. KTU afternoon drive host Maxwell will emcee, and The Voice alum Carolina Rial will perform live.

What They Said: “The Broadcasters Foundation’s Media Mixers have become one of the most important gatherings for the future of our industry, bringing together rising broadcast professionals, influential executives, and legendary broadcasters in one room. Broadcasting is built on relationships, mentorship, and community, and this event captures the very best of what makes our business so special while also supporting broadcasters facing critical need.” — Broadcasters Foundation of America President Tim McCarthy

What Remains Unclear: Capacity limits haven’t been announced publicly yet.

What It Means: The BFOA continues to build one of broadcasting’s most valued networking sessions. This year’s New York event is another step in that direction. Admission to the event is free. However, you must preregister for a ticket by clicking here.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

CNN Developing Streaming Series for Abby Phillip

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Abby Phillip has seen her profile grow with CNN in recent years. That expansion is set to continue with a streaming series, according to a report from Oliver Darcy.

What We Know: CNN is in the process of developing a series for Abby Phillip. According to Status’ Oliver Darcy, the working title of the show is Confessions and Obsessions. Guests on the show will reportedly discuss what they’re obsessed with and also declare confessions about topics and past actions. The report says that the program, unlike CNN NewsNight, will not be centered around politics.

What Remains Unclear: What the official title of the show will be. Furthermore, it is unclear when the series will debut. We also do not know when new episodes of the show will be released or which guests might appear on the program.

What It Means: Cable news hosts have continually branched out with digital projects. Abby Phillip is the latest example of that. It seems likely that the items she’d like to discuss on this program wouldn’t fit perfectly into her primetime show. It is also one of the first examples of a potential project on the CNN streaming service featuring Phillip.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Yahoo Sports’ Layoffs Underway as Company Begins Aligning To Meet New Goals

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Yahoo Sports has reportedly parted ways with several contributors, reportedly including several writers who contributed to their NFL coverage. According to Front Office Sports, NFL reporter Charles Robinson and Charles McDonald have departed the company. Yahoo Sports has not confirmed any names to Barrett Media mentioned in the reporting.

What We Know: As Yahoo Sports continues to align its roster to meet new strategic goals, the company is making some changes. While the company has invested in recent signings such as Taylor Twellman and extended Ross Dellenger and Nate Tice, those signings point to shifting priorities. Sources indicate to Barrett Media the cuts are not part of a cost-cutting measure by Yahoo, but instead a restructure for a best path forward toward their goals. Charles Robinson has been a senior writer for Yahoo Sports since 2004, specializing in NFL and investigative reporting. Charles McDonald is an NFL writer for Yahoo Sports. He previously reported for the New York Daily News among other outlets.

What They Said: A Yahoo Sports spokesperson offered this statement to Barrett Media: “As evidenced by the last few years, we are investing heavily in our original content and we will continue to do so as we approach the football season. We carefully consider all personnel decisions and sometimes need to make tough decisions to achieve our strategic goals.”

What Remains Unclear: The total number of affected employees was not confirmed by Yahoo. However, sources indicate the layoffs are limited in scope affecting fewer than 10 employees. Plans are the company will continue reshaping its content strategy around specific verticals. With football season approaching, sources say Yahoo Sports expects to continue adding talent ahead of the upcoming season.

What It Means: Yahoo Sports is going through a restructure when it comes to internal goals. Like many companies, shifting priorities unfortunately means tough decisions. Yahoo is clearly doubling down on targeted content hubs. Examples of that include the partnership with Ariel Helwani in building Uncrowned, and launching Yahoo Sports Daily just under a year ago. Barrett Media is a licensed content provider for Yahoo. Last month, Barrett Media joined several other content sites in contributing content to Yahoo Sports’ sports business hub. More names will surface over the coming days, but the scope of the layoffs does seem to be minimal.

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Sharyn Alfonsi Exits 60 Minutes, Blasts CBS News Leadership

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Sharyn Alfonsi has released a statement that her tenure at 60 Minutes is over after her contract wasn’t renewed. She didn’t hold back in her criticism of CBS News, either.

What We Know: Alfonsi shared that her contract with the network expired over the weekend and that she would not return. In her exit, Sharyn Alfonsi lambasted CBS News leadership for what she labeled as “abandoning” the mission of 60 Minutes. She also accused the network of “methodically” tearing down the wall between “corporate interest” and “editorial independence.”

What They Said: “Over the weekend, my contract with CBS News expired, drawing to a close nearly twenty years with the network, including more than a decade at 60 Minutes. Following an intense editorial dispute over our CECOT story, repeated attempts by my representation to establish a path forward were met with absolute silence from network executives. The message could not be clearer: my time at 60 Minutes is apparently over. In the coming days, network leadership may attempt to hide behind corporate euphemisms like ‘modernization’ and ‘restructuring’ to explain away my departure. Don’t be misled. This was not a routine corporate transition. It was a deliberate choice to penalize a journalist for refusing to sanitize factually accurate reporting, and it sends a chilling message to the entire newsroom.” -Sharyn Alfonsi

What Remains Unclear: What Sharyn Alfonsi will do next in her media career. She has previously insinuated that she expected not to return to the show next season. However, she has not hinted at what lies ahead for her.

What It Means: Alfonsi’s tenure with the show ends with a bang. Her comments about the state of CBS News — without naming Bari Weiss — will create many headlines. Her exit follows the departure of Anderson Cooper. He also, reportedly, had concerns about the direction of the network and the news magazine. Former 60 Minutes Executive Producer Bill Owens also famously departed the show after concerns about editorial independence.

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Where the Opportunities Are: News/Talk Radio Leaders Sound Off

The news/talk radio industry has never lacked for opinions — but right now, it’s brimming with opportunity. From all-news behemoths to digital-first podcast plays, the people running some of the most recognizable brands in the space see a landscape that rewards boldness and agility.

Barrett Media gathered perspectives from several key voices across the industry, and while their vantage points differ, their optimism rhymes.

Not everyone sees the same opening, though. Some are bullish on terrestrial growth. Others are chasing podcasts, social media, and YouTube with equal urgency. Together, they paint a picture of an industry that’s evolving faster than its critics expected — and one that’s far from finished.

The conversation starts, as it often does in news/talk, with money. And few formats generate it quite like all-news radio when it’s operating at full capacity.

The All-News Case

Phil Boyce, Senior Vice President of Spoken Word Formats for Salem Media, made the financial argument plainly. “I think it’s a very difficult format to run,” said Boyce. “It’s very expensive, and that’s why you don’t see all-news radio stations in a lot of markets except the very big ones, because it’s expensive to run. But let’s not forget, it also makes a lot of money.”

Boyce pointed to WTOP as proof that the format still has a ceiling most can’t touch. “I think that WTOP is still the number one revenue-generating radio station in the nation,” Boyce said, “and they are an all-news behemoth.”

The sales infrastructure that comes with all-news is part of what excites him. “There are so many sales vehicles and promotional opportunities in an all-news station, where you can sell traffic, weather, sports, news, and all kinds of other things that a lot of radio stations can’t really sell,” he said. “So someday I’d like to see a resurgence in the all-news format.”

Still, Boyce acknowledged that news formatics matter even beyond all-news outlets. “I think you have to have a good combination of news,” Boyce said. “I think our audience is more attuned to what’s going on.” He noted that audiences now arrive at news/talk stations already informed — they’ve already seen the breaking alerts — and they want depth. “They’ll come to the station that has the reputation for news and information in their market, and that’s where we have to deliver for them.”

Building Beyond the Dial

The clearest throughline across this group isn’t a format or a platform — it’s talent and expansion. Luis Segura, Operations Manager of 105.9 WMAL, made that case as directly as anyone.

“Our hosts, easily,” said Segura, when asked about his station’s biggest asset. “They’re an all-star team. Larry O’Connor, Chris Plante, Vince Coglianese, and Derek Hunter. These are hosts who would be solo superstars in any market, but they’re all here.” He described a sold-out Free Speech Forum event that brought the station’s talent together in front of a deeply engaged audience. “Watching all these talents come together like the Avengers and entertain a crowd that drove in from all parts of the DMV to see them,” Segura said, “was so fun.”

For Ralph Renzi, CEO of Newsmax Radio, the opportunities extend well beyond any single platform. “We’re interested in growing our radio platform,” said Renzi. “We feel there’s a great opportunity to grow.” He pointed to podcasting as a particularly hot lane, noting the recent launch of The Greta Wire with Greta Van Susteren. “I believe we’re going to continue to grow our podcast portfolio,” Renzi said. “So there’s another huge opportunity.” He also flagged Newsmax’s social media footprint — now north of 25 million followers — as a strategic lever the brand intends to pull harder.

Blake Thompson, Executive Vice President of The Ramsey Network, echoed that multi-platform mindset. “Radio’s not going away,” said Thompson. “I’m still blown away by how many people listen to radio and how that’s a huge and important market.” Yet he’s also tracking what’s next. “YouTube is blowing me away,” Thompson said. He mentioned video podcasting on Spotify and Apple as emerging priorities, too. “I just taught Hank and the crew to always be looking for what’s next,” he said. “At the end of the day, go in with the mindset of asking: where can we find new people that we can help?”

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Matt Barrie Shifts to SEC Nation Host Beginning in July on SEC Network

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ESPN’s Matt Barrie is the new host of SEC Nation. He takes over one of college football’s most recognized traveling shows this fall, replacing the recently departed Laura Rutledge.

What We Know: Barrie, a longtime SportsCenter anchor and college football commentator, steps into the role just one day after Laura Rutledge officially departed the SEC Network. Rutledge held the SEC Nation hosting duties from 2017 to 2025 before expanding her NFL responsibilities at ESPN. Barrie becomes the fourth host in the show’s history, following Rutledge, Maria Taylor, and Joe Tessitore. His first official appearance comes at the 2026 SEC Kickoff in Tampa, July 20–23.

What They Said: Matt Barrie on joining SEC Nation: “I’m a college football junkie and beyond excited to host SEC Nation from the greatest game day atmospheres in the South. I look forward to continuing its legacy from campuses this fall.”

Meg Aronowitz, senior vice president of production, ESPN: “His dynamic energy and extensive knowledge of college football make him a tremendous addition to the team, and we look forward to seeing him in action this fall.”

What Remains Unclear: ESPN has not yet revealed specific site locations for this fall’s SEC Nation stops. Additionally, the full weekly schedule and matchup selections remain unannounced. Those details will reportedly come closer to the season. ESPN also didn’t reveal if the added role will affect Barrie’s appearances on other ESPN programs including SportsCenter.

What It Means: SEC Nation has been appointment Saturday morning television since its 2014 launch on SEC Network. Barrie brings deep college football credibility, 11 Emmy Awards, and extensive on-campus broadcasting experience. Moreover, his familiarity with traveling productions makes him a natural fit. This transition keeps the show’s momentum intact while writing a new chapter following Rutledge setting a new bar for the role.

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Lady Gaga Sets All-Time Touring Record With $236 Million Midyear Gross

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Lady Gaga and Bad Bunny are rewriting the touring record books. But the broader industry tells a more complicated story.

What We Know: The 50 biggest tours of early 2026 grossed $2.7 billion and sold 20.7 million tickets. That’s up 8.4% from last year. Gaga’s Mayhem Ball set a midyear Boxscore record at $236.2 million. Bad Bunny’s DeBÍ TiRAR MáS FOToS World Tour followed closely at $230 million.

What’s at Stake: For the first time ever, two artists each surpassed $200 million in a single midyear period. However, average ticket prices dropped another 6.3%, now sitting at $130.36. Meanwhile, smaller venues are hurting — clubs and theaters under 2,500 capacity saw attendance fall 6% and grosses drop nearly 9%.

What Remains Unclear: The midyear period has historically been a poor predictor of full-year results. Bruno Mars, BTS, and Harry Styles all launched major tours after the March 31 tracking cutoff. Whether their momentum can push 2026 past 2024’s record $3.2 billion remains an open question.

What It Means: Supercharged, post-pandemic era of explosive touring growth appears to be over. Still, 8% gains show the business remains healthy at the top. The real concern is the middle and bottom of the market, where costs are rising and audiences are thinning. That gap between the superstars and everyone else is widening — and fast.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.