Home Blog Page 217

YES Network Reportedly Using Two Play-By-Play Voices For Yankees Broadcasts

0

The YES Network is heading into the 2026 season with a noticeably streamlined Yankees broadcast booth. According to a report by NewsDay, the network has taken a different approach behind the microphone, significantly narrowing the number of voices calling games compared to last year’s rotation.

During the 2025 season, YES utilized four different play-by-play announcers and six analysts, creating a booth that shifted frequently depending on scheduling, availability and other assignments.

That revolving-door approach will give way to a more defined structure in 2026, as Michael Kay returns as the lead play-by-play voice, backed up by Ryan Ruocco, while David Cone, Paul O’Neill and Joe Girardi will rotate as analysts. Meredith Marakovits remains in her role as the network’s clubhouse reporter.

YES Network executive producer and vice president of production Jared Boshnack told Newsday the decision focused on viewer continuity. He said many fans structure their routines around nightly baseball broadcasts. Boshnack explained that baseball’s rhythm favors familiar voices and steady presentation. That consistency matters, especially for fans who watch after work or set aside weekend time to follow the club.

Boshnack, who took over production and programming about a year ago, said the network already featured elite talent. However, he saw an opportunity this offseason to refine the presentation. The goal was to tighten the structure of coverage and sharpen the on-air identity. He also wanted viewers to know exactly who would guide each broadcast when they tune in.

Last season, John Flaherty, Todd Frazier and Jeff Nelson served as analysts at various points, while Flaherty and Justin Shackil also handled play-by-play duties. Flaherty and Nelson will not return to the booth this year, though Shackil and Frazier remain part of the network’s pregame and postgame programming lineup.

Kay, who enters his 25th season with YES, is expected to call between 85% and 90% of regular-season games, further reinforcing the network’s emphasis on stability at the top of the broadcast. He and Cone are slated to call the network’s first spring training telecast Saturday when the Yankees host the Detroit Tigers.

For YES, the philosophy entering 2026 is straightforward: fewer voices, clearer identity and a booth designed to feel as familiar as the daily cadence of baseball itself.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Green Bay Packers Micah Parsons Responds to Criticism by Skip Bayless Following Exit From Dallas Cowboys

0

Micah Parsons didn’t attempt to soften his words, walk them back or offer a carefully polished response when addressing critics during a recent appearance on the Open Thoughts Podcast, choosing instead to confront the backlash surrounding his departure from the Dallas Cowboys and make clear how he feels about television personalities who have questioned both his performance and his decision-making.

Parsons, now with the Green Bay Packers after leaving Dallas earlier this past season, directed pointed criticism toward national sports television commentators, accusing some of hiding behind studio desks and social media platforms rather than engaging directly.

“They’re scared. They scared to voice their opinions. F**k them,” Parsons said. “Like, I’ll tell you, f**k Skip Bayless. F**k all them. I don’t give a f**k.”

The comments represent one of the most direct responses Parsons has offered since his move from Dallas, a transition that sparked debate across national programs and social media feeds alike. While the defensive end has remained productive on the field, he acknowledged frustration with what he described as commentary designed more to provoke reaction than offer substantive analysis.

“They want to rage bait me, but they won’t say that to my face,” Parsons said. “You Twitter finger a** motherf****rs. F**k them. I don’t give a f**k. I’ll tell you how it is.”

Among the commentators Parsons referenced was longtime television personality Skip Bayless, who questioned the optics and competitive implications of Parsons’ exit from Dallas. Rather than deflect, Parsons challenged Bayless directly during the podcast conversation.

“You suck, your show don’t work no more. What are we talking about here?” Parsons said. “F**k them. Motherf****rs be trying to tell you how to play the game. Come play my position, Skip. Cause I can do what you do. I do it better sometimes. So, what are we talking about here?”

Parsons’ remarks underscore the increasingly tense relationship between Parsons and the national debate ecosystem that fuels modern sports television, where strong opinions often drive ratings and viral clips. He suggested that some personalities cross a line when criticism shifts from performance evaluation to personal attack, particularly when the conversation centers on loyalty or character.

At the same time, Parsons did not rule out the possibility of joining sports media once his playing career concludes, though he made clear any transition would come with conditions.

“It just depends if they let me be me,” Parsons said. “I’m not here to instigate no other player or talk back about another player because they had a bad game or whatever. If they want me to be anti-whatever fanbase, I’m good. I’m not no puppet. A lot of these dudes is puppets for national TV. If you want to be a puppet, be a puppet. But that’s not me. I’m not selling my soul for a check. I’m good.”

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

PHLY Adds Corey Seidman To Phillies Coverage

0

Philadelphia’s digital sports outlet PHLY has added a familiar voice to its baseball coverage, hiring longtime Phillies analyst Corey Seidman to co-host the PHLY Phillies Podcast alongside Jamie Lynch as the company continues to expand its footprint in a competitive local media landscape built around daily conversation and direct-to-consumer engagement.

PHLY, which has invested heavily in team-specific coverage and subscription offerings, announced the move positioning Seidman as the centerpiece of its Phillies content strategy heading into a season that many around the club view as pivotal for both the roster and the franchise’s long-term trajectory.

“Corey’s credibility, experience, and understanding of the Phillies make him an ideal fit for us,” PHLY General Manager Todd Berman said in a statement, emphasizing the importance of institutional knowledge at a time when fan expectations for year-round coverage continue to rise alongside the team’s competitive ambitions.

Seidman arrives after a 15-year run with NBC Sports Philadelphia, where he developed a reputation for detailed reporting, analytical breakdowns and a steady presence during both rebuilding stretches and postseason pushes that defined multiple chapters of modern Phillies baseball.

“I’m thrilled to join PHLY and continue covering the Phillies for the most passionate fans in baseball,” Seidman said, adding that Philadelphia remains home and describing the upcoming season as one of the more intriguing storylines the organization has faced in recent memory.

By bringing Seidman into the fold, PHLY strengthens its credibility with an audience that increasingly values insider access, historical context and unfiltered discussion delivered across podcasts, written content and premium membership platforms rather than through traditional television broadcasts alone.

Seidman said the move allows him to maintain his connection with a passionate fan base while embracing a digital-first model that offers more flexibility in tone, format and immediacy than legacy media structures often permit.

In his new role, Seidman will anchor the PHLY Phillies Podcast with Lynch, while also producing written analysis, conducting interviews and delivering real-time reaction that feeds into the company’s broader coverage ecosystem, including exclusive offerings for its Diehard membership tier designed to deepen subscriber engagement.

The podcast will launch in conjunction with the regular season and will be distributed across major audio platforms, signaling PHLY’s intent to meet fans wherever they consume content while building a consistent daily destination centered on one of the city’s most scrutinized teams.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Megyn Kelly, Chris Cuomo Trade Barbs Over Nancy Guthrie Coverage

0

There’s never been any love lost between Megyn Kelly and Chris Cuomo, and that was on display this week over the Nancy Guthrie case.

Cuomo and Kelly have been frequent critics of one another over the years. That boiled over this week when Chris Cuomo took shots at Megyn Kelly and his colleague Ashleigh Banfield over their coverage of the disappearance of Nancy Guthrie.

During a monologue on his NewsNation show, Cuomo called Kelly a “fugazi, sloppy influencer” and a “would-be sleuth” for continually bringing up Nancy Guthrie’s son-in-law as a potential suspect in the case.

In response, Megyn Kelly took Cuomo to task on her SiriusXM show, calling him a “douchebag” and continually calling him “Fredo”, an insult based on Fredo Corleone from The Godfather, meant to label someone as the inept younger brother of someone more powerful and influential.

“Ok, so let me tell you what Fredo is really upset about,” Kelly began. “Fredo no rate-o. That’s his real problem: nobody watches his show on NewsNation, and I mean nobody. Nobody watches his failed podcast either. Nobody watched his Sirius radio show, nobody watched him on CNN, and therefore he gets upset at anybody who does well, like our show, which is always one of the top three conservative podcasts in the nation … Fredo doesn’t like that, ok? Because as I say, Fredo no rate-o, so he gets upset and he gets jealous.

“Sometimes in the past on this show, we’ve called out Fredo for his terrible behavior, for his bad ratings, for his lies about bumping into people who just happen to be listening to his podcast, because literally nobody does,” Kelly concluded. “And Fredo can’t take criticism.”

In response, Cuomo took issue with the language Kelly used in her monologue.

“Get over yourself, little hater,” Cuomo said in a post on X. “Odd language choice for a mom with young kids. Classy.”

After that post, Megyn Kelly responded by saying, “I know your thing is harassing women (runs in the family!) but your focus on me is getting creepy.”

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Throwback 2K with Chris Cruise to Enter Weekday Syndication

0

Throwback 2K with Chris Cruise is set to enter national syndication with Skyview Networks on weekdays later this month.

The move to weekdays comes after the five-year anniversary of the show’s launch. Previously, the show was only available in a Friday through Sunday offering.

“Hold on, so you’re telling me we’re now going to be playing throwbacks from the 2000s during the week too? That’s so fetch,” said Chris Cruise.

“Our affiliates have been asking for more Chris Cruise for years, and with the addition of this new show, we’re happy to give them more great 2000s throwbacks, combined with their own playlist, to solve some of their programming needs,” added Throwback Brands founder and CEO Tony Lorino. “Chris has been creating great radio and multi-platform content for years, and Throwback 2K Daily will help us connect that via their on-air and social channels in more ways than ever.”

There are currently 75 affiliates nationwide for the weekend show. The new weekday version of the show will be available for Top 40 and Hot AC stations.

Throwback 2K has proven itself as a standout program with a highly engaged audience, and this weekday rollout takes that value even further,” said Skyview Networks Executive Vice President of Strategic Business Operations for Skyview Networks. “The growth into weekdays delivers increased scale and frequency for network advertisers, while giving affiliates a customizable product that strengthens both ratings and revenue.”

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Netflix CEO Ted Sarandos: We’re Giving Paramount Skydance ‘Seven Days to Put Their Money Where Their Mouth Is’

0

The ongoing saga of whether Netflix or Paramount Skydance will acquire Warner Bros. Discovery has entered a new phase.

After signing a deal with Warner Bros. Discovery, Netflix is allowing Paramount Skydance a week-long window to negotiate with the company and attempt to prove why its bid should be accepted.

In an appearance on CNBC’s Closing Bell: Overtime with Julia Boorstin on Tuesday, Netflix CEO Ted Sarandos laid out the company’s reasoning for why it’s allowing this step.

“We have the only signed deal with Warner Bros. to acquire Warner Bros. Studios, Warner Bros. Television Studios, and HBO,” said Sarandos. “That is a signed deal that we have. Paramount had been making a ton of noise, flooding the zone with confusion for shareholders, so they don’t really understand the deal, including floating all these hypothetical offers and talking directly to the shareholders and bypassing the Warner Bros. Discovery board. So we have given the opportunity to get those shareholders exactly what they deserve, which is complete clarity and certainty about what the value of these deals are.

“And what we’re certain is, is that the Netflix deal to acquire these assets is the best deal, creates, and generates the best value for their shareholders,” he continued. “And they think so, too. That’s why they recommended the deal and why they reiterated recommending that deal post this. So give them seven days to put their money where their mouth is.” 

Some have argued that the deal between Netflix and WBD could be viewed as a monopoly. But Sarandos argues it wouldn’t even make the streaming video giant the top company in the space.

“We have 9% of the television business. When you include HBO, we’re going to grow to 10%. Today, YouTube is at 13% and growing very fast,” said Sarandos. “And so if you want to be equipped not to let big tech companies run away with the entertainment industry, you’ve got to be able to compete. So, today, I’d say that the business has never been more competitive and more diverse. And the way that consumers pay and the way they spend time is also increasingly diverse. So the great thing is, there’s choice.”

Sarandos added that he believes the Paramount Skydance owners, Larry and David Ellison, are “flooding the zone with misinformation” when it comes to that company’s bid being more likely to receive regulatory approval for the transaction.

“I don’t know why the Ellisons would insinuate they have some inside track in the Department of Justice, but I can assure you they don’t,” he shared.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

CRS 2026 to Honor Jelly Roll With Artist Humanitarian Award, Expand Focus on Growth, Inclusion, and Mentorship

0

Country Radio Seminar (CRS) 2026 is taking shape with a strong mix of recognition, mentorship, and forward-thinking conversations for the industry. The event returns March 18–20 at the Omni Nashville Hotel in Nashville, TN.

Honoring Jelly Roll

Country Radio Broadcasters have announced Jelly Roll as the recipient of the Artist Humanitarian Award. The honor recognizes artists whose philanthropic efforts drive meaningful impact beyond music. Jelly Roll’s work in addiction recovery, mental health, and community outreach has become a defining part of his career.

The award, established in 1990, has recognized many of the format’s biggest stars. Past honorees include Eric Church, Luke Combs, Kane Brown, Jason Aldean, Luke Bryan, Kenny Chesney, and Carrie Underwood. The recognition adds a powerful moment to an already packed CRS agenda.

Content Plans

Beyond the excitement of Jelly Roll being recognized, the scope of CRS 2026 will extend three full days of content and meetups dedicated to the evolving landscape of country radio.

Wednesday’s programming will spotlight growth and professional development. The Y’all Means All Breakfast starts at 8am CT. Amber Anderson of WSM-AM will moderate the “Expanding the Audience” panel, which features Al Farb, Ty Herndon, James Marsh, and MŌRIAH. The session will focus on strengthening listener connections and increasing cultural relevance.

Networking is a key priority at CRS 26. Attendees of ‘The Programming Happy Hour‘ will be able to connect and converse with experienced program directors. Mentors will include Drew Bland, Christi Brooks, Kevin Callahan, Ashley Morrison Layfield, Brent Michaels, Dylan Salisbury, Dawn Santolucito, and Jill Strada. The session encourages mentorship, skill-building, and idea sharing.

Additional plans for CRS 2026 include the 6th Annual Digital Music Summit, Label luncheons, Bob Kingsley’s Acoustic Alley, the BBR Music Group/BMG Nashville Late Night Event, and The New Faces of Country Music Showcase.

Attending CRS 26 Key Details

Online registration is closing, and on-site pricing for the full event will increase to $799 after today (February 18th). Limited single day passes are available for $349. New Faces of Country Music tickets will be sold separately for $110 and remain limited.

For additional information on CRS 2026, visit CountryRadioSeminar.com.

Barrett Media founder Jason Barrett will be in attendance for the show. Industry professionals looking to connect in person can email Jason@BarrettMedia.com to schedule on-site meetups.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

97.1 The Ticket Extends Broadcast Partnership With Detroit Lions

0

Detroit Lions and 97.1 The Ticket will remain aligned for years to come, as Audacy’s Detroit sports powerhouse has secured a multi-year extension to continue serving as the flagship radio home of the franchise.

Audacy confirmed that 97.1 The Ticket will carry every preseason, regular-season and postseason game, reinforcing a relationship that has become foundational to the station’s identity and to the club’s weekly connection with its fan base across Michigan and beyond.

Debbie Kenyon, senior vice president and market manager for Audacy Detroit, framed the extension as more than a business agreement, describing the Lions as a civic institution that reflects the toughness and pride of the city itself.

“This extension underscores our deep commitment to the team and to delivering the most authentic and highest quality game-day experience to the dedicated Lions fans across the region and beyond,” said Kenyon.

From the team’s perspective, the continuity offers stability in a crowded media marketplace.

“We are grateful to continue our partnership with 97.1 The Ticket as the radio home of Detroit Lions football,” said Rod Wood, President and CEO, Lions. “This is a partnership that ensures a strong connection to our fans through the most prominent sports station in the area for years to come.”

Beyond live game broadcasts, the agreement ensures that shoulder programming remains a central part of the weekly content strategy. The Lions Review Show, hosted by Lions Radio Network play-by-play voice Dan Miller alongside station personalities Will Burchfield and Bob Wojnowski, will continue airing Monday evenings during the season.

The station also will feature regular appearances from key figures within the organization, including quarterback Jared Goff and head coach Dan Campbell, who are scheduled to join morning and midday programs throughout the campaign.

Costa & Jansen with Heather occupies the early slot, followed by The Karsch & Anderson Show, giving the franchise multiple daily touchpoints with listeners during peak hours.

The renewal further underscores Audacy’s broader sports strategy, which spans dozens of owned-and-operated stations, hundreds of streaming channels and an expansive podcast network that supports professional and collegiate partnerships nationwide. In Detroit, however, the focus remains local and intensely personal, as Lions football continues to serve as both appointment listening and communal ritual.

For 97.1 The Ticket, the extension preserves one of the most valuable assets in sports radio: exclusive play-by-play of a team that commands regional loyalty and national intrigue. For the Lions, it maintains a familiar and trusted audio home at a time when sustained success has elevated both the stakes and the spotlight.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

WEEI Brand Manager Ken Laird To Make MLB Spring Training Play-By-Play Debut March 8

0

As the Boston Red Sox continue preparations for the 2026 season in Fort Myers, a familiar voice inside the WEEI studios will soon become a new one on the radio broadcast.

During Wednesday morning’s edition of The Greg Hill Show on WEEI, Brand Manager Ken Laird announced he will make his Boston Red Sox radio play-by-play debut on March 8 when the club faces the Pittsburgh Pirates in Grapefruit League action. The spring training matchup will air on the Red Sox Radio Network, giving Laird an opportunity to move from behind-the-scenes leadership into one of the most visible roles in Boston sports media.

“When the spring training schedule comes out of announcers, it’s always kind of piecing it together,” explained Laird on WEEI Wednesday. “I’m down there for our suite holders weekend with our clients. So I suggested I just do that game. This is the team of my youth, the Pirates and the Red Sox. So it was suggested to Red Sox brass, and they said, you know, it’s a good idea.”

For listeners in New England, Laird’s name is hardly unfamiliar. He has been a fixture at WEEI for years, contributing on-air while also helping guide the station’s programming strategy during a competitive and evolving era for sports radio.

However, calling a Red Sox game represents a different level of responsibility, particularly in a market where baseball coverage carries generational weight and daily scrutiny.

“I got a call a couple days ago from Colin Burch of the Red Sox. He said if you really want to do that game, we can make that happen. So I thought, well, that’s kind of cool,” explained Laird.

The March 8 broadcast serves as a springboard moment. While spring training games often provide room for experimentation and guest appearances in the booth, they also function as auditions of sorts, especially within a flagship property as significant as Red Sox baseball.

Laird clarified he didn’t choose himself for the role, and attempted to not take opportunity from others. The role provided was based on timing, location, and availability. Laird’s lone play-by-play experience lies two decades ago with the Washington Wild Things of the Frontier League.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

DAZN Reportedly Meeting With NBA, NHL Teams Leaving Main Street Sports Group

0

As Main Street Sports Group moves toward a complete winddown, DAZN has reportedly begun reaching out directly to the 13 NBA and 7 NHL franchises tied to the regional sports network operator to explore whether new local media rights partnerships could take shape ahead of next season, according to a report by Sports Business Journal.

The outreach comes as uncertainty intensifies around where those teams will land once Main Street completes its legal process. This is creating an opening for distributors and digital platforms eager to strengthen their foothold in the U.S. marketplace at a time when the RSN model continues to evolve under financial pressure and shifting consumer behavior.

Although DAZN previously explored a broader investment in Main Street Sports Group, those talks ultimately did not produce a transaction. Instead the global streaming service has reportedly pivoted toward a team-by-team evaluation strategy that would allow it to selectively pursue local rights agreements while aligning with league-level media objectives already in motion.

DAZN already existing international relationships with both the NBA and NHL position the company as a credible long-term partner. The platform distributes NBA games in several European territories, operates NHL TV globally, and manages NFL Game Pass outside the United States while also sublicensing much of ESPN’s college sports programming internationally.

According to the report, conversations about DAZN’s interest have extended beyond individual clubs, with league media executives. This includes NBA President of Global Content and Media Distribution Bill Koenig and NHL Executive Vice President of Media and International Strategy David Proper.

Both leagues, similar to the path Major League Baseball has pursued, are widely expected to examine a more centralized structure that bundles local rights under a unified framework. DAZN reportedly has signaled a desire to participate in those conversations should a rolled-up model emerge that combines streaming distribution with local broadcast components.

Main Street has said it would carry NBA and NHL games through the regular season. The company has missed rights fee payments. It has also asked teams to accept reductions and deferrals. Those moves raised concerns among creditors and league officials.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.