NFL Network and RedZone are dark on Xfinity. Comcast pulled both channels late Thursday after its distribution agreement expired, according to a report by Cord Cutters.
The timing is complicated. ESPN finalized its acquisition of NFL Network, RedZone, and NFL Fantasy in February. The league received a 10 percent equity stake in ESPN as part of the deal.
Now Disney/ESPN controls the negotiating table — not the league.
Comcast acknowledged the dispute plainly.
“Our contract to carry NFL Network and NFL Red Zone has expired, and we’re in discussions with the new owner, Disney/ESPN, about our future carriage of the network,” said Comcast in a statement to Cord Cutters.
Disney pushed back publicly. “We proposed keeping these channels available while we continued good-faith negotiations, but unfortunately, Comcast declined and took them down.”
Disney says it remains committed to a resolution.
Comcast and NFL Network clashed in 2009 over basic-tier carriage. A shorter dispute surfaced in May 2023. League Commissioner Roger Goodell stepped in personally that time, and a deal was struck within 24 hours.
The blackout hits during a sensitive window. OTAs, minicamps, and draft analysis dominate the offseason calendar. Shows like Good Morning Football and NFL Total Access are now unavailable to Xfinity subscribers.
ESPN is also managing NFL Network carriage talks with YouTube TV, Spectrum, and other distributors.
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Ten years ago, the Chicago Cubs ended a 108-year drought. Now, 104.3 The Score wants fans to relive every moment.
The Audacy station and Cubs flagship will re-air 16 of the team’s most memorable 2016 games. Broadcasts begin today. Each game airs on select weeknights at 6:00 p.m. CT — only when the Cubs aren’t playing.
Hall of Fame broadcaster Pat Hughes will record exclusive new intros for each game. Matt Spiegel, co-host of The Spiegel and Holmes Show, will also voice specific production elements throughout the series.
The slate kicks off today with Jake Arrieta’s no-hitter against the Reds. It runs through August 28 with the iconic World Series Game 7. Everything in between — the NLDS, the NLCS, the World Series — is on the schedule.
The Cubs are a ratings engine for 104.3 The Score. Leaning into the tenth anniversary of the title gives the stattion a built-in audience and a reason to tune in on off-nights with no live play by play.
The full broadcast schedule runs from May through August, covering 16 games including the Division Clincher, three NLCS matchups, and three World Series games — ending with Game 7 where the Cubs defeated the Cleveland Guardians.
We're celebrating the 10-year anniversary of the 2016 Cubs' championship season by re-airing 16 classic games this summer!
It starts tonight at 6 p.m., when we'll carry Jake Arrieta's no-hitter in 2016.
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NBC Sports is back with the NBA Playoffs for the first time in 24 years — and the numbers are turning heads.
Through 13 games on NBC and Peacock, the network is averaging 4.9 million viewers. That’s up 58% over comparable coverage last year and the best performance for this window since 1996.
Week two only added fuel to the fire.
Games from April 25–28 averaged 4.9 million viewers across seven contests. Stars like Shai Gilgeous-Alexander, LeBron James, Nikola Jokić, Jaylen Brown, Joel Embiid, and Jalen Brunson are delivering must-watch moments — and audiences are showing up.
Sunday, April 26 was the weekend’s crown jewel.
Celtics-76ers Game 4 drew 6.3 million viewers — the most-watched game of the 2026 playoffs so far and the biggest First Round Game 4 in primetime ever. Then Lakers-Rockets Game 4 peaked at 7.2 million — the highest single-game peak of the playoffs — averaging 6.2 million, up a staggering 128% year-over-year.
Monday delivered another milestone. Pistons-Magic Game 4 averaged 5.4 million viewers, up 155% versus last season. It became the most-watched Round 1 Game 4 on a weekday ever.
Saturday’s Knicks-Hawks Game 4 averaged 5.3 million — up 58% — and peaked at 5.8 million.
The NBA Playoffs are delivering their highest viewership in 33 years, with an average of 3.91 million viewers per game across ABC, ESPN, NBC/Peacock and Amazon Prime Video. pic.twitter.com/bZmI4CYiSJ
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Curtis Media Group is growing its North Carolina footprint. The company has agreed to purchase five radio stations and two translators from Capitol Broadcasting Company in the Wilmington market. The reported sale price is $1.75 million.
The acquisition adds significant format diversity to Curtis Media’s portfolio. Modern Rock 98.7 serves the Jacksonville area. Z107.5 delivers Top 40 to Southport listeners. Meanwhile, Jammin 99.9 brings Rhythmic Oldies to Boiling Spring Lakes. Sunny 103.7 covers the Wrightsville Beach market with Adult Contemporary programming. Additionally, 95.9 The Breeze serves Wilmington with Soft AC content.
The deal also includes an ESPN sports radio affiliate. ESPN 630 AM and its 101.7 FM translator serve the Wilmington market, rounding out a well-balanced group of stations across multiple formats and communities.
Kalil & Co., Inc. is serving as the exclusive broker for the transaction.
The purchase keeps Curtis Media firmly rooted in its home state. Furthermore, it positions the company as a dominant multi-format operator across one of North Carolina’s key coastal markets. Wilmington represents a growing media market with a diverse listener base spanning urban, suburban, and coastal communities.
Capitol Broadcasting Company built a strong cluster of stations in the region. However, the sale signals a strategic shift in the company’s portfolio priorities. Curtis Media Group steps in as a buyer with deep North Carolina experience and a track record of managing multi-format clusters effectively.
The deal remains pending regulatory approval.
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UEFA just scored big off the pitch. According to reporting by Bloomberg, the governing body of European football locked in a 40% increase on broadcasting rights for its men’s tournaments — including the Champions League — across 19 territories for the 2027–2031 cycle.
The deal spans Europe and the Americas, excluding the United States.
Financial terms weren’t disclosed publicly. But sources tell Bloomberg this deal and others in the pipeline will push UEFA’s annual broadcast and commercial rights revenue past 5 billion.
Walt Disney Co. and Paramount Skydance Corp. both entered the bidding, which in turn drove pricing up. Both wanted more sports content. Their presence created competition — and competition creates value.
European football’s U.S. audience keeps growing. The Champions League sits at the center of that surge. Real Madrid, Paris Saint-Germain, and Bayern Munich draw eyeballs globally.
The tournament also expanded its format in 2024/25, adding a qualifying stage and more games.
Canal+ and DAZN landed preferred bidder status. The packages also cover the UEFA Europa League and Conference League. Relevent Football Partners managed the rights deal, designing packages to attract both traditional broadcasters and streaming platforms.
This builds on UEFA’s momentum from 2024, when rights in top markets — UK, Italy, France, Germany, and Spain — climbed roughly 20%.
The U.S. packages renew in 2030 with the FIFA World Cup headed to the U.S., Canada, and Mexico, surely to draw more interest.
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Chad Hasty, the longtime host at 790 KFYO in Lubbock, has died unexpectedly at the age of 43.
Hasty had been with the station since 2006. From 2008 to 2021, he helmed mornings at the Townsquare Media news/talk outlet.
He later moved the show to the 5-7 PM window. It was then syndicated to news/talk stations in Abilene, Amarillo, Temple, and Wichita Falls.
“We are stunned and heartbroken by the sudden passing of our beloved KFYO family member, Chad Hasty. Chad was not only a brilliant on-air host, but an even better friend. Our deepest condolences go out to Jennifer and his baby girl, Ava. It’s hard to imagine not seeing his welcoming presence roaming the halls of Townsquare Media Lubbock.”
On Thursday, 790 KFYO aired a special tribute broadcast to the longtime host.
Gov. Greg Abbott (R-TX) shared his condolences to both 790 KFYO and to Chad Hasty’s family following the news.
“Chad Hasty was one of the finest broadcasters Texas has ever produced,” Abbott shared on social media. “My and Cecilia’s prayers are with his family as they mourn his sudden passing. Every day, Chad showed up to the microphone with conviction, informing Texans on the critical policy and political fights happening in the Legislature and our state. Our hearts go out to his family, friends, and the countless listeners who welcomed him in their cars, homes, and offices. Chad will be deeply missed. May he Rest in Peace.
Chad Hasty was one of the finest broadcasters Texas has ever produced. My and Cecilia’s prayers are with his family as they mourn his sudden passing.
Every day, Chad showed up to the microphone with conviction, informing Texans on the critical policy and political fights… pic.twitter.com/44oUhv79Yv
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60 Minutes correspondent Sharyn Alfonsi was the reporter at the center of the CECOT controversy late last year. She is now sharing her side of the story.
Alfonsi received the Ridenhour Prize for Courage from the National Press Club on Thursday evening. During her speech, she spoke about the situation where CBS News Editor-in-Chief Bari Weiss reportedly cancelled the story’s debut.
“Some executives are asking not, ‘Is the story true?’ but, ‘Is it good for business?’” she said, while not naming any names.
She also said that she wouldn’t linger on the situation, but that it was important to discuss the topic.
“It wasn’t an isolated editorial argument,” said Alfonsi. “In my view, it was the result of a more aggressive contagion: the spread of corporate meddling and editorial fear. It’s hard to watch.”
Alfonis alluded to her future in the speech. She reportedly is not signed for the 59th season of the program coming up later this year.
“My hope recently has been that I still have a job. And every morning I wake up to another headline that says I’ve been fired,” she admitted. “If I am fired, it will not be the first time.”
Sharyn Alfonsi was joined in receiving the award by former 60 Minutes Executive Producer Bill Owens. He left the position in April 2025, citing differences with Paramount executives over editorial control of the show. Alfonsi heaped praise on her former colleague and further alluded to her potential exit from 60 Minutes.
“I always said I’d follow Bill over a cliff,” she said. “And apparently I did.”
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Five more state attorneys general have joined the already established eight states in aiming to block the merger between Nexstar Media Group and TEGNA.
On Thursday, California Attorney General Rob Bonta stated that those holding the same office in Indiana, Kansas, Massachusetts, Pennsylvania, and Vermont have joined the federal antitrust lawsuit as plaintiffs.
“This is not controversial stuff — this merger is illegal and will give Nexstar and TEGNA the ability to control and raise prices, fire journalists, and dominate the media landscape,” Bonta said in a statement.
The previous state attorneys general included in the lawsuit were from Colorado, Connecticut, Illinois, New York, North Carolina, Oregon, and Virginia, in addition to California. The attorneys general of Indiana and Kansas are both Republicans, while all the others are Democrats.
In a statement, Nexstar Media Group blasted those new members of the lawsuit, calling them “misguided” in the process.
“By aligning with private equity-backed DIRECTV, these misguided attorneys general are strangling local journalism – the most trusted source of independent, fact-based news available to Americans,” the Nexstar statement reads. “The AGs, none of whom has a track record of advocating for local media, would do well to understand the industry they purport to protect. They should also recognize the binding commitments Nexstar has made to increase the amount of local news coverage in many markets, including today’s settlement with the Ohio Attorney General. And they should be far more wary of the real drivers of the decline of local news: the unchecked rise of Big Tech platforms, the spread of misinformation on social media, and the economic pressures that have already led to widespread newsroom closures.
“Tellingly, none of them appeared on local broadcast news to discuss this issue, but their social media posts were immediate,” the statement continued. “In today’s media landscape, multi-billion-dollar technology companies compete directly with local broadcasters while facing none of the same ownership, reach, or size constraints, putting untenable pressure on the economic model that supports local news. The alternative to this deal is not more independently owned outlets – it’s the demise of your local broadcast station.”
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A federal lawsuit is taking aim at the $110 billion merger between Paramount Skydance and Warner Bros. Discovery Inc. A group of consumers filed the complaint Thursday in the US District Court for the Northern District of California.
The plaintiffs say the deal will hurt competition, drive up prices, and damage journalism.
Their filing argues the combined company would have increased ability to raise consumer prices, reduce theatrical output, and diminish the quality and diversity of news programming.
The suit invokes the Clayton Act, which bars anti-competitive mergers and allows private individuals to sue. Plaintiffs are asking the court to block the deal entirely. They also want Paramount Skydance stripped of any interest in Paramount Global.
The complaint targets three markets: premium video distribution, national TV news, and theatrical releases. On the film side, plaintiffs warn the merger would leave moviegoers with fewer titles, less genre variety, and fewer meaningful choices at local theaters.
“If Paramount’s proposed acquisition of Warner Bros. Discovery is consummated, the combined firm would have increased ability and incentive to reduce theatrical film output and narrow release slates,” the filing states.
Paramount’s portfolio includes CBS News, Paramount+, Nickelodeon, MTV, BET, and Showtime. Warner Bros. brings HBO, HBO Max, Discovery Channel, HGTV, and Food Network.
Paramount announced the merger agreement in February. The company has not publicly responded to the lawsuit.
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Conventional radio programming wisdom supports the idea of shows having benchmark features. Pieces of content that run at the same time every morning. The idea is that listeners will know when that content will air and tune in to hear it, creating a daily appointment.
Many hosts push back against this idea, saying it’s too predictable. Especially if people listen in the same pattern every morning. The listener might only hear that one piece of content and never experience the full breadth of the show.
There are merits to both sides of that argument. However, what’s often missed in the discussion is what defines a true benchmark feature. Too often, the issue is that the content being used as a benchmark isn’t strong enough to drive listeners to make an appointment to tune in. In other words, any feature that doesn’t include enough dinosaurs.
At least that’s what Gregr of Audacy’s Alternative KNDD/Seattle might say. His signature benchmark is called Nerd Talk. A benchmark that’s lasted so long that he’s now into a second generation of nerds.
“Nerd Talk is the thing that I hear about the most,” Gregr says. “I recently had a mom say to me the only way she can get her kids into the car on time is at 7:45, you’re going to play Nerd Talk. So, we rush to get to the car to hear it.’”
Authenticity Works
That is what a true benchmark does for a radio show. It becomes a reason for listeners to tune in every day. There’s nothing easy about creating one that sticks with listeners like Nerd Talk.
Part of what drives the success of Nerd Talk is Gregr’s passion for the material. To be clear, this isn’t about superhero movies or TV shows with aliens. Nerd Talk focuses on real science, like dinosaurs and the recent NASA Artemis mission.
“I grew up with Mr. Wizard and Bill Nye. Being able to talk about science without having to be a teacher and deal with punk ass kids is awesome,” Gregr says.
When you listen, his enthusiasm for the content comes through clearly. A good lesson for hosts looking to find their signature bit.
“My excitement for what I’m talking about is legitimate. That’s what I think has worked for me on the radio forever,” Gregr says.
In addition, he’s happy to do his part to counter the giant wave of disinformation that’s exists. Gregr believes that internet has not helped people gather and understand information. Also the internet allows people to chase popularity for being wrong, because there is an audience for it.
Another element that’s helped propel the success of Nerd Talk is its sonic signature. A quick jingle that plays at the start of the feature. Gregr says that part came together with the station’s production director very quickly, and ended up being the feature’s identity for the past 15 years.
Endorsement Approach
While Nerd Talk may be Gregr’s signature benchmark, it’s far from the only thing he does exceedingly well. Another area in which he excels is making endorsements come alive. The best example is his Space Bed campaign which he started many years ago.
Originally, the campaign was an endorsement for a Tempur-Pedic bed that claimed to be made from “space age materials” used on the space shuttle. He began referring to it in the commercial as his Space Bed.
Over the course of the campaign, he got married and had a son which he affectionately dubbed Space Baby.
“Space baby was conceived in space bed which is how he got his nickname. It became a running joke. People still call him space baby and he’s eight now,“ says Gregr.
That campaign became so synonymous with Gregr that it came up during an interview with Pearl Jam.
“After the interview, Stone Gossard [Pearl Jam guitarist] asked me if I was going to try and sell him a mattress,” recalled Gregr. The request left Gregr confused until Gossard asked is Gregr was “the mattress guy.” At that point, it clicked for Gregr.
“That’s when I realized the idea that I was the mattress guy was a real thing in Seattle. It made me so happy to know that talking about a mattress and making a baby in it, I made a fan out of a guy. One, who by the way, is in the Rock and Roll Hall of Fame.”
Gregr believes it’s that the best endorsement campaigns are the ones where he can be himself. He’s happy to read any script for a client. However, the ones that really catch fire are when he gets to be creative.
“I love getting to be weird,” sais Gregr. “The wonderful people at Sleep Country and at Lexus have let me do that. They wanted me to be me.”
Relating To Your Audience
Another piece of Gregr’s career success can be attributed to being inclusive. He stay’s away from divisiveness—other than maybe occasionally making fun of one certain group.
“I try make things about Seattle when I can. Making sure that everyone who wants to be a part of the show can be,” Gregr says. “Sometimes, I’ll throw a zinger at the sort of faceless billionaires which everyone can relate to. People don’t like their jobs. They’d rather be playing in the Super Bowl or going to the moon. So, it’s easy for an old punk rocker to say the billionaires are holding us back. It’s their fault.”
But he never goes too far with anything that might upset listeners. Gregr says he’s not interested in making people uncomfortable with any of his content. Instead, he’d rather make dumb jokes about dinosaurs.
He believes it’s the attitude that has helped him maintain a long, consistent career.
“They are in good hands with me. For almost two decades, they’ve trusted me not to go too far and not to say the wrong thing,” Gregr says. “If I think something is a little coarse there is always a way to rephrase it. I’m not trying to be safe but there’s always a way of punching it up and rewriting it. Finding a sillier way to say it.”
That approach builds trust with the audience and with station management.
“My motives are pure because I think it’s fun to be on the radio,” explains Gregr. “I’m not trying to see how close I can get to saying a slur. Instead, I’m more focused on how I can make a fart joke about Jupiter by calling it a gas giant.”
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