Dan Graca is increasing his role on 98.7 ESPN New York. The regular contributor on ESPN Radio and to SNY-TV’s Loudmouths, Daily News Live & Baseball Night in New York will join the New York Jets game day radio team.
Graca’s new role begins on Friday, August 10th when the Jets face the Atlanta Falcons. He’ll work alongside former Jets linebacker Greg Buttle on the station’s pregame, halftime and post-game shows.
“You could say this is a job I’ve spent my whole life preparing for,” Graca added. “Growing up a New York Jets season ticket holder for 23 years, going from Section 302, Row 26 to now becoming a part of the game-day broadcast is nothing short of surreal. It is impossible to fully express the gratitude and excitement that comes along with this opportunity. The Jets are embarking on an exciting chapter in the history of the franchise and I cannot wait to get it started.”
“We are excited to add Dan to our gameday radio team this upcoming season,” said New York Jets team president Neil Glat. “Dan has been an integral part of covering the New York sports industry for the last 15 years and we are honored to welcome such an accomplished radio personality to our team.”
Ryan Hurley, program director of 98.7FM ESPN New York, said, “We are thrilled to have Dan join our Jets Game Day team. Fans are going to love the knowledge, passion and fun he brings to every broadcast.”
Whether you’re a small market operator or a big market difference maker, there’s always a challenge in keeping expenses low and profits high. In a perfect world we’d use 1 or 2 people to do the work, keep costs down, make a fortune, and earn the envy of the industry.
But the reality is that it takes people to produce content and deliver ratings. It takes people to make sales and hit budgets. It takes people to create social media impact and institute a good brand strategy. And it takes people to make your workplace a desirable business destination.
Having run radio companies in different regions of this country I’ve seen it all firsthand. I’ve prided myself on the image, execution and results of the brands I’ve managed but I’ve also learned to operate each station as if it were my own. Content people often think about what’s best for the show, but they’re not always familiar with what it costs to provide that type of excellence. Whether it’s been pursuing play by play partnerships, adding weekly contributors, creating special events and promotions, or hiring talent, I’ve always kept the bottom line in mind when making calls. You can brag about your brand and its incredible ratings, but if your profitability is in the toilet, jobs will be lost and the results you provide carry far less value.
No time has that been understood more on my end than the past two and a half years.
When I launched BSM in September 2015 and became an independent business owner I hoped to simply pay the rent and keep food on the table. I didn’t think about hiring people, setting travel budgets or making sure I invested enough back in the business to not take a punch in the stomach from Uncle Sam during tax time.
As the time has progressed and the company has grown, I’ve found myself at times trying to tackle more than I could. I’m a big thinker and ambitious person so I’m always trying to challenge myself to make the next year bigger and better than the last.
In the past twelve to eighteen months I’ve launched the BSM podcast and delivered 33 episodes, hired five columnists and a daily news writer, expanded the number of stations I’ve worked with, and produced my first programming summit for sports radio programmers. Those have been strategic decisions which have fueled growth for the company.
When you increase your workload though and remain the sole owner and operator of a growing company there are times where it becomes a massive challenge. My first and foremost commitment is to serve my clients. That means listening, observing, presenting ideas and information, and having numerous phone conversations and in person meetings. As important as the website and my social media’s presence is to the business, and as proud of the work I am of all involved in it, I know that it’s a marketing piece that keeps the brand front and center and it isn’t as critical as providing value to business partners.
Therein lies the struggle.
As a consultant and strategist, the majority of my focus is on the brands I work with, but there’s also the daily tug on my time to crank out compelling, topical and informative content on the website. If the commitment to the website isn’t consistent then it’s a poor reflection on me and that’s the last thing I want to be known for, especially to people who may become clients somewhere down the line.
One of the biggest positives of doing this line of work is that I have seen how the website has elevated the perception of the sports format and helped people find opportunities to grow their careers. This website has been a valuable resource, allowing many to learn from either myself, the BSM writing staff or other industry members. It’s also increased communication in the business between people at different companies and stations.
Not to be ignored, when an individual or station does something well and we’re able to present it on this website, it becomes a story which many sports radio professionals are able to use to showcase their people or brand’s success to advertisers. Sometimes our clients and potential buyers need a subtle reminder to continue making investments in our format and every little bit of press has potential to make a difference.
I bring this to light because as I’ve developed BSM, I reflect back on my beliefs of running quality sports radio brands. Every market manager I’ve spent time working with knows how much I believe in investing in people who can help deliver results, and I’d be a hypocrite if I wasn’t willing to do the same with BSM. Even if it’s much scarier doing so without the backing of a billion dollar company.
With that in mind, I’ve made the decision to hire Demetri Ravanos as Assistant Content Director of BSM.
Since joining the website as a weekly columnist in September 2017, Demetri has done a fantastic job of producing thought provoking pieces that serve a benefit to those working in the business. His increased role with the company means he’ll become further involved in the website’s content creation process. His years of experience in radio have also helped him develop a great ear and feel for the business, so when I assign him other projects to work on I know he’ll be able to provide good analysis that benefits me and anyone I work closely with.
What you’ll immediately notice in the coming days is that Demetri will be taking on the responsibility of writing daily sports television and print stories. Brandon Contes has done a great job handling the sports television beat but his true passion is sports radio, and this now allows us to turn him loose on the beat he values most without losing anything on the television and print side.
In addition, Demetri will serve as the point of contact for our columnists so their pieces are featured in a timely manner. We’ll also work together on creating original story ideas. One of the challenges I face as an independent business owner is making sure everything is posted in a timely manner, especially when I’m on the road working with a client or buried in a listening project. This will make things much smoother for all involved.
There are other things on the horizon for BSM but we’ll cross those bridges down the line. For now, I’m just thrilled to be doing what I absolutely love, working with great clients, smart people, and a talented writing team who offer their insights and opinions to help others involved in the sports radio business.
As the old saying goes, to make money you’ve got to spend money. By investing in good people, I’m counting on it doing for BSM what it’s done for the previous brands I’ve managed. That’s a formula that benefits any business.
The San Francisco Giants in conjunction with their flagship radio station KNBR 680, are becoming the first team in Major League Baseball to offer free, in-market live streaming of its radio broadcasts.
“KNBR has been part of our Giants family for most of our 60 years in San Francisco. We are thrilled to continue our partnership and to provide fans with additional access to our radio broadcasts and the best play-by-play announcers in all of baseball through live streaming,” said Giants President & CEO Larry Baer.
The first live stream will take place tonight (Friday, June 1) when the Giants face the Philadelphia Phillies at 7:15PM PT at AT&T Park. The live stream will be provided by TuneIn, the leading global streaming live audio service, and can be accessed through KNBR.com or by downloading the TuneIn app.
“KNBR and Cumulus Media are proud to continue our 40 year partnership with the San Francisco Giants. At the same time, we’re extremely excited to announce that KNBR, in partnership with TuneIn, will be the first radio station in Major League Baseball to offer Giants fans the ability to stream the games, live and free of charge in Northern California,” said Dave Milner, Executive Vice President, Operations, Cumulus Media. “Now every Giants game broadcast over the air on KNBR 680, will also be heard online at knbr.com, or the KNBR channel on TuneIn’s mobile app.”
The Giants and KNBR announced earlier this year a multi-year contract extension to continue airing Giants baseball games on the radio station into the next decade.
Former 95.7 The Game and Sportsnet 590 The Fan program director Don Kollins has landed a new opportunity. Kollins is heading back to Canada to join Corus Radio as the company’s new Program Director of its FM stations Peggy 99.1 and Power 97 in Winnipeg, Manitoba.
Kollins adds over 25 years of experience to the Corus team, having worked in multiple formats as a promotions director, music director, and programmer with companies such as Rawlco Radio, Rogers Communications, and Entercom Communications. He was born and raised in Saskatchewan, and established and advanced his career in markets across Canada before making the journey to the Bay Area.
On the fourth episode of Season 3 of the BSM Podcast, 1010XL afternoon host and radio voice of the Jacksonville Jaguars, Frank Frangie stops by to discuss his career and the rapidly changing sports radio business. This conversation runs 28 minutes and includes a look at how Frank approaches his show, prepares for play by play assignments, guards against complacency, views the opportunity to work for a locally owned radio group, feels about challenges facing the sports media business, plus much more.
After challenging hosts and producers a few episodes ago to invest in their own development, Jason turns the tables in this week’s BSM 180 by pointing out how programmers and market managers can do a better job of responding to people and establishing relationships with future prospects and shares a personal example of how it can pay off.
AREAS COVERED WITH FRANK:
Biggest changes he’s seen in 30 years of broadcasting
The decline of newspapers and how he feels about it
The start of 1010XL and operating under local ownership
Guarding against complacency while featuring a consistent lineup
Why a large cast in afternoon drive is important to him
Making sure his on-air partners don’t disappear for long stretches
1010XL’s commitment to developing women talk show hosts
What goes into a week of Play by Play prep for an NFL and CFB game
Balancing his roles as a talk show host and voice of a pro team
Jacksonville’s split between homegrown folks and transplants
How the local audience makeup affects the content strategy
Launching GridironNow and the challenge to make it profitable
Quick Hits: Jacksonville sports figures, Motivation, Concerns, Jags or Gators
Galaxy Communications is finalizing an agreement to sell a 21 percent ownership stake in the company. The interested buyer is a group which includes Syracuse University basketball coach Jim Boeheim, former Syracuse and Washington Wizards player Etan Thomas, and sports memorabilia expert Brandon Steiner.
The deal is waiting for approval from the Federal Communications Commission. If approved, the investor group would spend 2.1 million dollars to assume partial ownership of the company.
What’s likely to produce some local chatter is how the involvement of Boeheim in the radio group will impact Galaxy’s local stations. Classic rocker TK99 serves as the flagship station of Syracuse football and basketball games, and sports talker, ESPN Radio Syracuse (97.7 FM and 1200 AM), provides regular weekday local programs featuring hosts, guests and callers discussing Syracuse sports.
Galaxy President and CEO Ed Levine told Syracuse.com that he doesn’t see a conflict of interest since the radio station’s agreement is arranged separately with IMG College. Levine said he reached out to Boeheim and other investors about a year ago to help him pay off a loan he took out when he bought out a different group who were looking to cash out after a five-year investment. Finding someone with local ties to Syracuse was important because Levine didn’t want the company’s fate being decided by a private equity firm in New York, and Boeheim was at the top of the list.
Once the deal is completed, Ed and his wife, Pam, Galaxy’s CEO of its growing events marketing division, would retain 79 percent ownership in the Syracuse-based company. That could change slightly if other investors are added to the deal. Under that scenario, the group’s ownership interest would rise to 27 percent and the total investment would increase to $2.7 million.
In addition to owning and operating TK99 and ESPN Radio 97.7/100.1 in Syracuse, Galaxy also runs ESPN 1310 in Utica-Rome, KROCK (94.9 Utica and 100.9 and 106.5 Syracuse), Sunny 102 in Syracuse, and Mix 102.5 and 99.1 Tony FM in Utica-Rome.
Levine says he expects the FCC to grant approval sometime this summer.
97.3 The Fan in San Diego has found their man. The radio station has hired Adam Klug to serve as the station’s program director. He’s expected to take the reigns of the brand starting on June 11th.
“97.3 The Fan is thrilled to welcome Adam,” said Bob Bollinger, Senior Vice President and Market Manager of Entercom San Diego. “His extensive career in sports radio will strengthen the team and help us continue to provide engaging content to the San Diego community.”
“I am eager to take the next step in my career and help build The Fan into the best sports station in San Diego,” noted Klug. “I’m also looking forward to getting to know the city.”
Klug heads to San Diego after producing a number of high profile national shows. He recently was responsible for producing Bill Reiter’s program on CBS Sports Radio. Prior to joining Reiter he worked alongside Doug Gottlieb on both CBS Sports Radio and ESPN Radio. Before joining the national circuit Klug worked in Atlanta for the now defunct 790 The Zone.
The National Hockey League has launched a new interview series featuring Wayne Gretzky, titled “The Great One on One.”
Episodes are approximately 10 minutes long and offer a candid conversation between arguably the greatest NHL player in league history and some of the sport’s biggest celebrity fans. The first series of episodes will feature Jon Hamm(“Mad Men,” “The Town,” “Baby Driver”), Taylor Kitsch (“Waco,” “Friday Night Lights,” “X-Men Origins: Wolverine”) and David Boreanaz(“SEAL Team,” “Bones,” “Angel”).
“I love to meet fans who have passion for the game,” Gretzky said via NHL.com. “Jon, Taylor and David are longtime hockey fans that know so much about this great game. This is a fun opportunity to learn about the stories of their fandom and the role the sport plays in the lives of some of Hollywood’s biggest stars.”
The first episode was released on Monday with a second airing on Thursday, May 31st and the third on Sunday, June 3. The series can be viewed at NHL.com, all social media platforms and the league’s YouTube page. “We wanted the content to be viewed by as many people as possible, where we have the largest congregation of fans,” NHL chief marketing officer and executive vice president Heidi Browning said.
According to NHL.com, fans should expect new episodes to be available during the fall in time for the start of the 2018-19 hockey season.
Brandon Contes is a freelance writer for BSM. He can be found on Twitter @BrandonContes. To reach him by email click here.
It’s 8am in Charlotte, the middle of May, and Uber driver Mike has his SiriusXM dial tuned to ESPN Radio. Being a transplanted New Yorker, he isn’t attached to the local sports stations, but has pledged his support to the one network which has provided him with a consistent listening experience that suits his tastes, ESPN Radio.
Just ten years ago the father of two relocated to the area, hoping to find a show that talked about his hometown teams and partially resembled the program he had grown up on, “Mike and the Mad Dog.” But that type of show didn’t exist in North Carolina so it required adjusting to what was available. Although he enjoyed Mark Packer on WFNZ, he didn’t care as much about local topics.
That opened the door to finding a new brand and talk show. After sampling a number of options, “Mike and Mike” became his preferred listening experience. The show spent time talking about the New York sports teams, and had their finger on the pulse of what mattered most to sports fans each day. Over the next decade, Greeny and Golic were part of Mike’s routine, until November 2017 when ESPN decided to make a change in mornings.
“When they announced Mike and Mike were going away, I was upset and not sure I was going to stick around,” said Mike. “I enjoyed Greenberg and Golic and wasn’t happy that ESPN split them up. Luckily though Golic stayed and they added Trey who I knew and liked from TV, and that convinced me to give them a chance. I’m glad I did because it’s a similar show.”
The feelings shared by Mike are similar to what many others feel. There’s been a comfort in hearing ESPN Radio’s morning programming for close to two decades, and although “Mike and Mike” had their differences from “Golic and Wingo,” there’s enough similarities to retain the base that’s been loyal to ESPN’s morning show.
But anytime a station or network changes a popular show after eighteen years, it’s going to create noise, especially if the show isn’t considered broken. “Mike and Mike” were a huge part of the morning radio experience for sports radio listeners all across the nation, not to mention one of the most popular tandems on any of ESPN’s platforms. If the network was going to split them up and explore a new direction in morning drive, they’d likely have been given a pass. After all, introducing new faces and voices on a huge national network like ESPN Radio requires time.
But starting over isn’t an easy decision. It’s made even more difficult when you still have one part of the show in tact, and he’s familiar and popular with listeners and advertisers, and shown an ability to continue performing on a high level. Figuring out where Golic fit into the company’s plans was very important but this wasn’t just a company call. Golic had to make a few decisions too.
After going thru multiple morning shows on the same network with different partners, did he want to give it a third try? Did he want to continue dealing with comparisons to his former show? Was he still excited, energized and in love with the job he had done for over two decades, and willing to trust his employer to set him up for success after the previous year had produced a number of internal and external tensions as a result of his breakup with Mike Greenberg?
When the dust settled, ESPN chose to make subtle tweaks in morning drive rather than wholesale changes. There was an internal belief that Golic had more left in the tank, and affiliates and advertisers were comfortable and satisfied with the association and preferred for it to continue. Once Golic learned that Trey Wingo was an option to be his partner, and the addition of his son Mike Golic Jr. was being considered, it was clear to him that it wasn’t time to ride off into the sunset just yet.
“When the idea of working with my son and Trey was brought up it re-energized me,” said Golic Sr.. “This is my third time around the block. I worked first with (Tony) Bruno, then Greeny, and now Trey, and I felt the show was at its best when it was focused on being a radio show. The company said they wanted to get back to that and as I thought about it and the idea of working with Trey and my son, I felt we had a chance to grow faster than the last two shows did because the relationships were already established.”
Upon the announcement of ESPN Radio naming “Golic and Wingo” its new morning show, enthusiasm wasn’t as high among sports radio members outside of the ESPN Bristol campus. Many hoped the network would shake things up, and the idea of offering a similar style show was initially viewed as less than inspiring. As one unnamed source told me “ESPN had an opportunity to do something exciting and instead served up a second serving of vanilla radio.”
To content people not inside the ESPN bubble, higher value is placed on big personalities and unfiltered opinions. What isn’t given much consideration is whether a show is the right fit for the ESPN brand, sustainable for affiliates, and pleasing to the company’s paying clients.
But in executive circles, the ESPN brass had to consider a myriad of factors including the difficulties of replacing a high profile show. It’s easy to clamor for something new when moving on from an established program, but why purchase a new car if the one you already own drives well, is strong under the hood and only needs a few cosmetic changes?
“We’re proud of what we accomplished with Mike and Mike and saw this is an opportunity to build on the past 16 years,” explained ESPN Radio Senior Director, Programming and Operations Justin Craig. “Since making the change in mornings to Golic and Wingo, not one major market affiliate or dollar has been lost. I think that speaks to the power of our brand, the quality of our talent, and the trust we’ve earned from super serving our radio partners.”
Fast forward to today, six full months into their morning radio adventure, and “Golic and Wingo” have done their part to represent ESPN Radio well in the affiliate and advertising space. They’ve also produced the same multi-platform content that has made ESPN successful in mornings in previous years. The ratings may be down year over year in top markets like New York and Chicago (Two of ESPN’s owned stations and operated markets), but that’s not a surprise as any new show going in after Mike and Mike would require time before an audience committed to them. ESPN Radio Senior VP Traug Keller mentioned on the BSM Podcast last month that he believes new shows need over a year in order to establish a connection.
The bigger reflection of the show striking the right chord for company folks is that it’s held on to the “Mike and Mike” base, fueled the fire of the same “Mike and Mike” critics, and done its part to satisfy business partners. Although there’s a confident belief in the show’s development, areas of improvement aren’t being dismissed either.
“I think it’s a good show right now, but it has the potential to be great,” said Marcia Keegan, Vice President, National Radio Programming and Production. “The show could benefit from adding a few bigger guests, football talkers, and creative stunts. We’re always trying to find ways to improve. We’re only a few months into this show and already I can hear how it’s grown. As the guys gain more reps, they’re going to develop an even stronger rhythm.”
One advantage “Golic and Wingo” have over the prior two morning shows on ESPN Radio is the instant chemistry and familiarity that already existed between Golic Sr., his son Mike Jr. and Trey. Their relationship history doesn’t guarantee anything, but it helps a host feel comfortable when they already know their partner’s hot buttons, weaknesses, quirks, and day to day approach. It certainly was a huge factor in Wingo in making the decision to take on the challenge of hosting a 4-hour radio morning show.
“It’s very rare in this business to be twenty years in and get the chance to do something new with someone you love working with,” said Wingo. “Our prior relationship made this easy and worth doing. My biggest adjustment was adjusting to the morning schedule. I’m a night person. I’m still on that routine of “wake up idiot”.”
If Wingo thinks it’s rough hitting the airwaves at 6am each day, imagine what must be rolling thru Mike Golic Jr.’s head. He wakes up each day after 2am and sets a number of additional alarms just to make sure he doesn’t oversleep. He then hits the airwaves across the country at 4am, hosting “First and Last,” before making a seamless transition from his solo show to joining the first hour of the morning program.
Despite not having the opportunity to pre-plan with the morning crew due to being on the air, Golic Jr. says they’ve found a way to work around it.
“We talk a lot and prep the night before,” explained Golic Jr.. “They also get to listen to me while driving in which gives them a chance to hear what I’m passionate about and react to it too. We’re fortunate to have a good cast around us too and we’ll rely on them and trust their feedback to determine if we should stick with something or change direction. Nobody is afraid to speak up and voice their opinion on ways to make the show better.”
But when family relationships carry over to the workplace, sometimes they’re counterproductive. That isn’t the case though for the Golic’s. Mike Jr. made the choice to pursue a football career just like his father, and when that didn’t work out, he pursued his father’s second labor of love, the sports media business. So far, so good.
Since making the move, Golic Jr. has increased his value inside ESPN. He’s gone from making occasional on-air appearances, contributing to fantasy football programming, and co-hosting “First and Last,” to hosting “First and Last,” taking part in social media shows, and appearing each day on “Golic and Wingo.”
Given the nature of the sports media business, there will of course be whispers about Golic Jr. gaining advantages due to who his father is. He’s not naive, he understands that. Ironically, most who move up the ladder in this industry do so based on having talent and relationships. Rarely do people land a high profile opportunity by blindly submitting a resume and demo tape.
No matter what your perception is of Jr.’s ability to get his foot inside the door, he’s had to work hard to stay there. He’s also had to perform in front of the nation’s eyes and ears, knowing that he’ll forever be compared to his father. Though those comparisons may bother some, Golic Jr. wears them like a badge of honor. He’s proud of who his father is, and acknowledges how much of an influence he’s had on his career.
“I saw the proof of concept in my dad,” shared Golic Jr.. “Mike and Mike was a big part of my life. The work dad did on that show inspired me to want to be in this business. Now look at where we are. How many people get to talk sports with their dad each day for a living? The only downside of working with him is that he’s wrong a lot. He could also dress better and improve his footwear.”
That good ole fashioned ribbing between father and son has been on display since the show was introduced on ESPN Radio in November. It allows them to provide a family friendly sports program for morning commuters, while embracing unexpected moments that may leave them initially startled. No time was that more evident then when Rhonda Rousey appeared on the program.
“Golic and Wingo” aren’t going to be confused for a shock-jock morning show or a program which goes for the throat of whoever’s on the front page of ESPN.com. They concentrate their efforts on having insightful, topical and entertaining sports conversations while mixing in laughter, guests and social interaction. That may not be a revolutionary approach but it’s a formula that keeps an audience engaged and advertisers and affiliates happy.
“We want to continue building the relationship and get comfortable discussing anything on the show,” said Wingo. “I’m not worried about numbers and things beyond our control. We’re just going to roll with the punches, do what we do, and see what happens. Just like the NFL Draft, nobody really knows what’s going to happen. You’re making educated guesses. Right now, we’re having fun and delivering what we feel is a good show and we’re going to enjoy the ride as long as it lasts.”
Though he might downplay it, Wingo understands the high stakes involved in running point on ESPN Radio’s morning show. The program, which also broadcasts on television on ESPNEWS, is critically important to the network’s success. If ratings, revenue or affiliates were to decline, so too would the fun.
But unlike some in local situations, if the show doesn’t work out, Trey doesn’t have to worry about finding employment. Having been one of the best and most respected hosts on ESPN’s NFL programming, he’s earned trust with the viewer, and likely gained a few more fans in the company by agreeing to take on the challenge of filling Greeny’s spot and hosting the morning show. Despite having done a great job on the network’s NFL coverage, Wingo admits the chance to expand his horizons was welcomed.
“My presence on ESPN around the NFL has been tremendous but this now gives people a chance to learn more about me and my personality,” said Wingo. “Sports fans are discovering that I keep my finger on the pulse of other sports too. You’re not going to hear hot takes from me. That’s not my style. I’ll give opinions when I feel I need to, but I believe it’s about organic conversation and this shows provides plenty of opportunities to create that.”
The challenge of creating those organic conversations depends largely on strong chemistry and familiarity. Trey and the Golic’s have a firm handle on that. Golic Sr. has been down this road before, and knows all too well how difficult it can be and how long it can take to find the right mix with a co-host. His prior two morning shows with Greeny and (Tony) Bruno were each successful, but required developing relationships and learning what to do and what not to do.
In this case though, relationships were already formed. Golic and Wingo have worked inside the same location for over twenty years, they’ve done shows together, and they’re friends with mutual interests. That certainly helps when assembling a new show, and Justin Craig says that preexisting chemistry has made a difference in the way the show has grown over the first six months.
“They’re in their first season,” Craig points out. “In sports, teams get better with time. There’s still work to be done of course but I think Mike and Trey launched at a higher point than others.”
To make sure the morning show is firing on all cylinders, ESPN Radio has spared no expense in surrounding their on-air stars with a top notch behind the scenes crew. The production team is led by radio producer Dan Stanczyk, social media producer Ali Bronson, board op Cliff Augustin, production assistant Devin Kane, and imaging director Jerry Mailhiot.
And that’s just the radio side of things. The television crew includes producer Rob Morgan, director Carlos Mejia, production assistant Andrew Distler, and researchers Brett Perrotta and Riley Foreman.
With that type of support given to the show, creating a multi-platform successful product for ESPN is the expectation. When you watch on TV, listen on radio, follow on social media, or catch up later on the website, the reason things run smoothly is because of all of the individuals involved in the show.
But how does that factor into the content creation process? Ali Bronson acknowledged that teamwork, attitude and role definition are important behind the scenes, but having consistent input and solid execution from the hosts makes all the difference.
“These guys are motivated to deliver a great show and there’s a collective understanding of what’s expected each day,” said Bronson. “They each know their role on the show, and participate in the content process including how to use social media and GIF’s to create tune ins. Golic Sr. steers us back to where we need to be if we get off track. Trey drives the show and looks for his spots to react. His being new to the show has brought a new energy and allowed everyone to have fun. In terms of what we talk about, it depends on what matters most at that particular time. The NBA Playoffs and NFL topics though generate the strongest reactions from Trey and Mike Sr. so we make sure they’re a big part of what we do.”
With nearly six months in the books and having weathered the storm of replacing a high profile morning show, it’s natural to wonder “what’s next?” The content may be topical, the chemistry natural and the energy high, but to expand the audience, increase the confidence, and elevate the position of what was initially viewed by some as “Mike and Mike Part 2,” it’s all about where the show goes from here.
Golic Sr. acknowledges that they’re off to a strong start, but hasn’t lost sight of the way the business works or his own career aspirations:
“I view this industry very similar to my football career, I’m on the same team but the roster changes sometimes,” explained Golic. “I think this show has the ability to grow faster than the last two did and we’re off to a good start but if we’re able to get Jr. more involved in the future that would be welcomed. As long as I’m having fun, I want to keep doing this. I would though like to call more games.”
So, that begs the question, should Golic Jr. be more involved? If the network is going to include him in the first hour, why not utilize him during the remaining three?
To their credit, network officials have eased Golic Jr. into the show rather than immediately throwing him into the deep end. That strategy has allowed Trey and Mike Sr. to find their groove together, which is essential for the program to ascend to its highest level.
However, the youthful approach that Golic Jr. supplies has added a nice touch. That’s especially important given that Trey and Mike are in their mid fifties. It allows the show to play to both ends of the sports radio demographic. One thing’s for sure, an increased role certainly wouldn’t be rejected by Golic Jr. if it were to be presented.
“I love doing this and want to contribute more but that’s not up to me,” Golic Jr. said. “If they feel in the future that my role should be expanded then I’ll happily have that conversation. But right now, I’m just thrilled to be a part of it.”
Golic Jr. may have his sights set on advancing his career and earning more air time on the nation’s largest sports morning show, but after enduring the public barrage that comes with replacing a popular show like “Mike and Mike,” Trey and Mike have reached a point where they’re done looking in the rear view mirror. They’re not worried about how they stack up to the former show, if ESPN executives are second guessing their decision, or if their style of show makes the masses happy. Their primary concern is doing a show they can feel good about it. If that results in affiliates, advertisers, listeners, and executives being satisfied, then that’s icing on the cake.
“I don’t get caught up in numbers and all that stuff” said Golic. “If I can leave you with one serious and one funny note then I feel good about what we did.”
Never one to pass up an opportunity to lighten the mood, Wingo countered with “If I can wake up and get thru 4 hours, that’s a good day.”
Six months into the start of their show, the lights remain on, the affiliates are still there, and the revenue is strong. That has to give ESPN executives confidence that they’re on the right track.
For Golic and Wingo though, there’s another way to measure progress. Their badges still work, the checks still clear, and they continue to do a show with people they enjoy being around. If that’s not the definition of success, then what is?
One of the best pieces of advice I was ever given was when an old manager told me “work the business end, and anything else you can, up front, before it becomes a problem.”
Ugh, one of the worst parts of the job is, of course, the part where you are a collection agency. We’ve all been there. It’s the last day of the billing cycle and the email just came from the business office that if you don’t have that check in by 3pm, you’re going to get charged back. Now you have to spend most of your day chasing down the guy who always brags about how great his business is but is nowhere to be found when it’s time to pay the bill. He finally calls you back, acts like a complete ass even though you’re just trying to get him to pay for something he bought at the terms he agreed to, and then hits you with something along the lines of “my accountant is out of town,” or “we only cut checks on Thursdays” and now you aren’t going to get paid for all the work you did.
Sound familiar?
90% of these problems can be avoided if a good conversation has been had up front about the business side. The worst possible thing you can do is avoid the issue and then be addressing it right when the campaign is to go live, or worse, sixty days in to a buy. While they are excited about starting the new partnership and seeing their business grow, explain the business policies and work out the arrangements right then and there.
Payment, however, is not the only thing to address up front. Another is cancellation. I don’t mean you have an in depth conversation about the policies for a cancellation, I’m referring to talking to new businesses and telling them that in a couple of months, they’re most likely going to want to cancel. Many of you may have read Roy Williams’ (Wizard of Ads, not North Carolina Basketball) article called “The Chickening Out Period.” If you haven’t, it’s a must read for anyone in media sales (https://www.wizardofads.com.au/the-chickening-out-period/).
In the article, Williams talks about that period between two and three months when a new client always seems to want to cancel because they’ve not yet seen the results they were looking for. As we know, a minimum of thirteen weeks is recommended for a good campaign, and the reason is that’s how long it generally takes to start working. So, when we sell the six or twelve month agreement, why not give them this article and talk about it before you ever start? I know a seller who carried printed copies in his folder and handed one to each new client he brought on board. This goes back to my article from last week where I talked about thinking about the renewal when you’re making the first sale.
Lastly, you want to take the time to discuss, from the beginning, what their expectations are for the campaign. You want to know what success looks like to them so that you’re measuring and optimizing the campaign with that knowledge in mind. As you follow up with the client during the course of the campaign, you’ll now be able to have something to go off of as you talk through how the plan is performing.
We all know there are many things to do when it comes to closing and servicing a sale. Take the advice I was given and address as many things that could become issues down the road, in advance. Save yourself from the future anguish.