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Jim Chones Stepping Down From Cleveland Cavaliers Radio After 17 Seasons

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Veteran broadcaster Jim Chones will step away from his role as lead analyst on the Cleveland Cavaliers Radio Network at the conclusion of the current NBA season, capping an 18-year run in the position and a career in broadcasting that spans nearly three decades.

Chones confirmed the decision during an appearance on WTAM 1100, describing the move as part of a broader transition rather than a departure from the organization.

“It is a transition,” Chones said. “I’ll be doing other things, you know, in partnership with the Cavs and other parts and other relationships.”

He added that his future plans will reflect the evolving nature of the sport and its connection to fans beyond the court.

“What I’ve learned over the years is that basketball has changed,” Chones said via WTAM 1100. “Basketball is a social network. There’s a lot of other things that contribute, projects and to the viewing of the team. That’s only a small part of it. I want to be in partnership with the Cavs and develop other projects and try to be a part of that.”

Chones has served as the team’s lead radio analyst since 2007. During that time, he became a consistent and recognizable voice for Cavaliers fans. His tenure included multiple playoff runs and the franchise’s 2016 championship season.

Before moving to radio, Chones spent 11 seasons as a television color analyst for the team. That experience helped shape a style rooted in clarity and perspective. He focused on explaining the game in a way that resonated with both seasoned fans and newcomers.

Chones’ connection to the Cavaliers extends well beyond broadcasting. A standout at Marquette University, he earned All-America honors in 1972 after averaging 20.5 points and 11.9 rebounds per game. He then became one of the earliest players to leave college early for the professional ranks.

The 6-foot-11 center began his pro career in the American Basketball Association with the New York Nets and Carolina Cougars. He joined Cleveland in 1974 and appeared in 400 games across five seasons. During his tenure, the team reached the Eastern Conference finals. He later played for the Los Angeles Lakers and won an NBA championship in 1979.

After retiring in 1982, Chones transitioned into broadcasting. He steadily built a reputation for preparation and professionalism. His work on both television and radio made him a fixture in the Cavaliers’ coverage for decades.

While Chones will leave the lead analyst chair, his comments suggest he will remain involved with the organization in new ways. The Cavaliers have not yet announced plans for a successor.

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ABC News Names John Schlosberg Executive Producer of This Week with George Stephanopoulos

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ABC News has announced it has named Jon Schlosberg as the Executive Producer of This Week with George Stephanopoulos.

Schlosberg will lead all aspects of the Sunday public affairs program. He originally joined ABC News in 2018 as a producer on the network’s streaming platform, ABC News Live. Since 2021, he has served as the senior producer for the platform’s Prime with Linsey Davis newscast.

“Jon is a tenacious journalist and exceptional leader who has been instrumental across the ABC News Group for more than a decade, bringing precision, creativity and integrity to some of the most consequential stories of our time,” said ABC News Washington Bureau Chief Rick Klein.

“His sharp political instincts, deep experience in linear as well as streaming television, and proven ability to build winning teams make him exactly the right person to lead This Week into its next chapter,” concluded Klein.

Prior to joining the outlet, he worked for the company-owned TV station in San Francisco — KGO-TV — and at WVUE-TV in New Orleans.

Schlosberg will officially begin his duties on Wednesday, May 6th.

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Trey Wingo: ESPN Attempting to Hype ‘The Masters’ Is Risking the Broadcast Rights to the Tournament

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Former ESPN anchor/host Trey Wingo is urging ESPN to tread carefully with its coverage of The Masters, warning that overcomplicating the presentation could come at a cost. During a recent discussion, Wingo took issue with elements of the network’s expanded approach.

He argued that certain additions feel unnecessary for an event that has long thrived on simplicity and tradition.

“It’s The Masters. It doesn’t need hype,” Wingo said, criticizing what he described as excessive features surrounding coverage like the Par 3 Contest.

He also questioned the strategy of trying to broaden the audience for a product that already dominates television golf. According to Wingo, the tournament’s built-in appeal should guide programming decisions rather than efforts to chase incremental viewers.

“Your audience is there. The idea of appealing to a wider audience. You can’t cut off your base to find somebody else” he said. “Know who you’re talking to, and know who you’re sending this out for. Know who’s going to be watching it. When you turn on the people that matter the most about the thing that you’re putting out there, you have lost the proposition.”

That point underscores a larger concern. Wingo believes leaning too far into experimentation risks alienating loyal fans who expect a certain tone from Masters coverage. While ESPN and other networks often look to innovate, he suggested that approach can backfire when it clashes with audience expectations.

At the same time, Wingo made clear his criticism is not rooted in negativity toward ESPN. In fact, he expressed strong support for the network’s golf team and its long-term relationship with Augusta National.

“I want ESPN to be incredibly successful. I want them to continue to have The Masters for as long as they want it,” Wingo said. “When it’s left to their own devices, and the people that do golf, they’re great. It’s all the other crap, for lack of a better term, that’s being shoved down golf viewers throats. That is [what’s] turning people away”

More notably, Wingo warned that pushing too far could have broader implications. The Masters remains one of the most tightly controlled properties in sports, and its organizers have historically prioritized consistency.

Wingo went on to reference the value of the rights agreement. He added that feedback does not go unnoticed. Augusta National, he said, is likely aware of how coverage decisions are being received by fans and media observers alike.

“Why are you trying to gain, tangentially, some fringe viewers. While at the same time you are taking your core viewers and pissing them off,” said Wingo. “It’s not just users on Twitter. It’s not just the Hollywood Reporter. You can be in danger of losing the thing that you hold most dear, the rights to this tournament.”

The comments arrive at a time when networks continue to search for ways to maximize major rights deals. Expanded shoulder programming and digital content have become common across sports. Yet The Masters remains a unique case, built on tradition and careful presentation.

“Let the Masters speak for itself. It doesn’t need all this hyperbolic nonsense. It’s the freaking Masters,” said Wingo. “That’s why, for years, ESPN did everything they could to get the rights, because they knew it was the most important tournament in golf to have on your network. Don’t piss these guys off, especially in a situation where more layoffs are coming at ESPN.”

His message is simple. Respect the audience, respect the tournament and avoid doing too much with a product that already works.

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PHLY Announces New Weekday Program Featuring Anthony Gargano

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PHLY is expanding its original programming lineup with a new daily show designed to spotlight a landmark year for the city. The company announced the launch of Love Philly, a weekday program hosted by longtime local personality Anthony Gargano.

The show debuts Monday, April 13 and will stream from 11 a.m. to noon across PHLY’s digital platforms.

The program will focus on the convergence of major global events scheduled to take place in Philadelphia throughout 2026. That calendar includes the FIFA World Cup, the PGA Championship, and Major League Baseball’s All-Star Game.

The city will also play a central role in the 250th anniversary celebration of the United States.

PHLY executives view the show as a timely addition to their growing content portfolio. They aim to create a daily destination for fans seeking both coverage and context around a historic stretch for the region.

Love Philly will lean heavily into local storytelling. In addition, the show plans to highlight the intersection of sports, culture, and community across the city. Gargano said the program will reflect the energy that defines Philadelphia. He added that the rare alignment of major events provides a unique opportunity to showcase the city on a global stage.

“With the World Cup, All-Star Game, PGA Championship and America’s 250th anniversary converging, Philadelphia is stepping onto the world stage—and reminding everyone who we are,” said Gargano via a statement. “It’s a celebration of the grit, passion, and pride that defines this city and its fans.”

He is expected to lead discussions, conduct interviews, and offer commentary rooted in his long-standing connection to the market. Gargano has built a reputation as one of the city’s most recognizable voices, particularly for his passionate and conversational style.

Meanwhile, PHLY leadership believes his presence will help the show stand out in a crowded digital space.

“2026 is going to be a defining moment for Philadelphia,” said Todd Berman, PHLY general manager. “We want to build something that captures the pride and nonstop energy happening across the city.”

The program will stream live each weekday and remain available on demand. Beyond major events, Love Philly will spotlight neighborhoods, personalities, and stories that shape the city’s identity. Producers plan to balance headline coverage with features that capture the everyday spirit of Philadelphia.

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Russ Parr Returning to Majic 102.3 for Afternoon Drive

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Russ Parr is back on Majic 102.3 in Washington, D.C., this time in afternoon drive.

Beginning on Monday, April 27th, Russ Parr will host from 3-7 PM on the Urban One AC station. His show will replace the nationally syndicated D.L. Hughley Show.

It marks a return to Majic 102.3 for Parr. Previously, he hosted mornings on the station as part of his syndicated Russ Parr Morning Show. However, it ceased operations in 2023.

“It’s an honor to have another opportunity to serve the people of the DMV by coming back to Majic,” Parr said. “I’m looking forward to re-engaging my 37 listeners.”

The remainder of the station’s lineup remains intact, with Rickey Smiley hosting mornings and Vic Jagger in middays.

“Russ’s voice, vision and connection to the community are unmatched,” Urban One D.C. Operations Manager Arthur “A-Plus” Willis said. “We’re excited for our listeners to experience that energy every afternoon on Majic 102.3.”

“We are bringing Russ Parr back home where he belongs… to Majic 102.3! Afternoon drive in the DMV will never be the same again,” added Urban One Audio Division Co-President Eddie Harrell Jr. “His unique ability to connect with our audience is second to none and we look forward to his return!”

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Sammi Tempesta Named New Afternoon Host/APD Of Neon 93.1

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iHeartMedia has added a new voice to its Las Vegas lineup, naming Sammi Tempesta afternoon host and assistant program director at Neon 93.1, effective immediately.

In her new role, Tempesta will host weekdays from 3-7 p.m. and assist with programming strategy. She will report to MoJoe Roberts, senior vice president of iHeartMedia Las Vegas.

“I couldn’t be more excited to join Neon 93.1 and be part of something so fresh, fun and uniquely Vegas. This station has an incredible energy, and I’m beyond grateful for the opportunity to connect with listeners every afternoon. I can’t wait to bring the vibes, the music and a little extra brightness to the city,” says Tempesta.

Roberts said Tempesta’s style aligns with the station’s brand and audience. He pointed to her energy and creativity as key assets for a format built around variety and personality.

Tempesta arrives from KVGS in Las Vegas, where she served as afternoon host and music director. She began her radio career there in 2020 as a part-time board operator. A graduate of University of Nevada Las Vegas, she has quickly risen through the ranks in the local market.

With Tempesta now in afternoons, Neon 93.1 continues to lean into its “Playing Anything, Everything for Vegas” identity while adding a fresh, locally developed voice to its lineup.

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Mark Levin to Megyn Kelly: ‘I Suggest We Turn Down the Heat’

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Mark Levin and Megyn Kelly have been locked in an ongoing feud that has seen each share lewd remarks about the other. That could be changing, though.

The issue between the two stems from Kelly’s support of Tucker Carlson, who Levin has clashed with over his stances on Israel and Iran, and her speaking glowingly of Nick Fuentes.

Levin and Kelly have lobbed shots at one another on social media, with the issue coming to a head last month.

During The Megyn Kelly Show on Thursday, the SiriusXM host told guest Ana Kasparian that she believed Levin legitimately wanted to hurt her.

“I actually believe that Mark Levin would like to have me killed,” she said. “I do believe it. And I think he’d be thrilled to see me taken out. Like, actually. That’s so (expletive) crazy to me, Ana. There’s no one — no one politically — who I would ever wish that upon, ever, there’s no one whose death I would celebrate, there’s no one whom I would intentionally endanger with really crazy ass rhetoric.

“He knows what he says about Tucker, about me, about many others is actually endangering,” continued Kelly. “To over and over call somebody a neo-Nazi, to suggest that they want Jews killed because they say things like, ‘young people no longer support Israel’? It’s so irresponsible. It’s lunacy.”

After Kelly’s comments, Mark Levin took to social media to share that he doesn’t feel that strongly about her.

“Megyn, can we at least agree that I absolutely do not want, and would never want, any harm to come to you,” Levin said. “And I have never said otherwise and would never say otherwise.”

He concluded his message with an olive branch.

“I suggest we turn down the heat,” he said.

Megyn Kelly has not responded publicly to Levin’s statement.

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ESPN Richmond Host Bob Black Announces His Final Show Coming May 7

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Bob Black is signing off from his longtime afternoon post at ESPN Richmond, but not from the microphone entirely.

The veteran broadcaster announced on-air and via social media that he will step away from hosting The Sports Huddle, with his final show set for Thursday, May 7.

Black emphasized he will continue in his prominent role with University of Richmond athletics as the voice of the Spiders.

“I’ve decided to hang up the mic as host of the Sports Huddle,” Black shared, while noting the weekday 4–6 p.m. slot will remain live and local under a new format.

Black has hosted the program for 15 years across multiple stations, time slots, and formats. During that run, he became a steady and trusted presence for Richmond sports fans. He credited his co-hosts, producers, and especially listeners for shaping the show’s success.

The departure marks the end of an era for ESPN Richmond, where Black’s voice helped define afternoon sports talk. However, his connection to the market remains strong through his ongoing play-by-play duties.

Black’s broadcasting resume stretches decades. He has called Richmond athletics since the 1983-84 basketball season, including every NCAA Tournament appearance in program history. His career also includes work at the 1980 Winter Olympics and early milestones at Syracuse University.

For listeners, the message is clear. Black may be stepping back from daily radio, but he isn’t going far.

Pat Still Announces Upcoming Retirement From Radio April 17

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After more than three decades on Sacramento radio, Pat Still is preparing to sign off. The longtime morning host at Bonneville International’s 105.1 KNCI announced he will retire April 17, closing a 34-year run that made him one of the market’s most recognizable voices.

“It’s been a long, wonderful ride here at KNCI,” Still said during an on-air announcement alongside co-hosts Cody Robinson and Joe Maumee.

In his announcement, Still compared his tenure to an athlete spending an entire career with one team. He joined the station in 1992 with longtime partner Tom Mailey. The duo quickly became a dominant force in Sacramento mornings.

Their partnership lasted more than three decades before Mailey stepped away last year.

In 2024, Still and Mailey received one of the format’s highest honors. Both were inducted into the Country Radio Hall of Fame, recognizing their impact on country radio.

The show evolved in recent years. Robinson joined in 2017, helping the program connect with a new generation of listeners. Earlier this year, Maumee came aboard following Mailey’s exit, as the show transitioned to its current lineup.

Bonneville Sacramento Group Director of Programming Chad Rufer praised Still’s legacy and influence.

“To have had the opportunity to work with a Country radio icon like Pat Still was a career milestone for me,” said Rufer. He called working alongside Still a career highlight and credited him with shaping the station’s identity. Rufer added that Still’s presence will be missed both inside the building and across the market.

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Cumulus Media Reports 10% Revenue Decline During 2025

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Cumulus Media has reported its financial results for the full year of 2025 and its fourth quarter, and the company saw an overall revenue decline during the year.

During the fourth quarter, the company reported net revenue of $188 million. That’s down 14% from the conclusion of 2024. For the year, Cumulus saw $742 million in net revenue, marking a decrease of 10.3%.

“The Company’s recently announced financial restructuring marks an important step toward meaningfully reducing the debt burden that has constrained the business,” said President and CEO Mary Berner. “Looking ahead, we remain focused on building on the core strengths of the Company to maximize value.”

The company’s broadcast radio revenue — which includes both spot and network revenue — finished the year at $475 million. That is a decrease of 15.9% compared to 2024. Digital revenue was just slightly less during 2025 than the prior year, dropping 1.9% to $151 million.

Cumulus’ Adjusted EBITDA ended 2025 at $52 million, down from $82 million. It ended 2025 with a net loss of $200.7 million, down from the $283 million it lost in 2024.

The release of its financial results comes after Cumulus filed for pre-packaged Chapter 11 bankruptcy last month. With the filing, it hopes to eliminate $600 million in debt.

As the company attempts to emerge from the filing, it has struck a deal with CEO Mary Berner to remain in that role once the process is complete.

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