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CBS News Radio to Cease Operations in May After Nearly 100 Years

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CBS News Radio is set to cease operations as part of the latest round of cost-cutting measures, the network has revealed.

The outlet currently serves approximately 700 stations.

In a statement, CBS News President Tom Cibrowski and Editor-in-Chief Bari Weiss said the move was unavoidable.

“While this was a necessary decision, it was not an easy one.  A shift in radio station programming strategies, coupled with challenging economic realities, has made it impossible to continue the service,” they said. “We are sharing this announcement now to fulfill our commitments to our radio partners and affiliates, which require advance notice of the service’s conclusion.”

The CBS News Radio service launched 99 years ago. The network rose to prominence in World War II with Edward R. Murrow providing updates on the war effort from London. It was also known for its World News Roundup reports. That newscast is the longest-running newscast in the United States.

In December, CBS News Radio ended its World News Roundup Late Edition and Weekend Roundup. Those moves came after the network moved its distribution from Skyview Networks to Audacy’s Infinity Networks late last year.

Barrett Media has learned that CBS News Radio staffers were informed of the impending shutdown on Friday morning.

“Unfortunately, this decision means that all positions within the CBS News Radio team are being eliminated,” the memo said. “We understand how difficult this news is for our staff and their colleagues, who have worked side by side with us to cover some of the most significant stories of our time.”

The network’s final day of operations is currently scheduled for Friday, May 22nd.

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Mike Salk: MLB Has a Massive Opportunity Because of World Baseball Classic Viewership

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Seattle Sports host Mike Salk believes the record-setting audience for the 2026 World Baseball Classic final should prompt Major League Baseball to take a closer look at how it presents its own product to a national audience, particularly as the league continues to navigate a rapidly shifting media landscape.

Speaking Friday on Seattle Sports’ Brock & Salk, Salk pointed to the 10.7 million viewers across FOX and FOX Deportes for the championship game. He said it is clear evidence that interest in baseball remains strong when the stakes and presentation resonate with fans.

Rather than viewing the World Baseball Classic as an outlier, he argued that it should serve as a blueprint for how the sport can capture broader attention.

“Major League Baseball probably has some work to do,” Salk said. “Major League Baseball probably needs to figure out why so many people were interested in this exhibition and try to learn from it. Without necessarily turning their game into it on a daily basis. Learn from what it is, but recognize that the audience is out there.”

The title game, a 3-2 victory for Venezuela over Team USA, became the most-watched World Baseball Classic telecast ever. It delivered a significant increase compared to the 2023 final, reinforcing that baseball can still generate mass appeal when positioned correctly. For Salk, that reality directly challenges the notion that the sport lacks relevance with modern audiences.

“Don’t tell me that baseball isn’t popular. Yes, it is,” he said. “Baseball is exceedingly popular. People love the game of baseball. You just got to figure out the best way to give it to them.”

Salk suggested part of the issue lies in how MLB packages its national broadcasts. He questioned whether repetitive matchups and limited variety contribute to viewer fatigue. He also emphasized the need to build stronger connections between fans and players, highlighting personality and emotion as key to engagement.

“Maybe the audience is sick of getting Red Sox-Yankees for the nine-millionth time,” Salk said. “Maybe the audience is sick of the same five teams over and over again on national platform. The audience needs to have its stars promoted better.”

In addition to marketing and scheduling considerations, Salk indicated that players themselves can play a role in elevating the sport’s visibility by embracing opportunities to showcase their passion and individuality. He framed that approach as essential in an era where fans increasingly gravitate toward personalities as much as on-field performance.

Despite ongoing debates about pace of play and attention spans in a digital-first environment. Salk dismissed the idea that baseball’s format prevents it from thriving. He argued the World Baseball Classic shows a clear appetite for the sport when presented with urgency and purpose.

“There is really an opportunity there for the game of baseball,” Salk said. “There’s still plenty of people out there who want to watch baseball. Who are willing to watch a long-form game like that. You just need to find the best way to package it.”

As MLB looks ahead, Salk’s comments reflect a growing sentiment across sports media that the league does not need to fundamentally change its identity, but rather refine how it delivers its biggest moments.

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NFL Will Reportedly Address Troy Aikman’s Work With Miami Dolphins “At the Appropriate Time”

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The NFL acknowledged it is monitoring Troy Aikman’s evolving role with the Miami Dolphins, telling ProFootballTalk it will address the situation “at the appropriate time.” This response comes as questions continue to surface about how his team involvement intersects with his broadcasting duties.

Aikman, ESPN’s lead analyst on Monday Night Football, recently said he plans to continue working with the Dolphins “in some capacity.” Aikman worked in an advisory role during the franchise’s general manager search earlier this offseason.

That statement has prompted increased scrutiny around whether his dual responsibilities could present competitive or ethical concerns for the league.

In its response to ProFootballTalk, the NFL did not elaborate on potential next steps. However, the league’s acknowledgment signals that it is gathering more information about the scope of Aikman’s responsibilities before determining whether any action is necessary.

Much of that evaluation is expected to hinge on the exact nature of his role. Particularly if it includes formal compensation or ongoing advisory influence within the organization.

The situation has drawn comparisons to the NFL restrictions placed on Tom Brady following his minority ownership stake in the Las Vegas Raiders, where league guidelines have limited his access to team facilities and certain football operations.

While those guardrails have evolved over time, Brady remains subject to limitations designed to prevent competitive advantages or the appearance of impropriety.

Aikman’s case presents a different, though related, challenge, as his position requires him to travel weekly, interact with teams across the league, and gather information that informs his analysis. If he maintains a formal relationship with the Dolphins, questions emerge about how that access could intersect with his obligations to both ESPN and Miami.

Neither ESPN nor the Dolphins have publicly indicated any concern with Aikman’s continued involvement, and there has been no suggestion that his current roles violate league policy.

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Mike Valenti: Jordan Kent’s First Four Call Was Worst Since “Boom Goes The Dynamite Kid”

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Detroit sports radio host Mike Valenti delivered a blistering critique of truTV’s broadcast of the NCAA Tournament First Four matchup between Miami (Ohio) and SMU. He took particular aim at play-by-play announcer Jordan Kent during Thursday’s edition of The Valenti Show with Rico on 97.1 The Ticket.

Valenti, known for his unfiltered commentary and high standards for game presentation, described the call as one of the worst he has encountered in college basketball. He framed his frustration around what he perceived as an overly manufactured delivery that failed to match the urgency of a win-or-go-home setting.

“This was the worst play by play announcer since ‘boom goes the dynamite kid’ at Ball State in 2003,” Valenti said. “This guy. Fake voice. Pushing it. Fake enthusiasm. Bad jokes. Go away, never to be seen again. An absolute atrocity.”

The veteran host escalated his criticism as the segment unfolded. He made clear the broadcast detracted from his viewing experience. This came during a critical opening-round game that draws heightened attention from casual and dedicated fans.

“This guy was a clown,” Valenti says. “Last night, I wanted to put a bullet in my TV. I had had enough.”

Tuesday’s broadcast on truTV was handled by Jordan Kent on play-by-play. Jim Spanarkel also worked as the game broadcast analyst and Jenny Dell reporting from thee sidelines. While Valenti’s comments carried his trademark intensity, they also reflected a broader point about expectations for national tournament coverage, particularly during March Madness.

He argued that broadcasters assigned to these moments must strike a balance between energy and authenticity. Valenti also broadened his critique by comparing the call to what he characterized as a trend among younger broadcasters, He referenced Syracuse University’s Newhouse School and its reputation for producing polished but, in his view, overly scripted on-air personalities.

“Worse than anything Syracuse has produced,” Valenti said. “Syracuse has become notorious from their uppity School of Newhouse producing all of these robots. It’s like the real slim shady music video. They all come out the jeans, the white t shirts and a microphone and robot personalities. What happened last night was a new low.”

Kent is not scheduled to call any of the remaining NCAA men’s tournament broadcasts.

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CBS News Begins Latest Round of Layoffs

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CBS News has begun another round of layoffs, with this round reportedly affecting 6% of the outlet’s workforce.

On Friday, Editor-in-Chief Bari Weiss informed staffers that the layoffs would begin.

The layoffs at CBS News are the latest in a long line of cuts. In 2024, parent company Paramount slashed 2,000 jobs in advance of its merger with Skydance. Many news division employees were affected in those cuts.

In late 2025, more names emerged, sharing that they had seen their positions eliminated, including Lisa Ling, Dana Jacobson, Michelle Miller, Nancy Chen, Nikki Battiste, Nicole Baker, and Janet Shamlian, among others.

Earlier this year, the network began offering buyouts to CBS Evening News staffers. At least 10 producers have been confirmed to have accepted the offer, with some blasting the network and its direction on their way out.

During a morning meeting, Weiss told employees that the cuts have “nothing to do with quality of your work” and “everything to do with the times we are living in.”

“It’s no secret that the news business is changing radically, and that we need to change along with it,” Weiss said. “New audiences are burgeoning in new places, and we are pressing forward with ambitious plans to grow and invest so that we can be there for them.  That means some parts of our newsroom must get smaller to make room for the things we must build to remain competitive.”

Previous reports about the potential cuts said they could be as widespread as 15% of the overall workforce.

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FCC Commissioner Anna Gomez: Nexstar/TEGNA Deal ‘Approved with No Full Commission Vote’

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Nexstar Media Group has closed on its acquisition of TEGNA following FCC approval for the merger. Commissioner Anna Gomez has asserted that the commission never actually voted on the proposal.

In a statement, Commissioner Gomez lambasted the decision by the organization. She stated that the deal was “approved behind closed doors with no open process, no full Commission vote, and no transparency for the consumers and communities who will bear the consequences.”

Anna Gomez added that she believes the merger between Nexstar and TEGNA will be viewed negatively in the future.

“The consequences of this rubber stamp approval will be felt in living rooms and newsrooms across the country, resulting in fewer voices, less competition, and higher costs for consumers,” Gomez said.

Both the Department of Justice and the FCC both signed off on the acquisition on Thursday, paving the way for the local TV giant to complete its acquisition of TEGNA. The deal now gives Nexstar Media Group ownership of 265 local TV stations around the country.

With the approval of the deal, Nexstar Media Group now reaches roughly 80% of U.S. TV households. That figure well surpasses the 39% cap limited by federal regulations.

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Don La Greca on Howie Rose Retirement: “We’re Losing Giants in This Industry”

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Don La Greca’s voice carried a different tone than usual on ESPN New York this week, as the longtime host reflected on the upcoming retirement of Howie Rose and what the veteran Mets radio voice has meant to him personally and professionally.

Speaking on Don, Hahn, and Rosenberg, La Greca moved beyond surface-level praise, offering a deeply personal perspective rooted in admiration that dates back to his earliest days as a fan. He described Rose as a foundational influence on his own path into broadcasting, recalling how listening to him as a young fan shaped his ambitions and ultimately helped guide his career.

“I wanted to do what Howie [Rose] was doing,” La Greca said, pointing to Rose’s early interactions with callers and his visible passion for the team. “I was just always infatuated with this guy that was a huge fan, and getting to call and being involved with the team that he loved.”

That admiration eventually evolved into a professional relationship, as La Greca entered the industry and developed a friendship with Rose. He emphasized that Rose’s willingness to share his time and insight made a lasting impact, especially during the formative years of his career.

“I always felt a kinship with Howie [Rose]. Then when I got into the business and we became friendly, he was a big help to me. because he went from radio to television and then back to radio again, and he was a talk show host,” said La Greca. “There were so many times I’d see him in arenas or at the stadium, and he was always so gracious with his time. I’m a fan, but I’m also a friend.”

While the mentorship remains intact, La Greca admitted the emotional weight of Rose’s decision to retire following the 2026 Mets season stems from something more permanent. For him, and for many listeners across New York, the idea of not hearing Rose call games represents a significant shift in the daily rhythm of following the team.

“Just to see that I’m not going to be able to hear him anymore, it was tough to take,” La Greca said. “To not turn on the radio and hear Howie Rose doing a Mets game is going to be very odd.”

La Greca’s reaction reflects a broader sentiment within the New York sports media landscape, where several iconic voices have stepped away in a relatively short period of time. He pointed to the recent retirements of John Sterling and Sam Rosen as part of a larger generational transition that has reshaped the city’s broadcasting identity.

“In the last calendar year, John Sterling retired, Sam Rosen retired, Howie Rose is retiring,” La Greca said. “We’re losing giants in this industry. Take a moment to appreciate them”

As Rose prepares for his final season in 2026, La Greca’s words served as both a tribute and a reminder that voices like his do not simply fade into the background. Instead, they leave behind a standard that shapes the next generation, just as Rose once did for a young fan who would grow up to share the same airwaves.

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High Point Student Radio Captures March Madness’ First Upset of the Tournament

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High Point University delivered one of the defining moments of the opening round of the 2026 NCAA Men’s Basketball Tournament, knocking off Wisconsin Badgers in a result that instantly reshaped brackets across the country.

Yet while the upset will carry historical weight for High Point, the soundtrack accompanying the final seconds may prove just as enduring.

As the clock ticked down, the moment began to crystallize. Student broadcasters Jimmy Rosselli and Griffin Wright captured the chaos, disbelief, and celebration in a way only college radio can. Their call blended urgency and awe. It mirrored the arena’s emotional swing, moving from cautious anticipation to an eruption matching the upset’s magnitude.

High Point’s closing sequence unfolded with a composure that belied its underdog status. A defensive stand forced Wisconsin into a contested look, and when the shot failed to fall, the Panthers secured the rebound that effectively sealed the outcome.

From there, the final horn became inevitable, even as the seconds stretched longer in the minds of everyone watching and listening.

Rosselli’s voice rose first, cutting through the noise with a clear recognition of what was about to happen. Wright followed, layering in context and emotion as the possession shifted and the realization set in.

Together, they built a call that escalated naturally, avoiding forced dramatics while still delivering the kind of moment listeners expect from March basketball. When the buzzer finally sounded, both voices broke into celebration, a release that felt earned rather than manufactured.

“Blocked! There it is. There it is. Throw on the glass slipper. It’s a Cinderella story in Portland, Oregon,” exclaimed Rosselli at the buzzer. “Oh, what a feeling. For the first time in program history.”

Meanwhile, the significance of the upset itself cannot be overstated. High Point’s win not only advances the program but also reinforces the unpredictable nature of the tournament’s opening weekend.

High Point was one of four double-digit seeds to win on the first day of the tournament. Following the Panthers were No. 11 seeds VCU and Texas and 10th-seeded Texas A&M.

As called, once again, by Jimmy Roselli and Griffin Wright on High Point student radio:

Timothy Burke (@bubbaprog.xyz) 2026-03-19T19:57:32.099Z

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Denver Nuggets Set To Debut Spanish-Language Broadcast on Mobile App

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The Denver Nuggets will debut a Spanish-language audio broadcast tonight, marking a significant step in the franchise’s ongoing effort to better connect with Denver’s growing Hispanic community while expanding its overall media reach.

The new broadcast, which begins with the team’s home matchup against the Toronto Raptors, will stream through the Nuggets’ mobile app and feature a full game presentation, including pregame and postgame coverage designed to mirror traditional English-language offerings while tailoring the experience for Spanish-speaking audiences.

The initiative represents the first time the organization has produced a Spanish-language audio call, a milestone that underscores both demographic trends in the region and the league’s broader push toward inclusivity.

Veteran broadcaster Jena Garcia will handle play-by-play duties, while Mauricio Jaramillo joins as color analyst, forming a pairing that brings both experience and local credibility to the project. The broadcast will include 15-minute pregame and postgame shows, creating a comprehensive listening experience that extends beyond the final buzzer and offers additional storytelling opportunities.

Production responsibilities will fall to TICO Sports, a company with a growing footprint in multicultural sports coverage. The initial rollout will cover the Nuggets’ remaining 10 regular-season home games, giving the organization a meaningful sample size to evaluate audience engagement and long-term viability.

Tonight’s debut aligns with Somos Los Nuggets Night, the franchise’s annual celebration of Hispanic culture and heritage, adding another layer of significance to the launch.

The event will spotlight several community organizations, including the Mexican Cultural Center and the Latino Leadership Institute, reinforcing the team’s intent to deepen its ties within the local community while using its platform to elevate cultural awareness.

Team and production executives emphasized that the broadcast represents more than a new distribution channel, instead framing it as a strategic investment in audience development. Oscar Monterroso, co-founder and executive producer of TICO Sports, said the effort reflects a broader industry shift toward meeting fans on their own terms.

“This launch with the Denver Nuggets is more than a broadcast — it’s a commitment to meeting fans where they are and how they experience the game,” said Monterroso. “The Latino fan base is one of the fastest-growing forces in sports, and we’re proud to help bring Nuggets basketball to life in a way that is authentic, accessible, and culturally connected.”

Nuggets Vice President of Marketing Ron Chase echoed that sentiment, noting that the organization has identified its Latino fan base as both passionate and expanding, making it a priority to deliver content that feels authentic and accessible.

“The Nuggets have a passionate and growing Latino fanbase that we want to engage,” said Chase. “These broadcasts will offer an accessible and culturally authentic game experience for Spanish-speaking fans across Denver and the broader NBA audience.”

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The World Baseball Classic Exposed MLB’s Biggest Issue

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Opening Day is a holiday. It always is. Hope sells in baseball better than anything else, with perfect grass, clean records, and the idea that maybe this year will be different. For a day, baseball feels like it owns the sports world again.

Then, somewhere around mid-May, reality sets in. You’re watching a 6–2 game on a Wednesday night, and half the lineup is getting a maintenance day. The crowd is light, and the broadcast is filling innings with stories that have nothing to do with the game because, frankly, the game itself doesn’t demand your full attention.

Then the World Baseball Classic shows up and punches you in the face with what baseball looks like when people actually care. Not kind-of care. Not “check the score later” care. Real, invested, lose-your-mind-over-every-pitch care.

This is where MLB should be paying very close attention because the numbers and the noise are telling the same story.

Team USA games in this year’s World Baseball Classic consistently pulled over 3 million viewers, with marquee matchups pushing toward 5 million on FOX. Even more telling, several of these WBC games became the most-watched television events of the day. Not just within sports, but across the entire media landscape.

Meanwhile, across much of Major League Baseball, local ratings have been flat at best and down in several markets, with younger viewers increasingly disengaged. National broadcasts still deliver when the Yankees, Dodgers, or a big October moment shows up.

However, on a random Tuesday in June, baseball too often becomes background noise. It’s something you have on, not something you lock into. The WBC flipped that completely. It wasn’t background, but was the only thing on, and you didn’t just watch—you couldn’t look away.

Aaron Judge caught heat for saying the atmosphere in the World Baseball Classic was better than a World Series game, but people twisted it because that’s what we do now. He didn’t say it mattered more. He said it felt better, and if you watched even five minutes of those games, you know exactly what he meant.

Every pitch had tension. Every swing carried weight. The crowd didn’t sit back and politely observe—they lived every moment. It sounded more like a World Cup match than a regular baseball game. That’s not something MLB can script into existence with a marketing campaign or a few extra camera angles.

Here’s the uncomfortable truth for baseball: you cannot manufacture urgency over 162 games.

You can improve the pace, and MLB has. The pitch clock was a necessary fix, and it has made the game more watchable. But pace isn’t passion. Pace keeps people from changing the channel. Passion is what makes them not want to.

That’s what the WBC exposed as missing far too often during the MLB grind.

Watch a game in June and look around. Half the crowd is on their phones—not checking stats, but scrolling, texting, and doing anything except watching the field. It got to the point where MLB had to extend netting down the lines.

Not just because the game is faster, but because people weren’t paying attention anymore.

That’s not a criticism of the fans. It’s a reflection of the product. When the game doesn’t demand your attention, people will give it somewhere else.

This is where the media piece really comes into focus because the World Baseball Classic isn’t just better baseball in a vacuum—it’s a better television product. It’s built for how people consume sports now. It’s short, intense, and easy to follow. Every game feels like it matters because there aren’t 161 more coming behind it.

There’s no “we’ll get them tomorrow.” It’s all happening right now.

MLB, on the other hand, is still largely built on volume. There are 2,430 regular-season games, and while that creates inventory, it also dilutes urgency. Not every game can feel important because, structurally, they aren’t. Fans know it. Media knows it. The players know it and act like it.

Add in the fact that finding a game has become harder than it should be—Apple TV here, Peacock there, and regional sports networks in various states of uncertainty—and you’ve created friction in a marketplace where convenience drives consumption.

The WBC doesn’t have that problem. It’s on, big, and you know where to find it.

Other leagues have already adjusted to this reality. The NFL has built-in urgency because there are only 17 games. The NBA has leaned into personalities, storylines, and now even in-season tournaments to create something resembling urgency in the middle of the schedule. International soccer has always thrived on national pride and limited windows that make every match feel massive.

Baseball is still asking you to commit to a six-month relationship and promising it will get good later. That’s a tougher sell than it used to be in today’s microwave media landscape.

Consumers want a gourmet meal in 60 seconds or less.

None of this means MLB should try to become the World Baseball Classic. It can’t, and it shouldn’t. You can’t replicate national pride, and you can’t fake what countries like the Dominican Republic, Venezuela, and Japan bring to international competition. Those players are wired to represent something bigger than a franchise, while American players are conditioned to chase championships at the league level.

That difference doesn’t make one approach right or wrong, but it does create a completely different energy.

What MLB can do is learn. It can create more moments within the regular season that actually feel like events instead of treating every series as interchangeable. MLB could lean into personality, culture, and identity instead of sanding everything down into a generic presentation. It can make the product easier to access because if people can’t find your games, they won’t watch them.

The most telling part of all this is that the players didn’t change. The talent didn’t change. The game didn’t suddenly evolve into something new. What changed was everything around it—the stakes, the crowd, the urgency, and the feeling that something real was happening in that moment.

The World Baseball Classic didn’t fix baseball. It exposed it.

Baseball isn’t boring. It never has been. However, the way it’s packaged over the course of a long MLB season too often allows it to feel that way. Right now, the most electric version of the sport isn’t happening during the MLB calendar. That’s not a talent issue. It’s a presentation issue.

Until MLB figures out how to inject even a fraction of that urgency, that energy, that can’t-look-away feeling into its everyday product, Opening Day will keep feeling like a party.

Everything after it will feel like a slow fade-out.

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