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‘Monday Night Football’ Earns Second-Highest Viewed Regular Season on ESPN

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ESPN’s 2025 Monday Night Football (MNF) season emerged as one of the network’s most-watched campaigns in two decades, highlighted by record-breaking games and gains across nearly every key demographic. The season, which featured 23 regular-season games including two Week 18 contests, averaged 16.5 million viewers per game—up 10% from 2024—and set a new standard for the network’s NFL coverage.

The Week 18 finale was particularly notable. Seahawks-49ers drew 27.5 million viewers, making it the NFL’s most-watched Week 18 game and one of the highest-rated broadcasts in ESPN’s history. Panthers-Buccaneers, the earlier game that day, pulled in 21 million viewers. The Seahawks-49ers matchup alone outpaced the comparable Week 18 primetime game from last season by 25%, while the Panthers-Buccaneers game was up 22%.

Excluding the Week 18 games, MNF averaged 15.8 million viewers across 21 contests—trailing only the 2023 season in ESPN’s 20-year history of broadcasting the league. Five games exceeded 20 million viewers, marking the most in a single MNF season for ESPN. Among the season’s highest-rated contests were Lions-Ravens (22.8 million), Chiefs-Jaguars (22.3 million), and Vikings-Bears (22.1 million), ranking as ESPN’s fourth, sixth, and eighth most-watched MNF games ever.

The numbers reflect sustained momentum for MNF under the Buck–Aikman era. Joe Buck and Troy Aikman, along with sideline reporters Lisa Salters and, more recently, Laura Rutledge, have anchored three of ESPN’s top-rated MNF seasons since 2006 (2023–2025). The current stretch also includes eight of the network’s most-watched games over the past four seasons.

MNF’s success in 2025 extended across demographics. Viewership among adults 18–49 increased 5% over 2024, while the female audience jumped 15%. Younger viewers saw double-digit gains, with 20% more viewers aged 2–17 and 17% more viewers aged 18–24 compared to the prior year.

Overall, more than 130 million viewers tuned in to ESPN’s NFL coverage throughout the regular season, which featured multiple doubleheader nights over four separate weeks.

ESPN’s 2025–26 postseason coverage continues with Monday night’s Wild Card matchup on January 12 (8 p.m. ET) between the AFC’s fifth-seed Houston Texans and fourth-seed Pittsburgh Steelers. Houston enters on a nine-game winning streak, while Pittsburgh comes off a dramatic Week 18 victory. The network’s coverage concludes with a Divisional Round game Jan. 17 or 18.

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NBC Sports Analyst Jason Garrett Reportedly Will Interview for Tennessee Titans’ Head Coaching Job

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Former Dallas Cowboys head coach and current NBC Sports analyst Jason Garrett is scheduled to interview Friday for the Tennessee Titans’ vacant head coaching position, according to multiple reports. Garrett joins a growing list of candidates in the search to replace Brian Callahan, who was dismissed midseason following a 1-5 start to the 2025 campaign.

Garrett, 59, last served on an NFL sideline in 2021 as the New York Giants’ offensive coordinator. His head coaching tenure with the Cowboys lasted eight seasons, from 2011 to 2019. He compiled an 85-67 record and won three NFC East titles. He earned NFL Coach of the Year honors in 2016.

Since leaving coaching, Garrett has maintained a prominent presence in football broadcasting. He joined NBC Sports in 2022 to provide analysis for both NFL and Notre Dame games. While his name has occasionally surfaced in college coaching circles, he has not returned to sideline leadership.

As the Cowboys’ head coach for nine seasons, Garrett won three division titles and was named Associated Press Coach of the Year in 2016. He compiled an 85-67 (.559) regular-season record. The second-most wins by a head coach in team history.

He began his coaching career as the Quarterbacks Coach for the Miami Dolphins under Nick Saban. He also served as the Offensive Coordinator for both the Cowboys and New York Giants.

Before becoming a coach, Garrett had a 14-year NFL playing career with the Cowboys, Giants, Buccaneers, Dolphins, and Saints, mostly as a backup quarterback. He was part of three Super Bowl-winning Cowboys teams in 1992, 1993, and 1995. He also was a member of the NFC Champion Giants in 2000.

Tennessee is casting a wide net. Other reported interviewees include former Cleveland Browns coach Kevin Stefanski and Kansas City Chiefs coordinators Matt Nagy and Steve Spagnuolo. Also included are Denver Broncos defensive coordinator Vance Joseph, Indianapolis Colts defensive coordinator Lou Anarumo, and former Atlanta Falcons coach Raheem Morris.

NBC Sports nor Garrett has publicly commented on the reporting.

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Al Michaels Hints at When He’ll Know Its Time To Step Away From Calling NFL Games

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Al Michaels is not putting a timeline on the end of his broadcasting career. The longtime play-by-play voice of NFL on Prime Video says his future will be determined by one standard. He will continue only if he feels he can call games at a level that meets his own expectations.

Michaels, who will be on the call Saturday night as the Chicago Bears face the Green Bay Packers in the NFL Wild Card round, discussed his outlook during a recent appearance on Mad Dog Unleashed with Chris “Mad Dog” Russo on SiriusXM. The playoff matchup will mark Michaels’ final NFL broadcast of the season.

“I’ll go as long as I can or I want to,” Michaels said. “But I have to be able to know that I can do the game at the level that satisfies me.”

Michaels, 81, joined Amazon Prime’s NFL coverage for the 2022 season after a storied run calling games for several networks. His move to streaming reflected both his enduring presence in the broadcast world and the growing competition among platforms to attract high-profile sports talent.

Now in his fourth season calling games for Amazon Prime Video, Michaels made it clear he does not currently feel close to stepping away. He said the decision to continue will ultimately come down to self-awareness and performance, rather than outside opinions or milestones.

“If I feel not as what I have been or the way I perceive myself to have been, that’ll be time to step away,” Michaels said. “I don’t feel that right now, though.”

Michaels also spoke glowingly about his experience with Prime Video, describing the partnership as a seamless transition and one that has exceeded expectations on both a professional and audience level.

“I love what I do. I work with great people,” Michaels said. “The Amazon thing has worked out extremely well.”

Michaels has shared the booth with analyst Kirk Herbstreit, bringing a combination of decades-long experience and insight into modern NFL strategy. Their broadcasts balance a traditional play-by-play style with the platform’s digital-first approach. Michaels’ Thursday Night Football partner initially inked a five-year contract with Amazon in 2022, and is signed through next season. As for himself, Michaels is currently on a season-to-season agreement with Prime Video.

Michaels credited Amazon’s leadership and production team for creating an environment that allows him to focus solely on the broadcast. He said the support from the company has been a major factor in his desire to keep going.

“The Amazon folks, the Prime folks, have been fantastic,” Michaels said.

Since launching Thursday Night Football in 2022, Prime Video has consistently delivered strong viewership numbers. Michaels pointed to Amazon’s Christmas night broadcast, which drew more than 21 million viewers, as an example of the platform’s continued growth and reach.

“We did 21 million people on Christmas night,” he said. “Who knows what we do this week? It’s a big, big number.”

When asked about broadcasters who continued calling games late in their careers, Michaels cited two iconic Los Angeles voices: Vin Scully and Chick Hearn. Both worked well into their 80s. Michaels said their longevity is a reminder that age does not have to dictate ability.

“I loved listening to them up until the very end,” Michaels said. “As long as I can feel like I can be at the top of my game, I hope to go on.”

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Fox News Leads All TV News Brands in YouTube Views During 2025

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Fox News and YouTube data from 2025 show the network finished the year with the highest total video views among major TV news brands.

According to figures from Emplifi, Fox News delivered 4.5 billion YouTube video views during the full year.

That total represented a 69% increase compared to Fox News’ YouTube viewership in 2024. The network’s 2025 total exceeded every other brand in the TV news category tracked by the analytics firm.

MS NOW ranked second with 3.7 billion YouTube video views for the year. CNN followed with 2.3 billion views. NBC News generated 1.8 billion views, while ABC News reached 1.4 billion. CBS News recorded 675 million video views across its YouTube content in 2025.

Additional data from Shareablee highlighted performance within the business news category. Fox Business led business-focused news brands on YouTube in 2025 with 759 million video views.

CNBC recorded 356 million YouTube views for the year. The Wall Street Journal finished with 120 million views. Bloomberg Business posted 69 million views during the same period.

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NFL Regular Season Viewership Sets New Records for CBS Sports, FOX Sports, NBC Sports

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The NFL’s dominance of the television landscape remained unquestioned during the 2025–26 regular season. However, a closer look at the numbers shows how FOX Sports, CBS Sports, and NBC Sports each carved out distinct wins across broadcast windows, franchises, and platforms.

CBS Sports finished the regular season as the most-watched NFL broadcast partner overall, averaging 21.252 million viewers, according to Nielsen. That figure marked the network’s best regular season on record and represented an 11 percent increase from last year. The NFL on CBS also delivered the most-watched program in all of television, with its 4:25 p.m. ET national window averaging 25.827 million viewers for the third consecutive season.

The network’s Thanksgiving Day matchup between the Kansas City Chiefs and Dallas Cowboys set a new benchmark with 57.231 million viewers. It became the most-watched regular-season NFL game in league history. CBS Sports accounted for four of the season’s seven most-watched games. Meanwhile, Paramount+ delivered its most-streamed NFL regular season to date.

FOX Sports also posted its strongest regular-season performance in nearly a decade. The network averaged 19.633 million viewers for its NFL broadcasts, up six percent from last season and its best mark since 2015. FOX’s America’s Game of the Week averaged 25.283 million viewers, likewise its strongest performance since 2015, reinforcing the network’s standing as a destination for marquee NFC matchups.

Beyond the games, FOX continued to dominate NFL studio programming. FOX NFL Sunday averaged 4.445 million viewers, ranking as television’s No. 1 NFL pregame show for the 32nd consecutive year. FOX NFL Kickoff saw the largest year-over-year growth among the network’s NFL properties, rising 11 percent to an average of 1.346 million viewers.

NBC Sports once again owned the primetime conversation. Sunday Night Football averaged a record 23.5 million viewers across NBC and Peacock. It marked the show’s most-watched season ever. The figure represented a nine percent increase from last year. SNF is pacing to finish as primetime’s No. 1 program for an unprecedented 15th consecutive season.

The package delivered eight games averaging more than 25 million viewers, setting a new record. Peacock led NBC’s digital growth with a record Average Minute Audience of 2.5 million viewers. NBC’s Ravens-Steelers Week 18 finale averaged 25.5 million viewers. It underscored the league’s ability to turn late-season matchups into high-stakes television events.

Collectively, the numbers highlight how the NFL continues to fuel broadcast television, even as viewing habits fragment. FOX, CBS, and NBC each leveraged distinct strengths, from national windows to studio programming and streaming, reaffirming the league’s unmatched value to its media partners.

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Warner Bros. Discovery Rejects Second Takeover Bid From Paramount Skydance

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The Warner Bros. Discovery board of directors has rejected another bid from Paramount Skydance to acquire the company.

The rejection was expected, as Paramount presented the same all-cash terms as its initial offer of $30 per share in mid-December.

Last week, reports surfaced that the Warner Bros. Discovery planned to turn down the renewed offer, which had now featured  a personal guarantee from billionaire Larry Ellison, who pledged $40.4 billion in equity financing and related commitments to support the deal. Ellison, along with his son David, controls Paramount Skydance after taking over the company in August.

According to the reporting, board members are uneasy about how much control the Ellisons would exert over Warner Bros. Discovery’s debt management under a Paramount-led transaction.

In addition, Paramount has not committed to covering the breakup fee Warner Bros. Discovery would owe Netflix if it were to abandon that deal.

Netflix and Warner Bros. Discovery reached a tentative deal in early December for a similar $30-per-share offer proposed by Paramount Skydance. However, part of that deal includes a $5 billion fee should the deal ultimately not come to fruition.

The WBD board shared that its shareholders could see “substantial upside” from receiving shares of Netflix stock as part of the acquisition, noting that Paramount would be part of the largest leveraged buyout in history should it accept the offer from that company.

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The Radio Format No One Has Launched Yet And Why It’s a Huge Opportunity

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Radio keeps asking how to get younger. How to get more diverse listeners. How to sound less dated without blowing up what still works. And how to stand out against the competition when someone else is already in the format.

The answer has been sitting in plain sight, selling out arenas, breaking viewership records, and pulling in brand dollars that radio barely touches.

Women’s sports.

But not as a niche. Not as a novelty. And not as “women’s programming.”

The opportunity is a women-led, culture-forward, multi-sport format that covers all sports through a modern lens. One that understands something traditional sports radio has missed:

Everyone watches women’s sports. And women watch all sports.

 “Same Games. New Perspective”.

Let me file the trademark now, before this suddenly gets jacked somewhere else. We all know Jack loves a good trademark.

A Structural Shift (Not A Slogan)

Let’s be precise, because this is where your opportunity lives. This is not about adding women to sports radio. It’s about designing a sports format where women are the decision-makers and the voices.

That means:

  • An all-women programming and management team
  • All-women on-air talent
  • Women producing, booking, editing, and shaping the conversation

And here’s the part that breaks old assumptions: they are talking about men’s sports and women’s sports equally.

This is not a women’s sports station. It’s a sports station through a different perspective than The Fan, The Ticket, The Game, The Lockeroom. (Wow, we really love using the word “the” when branding radio stations.)

That single shift changes tone, topic selection, storytelling, pacing, humor, and what gets treated as “important.” Not because women cover sports differently, but because perspective always shapes the product.

Sports radio has never tested this at a true 24/7 network scale. Not a block of shows. Not a women’s daypart. And not a DEI initiative layered onto a legacy format.

That’s the gap—and it’s where the next decade in Sports media gets built.

Why This Works Now (And Didn’t Five Years Ago)

Five years ago, women’s sports were rising. Today, they’re unavoidable.

Caitlin Clark didn’t just rewrite record books. She pulled casual fans, non-sports fans, and lapsed fans into women’s basketball. College games became appointment viewing. The WNBA became part of everyday conversation. Angel Reese didn’t just dominate the paint. She dominated culture. NIL deals. Fashion. Social reach. She proved modern athletes don’t need legacy media validation. Legacy media needs cultural fluency.

There’s another timing clue broadcasters often miss because it doesn’t come from radio at all. It comes from gaming.

In franchises like MLB The Show and NBA 2K, women are simply part of the playable universe. For today’s generation of sports fans, this isn’t progressive. It’s normal. (Also, hit me up if you want my gamer tag and we can play online.)

The radio listener this format is designed to attract only knows a sports world where women are present, powerful, and central to the story. They grew up choosing female avatars, following women athletes, and consuming sports culture without Jimmy The Greek gender lanes.

Add in:

  • NIL turning college athletes into brands before graduation
  • Social platforms rewarding personality
  • Younger audiences rejecting confrontational, argument-driven sports talk
  • Women normalized as primary analysts and play-by-play voices

Five years ago, this format would have felt aspirational. Now, not doing it feels behind and tone deaf.

What The Product Is

Again, this is not wall-to-wall women’s sports. It’s women-led sports entertainment.

The programming mix looks like this: NFL, NBA, MLB, NHL, college football, soccer, boxing and betting covered intelligently without chest-pounding, alpha-dominance displays and recycled outrage packaged as “hot takes.”

Still smart. Still opinionated. Athletes’ lives outside the lines. Careers. Money. Style. Footwear. Mental health. Identity. Family dynamics.

Always visual. Every program includes video components optimized for social media. Clips aren’t marketing afterthoughts. They’re the first part of the format architecture.

The Audience Traditional Sports Radio Is Missing

Built for 25–45, with a female-forward audience composition that traditional sports radio struggles to attract or retain.

This audience:

  • Loves sports but hates yelling
  • Multiscreens during games
  • Follows athletes as individuals
  • Buys the merch, the shoes, the subscriptions
  • Actually moves brand dollars

Men aren’t excluded. They are no longer the default. Ironically, that’s exactly why they’ll listen.

Where This Makes Immediate Sense

My initial recommended target markets share three traits:

  1. Strong women’s collegiate or professional sports presence
  2. Younger median age
  3. Cultural openness to alternative formats

Think about the following markets:

  • Portland
  • Seattle
  • Minneapolis
  • Denver
  • Austin
  • Boston
  • San Francisco
  • Chicago

In these markets, this doesn’t feel risky. It feels inevitable. And if your market has a WNBA or NWSL team, this is your moment. Lock in those broadcast rights while they’re still undervalued, before the land grab begins. Let 98.7 The Jock Strap mortgage the building for NFL rights. You’ll be busy building equity in leagues, audiences, and relevance that are still on the way up.

The Hidden Talent No One Talks About

There are exceptional women covering sports right now who:

  • Don’t fit Debate TV aesthetics
  • Are over-credentialed and under-exposed
  • Already have engaged digital audiences
  • Understand sports as culture, not just competition

The talent you want isn’t symbolic. When given real exposure, their voices sound different. They take risks. They’re waiting for a chance, a platform, and someone who actually gets it.

That can be you. And if you move now, it’s talent your budget can still afford.

Phil’s Simple Modern Marketing

  • Audio and Video Launch Together
  • Social Drives Discovery, Radio Builds Repeat Exposure
  • Athlete & Host Amplified Distribution (They are the horse. Radio is the cart.)
  • Community Over Controversy

This format doesn’t fight the algorithm. It aligns with it.

Meanwhile, traditional sports radio is still arguing callers through the same debates with the same voices, offering little to no quality digital representation for a changing audience. It’s sports media stuck in “I was a legend in high school,” Al Bundy, Polk High School energy — loud, nostalgic, and increasingly disconnected from a very large percentage of sports fans.

 Where the Revenue Upside Is

A level playing field unlocks brand categories traditional sports radio under-indexes with:

  • Athletic apparel and footwear
  • Beauty, wellness, and fitness
  • Financial services targeting women
  • Sports betting with broader appeal
  • Travel, lifestyle, and experience brands

Women influence most household spending decisions. Brands already know this. Being first in the category matters.

The Competitive Reality

There is no true robust 24/7 U.S. sports network built this way, yet.

Podcasts exist, but they are fragmented. Legacy networks talk about inclusion without fully committing. Digital platforms lack cohesion, habit, and FM amplification.

This is not competing with ESPN, Fox Sports, or Barstool. It’s competing with what sports media actually is in 2026.

The Phil-Osophy

Year one proves it works. Year three proves it scales—and everyone starts copying it. It’s as common as three country stations in the same market by year five.

Seattle — see above.

Once this exists, everyone will claim they saw it coming. They won’t be wrong. They’ll just be late.

That’s how real format innovation works. Sports already includes everyone. Now the format finally can, too.

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Why the Potential Return of Dan Bongino Comes at the Perfect Time

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Dan Bongino is apparently preparing to re-enter the news/talk radio and podcast space, and the timing could hardly be better.

After months away from the microphone, his return feels less like a comeback tour and more like a well-timed reset. The conservative media ecosystem is louder, angrier, and more fractured than it has been in years. That chaos creates opportunity for someone who knows how to navigate it.

This is almost the perfect moment for Bongino to jump back in. Conservative media is currently consumed by high-profile infighting.

Ben Shapiro. Tucker Carlson. Mark Levin. Candace Owens. Megyn Kelly. Each commands a sizable audience, and each has taken shots at others on the same ideological team. The disagreements are public, personal, and relentless. For listeners, it has become a daily food fight.

Dan Bongino has spent years operating in that environment. He has never been shy about confrontation. He says what he thinks, even if it costs him allies. He stirs the pot without pretending otherwise. He also calls out people he believes are hurting the movement, regardless of their status or reach. That reputation matters right now, when many conservative consumers are unsure who is speaking honestly and who is playing to the crowd.

Unlike newer voices, Bongino does not need to find his footing. He already understands the rules of engagement. He knows how quickly alliances shift. And he knows how to criticize without sounding scripted. He knows how to fight without losing his audience. In a moment defined by division, experience is a valuable currency.

There is also a built-in audience advantage waiting for him.

Bongino’s listeners have been without their regular fix for more than nine months. That absence matters more than people realize. When you like something, being without it only sharpens the appetite. It does not matter if it is a podcast, a radio show, or your favorite candy. Time away makes the craving stronger.

So when Bongino returns, there will be a real thirst for his commentary. His audience has been without his voice for a long stretch. That gap has not been fully replaced. This is no disrespect to Vince Coglianese or anyone else who stepped into the role. Filling time is not the same as filling demand. Familiarity builds loyalty, and Bongino earned plenty of it before stepping away.

The second reason for renewed interest may be even more compelling. There will be an expectation that Bongino brings insider knowledge with him. Any blowhard can sit behind a microphone and complain about what is working or failing. That space is already crowded. What separates and elevates voices is experience.

Dan Bongino has been in the weeds at the FBI. He has done the dirty work. He has seen how decisions are made, and how quickly narratives change. If you know where the bodies are buried — metaphorically, that is — you carry credibility that cannot be manufactured. Sharing those experiences, even selectively, is a powerful card to play with an audience hungry for it.

Listeners will tune in expecting more than hot takes. They will expect texture. They will expect stories that feel informed, not recycled, and analysis rooted in firsthand exposure, not just social media trends. That expectation raises the bar, but it also elevates the show.

What remains unclear is what his return will actually look like. Will Bongino reclaim his old timeslot on Westwood One? Will he focus strictly on podcasting and bypass traditional news talk radio altogether? Is there a different, “hybrid” model that blends both worlds? For now, those answers are unknown.

What does feel certain is that Bongino is coming back to the game. The current conservative media world is noisy, divided, and searching for direction. That environment plays directly to his strengths.

Timing matters in media. This one feels just about right.

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How Bomani Jones Ensures ‘The Right Time’ Is Time Well Spent for His Loyal Audience

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Bomani Jones understands the value of an audience. For more than 25 years, his career has spanned nearly every medium in sports media. From hosting talk radio in North Carolina to more than two decades with ESPN, Jones has built a loyal following—an audience that remains devoted as he enters his third year hosting The Right Time with Bomani Jones under Wave Sports + Entertainment’s umbrella.

“With ESPN, podcasting was always a secondary kind of business for them,” said Jones. “Wave comes from a different place, and it was always attractive to go there in the first place. They trust me with my content. On their end, they know how to sell it. For me, it’s gone as good as I expected.”

The Right Time was not new for the Atlanta native. The podcast began during his ESPN Radio tenure and became his property after ESPN declined to renew his contract in 2023. Since then, Jones has made it the central focus of his work for those who have always been there.

“At this point in my career, I am most focused on creating content that serves the audience that has been the most loyal to me for over 25 years,” explained Jones. “You’re still leaning on the people who are most dedicated to you. For me, that’s the people that I think most about.”

Finding What Works

That focus did not come easily. While many podcasters chase new listeners, Jones remains committed to his existing audience. When his HBO program, Game Theory with Bomani Jones, was canceled after two seasons, the experience left a lasting impression on his path forward.

“I had to figure out what I’m doing this for,” explained Jones. “It’s really hard to simply hold onto the audience that you already have.”

The challenge was complex. Without ESPN or HBO’s platforms, Jones had to find new ways to engage an audience that already knew him well. Staying fresh is challenging but not impossible.

After leaving ESPN and HBO, Jones took a pause to reflect and reassess his approach as an independent creator.

“The key for me; my energy is the part I can control,” noted Jones. “I found out that I didn’t sound the way that I used to. It’s not that I was sounding old, but I didn’t have the fire that I had at different points. I needed to go find that part again, and re-assess what I enjoyed about doing it and how to get to a place where I was excited about the work that I was doing.”

Now, nearly three years later, The Right Time continues to grow. Jones chooses not to obsess over metrics, but the numbers he hears are rising—especially on YouTube.

With more than 102,000 subscribers and an average of 783,000 views last month, according to Social Blade, Jones credits his success to his honesty.

“The most important thing always is does your audience believe you,” said Jones. “Does your audience believe that you mean the things you say. It’s not about do they believe that you’re right all the time, but it is do they trust the sincerity of your words.”

Podcast Industry Evolving

Jones’ connection to his audience extends to engaging with his community on social media. He pays close attention to social media and comments regarding his content, always with an eye on engaging with those who give him their time. Jones says he treats his podcast as an opt-in product—listeners who actively choose to engage, on any platform.

As much as Jones focuses on his loyal following, content discovery continues to evolve. With video becoming a bigger piece of the podcast format, Netflix’s exclusive partnerships with The Ringer, Barstool Sports, and iHeartMedia have caught his attention. Jones sees Netflix as a logical platform to experiment with putting once-free video content behind a paywall, though he cautions about its potential implications for creators.

“If somebody comes to a creator and says ‘we want to put your work behind a paywall but we’re using your work to try to attract people to pay for our service’, that would be something people [creators] should worry about,” explained Jones. “I don’t know if I would turn on Netflix to go watch my podcast… but it’s worth seeing if people do.”

Whether Netflix’s move into podcasts succeeds remains to be seen. The interest itself signals industry growth. As the market expands, profitability becomes harder. Jones knows the challenge of growing an audience firsthand from 25 years of experience.

For new creators, the task is even tougher. Competition for attention is always intense in a crowded market. Jones often advises students and aspiring sports media professionals that navigating a space that values celebrity over substance can be challenging.

“If someone told me that they’re going to start a podcast, I’d tell them don’t do it like mine,” said Jones. “Your best path trying to cut through today is hosting a podcast about something in particular. Then marketing it on social media with that niche audience. There’s no easy answer. The concern is once they get success, there’s so many people already where the profits level off to zero because it’s so crowded.”

Reflections On ESPN

Many seeking his advice know Jones from ESPN, where he was a fixture on ESPN Radio and appeared regularly on Highly Questionable and Around the Horn. He made 561 appearances on Around the Horn starting in 2010. Regarding the show’s cancellation in May 2025, Jones was not surprised ESPN has yet to announce an official replacement.

“I’ve worked around ESPN for the better part of about twenty years. Never assume there’s a plan,” said Jones. “It seems very clear to me that Burke Magnus didn’t like Around the Horn. And if you tell most people that get to be in charge, change whatever you want and get rid of the show you didn’t like. You’d probably do it, and that appears to be what happened.”

Jones believes there may have been an initial plan for a replacement, but his personal radio experience shapes his outlook.

“The fact that I worked in radio leaves me numb to decisions like that,” joked Jones. “Radio is full of people who were on top of their game one day and then walked out the next day by security. The idea that a show [Around the Horn] that had a long run of success, and somebody changed it for the sake of change. It doesn’t surprise me in the least.”

Jones overall views his ESPN tenure positively, valuing the audience and opportunities it provided. At the same time, he remains candid about the network since his departure. That honesty and authenticity is what he feels continues to resonate with his audience.

“I truly enjoy and love being at the center of this community. Creating something that people can continue to bond around,” said Jones. “We’re all part of something. It is more important for me at this point in my career to maintain the fact that these people feel a part of something.”

For Bomani Jones, The Right Time is always the next time. Maintaining a focus on ensuring the time his loyal audience allows him is time well spent.

“I don’t have to chase an audience or dollars. I’m fortunate in that regard,” noted Jones. “What I would like to do with that measure of privilege that has been afforded to me, is to be there for this community that has made it all possible.”

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Tony Dokoupil’s CBS Evening News Debut Shows Just How Unforgiving the Anchor Chair Can Be

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Tony Dokoupil’s long-awaited first weekday primetime newscast as the newly-crowned anchor of CBS Evening News was — there’s no polite way to say it — a bit of a (expletive) show. 

The broadcast quickly went sideways when, in a rare moment of live-TV self-awareness, Dokoupil openly acknowledged just how badly things were unraveling in real time.

“To other news now. To Governor Walz, no we’re going to do Mark Kelly. First day, big problems here. Are we going to go to Kelly…We’re doing Mark Kelly, possibly demoted from his retired rank as captain in the Navy.”

Whew, that was painful to watch. And, it wasn’t the only time he stumbled.

His first few minutes in the anchor chair, once held by the fabled Walter Cronkite, seemed like a pretty regular newscast. Anchor tossing to reporters in the field, anchor interviewing guests on screen. And then, most likely through no fault of his own, he had no idea where he was going.

Most likely, and to be fair,  this wasn’t entirely his fault. As a former anchor, I can tell you what this looked like: the control room rolling the wrong video, producers barking conflicting instructions into his ear, last-second changes blowing up the rundown. Live television is unforgiving, and when it goes wrong, it goes wrong fast.

Still, the mistakes always land on the face the audience sees. That’s the brutal reality of the anchor chair. It’s the anchor’s job to check, recheck, and triple-check the script order – especially on night one.

NBC’s recent rollout of Tom Llamas as evening news anchor went off without a hitch. CBS’s… not so much. Let’s hope, for them, it’s not a harbinger of things to come. The last-rated broadcast newscast – trailing leader ABC by more than three million viewers – is trying to claw its way out of the basement. This was not a promising start.

On a positive note, he seemed relaxed and in control at other times. In a not-so-anchor-like move, he added his opinion about how the Venezuelan invasion helps the U.S., “if at all.” 

“When you zoom out a bit, you can actually see the outlines of an answer,” Doukopil declared. “Russia, China, and Iran have been building a presence in Venezuela, a base of power and influence in the hemisphere. With Maduro now out, that base of power and influence could be out too.”

Plus, his demeanor was affable, and he struck a provocative tone at the end of the broadcast, talking about a group of middle-aged and elderly who made a nude calendar trying to raise money to reduce taxes. It was a far cry from his immediate predecessors, John Dickerson and Maurice DuBois, who couldn’t find chemistry and tanked the ratings.

Dokoupil’s roll-out video, posted days before he took over the helm of CBS Evening News, set off a media wildfire after making a controversial comment comparing himself favorably to Cronkite. Critics called the remark “foolish,” viewing it as dismissive of the network’s storied standards.

Dokoupil, who had been the co-host of CBS Mornings, kicked off his tenure abruptly on CBS Evening News on Saturday’s broadcast with a three-segment showdown with Secretary of War Pete Hegseth. It was a bold and decisive move to grab a high-profile administration official intimately involved in the Trump administration’s decision to bomb Caracas and capture Venezuelan president Nicolas Maduro on January 3rd – to his credit, blowing out the plan to unveil Dokoupil days later.

But, the criticism of the questions was swift and damning, even as some praised the importance and timelines of the interview. Some media critics argued that Dokoupil gave Hegseth a free pass, letting him spin the administration’s talking points while failing to ask hard-hitting questions expected of CBS anchors. 

One media commenter described the segments as “mostly turned over to Secretary Hegseth” by not asking key questions about the legality of the raid and President Trump’s controversial promise to bring in American military troops to occupy Venezuela. Softball journalism, critics cried. 

But here’s where I blow the whistle. While I understand the concerns expressed, Dokoupil pushed Hegseth on several fronts. He did ask him if the administration planned to put troops on the ground, whether Congress would be involved going forward (unlike during the airstrikes and stunning capture of Maduro), and whether the mission was about freedom or oil. 

But most importantly, he stressed the point of the raid against history: He asked if this maneuver – with Trump and Marco Rubio saying they’ll run the country – regime change!– echoes the period twenty years when the U.S.-led coalition invaded Iraq and toppled Saddam Hussein, based on faulty assurances about weapons of mass destruction, turning into an endless quagmire that cost 4,500 American military people their lives, and another 32,000 wounded: “Many of the president’s own supporters tonight are wondering, how is this, this time around, going to be different, and how is it in the U.S. interest?”

It’s also a reminder of Teddy Roosevelt-style, big-stick attacks, when gunboat diplomacy meant seizing anyone you wanted.

Media personalities like former MSNBC host Keith Olbermann, now something of a crank, mocked Dokoupil’s interview on his podcast, suggesting he acted more like a “chief propagandist” than a hard-hitting anchor, framing his approach as too cooperative with Hegseth and the administration’s narrative.

TV Insider’s social media critic also complained that Dokoupil didn’t challenge Hegseth. “@tonydokoupil is the latest member of Trump’s state-run media team. Giving @PeteHegseth 20 mins of softball questions on the evening news? Walter Cronkite is rolling over in his grave right now.”

But many media liberals have their own agenda, believing that Bari Weiss, the new editor-in-chief of CBS News, is pushing the operation to the right. She describes herself as a “radical centrist.” 

Dokoupil’s transition into the evening anchor chair itself has attracted criticism, not just for the content of the interview but for the strategy he signaled. Some critics claim he tried to appeal to audiences who distrust legacy media and that this may shape how interviews like Hegseth’s are conducted.

In a promo video, Dukoupil made this pronouncement: “On too many stories, the press has missed the story…we put too much weight in the analysis of academics or elites and not enough on you.” And that set off a firestorm of criticism from those on the left. Bravo’s host Andy Cohen wrote: “Listening too much to experts? WTF.” 

TheWrap highlighted Dokoupil’s adaptability, noting that the early broadcast debut, moved up for the dramatic breaking news in Venezuela, “was actually a better launch than anything else we could have come up with.”

The verdict? Dokoupil may have ruffled feathers with a Cronkite comparison and faced the predictable storm from the left, but his handling of Hegseth shows he’s willing to challenge power, even if one of the administration’s chief spinners tried to dodge the questions.

As for Monday’s performance, it was a chaotic launch that underscored just how far CBS Evening News still has to climb. CBS can only hope this was a bad night, not a bad omen.

When he signed off, Tony Doukopil told viewers: “I can’t believe they let me keep that line.” A nice touch, and I’m sure I’m not the only one who smiled.

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