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Annie Camp on Authenticity, Motherhood, and Solo Mornings in Country Radio

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Annie Camp grew up watching her father host mornings on WTQR. She caught the radio bug early, but it took years behind her own mic to fully understand what she’d been watching as a kid.

Today Camp is the solo morning show host on Audacy‘s 93.1 The Wolf in Greensboro, NC. I met Camp through social media first and then at the Women in Radio conference held in Atlanta a few years ago. She’s someone who is constantly making me actually LOL on her Instagram. I wouldn’t have pinned Camp as a radio “nepo baby”, but I have always found that whenever I meet someone who has gotten into the business as a second-generation radio peep, they are here for the best reasons. The connection, the authenticity, the community. That’s Annie Camp.

“Part of the reason I fell in love with radio is that I watched my father connect with people, and I always thought it was so cool that my idol could get along with so many folks from all walks of life,” Camp said. “What I didn’t realize or appreciate was how authentic that connection was. My father didn’t have to try; he just did it.”

She’s carried that lesson forward. “Connection cannot be forced, and authenticity cannot be faked,” she said. “Listeners can cut right through your bull.”

Staying “Annie Camp” Instead of Building a Persona

Camp has resisted a manufactured on-air identity from day one. “I was never cocky – just confident in knowing that I knew who I was,” she said. “I understood the toll that being a ‘radio persona’ could take on someone, and I witnessed firsthand growing up around the people in this business that if you weren’t authentically you, it would break you down over time.”

Camp still lives and works in the community she grew up in. “I go to the small-town church, I walk the dog and wave at my neighbors, I scroll the same tiring social media, I drive the same pothole-ridden roads, and I experience every bit of life the same as anyone else,” she said. A former boss gave her advice she still repeats to herself. “‘People know Annie Camp…just be that,’ and as simple as that sounds, it resonated so hard with me.”

The Reality Behind a Solo Morning Show

Camp hosts entirely alone. “It’s literally just me. No producer, no one answering phones, not even an in-house PD,” she said. “I am the sole person representing this radio station locally and live every day.”

I asked her about how she preps for a solo show day in and day out. She tries to know “the biggest things that are happening in the world and [takes] the time to sort through them.” Camp said she will “pick and choose what I think a person on the other end would resonate with and try to spin it so it’s relatable to everyone.”

Camp admits the job rarely feels as smooth as it sounds on air. “Some days I honestly can’t believe I made it through another show alone, and I leave most days feeling like I could’ve done more. So, honey, if it sounds ‘effortless’ and not the hot mess express that I feel like it is, then that’s a blessing in itself.”

Navigating Country Radio as a Woman

Camp doesn’t dodge the double standard she feels as female hosting solo. “I believe many of my fellow women in radio feel they have to walk into work with something to prove because society has made us feel this way,” she said. “No matter how nice you are, no matter how much you try to fly the straight and narrow or keep your head down, you just aren’t always going to be someone’s cup of tea.”

She said the harshest judgment comes from the audience, not her superiors. “I can’t be too loud, I can’t be too opinionated, I can’t talk about myself too much, I can’t be too overweight,” she said. “There have been so many times when I’ve been torn down by the people I’m trying to love, while nothing was ever said about my coworkers, at least not publicly, as I experienced.”

Her response is to lean harder into herself. “I got my job by being exactly who I am – loud, silly, opinionated, personable, and relatable,” she said. “No one is going to dull the sparkle I spent years trying to make shine.”

Mornings With a Six-Month-Old in Tow

Camp is raising two children while working radio’s toughest shift. She says she is “a mom first; that is my most important job,” she said. “I make sure my older child has what he needs for the day, then I pack my six-month-old baby up, and we head into work together. I strap the baby to my chest, and we cut on the mic together.”

Local daycares don’t open early enough for her schedule, so she’s built her own workaround. “My village has changed since I had my first son while working in this business, and daycares aren’t open at 5 am,” she said. “So, I do what I have to do to continue living out my dreams. Six months into this, and we’ve got a good rhythm going now.”

She said motherhood reshaped how she connects on air. “I’ve always been an empath, but there’s a level of understanding and allowing others to feel their feelings that’s just different now that I’m a mom,” she said. “It’s made me a better listener, and in turn, an even better storyteller and person.”

Why Her Social Media Doesn’t Feel Curated

Camp treats her feed the same way she treats her show. “I’ve always said that radio personalities are the original influencers – we have always shared so much with people out loud on a personal level for the world to see and hear long before it was for likes and comments,” she said. “I share my life, but I don’t sugarcoat anything.”

She doesn’t chase approval. “At the end of the day, I’m just going to be Annie Camp,” she said. “I don’t care if you like my loud mouth or not. Sure, I’d love for you to like me or my content or ‘follow’ me for more, but if you don’t, that doesn’t define me. The more unauthentic content people have to scroll through, the more I hope my non-filtered, non-trending self reels them in.”

Building Friendship, Not Just an Audience

Camp wants every interaction to feel personal. “I’d like to think I leave a wide-open space for people to come as they are,” she said. “I want to be someone who makes them feel good about themselves, who reminds them they aren’t alone, and who makes them feel like they can share their thoughts and opinions openly.”

Camp feels the responsibility of setting the tone for her listeners’ mornings. “There is a massive unspoken responsibility as the person who sets the tone for someone’s day,” she said. “If I come in with a bad mood and bring that to the mic, people can feel it.”

Her husband has watched strangers approach her in public, convinced they know her personally. “When they walk off, he’ll say, ‘Who was that?’ and he’s always surprised when I tell him it was a listener, because he thought they were some old friend!” she said. “It’s not just the music or the personalities that make for great radio; it’s the listeners. If they’re not your friend, you’ve got no one.”

Shining a Light on Two Rising Voices

I asked Camp to spotlight some peers she admires in radio. “My co-worker, Maya Brantley, is the do-it-all queen,” she said. “She jumps in wherever needed across 3 of my sister stations (WJMH, WSMW, WQMG), and she’s constantly asked to show up and handle business when others fall short.”

She also praised Alyssa DiTomasso, a co-host on Your Georgia Country, WNGC. “Both of these powerhouse females know what hard work is,” Camp said. “They love this business as much as I do, and it’s something we’ve all wanted to be a part of our whole lives. They’re fighters who will stop at nothing until they’re the ones in the driver’s seat. You can’t fake that kind of drive and passion – we need more authentic women like this fighting for the love of radio and fighting for a seat at the table.”

Looking Ahead: More Responsibility, More Fight

Camp wants influence beyond the mic. “I’d love to have more responsibility outside the mic and more control over what people don’t see” she said. “I’ve had the chance to hold the coveted morning drive seat, and now I want to learn and be part of every aspect of running a 100,000-watt radio station.”

She’s clear-eyed about the extra work that requires. “I’ll never be done – there is always another skill to learn, another milestone to reach, and another opportunity to pursue, but often finding the support to do that is the hardest part. Doors don’t just open for you; you have to be the one to kick the door down.”

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680 The Fan Announces New Lineup Featuring John Kincade Beginning August 31

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680 The Fan’s afternoon lineup is changing with the arrival of John Kincade later this month. Kincade joins Matt Chernoff starting August 31 as Chuck Oliver shifts to other roles with the radio station.

What We Know: Dickey Broadcasting Company confirmed the Kincade & Chernoff Show launches August 31. The pair will air weekdays from 2 to 6 p.m. on Sports Radio 680 The Fan. Meanwhile, Chuck Oliver shifts his focus toward growing The Chuck Oliver Show across the Southern Sports Today Network. Oliver still holds a role on The Fan, covering college football through exclusive segments and promotions. Kincade left his morning show position with 97.5 The Fanatic last week.

What They Said: David Dickey, President of Dickey Broadcasting Company: “This is an exciting opportunity for all of our brands. John and Matt are an outstanding combination for afternoon drive, and our listeners should know that Chuck Oliver isn’t going anywhere. Chuck remains a huge part of The Fan and will continue to be our premier voice for college football through regular appearances, features, and promotions, while also expanding the reach of The Chuck Oliver Show across the Southern Sports Today Network. These moves strengthen our commitment to delivering best-in-class sports programming both locally and throughout the Southeast.”

What Remains Unclear: Whether or not any additional changes will be made with production staff for either show is unknown.

What It Means: The shakeup signals a new beginning at a station Kincade helped build over two decades of his career. Kincade and Chernoff give 680 The Fan a proven Atlanta duo. Meanwhile, Oliver’s expanded role reflects growth ambitions across the Southeast. Together, these moves deepen the company’s investment in premium sports content.

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Jeremy Boreing: I’ve Been Warning That Tucker Carlson Is An ‘Operative’, Not A Grifter

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Jeremy Boreing has accused Tucker Carlson of advancing a controversial political agenda. The comments came as Carlson prepared to unveil a new policy platform.

What We Know: Jeremy Boreing made the remarks during the latest episode of his podcast. His comments came ahead of Tucker Carlson revealing a 10-point policy position amid speculation he could attempt to launch a third political party. Boreing accused Carlson of “doing the bidding of hostile foreign entities that have been trying to bring down America.” He also argued that Carlson’s political efforts represent a broader shift away from traditional conservative priorities.

What They Said: “Over the last several months, I’ve been warning that Tucker Carlson isn’t merely a grifter—he’s an operative building a new political project centered around right-wing social policy and left-wing economic policy.” -Jeremy Boreing

What Remains Unclear: Carlson’s next political steps remain unknown. While speculation has grown around a potential third-party effort, Carlson has not announced plans to form a new political organization. Additionally, it remains unclear how voters would respond to a platform that combines conservative cultural positions with economic policies typically associated with the political left.

What It Means: Jeremy Boreing’s criticism highlights a growing divide within conservative media and politics. As Carlson continues building influence with his audience, disagreements over the future direction of the movement are becoming more visible.

The comments also show how potential changes to the political landscape could create new conflicts among conservative voices. However, Carlson’s eventual plans will determine whether those concerns translate into a larger political challenge.

Mike Krukow Announces Upcoming Retirement From San Francisco Giants Broadcast Booth

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Mike Krukow is stepping away from the broadcast booth. The longtime Giants broadcaster will retire at the end of the 2026 season.

What We Know: Krukow, 74, has been part of the Giants organization since December 1982, when a trade brought him from Philadelphia in exchange for Joe Morgan. He pitched for the team through 1989, then moved into the booth full-time in 1994. Since then, he and Duane Kuiper have formed the longest-running broadcast duo in Major League Baseball. Krukow has also managed inclusion body myositis, a condition he disclosed in 2014.

What They Said: Mike Krukow: “[My wife] Jennifer and I have been so blessed to be able to stay in the game for as long as we have, and it’s really made it impossible to feel sorry for myself that my career is coming to an end.”

What Remains Unclear: The release doesn’t outline Krukow’s broadcast plans for the remainder of 2026, nor how the Giants intend to honor his run. It’s also unclear who might eventually pair with Kuiper going forward.

What It Means: Krukow’s exit closes a chapter that stretches back over four decades with one franchise. His rapport with Kuiper, built since 1983, became a signature sound for Giants fans. Meanwhile, his willingness to keep working through health challenges added another layer to his legacy in the Bay Area.

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Katie Nolan: ESPN “Exploiting” Karl Ravech’s Loyalty to the Network With Work Following Layoffs

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Karl Ravech’s ESPN exit isn’t done making headlines following a re-appearance calling an MLB game just days after being laid off. Katie Nolan is now speaking out about the visuals of the decision.

What We Know: ESPN laid off Karl Ravech in July after 33 years with the network. He joined in 1993 and became the voice of Sunday Night Baseball, Baseball Tonight and the College World Series. Despite the layoff, ESPN has continued to use him in the broadcast booth for Major League Baseball games and the upcoming Little League World Series. Nolan raised the situation on her podcast, Casuals with Katie Nolan and says it feels as though ESPN is exploiting Ravech’s loyalty to his former employer.

What They Said: (All quotes from Casuals with Katie Nolan)

Katie Nolan feels ESPN could be exploiting Karl Ravech’s loyalty to the company: “When companies would start hiring people part time, so they wouldn’t have to give them health insurance. Then when they would reach a certain amount of hours, they would have to fire them. But then they would wait however long they had to, and then hire those people back. It just felt like they were skirting the obligations of having employees. This kind of feels like that to me. ESPN doesn’t deserve to get Karl Ravech for a discount or for free. He worked there for a really long time, and shows his loyalty to that company. This to me feels like that’s being exploited.”

Katie Nolan encourages Karl Ravech to speak openly about being a part of ESPN layoffs: “It’s really weird to lay somebody off and then give them a microphone and put them out there. I want to just encourage you, Karl Ravech, if you’re listening. Speak your truth, big dog. Say what you got to say. If they don’t want to hear it, well, that’s their fault. That’s not your employer anymore. So, you don’t have to do right by them.”

What Remains Unclear: ESPN hasn’t responded publicly to Nolan’s comments. It also remains unknown whether Ravech will address the layoff himself. On his own podcast, “Dirt From the Dugout,” he has so far avoided the topic.

What It Means: It was odd to see Ravech at work on ESPN in the days following his dismissal by the network. There’s no doubt that it left many scratching their heads about the situation. However, if ESPN was in any bind and Revech agreed to do the work, how can you question that? Nolan’s comments spotlight tensions between networks and veteran talent. Meanwhile, they raise questions about loyalty in sports media. But if Ravech chooses to move forward with the work, that’s ultimately his decision.

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Saga Communications Expands Gainesville Presence With WRUF AM/FM Agreement

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Saga Communications is partnering with the University of Florida on a new media initiative. The agreement will include WRUF and expand student opportunities.

What We Know: Saga Communications and the University of Florida College of Journalism and Communications have entered a seven-year Joint Sales Agreement and strategic partnership. Beginning September 1, 2026, Saga will handle advertising sales for WRUF-AM and WRUF-FM while working with students, faculty, and media professionals. The partnership will focus on broadcast sales, digital media, audience development, sports media, content strategy, internships, and mentorship opportunities. Additionally, the agreement will allow students to gain experience alongside professionals from one of the country’s established broadcast companies.

What They Said: “This partnership reflects our commitment to preparing students for successful careers while strengthening the future of local media. By combining the University of Florida’s educational mission with Saga Communications’ industry leadership, we are creating new opportunities for students to learn alongside professionals, serve our community and help shape the future of broadcasting.” -University of Florida College of Journalism and Communications Dean Hub Brown

“This collaboration reflects Saga’s commitment to investing in our present and future by working with outstanding local media properties as well as investing in our next generation of media professionals.” -Saga Communications CEO Chris Forgy

What Remains Unclear: The companies have not detailed specific sales initiatives, revenue expectations, or new programming plans connected to the partnership. However, the agreement will remain in place for seven years.

What It Means: The deal creates a closer connection between higher education and local broadcasting. For Saga Communications, the partnership expands its presence in a market anchored by a major university and athletic program. Meanwhile, the University of Florida gains another industry partner for its journalism students. The collaboration could provide more opportunities for future broadcasters to develop skills before entering the media industry.

FCC Votes to Repeal Broadcast TV Ownership Limits

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The FCC has removed a major barrier for broadcast ownership consolidation. The agency voted to eliminate the national TV ownership cap on Thursday.

What We Know: The FCC voted 2-1 to repeal the rule preventing broadcasters from owning stations reaching more than 39% of U.S. television households. The restriction had limited how large station groups could grow, but broadcasters argued the rule prevented them from competing with technology companies that have captured local advertising revenue. However, the decision could face a legal challenge. Critics have argued that only Congress has the authority to eliminate the ownership restriction. Meanwhile, the change arrives as companies continue pursuing larger broadcast footprints. Nexstar Media Group has been among the strongest supporters of removing the cap. The company recently received approval to merge with TEGNA, creating a combined operation with roughly 260 stations before legal challenges forced the companies to keep assets separate.

What They Said: “It is time to restore balance to the broadcast airwaves. Repealing the national cap will provide essential relief to local broadcasters by restoring a healthy counterbalance to the growing leverage of national programmers.” -FCC Chair Brendan Carr

“The large station groups positioned to grow even larger under this decision are not local broadcasters, they are national companies that own local stations and increasingly dictate what airs on them. Trading a squeeze from Big Tech for a squeeze from Big Media does nothing to protect the communities this cap was designed to serve.” -FCC Commissioner Anna Gomez

What Remains Unclear: The biggest question centers on whether opponents will successfully challenge the FCC’s authority to remove the cap. Additionally, local broadcasters will face scrutiny over whether consolidation improves programming or reduces newsroom resources.

What It Means: The FCC’s decision gives broadcast groups more flexibility to expand. Supporters believe larger companies can invest more in local journalism, while critics worry consolidation could weaken community-focused coverage.

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Jenny Tartikoff Named SiriusXM Senior Vice President Communications

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SiriusXM names Jenny Tartikoff Senior Vice President and Head of Communications effective August 10. She joins from Paramount Pictures, where she led global communications strategy.

What We Know Tartikoff brings more than 20 years of media and tech experience. She previously served as EVP, Global Communications at Paramount Pictures. Before that, she held roles at Spotify, Universal Filmed Entertainment Group, and Rubenstein Communications. Her career began at NBC News. She’ll report to President and Chief Content Officer Scott Greenstein, overseeing all communications and public relations strategy.

What They Said Greenstein emphasized Tartikoff’s qualifications for the role. “Jenny is an accomplished communications leader with the judgment, range and industry experience to help SiriusXM tell a clear and compelling story,” he stated. Importantly, he highlighted her background across entertainment, streaming, podcasting, and advertising. These experiences, he said, position her to guide the company’s communications into its next strategic phase. For her part, Tartikoff emphasized her connection to the brand. “As a longtime listener, I’ve experienced firsthand the thoughtful curation SiriusXM creates,” she noted. She pledged to help shape and amplify the company’s story with purpose.

What Remains Unclear How quickly will she reshape SiriusXM’s public narrative? Furthermore, what specific initiatives will she prioritize first? Will her Spotify experience influence the company’s streaming strategy? The communications roadmap for 2026 and beyond remains undefined.

What It Means This hire signals SiriusXM’s commitment to competitive positioning. Meanwhile, Tartikoff’s extensive entertainment background strengthens the company’s storytelling capability. Her track record suggests aggressive brand advocacy ahead. Ultimately, this appointment underscores SiriusXM’s ambitions to dominate audio.

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Clay Travis Explains Motivation Behind $10 Million Offer to WNBA Team

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Clay Travis has challenged the WNBA champions with a $10 million offer. The offer centers on a debate over transgender athletes competing in women’s sports.

What We Know: Clay Travis offered the Las Vegas Aces $10 million if they would play and beat a high school boys basketball team of his choosing. Travis made the comments while appearing on Sid and Friends in the Morning on 77 WABC. The challenge comes as the debate surrounding transgender women in women’s sports continues nationwide. Critics have argued Travis is mocking the WNBA and its players with the proposal. However, supporters of Travis’ comments say he is using satire to highlight what they believe is a flaw in the argument for allowing transgender women to compete in women’s athletics. They argue his point focuses on the physical differences between male and female athletes.

What They Said: “Look, I think sometimes you have to respond to idiots by taking the logic of their idiocy and pushing it even further. Humor, hyperbole, satire, they cut through in a way that me sitting down with a scientist and discussing overall muscle mass advantages for men, and oxygen capacity in the lungs, and all these things that are indisputably true. From a biological perspective, we all know men are bigger, stronger, faster than women. So I could sit and argue till I’m blue in the face on the factual aspect of this, or I could just put $10 million dollars out on the table.” -Clay Travis

What Remains Unclear: It remains unclear whether the Las Vegas Aces or any WNBA team will respond to Travis’ offer. No team has indicated interest in accepting the challenge.

What It Means: Travis’ comments continue a broader cultural debate about sports, fairness, and transgender participation in athletics. The controversy also reflects how media personalities are using entertainment and satire to shape conversations around sports policy.

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Suno Launches Watermarking Tech To Combat Music Fraud

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Suno is taking on AI music fraud head-on. The platform announced sweeping changes to combat misuse and strengthen industry trust.

What We Know Suno will roll out watermarking and fingerprinting technology in coming weeks. Additionally, the platform’s new downloads policy will restrict mass distribution on streaming platforms. Meanwhile, transparent community guidelines now explicitly ban uploading copyrighted material, reproducing existing songs, and using real voices without permission. The company has partnered with Audible Magic, Musixmatch, and ACRCloud to screen for unauthorized artist content.

What They Said CEO Mikey Shulman emphasized the company’s commitment, writing: “We will soon introduce a new downloads policy designed to limit the ability to mass distribute songs on streaming platforms, while preserving the professional, creative, and personal ways people use Suno.” Furthermore, Suno is rolling out new transparency tools that align with emerging industry standards. The company believes artists and platforms should decide what to disclose. Ultimately, Suno aims to build tools that give transparency options and simplify cross-industry collaboration.

What Remains Unclear How subscribers will respond remains unknown—remember the backlash to Udio’s overhaul? Additionally, the timing of fresh licensing agreements stays murky. Notably, only Warner Music has licensed Suno among major labels. Despite pending lawsuits, CEO Robert Kyncl maintains the transition to a licensed model remains on track for later this year.

What It Means These moves represent a significant pivot toward responsibility. Suno finally acknowledges it must make abuse harder. Furthermore, industry-wide authentication efforts are strengthening. Most importantly, the shift could reshape how AI music platforms operate going forward.

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