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Salem Media Names Dave Cuddihy as General Sales Manager in Pittsburgh

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Salem Media Pittsburgh has announced the appointment of Dave Cuddihy to new positions.

Meanwhile, Dave Cuddihy joins as the General Sales Manager for Salem’s Pittsburgh radio stations and digital efforts. He previously worked as the Publisher of the Latrobe Bulletin and Ligonier Echo.

“Pittsburgh has always been about relationships, work ethic, and trust,” Cuddihy said. “I’m proud to be from this area and to work with local businesses as a neighbor who understands how success is built here. One factor that stood out to me in joining the team at Salem Media is that our stations and complete digital portfolio allow us to reach deeply engaged Christian and conservative audiences while delivering modern marketing solutions that drive real, measurable results for our partners.”

Cuddihy joins the Pittsburgh office following the appointment of Jason Mosher as the new Regional General Manager for the market. Earlier this month, it was announced he’ll now oversee the Pittsburgh market, in addition to the Atlanta market. Mosher is based in the Atlanta office for the company. He’s worked with Salem Media for the past six years and was previously working as the Regional Sales Director for Atlanta, Cleveland, and Pittsburgh.

“We are committed to growth in Pittsburgh,” Mosher said. “In the near future, we are looking to bring on additional media strategists to build out the local team.”

“We are excited to combine Jason’s leadership track record at Salem with Dave’s deep market knowledge of Pittsburgh,” said President of Broadcast Media Allen Power. “They are focused on growing our sales team in the market with a commitment to providing outcome-based solutions for advertisers.”

Salem Media operates 101.5 WORD-FM, AM 1250 The Answer, and 730 AM WPIT in the market.

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Audacy Partners With Sonos For Exclusive Sales, Distribution of Streaming Inventory

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Audacy and Sonos have entered a new strategic partnership designed to expand the reach and monetization of premium audio content, further reinforcing both companies’ commitment to scaling high-quality listening experiences across platforms and devices.

As part of the agreement, Audacy will serve as the exclusive U.S. sales and distribution representative for Sonos Radio’s streaming inventory. The arrangement positions Audacy to apply its national sales infrastructure, digital technology, and audio expertise to accelerate advertising growth for Sonos Radio while creating new opportunities for marketers seeking access to highly engaged listeners.

“Sonos is a pioneer in audio and a natural partner for Audacy as we continually look to expand our reach and leverage our industry-leading sales capabilities,” said Michael Biemolt, President of Digital Sales at Audacy. “Sonos Radio has built an exceptional listening environment with a loyal, high-value audience, and by leveraging our scale, technology, and sales expertise, we’ll help elevate their streaming business.”

The partnership reflects a shared belief between Audacy and Sonos that audio consumption continues to evolve beyond traditional environments, requiring scalable solutions that meet audiences wherever and however they choose to listen. By combining Audacy’s advertising capabilities with Sonos’s curated listening ecosystem, both companies aim to strengthen long-term value for listeners, brands, and distribution partners.

In addition to sales representation, Sonos Radio’s lineup of more than 100 stations will now be distributed across Audacy’s digital platforms, significantly expanding access to Sonos Radio’s music programming, artist-led channels, and mood-based listening formats. Listeners will be able to discover Sonos Radio stations through the Audacy app and website, where the content will appear alongside Audacy’s owned-and-operated brands.

Beyond Audacy’s direct-to-consumer platforms, the agreement also extends distribution of Sonos Radio stations to third-party environments including Google Home, Alexa, and Apple Music. Audacy’s full portfolio of broadcast radio stations has been available on Sonos devices since 2020, making the expanded relationship a natural progression rather than a first-time collaboration.

From Sonos’s perspective, the partnership aligns with a broader focus on building a listening ecosystem that deepens engagement over time. Jack Rutledge, Director of Product Management for Sonos Radio, said pairing curated audio experiences with Audacy’s scale creates sustainable opportunities for brands to connect with listeners who are actively choosing premium audio environments.

Sonos Radio will also join the Audacy Digital Audience Network, gaining access to advanced ad-decisioning tools, programmatic connectivity, and infrastructure designed to improve sell-through rates and premium CPM performance. Those capabilities are powered by Audacy’s AmperWave platform, which hosts and monetizes more than 2,300 digital audio stations and supports over 15 premium inventory partners.

The Sonos agreement continues Audacy’s recent momentum in forming strategic alliances with high-performing audio and media brands. In recent months, the company has announced collaborations with iHeartMedia, TuneIn, Jomboy Media, and MOGL, each aimed at expanding distribution, enhancing content offerings, and modernizing advertiser engagement. Adding Sonos Radio to that growing roster further solidifies Audacy’s push to build a broad, premium audio ecosystem across content formats and platforms.

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Fox News Creating New Daily News Report For Local Stations Helmed By Bill Melugin

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Fox News has announced it is launching a new daily news brief for local FOX television stations, anchored by Bill Melugin.

Beginning on Monday, February 23rd, the Fox News Report will be a 90-second news feature hosted by Melugin. It will largely focus on national and global headlines, including breaking news in the news, political, sports, and entertainment arenas.

The feature is scheduled to air at 5:58 PM ET on FOX-owned-and-operated local stations. Those stations include nine of the top 10 markets, as stations in New York, Los Angeles, Chicago, Dallas, Philadelphia, Houston, Atlanta, D.C., and San Francisco will broadcast the report.

The new reports will be made available to all FOX affiliates throughout the nation, and won’t be limited to the 29 owned and operated stations.

Bill Melugin joined Fox News in 2021 as a Los Angeles-based correspondent. Late last year, he was promoted to the role of Washington-based Correspondent, with a focus on Capitol Hill.

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UFC 326 To Air On CBS During Two Hour Window Of Coverage

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Paramount+ and the CBS Television Network are set to make history next month as the companies partner with the UFC to bring a live numbered event to broadcast television for the first time. UFC 326: Holloway vs. Oliveira 2 will air Saturday, March 7, from T-Mobile Arena, with Paramount+ serving as the primary distribution platform and CBS presenting a primetime simulcast window.

The event represents a major milestone for both the UFC and Paramount as they continue to expand mixed martial arts beyond traditional pay-per-view and cable destinations.

Paramount+ will stream every bout from UFC 326 in the United States and Latin America, reinforcing its role as the exclusive streaming home of the promotion. Coverage begins with the prelims at 7 p.m. ET on the platform, while CBS will simulcast the final hour of the prelims from 8–9 p.m. ET. The main card follows at 9 p.m. ET, with CBS carrying the opening hour from 9–10 p.m. ET before the remainder of the fights return exclusively to Paramount+.

The decision to place UFC action on the CBS broadcast network signals a broader effort to reach casual sports fans who may not regularly seek out MMA programming. For CBS, the event marks its first-ever live UFC broadcast, positioning the network alongside Paramount+ as a central hub for the sport moving forward.

In addition to the live event, CBS will debut a new one-hour special titled THIS IS UFC on Friday, February 20, airing from 8–9 p.m. ET/PT. The program will also stream live and on demand on Paramount+, depending on subscription tier.

The documentary-style special traces the organization’s rise from an underground attraction to a global sports and entertainment powerhouse.

Hosted by UFC reporter Megan Olivi and Survivor winner Dee Valladares, the show features conversations with fighters, rising stars, and UFC President and CEO Dana White. The special also highlights the early success of UFC programming on Paramount+, while offering a forward-looking perspective on the sport’s continued growth.

Both initiatives fall under the first year of a seven-year media rights agreement between Paramount and TKO Group. The deal makes Paramount+ the exclusive home for all UFC events in the U.S. and Latin America, including 13 numbered events and 30 Fight Nights annually. Select numbered events will also receive broadcast exposure on CBS throughout the year.

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ESPN Unveils MLB.tv Plans for Upcoming 2026 Season

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Major League Baseball’s direct-to-consumer product officially entered a new phase Tuesday as ESPN launched MLB.tv inside its ecosystem. The network introduced a new pricing and distribution structure aimed at steering fans toward ESPN Unlimited. At the same time, MLB.tv will continue to be offered as a standalone option.

The rollout introduces tiered pricing based on whether customers already subscribe to ESPN Unlimited, the network’s branded direct-to-consumer product. Fans who are not ESPN Unlimited subscribers can purchase the full-season, out-of-market MLB.tv package for $149.99. That option includes a complimentary one-month trial of ESPN Unlimited, which renews at $29.99 per month unless canceled.

Importantly, ESPN does not require customers to maintain an ESPN Unlimited subscription after the initial purchase. Fans will still retain full access to MLB.tv for the entire season.

Subscribers to ESPN Unlimited, or those who receive the service through a participating pay-TV package, receive a discounted MLB.tv rate. Those users can access the full-season out-of-market package for $134.99, reflecting a 10% reduction.

The network has confirmed to SBJ that upcoming ESPN Unlimited integrations on Comcast and YouTube TV will qualify customers for the lower price point for the MLB.tv product. A monthly MLB.tv option is also available at $29.99 and includes eligibility for a free month of ESPN Unlimited.

From a product standpoint, the network is positioning MLB.tv as a more immersive experience inside its app environment. Fans will have access to multiview capabilities and enhanced statistics. Additional features include key plays, fantasy tools, and betting information. Viewers will also be able to choose between home or away broadcasts. Those features align with ESPN’s broader strategy to centralize live viewing, data and interactivity under one digital roof.

At the start of the regular season, U.S.-based subscribers accessing MLB.tv through ESPN or directly from MLB will have expanded access. They will be able to watch out-of-market games. Subscribers will also receive MLB Big Inning and MLB Network content. That programming will be available across ESPN and MLB digital platforms.

However, in-market streaming remains a longer-term play. MLB’s individual-team, in-market streaming packages are scheduled to debut on MLB platforms later this year before expanding to ESPN platforms in 2027.

The launch is tied to ESPN’s restructured national media agreement with MLB, a three-year deal valued at approximately $550 million annually. Under the agreement, the network will carry 30 national games per season, largely on weekdays during the summer, across its linear networks and direct-to-consumer offerings. ESPN Unlimited subscribers will also receive access to an out-of-market game of the day, adding another exclusive incentive to the service.

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Seattle Seahawks QB Sam Darnold Credits ‘SportsCenter’ for Falling in Love With Sports

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Seattle Seahawks quarterback Sam Darnold spent the Monday after Super Bowl LX doing what champions often do — celebrating at Disneyland, appearing on national television and reflecting on the moments that helped shape his journey.

During a live appearance on SportsCenter, Darnold offered a candid look at how ESPN’s flagship news program played a formative role in his love for sports, long before he became a Super Bowl–winning quarterback.

“I grew up idolizing SportsCenter anchors,” Darnold said. “To be honest, I watched SportsCenter every single day, every night before I went to bed.”

Fresh off Seattle’s victory over the New England Patriots in Super Bowl LX, the comments struck a chord not just as nostalgia, but as a reminder of SportsCenter’s enduring cultural footprint. For decades, the program has served as a nightly ritual for fans, blending highlights, storytelling and personalities into a shared sports experience.

Darnold specifically pointed to familiar faces who helped define that era, mentioning Neil Everett, Stan Verrett and Kenny Mayne as figures he admired growing up.

“They kind of were the reason that I fell in love with sports,” Darnold added.

The moment carried added symbolism given Darnold’s platform. As the quarterback of the Seattle Seahawks, his comments reinforced the cyclical nature of sports media — where viewers grow up consuming coverage, only to later become the subjects of it. For ESPN, that connection underscores how SportsCenter has functioned as both a gateway and a constant in the sports ecosystem.

Following his comments being shared on social media, former ESPN SportsCenter anchor Stan Verrett responded to the compliments shared by the Seahawks quarterback.

While viewing habits have evolved and digital platforms now dominate much of the daily news cycle, SportsCenter remains a foundational brand for ESPN. Generations of athletes have cited it as a touchstone, making Darnold’s reflection feel less like a soundbite and more like a shared memory among fans and players alike.

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Ryen Russillo Apologizes for Graphic Photo Posted Unknowingly on Instagram

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Veteran sports media personality Ryen Russillo addressed an unusual and uncomfortable social media episode this week, offering a detailed explanation after an explicit image briefly appeared on his Instagram story without his awareness.

Speaking on the latest episode of The Ryen Russillo Show, Russillo said the photo originated from a direct message he received late at night while staying in a hotel. According to Russillo, he remembers opening the message while scrolling on his phone late at night but has no memory of posting the image publicly or deleting it before falling asleep.

“I opened it up, I looked at it, I was like, ‘Wow,’ assumed it was nothing more than that. And then I closed out of it,” said Russillo.

Russillo described the moment as part of a familiar late-night routine that included mindless scrolling and difficulty sleeping. He explained that his direct messages typically include a mix of criticism, spam, requests for favors, and occasional positive notes, which made the unexpected image stand out when it appeared on his screen.

At no point that night, he explained, did he realize an image had been shared on his Instagram story, nor did he receive any notification that would have alerted him before he went to sleep.

“If I had seen something on my story, I would have freaked out and been like, what happened? Then went to bed,” explained Russillo. “Ready to attack the day [the next day], and I see over 100 calls and texts. My first thought is, are we at war?”

By the time he checked his Instagram account, Russillo says the story had already been removed.

“It was a range of reaction, from you’re the worst to you’re the best, and I don’t feel like either of those are accurate,” said Russillo. “In 16 or 17 years of having a phone and social media, I’ve never, ever been like, ‘Hey this will be cool, I’ll just do this.’ So certainly I feel bad about that part.”

Because he had no recollection of posting the image, Russillo said he attempted to log back into his account to determine whether unauthorized access had occurred. Although he found no clear explanation, he stopped short of blaming hacking or technical failures, noting only that he could not understand how the image moved from a private message to a public story.

Russillo expressed regret for the incident and emphasized that the post did not reflect his intentions or his long-standing approach to social media.

“To the seven to eight thousand new followers that I have on Instagram, get ready to learn solo boating. Because the content is not going to be what you think you’re signing up for,” Russillo noted. “I don’t know what happened and I’m sorry that it did.”

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Dan Bongino Returns to Fox News as Contributor

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Dan Bongino has returned to Fox News, this time as a contributor to the cable news network.

Bongino previously worked as a contributor at the network before receiving his own show, Unfiltered with Dan Bongino.

That program later ended in 2023 when the two sides couldn’t come to an agreement on an extension. At the time, Bongino was hosting the Fox News show in addition to his three-hour nationally syndicated radio show and popular podcast.

Some posited that Bongino’s exit was part of a deal between the network and the Dominion Voting Systems company after the $787.5 million settlement over Fox News’ coverage surrounding the 2020 presidential election. Both Dan Bongino and Fox News have continually denied that the settlement had anything to do with his departure.

He made his first appearance on the network on Monday evening during Sean Hannity’s primetime program, discussing the recent disappearance of the mother of NBC anchor Savannah Guthrie, among other topics.

Dan Bongino rejoins Fox News after having spent the past year working as the Deputy Director of the FBI. Upon his departure from the Bureau, he began hosting his podcast again, which relaunched earlier this month. In the first full week of his return, the program served as the top trending podcast on the Spotify charts.

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Barrett Media’s Top 20 National News/Talk Radio Shows of 2025

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Barrett Media’s Top 20 of 2025 for News/Talk Radio is presented by JJ Surma Voiceovers. Be sure to check out JJ’s work and learn how he can elevate your brand by clicking here.

Our news/talk series starts with a look at the Top 20 National shows of 2025. To learn of future results, visit our website, newslettersXFacebookLinkedInTikTok, and Instagram. The full schedule of upcoming releases is listed down below the images. After the Top 20 series ends in March, I will record a video discussing the entire process. That video will be posted on the Barrett Media YouTube page. Be sure to subscribe so you’re notified once the video goes live.

As you review these results, please remember that they represent the collective feedback shared by our industry voters. Barrett Media does not vote in this process. Our role is to assemble the group, collect the votes, and present the information.

Important Information

#1 – These results are based on 2025’s performance. 2026 changes have no effect on the voting.

#2 – We ask our voters to supply photos and logos to avoid headaches. Some comply, but most don’t. It forces us to spend a lot of time digging for images to highlight everyone. For that reason, there are no photo changes unless it involves a mistake. Thanks in advance for understanding.

#3 – Our executive panel consists of forty (40) program directors and corporate executives from radio’s top broadcasting companies. They include Audacy, iHeart, Cumulus, Cox Media Group, Townsquare Media, Hubbard Radio, Bonneville, Radio One, Nexstar Media, Zimmer Communications, Connoisseur Media, Salem Radio Network, Premiere Networks, Fox News Radio, and a number of independently owned and operated outlets. Our voting group is large because we want feedback from all areas of the country. We also try to make sure the results don’t favor any one company.

#4 – The criteria for our voters included the ear test, originality, multi-platform impact, ratings success, clearance (national shows) and industry buzz. Keep in mind, our voters live in different cities, work for different companies, have different tastes, and value certain factors higher than others. This is not a perfect system but it’s one we feel good about using to showcase the industry’s best.

#5 – A total of 62 shows appeared on ballots submitted for voting consideration in the National News/Talk Radio Shows category.

And the Winner Is…

For the third straight year, our voters have chosen Clay & Buck as the Top National News/Talk Radio Show of 2025. Clay Travis and Buck Sexton finished ahead of Sean Hannity to earn the category win. Congrats to Clay, Buck, Julie Talbott and the entire Premiere Networks team on the well deserved recognition.

I want to thank Dylan Barrett for creating the artwork, and each voter who participated in the process. Now without further delay, here are Barrett Media’s Top 20 National News/Talk Radio Shows of 2025.

Additional Notes:

  • Clay & Buck held a twenty seven (27) point advantage over Sean Hannity to earn the category victory. Clay & Buck also received a category best seven (7) first place votes.
  • Spots 21-25 belonged to Armstrong & Getty, Michael SmerconishLarry Elder, Chris Stigall, and Gordon Deal.
  • The closest contest saw Erick Erickson, George Noory and Dana Loesch separated by two points each from each other for spots #9-#11.
  • Of the 62 shows to appear on submitted ballots, eleven (11) received at least one 1st place vote.

BM Top 20 of 2025 Remaining Schedule:

  • Wednesday February 11 = BM Top 20 Major/Mid Market N/T Radio Morning Shows of 2025
  • Thursday February 12 = BM Top 20 Major/Mid Market N/T Radio Midday Shows of 2025
  • Friday February 13 = BM Top 20 Major/Mid Market N/T Radio Afternoon Shows of 2025
  • Monday February 16 = BM Top 20 Major/Mid Market N/T Radio Program Directors of 2024
  • Tuesday February 17 = BM Top 20 Major/Mid Market N/T Radio Stations of 2025
  • Wednesday February 18 = BM Top 20 Major/Mid Market News Media Digital Shows of 2025

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MLB Swung and Missed Again at a Golden Opportunity With Super Bowl Conclusion

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As the Super Bowl concluded on Sunday night, the unofficial start of the Major League Baseball season was underway. The moment doesn’t carry the excitement of pitchers and catchers reporting or Opening Day, nor should it. Still, for baseball fans around the country, when the Vince Lombardi Trophy is raised, it signals that joyous time once again. Football goes dark, and baseball quietly waits in the wings.

What continues to baffle me is why baseball doesn’t treat this moment the same way a large portion of its fanbase does. For generations, the end of the NFL season has served as a mental handoff to spring. It’s when fans begin plans to check box scores from Florida and Arizona, debating rotation depth, and convincing themselves that this year will be different. Baseball owns that transition emotionally, yet the league continues to treat it like an afterthought.

Sure, a fun tweet or Instagram reel released late at night following the Super Bowl can tease the upcoming season. That effort is better than nothing. But for baseball fans, and sports fans in general, why does Major League Baseball continue to swing and miss when it comes to ramping up excitement for its own product? More importantly, why does the league consistently fail to meet its audience at moments that feel tailor-made for relevance?

Sunday night offered yet another case study in how MLB misses opportunities presented by the Super Bowl’s conclusion.

This week, spring training begins. The boys of summer head to their respective camps to prepare for a new season filled with optimism, roster battles, and renewed hope. This year, spring training arrives with an added layer of intrigue, as it intertwines with the World Baseball Classic. The tournament showcases the sport’s best players in international competition, offering a rare chance to market baseball as both global and modern. It should be a marketer’s dream.

Instead, baseball once again whispers when it should be shouting immediately following the Super Bowl.

The league’s struggle has always been how it advertises itself to a broader audience. Baseball leans heavily on nostalgia and attempts to win over the same fans year after year. Tradition matters, but it cannot be the only strategy.

It is hard to grow stars when the league refuses to think beyond its comfort zone. Other sports manufacture moments. Baseball waits for them to happen organically and then wonders why fewer people are paying attention.

That’s what made Sunday night so baffling.

MLB recently signed a three-year media rights agreement with NBC Sports, a move that should have represented a fresh start and a rare chance to reset perception. Beginning this season, Sunday Night Baseball moves from ESPN to NBC and Peacock. That alone is a significant shift. NBC is now home to the lone primetime baseball game on Opening Day, with the Los Angeles Dodgers raising another championship banner while facing the Arizona Diamondbacks.

It’s a premium window, backed by a network that understands event television.

Earlier in the day, NBC officially announced that Clayton Kershaw, Anthony Rizzo, and Joey Votto would be part of its MLB coverage this season. Those are recognizable names, respected veterans, and legitimate ambassadors for the sport. MLB broadcasts will begin on NBC Sports in less than two months, yet the Super Bowl broadcast passed without a single meaningful mention of baseball’s return.

Silence.

I understand that the Winter Olympics are currently underway, and NBA All Star weekend is next week. You want the cross-promotion naturally leans toward the winter games and next weekend. That makes sense. But nothing for your brand-new MLB media partner? Not even a simple tease? For MLB to not step in and purchase an ad immediately following the conclusion of the Super Bowl on NBC, in front of what was likely more than 100 million viewers, borders on negligence.

This wasn’t just a swing and a miss. It warrants a suspension for lack of hustle.

The landscape wasn’t entirely barren. NBC did air a cross-promotion featuring network talent and shows dodging baseballs inside 30 Rock, with Aaron Judge appearing. It was clever and well-produced. The problem was timing. That ad ran during the pregame, roughly an hour before kickoff. From that point forward, nearly five hours of programming passed without even a passing acknowledgment that baseball season was next on NBC Sports.

That’s five hours of missed reminders. Five hours of missed impressions. Five hours where the sport could have reintroduced itself to casual fans who might only tune in a few times a year.

MLB will never draw the audience the Super Bowl attracts annually. That expectation is unrealistic. Still, with a new partnership with NBCUniversal, one would reasonably assume the league would receive more than a single 30-second pregame ad. Apparently, that assumption was misguided.

It also raises a broader question about strategy. How many baseball fans are realistically tuning into figure skating or bobsledding in hopes of catching a Sunday Night Baseball cross-promotional message that resonates? Cross-promotion only works when the audiences overlap, or when the message is strong enough to cut through. Baseball needs intentional placement, not accidental exposure.

The upcoming Major League Baseball season already faces enough challenges without self-inflicted wounds. Nine teams will introduce new distribution models for local broadcasts due to the fallout involving Main Street Sports Group. That shift creates confusion and potential added costs for fans, testing loyalty in markets that can least afford it.

Labor concerns also linger. Trust in the game remains fragile, with multiple players suspended for conspiring with gamblers. Competitive imbalance continues to widen, as wealthier teams stockpile elite talent while others struggle to keep pace. Even the World Baseball Classic faces uncertainty, with insurance complications leading some countries to reconsider participation altogether.

Against that backdrop, baseball needs good press, smart marketing, and a locked-in audience. The Super Bowl provided exactly that opportunity. Instead, MLB once again struck out looking.

Baseball doesn’t need the Super Bowl to survive. The sport will endure, as it always has. But it desperately needs moments like this to matter. When the biggest stage in American sports goes dark, the next act should already be stepping into the spotlight, not waiting for permission.

Instead, MLB once again chose silence over ambition and nostalgia over urgency. The season will arrive whether the league promotes it or not. Games will be played. Pennant races will unfold. October drama will come.

The real question is whether anyone beyond the already converted will notice.

Opportunities like Sunday night don’t come with a second at-bat. Baseball can’t keep fouling them off forever.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.