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Jonathan Hood Remembers Harry Teinowitz as the “Ultimate Teammate” at ESPN Chicago

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Reaction has been pouring in following news of the passing of Chicago sports radio personality Harry Teinowitz at the age of 64. Teinowitz was a staple of the wildly popular Mac, Jurko, and Harry on ESPN Chicago, drawing massive ratings and notoriety from around the country as a co-host of the “Afternoon Saloon.”

According to the Chicago Sun-Times, Teinowitz suffered from heart and liver issues and had received a liver transplant within the last two years. The 64-year-old sports radio talent first appeared in Chicago on rival station 670 The Score, where he made football selections on Tom Shaer’s morning program. From there, his career would take him to stops at 97.9 The Loop and WGN Radio, eventually ending up at ESPN Chicago.

As morning began in the Windy City, ESPN Chicago host Jonathan Hood announced the news of Teinowitz’s passing to begin this morning’s Kap & J. Hood show.

“Harry was the ultimate teammate,” remembered Hood. “He was someone that would walk over to your cubicle, your desk or your office and offer a handshake, a smile, and all while he’s leaving you with a joke and a smile. He did that all the time.”

Following the emotional tribute, Hood dived into Teinowitz’s history on ESPN Chicago, including his beginnings co-hosting with Spike Manton. He called the pairing “unconventional and irreverent,” as it featured two comedians sharing a deep love for Chicago sports. Furthermore, Hood noted that Teinowitz’s contributions on Mac, Jurko, and Harry from 2001 to 2009 elevated the radio station to new heights it had not seen before.

“They were number one for many years because of their chemistry. Harry is a big part of that,” said Hood. “Harry was the highlight of all of that, because of his bright personality and his lighthearted nature that he provided to all of us as listeners and teammates of his here at ESPN 1000.”

Moreover, Hood credited Teinowitz’s vast knowledge of Chicago sports and his amazing memory for recalling events surrounding both sports and music—qualities that resonated with the listening audience daily for many years. When Hood previously hosted evenings following Mac, Jurko, and Harry, he knew he was walking into a loyal and energized audience every night.

“They set the station on fire,” said Hood. “Now you gotta be able to take the torch from them and just be able to keep it going. I was always happy to know that when my show started in the evening, I’m coming off the hottest show in Chicago sports at the time.”

In addition to his work in sports radio, Teinowitz had a deep passion for comedy and horse racing. Notably, he grew up around the sport, as his father owned four horses that ran in the Kentucky Derby.

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Danny Dwyer, Jake Byron Out at 98.7 The Bull Portland

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Danny Dwyer and Jake Bryon have exited Country 98.7 The Bull KUPL in Portland as part of Alpha Media cuts.

Alpha Media is under an LMA for a pending purchase by Connoisseur.

Dwyer told Country Aircheck, “I’ve gotten to do some amazing things over the years, and worked with some amazing people, but I’m not done.”

Dwyer was on air from 9 a.m. to noon and also served as the station’s Music Director. He joined the station in 1998.

Byron first joined the station in 2004. He exited in 2020 amid budget cuts and returned in 2021 to host noon – 3 p.m.

Additionally, Marketing Director Karli Sann is out. She had been in her role since July 2022.

Dwyer can be reached here

Reach Byron here

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SiriusXM FC Announces MLS All Star Game Coverage

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SiriusXM is giving soccer fans across North America another reason to tune in this summer. Today the satellite radio platform announced it will be the exclusive national provider for both the 2025 MLS All-Star Game and the MLS All-Star Skills Challenge held July 22–23 at Q2 Stadium in Austin, Texas, the home of Austin FC.

Listeners will be able to hear all the action on SiriusXM FC (channel 157), the network’s 24/7 soccer channel, available in vehicles and through the SiriusXM app.

This year’s All-Star Game will pit Major League Soccer’s top players against the best from Mexico’s LIGA MX, continuing a cross-border rivalry that has grown in popularity. Austin FC head coach Nico Estévez will manage the MLS squad, with a full 26-man roster of the brightest stars from around the league.

Calling the action for SiriusXM will be veteran broadcaster Max Bretos on play-by-play, alongside analyst and former U.S. Men’s National Team goalkeeper Tony Meola. Keith Costigan, known for his work with Apple TV’s MLS Season Pass, will serve as sideline reporter, while longtime soccer journalist Tom Rennie will provide additional coverage and insight.

The match is scheduled to kick off on July 23 at 9 p.m. ET/8 p.m. CT. Ahead of the game, SiriusXM will air a special live edition of New Ground, hosted by Jalil Anibaba and Allen Hopkins, live from Q2 Stadium between 8–9 p.m. ET.

The previous night, July 22, the MLS All-Star Skills Challenge will also be broadcast live by SiriusXM at 8 p.m. ET/7 p.m. CT. The same broadcast crew of Bretos, Meola, Costigan and Rennie will be on hand to describe the action as 10 MLS stars go head-to-head with 10 LIGA MX counterparts in a series of technical and creative challenges.

Before the Skills Challenge, the SiriusXM team will host a live three-hour edition of Summer Soccer Tonight from 5–8 p.m. ET, offering a preview of the All-Star festivities and interviews with participating players.

In addition to live match coverage, SiriusXM will provide exclusive behind-the-scenes content, including one-on-one interviews with MLS All-Stars and insight from Estévez.

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66% of Americans Support Funding NPR, New Poll Shows

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There’s a push from Congressional Republicans and President Donald Trump to slash funding to public broadcasters NPR and PBS. If new polling should be believed, that would be an unpopular move.

A new Harris Poll survey shows that 66% of Americans believe that public radio should receive federal funding. Additionally, 66% say that sending the funding to public radio is “a good value” for their tax dollars.

The support isn’t limited to only one side of the political aisle. 77% of self-identified Democrats responded favorably to federal funding continuing to NPR. Meanwhile, 58% of Republicans responded similarly.

76% of Democrats said they found good value with their tax dollars going to NPR, while 59% of Republicans agreed. An additional 71% of respondents said they thought public radio provided a valuable service to the community, while 69% said they trust the news and information provided by public radio.

The survey conducted by Harris Poll included more than 2,000 respondents aged 18 and older.

The release of the data comes as President Donald Trump has sued the Corporation for Public Broadcasting (CPB) in an effort to oust board members. He had previously attempted to fire the members, before it was determined that that was not an option.

Vice President JD Vance had to be called to the Senate floor to cast the tie-breaking vote to continue debate on funding the CPB on Tuesday after Republican Sens. Mitch McConnell (KY), Lisa Murkowski (AK), and Susan Collins (ME) joined all Democrats in voting against the measure. The Corporation, which funds NPR and PBS, is set to receive more than $1 billion in funding unless that allocation is removed.

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Sam Ponder Details Her Exit From ESPN: “I Knew I Was on the Clock”

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Former ESPN host Sam Ponder is opening up about the circumstances surrounding her departure from the network, revealing in a recent interview that pushback over her support of female athletes in the transgender sports debate played a key role in her exit.

Ponder appeared on The Sage Steele Show, hosted by her former colleague, where she said she had been on ESPN’s radar for over a year after publicly endorsing voices like swimmer Paula Scanlan and former Kentucky swimmer Riley Gaines—both of whom have spoken out against the participation of trans women in women’s sports.

“I kind of knew it was possible for a little over a year,” Ponder said. “In the summer of 2023, I had tweeted or retweeted at the time Paula Scanlan who was a swimmer at UPEN with Lia Thomas. She had shared her story. I tweeted something to the effect of it’s worth listening to her story. This is really powerful, and didn’t thinks that was going to get much of a response. It did. But then Sage and I both got the same email.”

That email, according to Ponder, warned her that ESPN leadership was uncomfortable with her commentary and that she should refrain from “misgendering people.” When she asked for specifics, Ponder said the executive admitted he wasn’t sure what policy she had violated.

Soon after, Ponder says she received a detailed follow-up email pointing out that she had “liked” a tweet by Megyn Kelly that read similar to, “Men don’t need gynecologists.” While Ponder didn’t seem to find the content of Kelly’s tweet an issue, ESPN flagged that action as problematic as well as a number of other ones.

Following that e-mail exchange, Ponder says she knew she wouldn’t be long at the network.

“I wrote a really long email that was firing off all my thoughts, but I saved it as a draft and didn’t send anything,” said Ponder. “I knew then that I was on the clock if you will.”

Ponder then explained how she was asked to tape a feature for women’s history month in which she would explain the story of a woman who was most inspirational to her. She said she wanted to do a piece on Riley Gaines, but instead chose to tape a piece on her mother fearing company backlash.

Later that month, ESPN did a feature on Lia Thomas during women’s history month who became the first openly transgender athlete to win an NCAA Division I national championship in any sport.

“That did something to me. I don’t know why, it’s kind of emotional to me,” explained Ponder. “There’s so many incredible women who have dealt with the struggles that are unique to womanhood. For the company to basically say, ‘We’re going to take that spot. We’re going to give it to someone who by their own admission has only “become a woman” within the last year.'”

Though Ponder emphasized that she doesn’t believe she was fired solely over her social media activity, she acknowledged the timing wasn’t coincidental. “The model of my career at that point—only working Sundays on Countdown—wasn’t what they wanted,” said Ponder. “I had been really clear on my boundaries at work. I really don’t think my losing my job was solely because of that [social media posts], but the timing almost certainly was,” she said referencing another post criticizing a trans woman boxing a female opponent.

“They texted me for a call while I was out shopping for NFL gear for my son,” Ponder added. “That’s when I knew.”

Ponder says she did get some support following her dismissal from people at “the top of the company” saying that there is a “loud activist group at Disney,” the parent company of ESPN.

“I should’ve been a lot more courageous,” she admitted. “I wasn’t even really giving my own opinions about it more as much as I was saying listen to these girls. They’re in the locker rooms. Why did they’re opinions not deserve a platform when we’re giving awards for women’s history month to someone born male? I couldn’t understand it.”

Despite the rocky exit, Ponder expressed no bitterness. “It’s one of the best things that’s ever happened to me. I was on the hamster wheel and wouldn’t have jumped off on my own. I needed to get kicked off,” she said.

Ponder spent over a decade at ESPN and most recently served as a host on Sunday NFL Countdown.

“I feel no bitterness or even frankly sadness,” said Ponder. “I had a great career.”

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Marcellus Wiley: All FS1 Lineup Changes Tied to Charlie Dixon’s Exit From Network

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Former FS1 personality Marcellus Wiley is offering his candid, unfiltered look into the internal dynamics at FOX Sports following the recent wave of show cancellations and talent departures, including the network’s decision not to renew Joy Taylor’s contract and the exit of executive Charlie Dixon.

In a recent video posted to his personal platform, Wiley did not mince words, suggesting that Taylor’s departure was tied directly to her alleged connection to Dixon, who was dismissed after facing multiple lawsuits involving misconduct allegations. Wiley emphasized that he was not assigning guilt, but noted the “receipts” are real and that internal investigations had already painted a clear enough picture for leadership to act.

“When the first lawsuit hit, they put [Charlie] on administrative leave,” Wiley said. “Second lawsuit hits, they let him go. Then I knew—Joy [Taylor] ain’t long for this. They’re going to get rid of Joy, and I was like ‘damn.’”

Wiley said that FOX executives, including CEO Eric Shanks, likely viewed the swirling allegations as a liability, even if individuals named were not formally charged. “Guilty or not, we can’t have her just hanging out here having all of that clout of allegation just in this building,” Wiley said, referencing others who were mentioned in legal filings.

“Aint this f***ed up,” Wiley questioned. “Joy [Taylor] got to go and everything Charlie [Dixon] touched or didn’t touch, I’m talking in terms of shows not just people. Everything had to go.”

Wiley also touched on FS1’s reshuffling of its daytime lineup, including what he claims was a plan to replace him with Taylor. According to Wiley, Taylor and co-host Emmanuel Acho had become central to what was originally Speak For Yourself, eventually rebranded as Speak, after Wiley and Jason Whitlock exited. However, he claimed their [Taylor and Acho] ‘partnership’ eventually frayed—further complicating matters for the two talents leading to a separation of programs.

“Charlie gone. Joy gone. Acho got to go,” Wiley said. “So that’s two different shows now ’cause they split. This could have been a little cleaner, but they had to get rid of Joy because of the Charlie [Dixon] convo. They had to get rid of Acho because of the Joy convo. So that’s two different shows.”

He added that the deteriorating working relationship between Taylor and Acho, combined with the network’s internal politics and public perception, made it increasingly difficult for FS1 to keep either host in place. “It was getting sticky,” Wiley said, alluding to the rumored personal dynamics that spilled into professional consequences.

Wiley did not spare criticism of FS1’s management either, alleging that Dixon’s handling of talent and relationships helped accelerate instability at the network. He claimed multiple personalities, including Keyshawn Johnson, Michael Irvin, and Paul Pierce, were affected by the ripple effect of internal decisions tied to Taylor and Dixon.

Regarding the cancellation of Breakfast Ball, Wiley stated that the network “never loved that show” referencing an executive with the network saying that the program “was s**t.”

While Wiley admitted he wasn’t pleased to see anyone lose their job, he said there was a sense of vindication after years of watching what he believed were behind-the-scenes power plays. “I’m not happy when anybody loses their way,” Wiley said. “But we saw this coming.”

FS1 has not commented publicly on the specific claims Wiley made. As for Wiley himself, he said he received what he called a “bad offer” from the network before his exit, and made it clear that his departure wasn’t simply about ratings—it was about respect.

“The love language in sports and in media is how much you paying me,” he said.

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ESPN Chicago Host Harry Teinowitz Passes Away at 64: Chicago Sports Media Reacts

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Longtime Chicago sports radio personality Harry Teinowitz has passed away at the age of 64. Teinowitz was a staple of the wildly popular Mac, Jurko, and Harry on ESPN Chicago, drawing massive ratings and notoriety from around the country as a co-host of the “Afternoon Saloon.”

According to the Chicago Sun-Times, Teinowitz suffered from heart and liver issues and had received a liver transplant within the last two years. The 64-year-old sports radio talent first appeared in Chicago on rival station 670 The Score, where he made football selections on Tom Shaer’s morning program. From there, his career would take him to stops at 97.9 The Loop and WGN Radio, eventually ending up at ESPN Chicago.

In addition to his work in sports radio, Teinowitz had a passion for comedy and horse racing. Notably, he grew up around the sport, with his father owning four horses that would run in the Kentucky Derby.

As news became public of Teinowitz’s passing, current and former members of Chicago’s sports media quickly reacted to the news. In fact, tributes poured in across social media, highlighting the impact Teinowitz had on the local sports landscape and the broadcasting community.

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How 92.9 The Game’s Mike Bell Created a Legacy in Atlanta in a Changing Sports Radio Business

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For the first time in a quarter-century, Major League Baseball’s All-Star Game took place at the home of the Atlanta Braves. The annual mid-summer classic serves as a make-up from Major League Baseball following the game being pulled away from the area and moved to Colorado in 2021, following MLB’s objections to changes in Georgia’s voting rights laws. The game’s arrival also coincides with another milestone in Atlanta, as sports radio host Mike Bell celebrates his 11th anniversary on Audacy’s 92.9 The Game.

“A lot of folks, whether they were for the voters’ bill or not, just don’t take the All-Star Game away. That was a big disappointment when Major League Baseball pivoted to Colorado,” explained Bell. “We have a lot of pride to show off what we got here.”

Bell, a native New Yorker, made the move south after beginning his broadcasting career in the Northeast. Following a short two-year stint in Fort Myers, FL, Bell landed an opportunity working for Steak Shapiro and 790 The Zone in Atlanta. His sports radio journey at The Zone lasted 15 years until Lincoln Financial decided to turn to all syndication, leading to an opportunity to join Audacy’s 92.9 The Game in July of 2014.

“Viability is about relatability,” noted Bell about his tenure at 92.9 The Game. “It’s a mixture of not taking yourself too seriously, but I also wear my heart on my sleeve as a fan. I don’t sit in the press box, I buy season tickets to the Falcons, and I like paying for my ticket so I can bellyache like the fan. I try to keep it real.”

The Rise to the Top for Dukes & Bell

For 27 years, this native son of the Northeast has adopted Atlanta and the passion of its sports fans as his own. As the Atlanta market has grown over the time Bell has manned the airwaves at The Game, he’s noticed a different vibe and passion in the demand for success in Atlanta.

“The fan base intensity has ramped up over the years,” said Bell. “The city as a fan base has just gotten a little more intense, but still keeps that southern charm.”

Southern hospitality blended with a vibrant and diverse culture lies in a big city described as a melting pot with a small-town mindset that dreams big and works hard. Bell has embraced the drive to be great in a competitive radio landscape in Atlanta. With a rising demand for unique and compelling content at all times, Bell, alongside co-host Carl Dukes, prefers to compete with everyone and not just their head-to-head sports radio competitor in 680 The Fan.

“To be honest, now we’re competing against the news talk and rock stations,” noted Bell. “As much as we’re aware of them [680 The Fan], we don’t think of it as that’s the primary competitor. If we’re not on point and not entertaining, there is another option, which continuously lights a fire under you to make sure the show is entertaining.”

Dukes & Bell has been a consistent ratings juggernaut for 92.9 The Game in Atlanta. The journey of rising to the heights of success did not come overnight, but the results from the collaboration of both talents have led to success and desire for more.

“You can’t be complacent. Me and Carl [Dukes], we talk about this all the time. If I’m doing the same argument every day at the same time, that’s going to tune somebody out. Keep trying to keep things fresh,” explained Bell. “That’s probably the hardest part. You don’t want to get that ‘fat cat syndrome.’ Just like a sports manager, your role is penciled in. You get a couple bad books and you’re out the door. There’s always that sense that we know we must keep the numbers up.”

Navigating Changes While Adding to the Arsenel

When Bell arrived at 92.9 The Game, the on-air lineup was much different. With time in radio comes change, which Bell has seen happen in every daypart but his own. However, through all the changes in the lineup — with some as recent as earlier this year — Bell believes the current batting order is the best it’s been for The Game.

“This is probably the best lineup since I’ve gotten there. It’s just a solid group,” shared Bell of his 92.9 The Game teammates. “I think our station is the perfect mix of sports talk and guy talk at the intersection of lifestyle and sports. It’s what makes us so different and unique in Atlanta. We do have the right talent, and we get some talented people.”

A key addition to Dukes & Bell’s arsenal at 92.9 The Game was a recent announcement by the station’s parent company, Audacy. Earlier this month, the spoken-word broadcasting giant announced a new partnership with iHeartMedia, which now allows streaming of all Audacy radio stations — including 92.9 The Game — on the iHeartRadio app.

“That’s awesome. People always thought sports talk radio was ‘the emergency satellite.’ Somehow, we’re going to die. I think sports talk is even bigger than ever,” said Bell. “If you’re upset about your sports team, or you like the host, you want to hear their take on something. To me, that’s evergreen. That’s why I think the sports talk business is always going to be successful. Whether people are celebrating or complaining, they’re dialing in.”

Dukes & Bell Embracing the Return of the All-Star Festivities

With Atlanta welcoming baseball’s mid-summer classic for the first time since the turn of the century, Bell notes this event is a special one to showcase the story of Atlanta as a baseball market. He says the plan was to offer Dukes & Bell as a vessel to bring the listener closer to the game and offer an inside glimpse without the cost of a ticket.

“The history of baseball and the continuity of the nostalgia. We have older famous players, and Braves alumni. People always get a kick out of that,” said Bell of the content plans for the event on Dukes & Bell. “You remember when I was a kid, this guy played. Hearing the stories and anecdotes for a lot of folks, that’s always the fun part. The combination of the star power and trying to take people behind the ropes. I’m looking forward to talking to a lot of former All-Stars.”

With live audiences sharing in the moment both on the radio and in person at live remotes throughout All-Star week, as Atlanta gets to show off its love for baseball to the country, Bell looked forward to sharing the moment with Dukes — who he has built a special bond and lasting friendship with in afternoon drive.

“I’m kind of a loose cannon, so he can put up with me. It’s kind of like the Gumby and Pokey theory — I’d be Gumby and he’s Pokey,” joked Bell about the on-air dynamic between Carl Dukes and himself. “We don’t take ourselves too seriously. It’s funny when we do have an argument. The radio audience is like ‘mom and dad are fighting,’ because we don’t manufacture it. We don’t play the radio game of manufacturing arguments. If we have a real argument, it’s legit and the audience knows it. He’s not just my friend, it’s a friend that you work with.”

Bell jokes that his wife likens him to a 12-year-old with a driver’s license, always acting like a big kid doing what he loves and not for a second feeling like it’s work. Although he has no plans on slowing down, he has a goal in mind for his future in broadcasting.

“I’d love to shoot for 60. I think that’s kind of a nice point in my life,” said Bell on his goal to continue hosting in Atlanta. “As long as Rick Caffey [Senior Vice President, Market Manager, Audacy Atlanta] still wants to pay me, we’ll keep doing it as long as I can.”

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Did CNN’s Pamela Brown Cross a Line By Showing Emotion During Texas Flooding Coverage?

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It was a horrifying tragedy. 27 girls and counselors attending Texas’ Camp Mystic lost their lives when the state was hit with flash floods. Some reporters like CNN’s Pamela Brown and NBC’s Jenna Bush Hager couldn’t cover the catastrophe without crying.

Their emotions overtook them, making it difficult for them to cover the story. Some 160 people are missing, at least 131 are dead. 

“It’s too much to bear,” said Pamela Brown, choking back tears, standing near the cabins. She spent time at the camp as a young child and made the point that parents may be receiving letters from their now-dead children who wrote to them from the camp.

In a live shot, she talked about the difficulty of reporting on the tragedy. “I can’t stop thinking about the fact…about those little girls who were in their decorated bunk beds…waking up to horror.”

The same was true for NBC News’ Today with Jenna and Friends host Jenna Bush Hager, who discussed the catastrophic flooding at the camp where so many of her friends attended. As she reflected on the devastation, she revealed she had recently sent her daughters to a nearby Texas camp. 

She had deep ties to Camp Mystic, located 90 miles from San Antonio.

“My mom was a drama counselor there,” she said, fighting back tears. “Many of my friends were there, had their kids there last week, and the stories I heard over the past couple of days were beautiful and heartbreaking.”

Are tears shed by television news personalities appropriate? Do they cross a line between covering a story and becoming emotionally invested in it? The short answer is no. This is not bad journalism. Some stories hit reporters harder than others, and we can’t expect to be automatons. 

One Canadian anchor, following a report on the Ukraine war, cried in the studio while seeing a soldier find a friend alive in the rubble two months after people thought he was dead. “I’m sorry, it’s so emotional.” 

Viewers praised her, saying she was a “genuine reporter” who gave a  “realistic response” and showed “profound humanity.” It’s true.

CNN’s Anderson Cooper has fought back tears on several occasions, including when his mother, Gloria Vanderbilt, died, when he was covering the Israel-Hamas war, and when he read the names of Orlando nightclub shooting victims. When TV personalities show their emotions, it actually brings the tragedy into perspective, almost mimicking visceral reactions nationwide. 

And probably the most famous ‘tearing up on TV’ moment goes to Walter Cronkite on November 23rd, 1963. He had to announce that President John F. Kennedy had been “pronounced dead” at Parkland Hospital in Dallas. He took off his glasses and choked up, tears in his eyes.

It’s happened to me several times. As a cub reporter at New York 1 News in the early ‘90s, police reported, over one of their scanners we monitored, that a barely breathing infant was languishing in a trash dumpster in Harlem. Just hearing the words made me teary. Covering it was almost unbearable. I didn’t have the experience to know how to compartmentalize my feelings. That’s the only way to get through such awful episodes.

On the streets of D.C., covering the police department, I learned quickly to put on a stoic face when I arrived on the scene of unspeakable tragedies. Like when I reported a triple homicide. Three young Starbucks workers were murdered in the store in a robbery gone bad. Or when I interviewed a sobbing mother whose son was killed by police in front of her. Or when I showed up, and two infants were found dead in a crib in sweltering heat with bugs in their bottles. 

The world is full of hatred, evil acts, and immorality. Being that close to it day by day is exhausting. And it’s ok, every once in a while, not to have control of your emotions. 

On 9/11, when a plane hit the Pentagon, I was in a building overlooking the crash site. I reported for 11 straight hours on TV, several times fighting back tears as the death toll multiplied. I expressed fear when reports came in that there was another plane coming toward D.C., and our 20-plus-floor structure was in the flight path. I had to work without a producer who told us we were crazy to stay, and she was “outta here.” 

In a modern twist, I almost fell for an AI report that said MSNBC’s Rachel Maddow, who reportedly earns $30 million a year, didn’t just report the story in Texas, she stepped into it. Many websites claimed that she “wrote a letter — by hand — to 27 families whose daughters never made it home.” It alleged that inside the envelope was a silver bracelet engraved with 27 names. Then it said that she donated $3 million and “disappeared from the news cycle.” All of it was false, including the pictures. An image circulated of Maddow rescuing an elderly woman whose hands were different colors.

In her actual report from a studio, Maddow’s voice did crack when reporting the death toll. But she immediately pivoted to the blame game. 

I have less patience when political hosts, like CNN’s Van Jones, fought back tears when Trump won the last election. “It’s not the elite who are going to pay the price. It’s people who woke up with a dream and are going to bed with a nightmare.”

When it comes to reporting on the atrocities of this world, viewers need to have compassion and understanding for anchors and reporters giving in to their emotions. We’re only human.

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20 Brands In 20 Days: Elroy Smith Star 94.5 Orlando

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Elroy Smith’s fingerprints are all over some of the biggest Urban stations in the country. From Boston to Chicago, Dallas to San Francisco, Smith has built a career on anticipating what listeners want before they do.

He is the Director of Branding and Programming for Star 94.5 in Orlando and several other Cox Media Group stations, and he is once again proving that great radio is part science, part soul.

He was the first to spin “Candy Girl” by New Edition, the first to take a chance on “Ice, Ice Baby” from Vanilla Ice, and the man behind the unlikely gospel-R&B crossover of Kirk Franklin’s “Why We Sing.”

His programming instincts have earned nods from artists like Alicia Keys and helped launch major careers, from Steve Harvey’s radio debut to mentoring Charlamagne Tha God.

Smith and Star 94.5 are today’s featured brand.

“Our overall premise is to zero in on community needs. That is one of the things that our minds always sort of click. How can we help that listener who has given their time, their energy, their ear to listening to Star 94.5?”

The principle is encapsulated in an acronym.

M.I.C. Music, Information, and Community.

“We make sure that we are playing the best R&B song or songs at every moment on the radio station. It could be an old school song, and we image that to make sure that people are like, oh my goodness, I got married to that song.

“Something from the 90s, which is a huge, huge focus for this radio station and of course music from the 2000s. We have a plethora of music. It’s so broad in terms of appeal.”

“If you look at the ratings, you’ll see that 18 to 34, the station does well, 6 plus, the station does well, 25 to 54, the station does well, and 35 to 54, the station does well. We’re generational. I like that because a single mom could be driving along and feeling confident that my daughter or son in the backseat can enjoy this radio station with me.”

“Everybody can play the hits. Everybody can play the biggest, the best hits. But what makes a radio station click is what happens between those songs that they can hear anywhere.”

To that end, the station avoids “shock content.”

“You can always keep the radio station at a good volume because we do not do shock radio or radio to offend our listeners.”

Information

Information is about relevant content that resonates with its target audience.

“If it pertains to the African-American community, which is our target, 25 to 54, we make sure that the personalities convey that information to them in between the hits. We are what I call the black CNN with music.”

Community

The station works hard at building community. Part of which includes community forums that reflect Orlando’s Black community. Events held in the station’s Stanley Steemer performance room tackle subjects ranging from domestic violence and mental health to police-community relations and wealth-building.

“We have started this whole new campaign, Jeff, where we once a quarter do a community forum at the radio station. We have this performance room, and once a quarter we will zero in on a community matter, like domestic violence.”

“Listeners come to this forum. They get dinner first, and then they hear panelists giving them hope. Giving them inspiration. We’ve done domestic violence, we have done mental health, police and the people. We had the police chief at the radio station facing our audience. I’m sure in the back of his mind, he’s thinking, I’m going into the lion’s den.”

“No, you were not in the lion’s den. You were in a safe space, Chief. And he felt so comfortable talking to this audience. Our audience raised their hands with respect and asked questions. It was a remarkable forum.”

“We’ve also done a forum on marriage beyond the vows. What do you do after you say I do? I do only lasts for what 10 seconds? There were married people in this room asking all sorts of questions, which was amazing. Another one we’ve done, living a debt-free life. Man, this place was packed.”

“We bring experts in, and we have one of our DJs hosting it. People walk away so inspired with hope. When you do those types of things, what happens is that you’re building your brand. It’s going to be hard to tear down this radio station because of these types of investments that we put into this brand that we call Star 94.5.”

For Smith, it is crucial to deliver quality content between the songs.

Leadership

Leadership is rooted in empowerment and dialogue.

“We just had a staff meeting yesterday, and I said to my team, I am not going to do a lot of the talking. I want the team members to talk. So, I gave everyone one an assignment.”

That included having Orlando market legend Monica May offering wisdom on evolving from personality to icon. To honoring the achievements of team members like Lorenzo “Ice Tea” Thomas. Smith turns meetings into forums for peer learning and mutual respect.

“I want everybody to become a star,” he says. “Not just the morning personality, not just the afternoon drive personality, but everybody.”

Standing Out

What goes into the making of a standout talent in the Urban AC format?

“One of the top things that I have seen that has made personalities into brands is the personalities who are able to share their life. I remember when I first started at Star, which was about four years ago. I told one of our DJs, I want you to open up.”

“One day, this personality came on the air and said her age. I’m like, oh my God! Wow, where did that come from? And I said to the person, that’s good stuff!”

“Another personality saying that, I’m married, I have a daughter, versus a personality saying, I am not going to share one thing about my personal life. That’s not a good thing.”

“Our core is female. And when a personality goes on to say, ‘Listen, I purchased this for my wife,’ or ‘this is how I treat my wife.’ Those females are leaning over, turning up the radio to hear this. There is an instant connection.”

Smith recalls a time when a personality came on air to share a diagnosis of diabetes. “I’ve never seen the phones ring like they were ringing. That’s what makes personalities great, when they share.”

“You have to talk as though you are talking to your best friend. Everybody just sounds like, ‘I’m just hanging out, talking to you.'”

Smith shared with me how building a community can lead to poignant, memorable moments, such as Star 94.5’s Daddy-Daughter Dance.

“This listener came up to me and said, ‘My daughter was assassinated when she was 24 years old, and we have taken our granddaughter in. Every year my granddaughter says, Grandpa, are you going to take me to the daddy-daughter dance?”

Next year will be their fifth dance. The station plans to honor them.

“Those types of stories are so real. Seeing fathers come out dancing with their daughters, having a blast, again, just builds the connection between the listener and the radio station. So my personalities know content is so important.”

Coaching

Constructive coaching is part of the culture for Smith and Star 94.5.

“Do not treat your shift as a shift. Treat it as a show. A shift is just reading the liners and saying, good night, I’m done. No, it’s not like that.”

“We look for the good, and we also look for the things they can improve. But one of the things I’ve learned is that if you get a personality to say, what would you do differently? They are now engaged. If it’s just one-sided, from my point of view, that’s not right, that’s no good. It’s a conversation, so they walk away feeling encouraged.”

The Future

How does the future look for Urban AC?

“If it’s just about the music and the music only, people can find that on YouTube or Spotify. If you’re not impacting the soul of that listener, you’re in trouble. To the point where we now refer to Star in one of our positioning statements as The Soul Of Orlando.”

The future also involves striking a careful musical balance.

“You’ve got to be careful not to sound so old, and you’ve got to be careful not to sound too new. It’s a balance where, when that listener turns on the radio, they should know the song instantaneously. We’re not anxious to break music.”

“We’re anxious to play songs that people can sing along to. When the average person goes to the radio, the first thing they want to find is a song that they know. And if they do, they end up singing along and being hooked.”

Smith acknowledges that there are times when new music can truly stand out.

“When Bruno Mars’ ‘Leave The Door Open’ came out, I said this thing is going to be a hit. Not thinking it was going to be a monumental hit. Why? It had a nostalgic feel.”

However, in the end, we return to where we began, with personalities and the station playing a vital role in the community.

“We do not hire liner personalities, we hire personalities. There’s a difference.”

“We try to present the radio station as a lifestyle radio station. We help organizations focus on children, health, education, and hunger – we do it all. We’re like Walmart. You come here and you get everything. You don’t have to go anywhere else.”

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