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Barrett Media’s Top 20 Country Radio Shows of 2024

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We’ve reached the end of the first week of Barrett Media’s Top 20 of 2024 presented by Radio.Cloud. Today we recognize the Top 20 Country radio shows of 2024. In addition, we’ve revealed the Country format’s Top 20 program directors. Stay updated on all of the results by visiting the website, following BM on XFacebook or LinkedIn or signing up for our newsletters.

Our Top 20 series has highlighted the Sports and News/Talk formats for years, but this is our first entry for music radio. It’s by far the largest project we’ve ever done. 173 program directors, corporate executives, and format consultants voted in this series. 250+ were invited to be a part of it. Though some brand leaders and company executives didn’t make time to vote and some didn’t respond, I’m ecstatic with our turnout. I wasn’t sure what to expect when this process began given that I’m a new face to some, but many knew our brand, and were excited to participate. It’s been fun connecting with many accomplished radio professionals.

As you review these results, please remember that they represent the collective feedback shared by our industry voters. I do not vote in this process. My role is to assemble the group, collect their votes, and present the information. At the conclusion of the series, Jeff Lynn and I will record a video for the Barrett Media YouTube page sharing our takeaways from the series. Be sure to subscribe to the page so you’re notified of when the video goes live.

Given the size of Music Radio formats, we are presenting the Top 20 shows and programmers from ALL markets. This includes Major Markets, Mid-Markets, and syndicated programs. The best of the best if you will. Some formats are combined due to similarities such as AC/Hot AC, Adult/Classic Hits, and Rock (Active/Modern Rock). There are also a few shows, hosts and/or programmers who appear on lists in multiple formats due to their stations featuring music and programming that crosses over.

Important Information

#1 – Music radio is a massive space, and stations don’t always provide or update information. That makes it hard at times to issue credit to deserving programmers or hosts. We’ve tried to be accurate with the spelling of names, shows, brands, cities, and positions, but we’re human, and mistakes happen. If you see an error, please email Jason@BarrettMedia.com so we can make a correction.

#2 – We’ve asked the voters to supply photos and logos to avoid headaches. Some comply, but most don’t. That’s consistent with voters in our sports and news/talk series too. It forces us to spend a lot of time digging for images to highlight everyone. For that reason, there are no photo changes unless it involves a mistake. Thanks in advance for understanding.

#3 – This series specifically focuses on United States terrestrial music radio shows and programmers. Shows and brand leaders with Apple Music, Spotify, Amazon, SiriusXM, YouTube, podcasts and programming outside the United States are not included.

#4 – 109 Country radio shows received votes on ballots turned in by our voters. Executives were asked to rank their Top 10 selections using the following criteria: Quality of Show (ear test), OriginalityRatings Success, Ability to Entertain-Inform-Connect Across Multiple PlatformsClearance (national shows) and Industry Buzz. A 1st place vote equals 20 points, 2nd gets 18, and it goes down by 2 each time until reaching 10th and earning 2 points. Remember, our voters live in different cities, have individual tastes, work for different companies, and value certain factors higher than others. This is not a perfect system but it’s one we feel good about using to showcase the industry’s best.

#4 – 27 broadcasting companies are represented in this series. Among them include iHeartMedia, Audacy, Cumulus Media, Townsquare Media, Beasley Media, Hubbard Radio, Bonneville, Meruelo Media, Radio One, Cox Media Group, Alpha Media, Connoisseur Media, Saga Communications, Hearst Communications, Rubber City Radio Group, Cromwell Media, Press Communications, Pamal Broadcasting, Lotus Communications, Shamrock Communications, Midwest Communications, Seven Mountains Media, Summit Media, Buck Owens, Local Media San Diego, Colorado Springs Radio Broadcasters, and Milwaukee Media Group. Another 18 consulting groups were involved as well. We involve people from different groups and cities to make sure balance is provided.

#5 – Though we have a total of 173 voters in this series, the number voting on each format is lower. This is by design. We wanted experts from each format to vote on what they know best, and avoid situations where managers with less format familiarity are impacting the results. 56 programmers, consultants, and executives voted on the Country category, which was the largest participation for all formats in this series.

I want to thank Dylan Barrett for doing an excellent job with our graphics, and Stephanie Eads for helping with the voting process. I’d also like to thank every single voter who made time to participate. Now without further delay, here are the Top 20 Country Radio Shows of 2024.

Additional Notes:

  • Bobby Bones recorded the largest category win of any show in the entire Barrett Media Top 20 series. Bones finished 144 points ahead of runner up Chris Carr & Company, and received a series high of 17 first place votes.
  • Spots 21-25 went to Melissa & AustinKatie & Company, Brooke TaylorPaul Schadt & Sarah Lee, and Nicole Michalik.
  • The closest battles saw Big D & Bubba and Hawkeye in the Morning finish 1 point in front of John & Tammy, and Kincaid & Dallas.
  • Of the 109 shows to receive votes, 11 received at least one 1st place vote.

Barrett Media Top 20 of 2024 in Music Radio Upcoming Schedule:

  • Monday January 27 = BMM Top 20 Urban/Hip-Hop Radio Shows and Program Directors
  • Tuesday January 28 = BMM Top 20 AC/Hot AC Radio Shows and Program Directors
  • Wednesday January 29 = BMM Top 20 CHR/Top 40 Radio Shows and Program Directors

Barrett Media’s Top 20 Country Radio Program Directors of 2024

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We’ve reached the end of the first week of Barrett Media’s Top 20 of 2024 presented by Radio.Cloud. Today we recognize the Top 20 Country radio program directors of 2024. We’ve also revealed the Country format’s Top 20 radio shows. Stay updated on all of the results by visiting the website, following BM on XFacebook or LinkedIn or signing up for our newsletters.

Our Top 20 series has highlighted the Sports and News/Talk formats for years, but this is our first entry for music radio. It’s by far the largest project we’ve ever done. 173 program directors, corporate executives, and format consultants voted in this series. 250+ were invited to be a part of it. Though some brand leaders and company executives didn’t make time to vote and some didn’t respond, I’m ecstatic with our turnout. I wasn’t sure what to expect when this process began given that I’m a new face to some, but many knew our brand, and were excited to participate. It’s been fun connecting with many accomplished radio professionals.

As you review these results, please remember that they represent the collective feedback shared by our industry voters. I do not vote in this process. My role is to assemble the group, collect their votes, and present the information. At the conclusion of the series, Jeff Lynn and I will record a video for the Barrett Media YouTube page sharing our takeaways from the series. Be sure to subscribe to the page so you’re notified of when the video goes live.

Given the size of Music Radio formats, we are presenting the Top 20 shows and programmers from ALL markets. This includes Major Markets, Mid-Markets, and syndicated programs. The best of the best if you will. Some formats are combined due to similarities such as AC/Hot AC, Adult/Classic Hits, and Rock (Active/Modern Rock). There are also a few shows, hosts and/or programmers who appear on lists in multiple formats due to their stations featuring music and programming that crosses over.

Important Information

#1 – Music radio is a massive space, and stations don’t always provide or update information. That makes it hard at times to issue credit to deserving programmers or hosts. We’ve tried to be accurate with the spelling of names, shows, brands, cities, and positions, but we’re human, and mistakes happen. If you see an error, please email Jason@BarrettMedia.com so we can make a correction.

#2 – We’ve asked the voters to supply photos and logos to avoid headaches. Some comply, but most don’t. That’s consistent with voters in our sports and news/talk series too. It forces us to spend a lot of time digging for images to highlight everyone. For that reason, there are no photo changes unless it involves a mistake. Thanks in advance for understanding.

#3 – This series specifically focuses on United States terrestrial music radio shows and programmers. Shows and brand leaders with Apple Music, Spotify, Amazon, SiriusXM, YouTube, podcasts and programming outside the United States are not included.

#4 – 66 Country radio program directors received votes on ballots turned in by our voters. Executives were asked to rank their Top 10 selections using the following criteria: Quality of Shows (ear test), OriginalityRatings Success, Ability to Entertain-Inform-Connect Across Multiple PlatformsClearance (national shows) and Industry Buzz. A 1st place vote equals 20 points, 2nd gets 18, and it goes down by 2 each time until reaching 10th and earning 2 points. Remember, our voters live in different cities, have individual tastes, work for different companies, and value certain factors higher than others. This is not a perfect system but it’s one we feel good about using to showcase the industry’s best.

#4 – 27 broadcasting companies are represented in this series. Among them include iHeartMedia, Audacy, Cumulus Media, Townsquare Media, Beasley Media, Hubbard Radio, Bonneville, Meruelo Media, Radio One, Cox Media Group, Alpha Media, Connoisseur Media, Saga Communications, Hearst Communications, Rubber City Radio Group, Cromwell Media, Press Communications, Pamal Broadcasting, Lotus Communications, Shamrock Communications, Midwest Communications, Seven Mountains Media, Summit Media, Buck Owens, Local Media San Diego, Colorado Springs Radio Broadcasters, and Milwaukee Media Group. Another 18 consulting groups were involved as well. We involve people from different groups and cities to make sure balance is provided.

#5 – Though we have a total of 173 voters in this series, the number voting on each format is lower. This is by design. We wanted experts from each format to vote on what they know best, and avoid situations where managers with less format familiarity are impacting the results. 56 programmers, consultants, and executives voted on the Country category, which was the largest participation for all formats in this series.

I want to thank Dylan Barrett for doing an excellent job with our graphics, and Stephanie Eads for helping with the voting process. I’d also like to thank every single voter who made time to participate. Now without further delay, here are the Top 20 Country Radio Program Directors of 2024.

Additional Notes:

  • Marci Braun scored a 22 point win over Gregg Swedburg. She was tied with Jeff Kapugi for the most 1st place votes with 5. Gregg Swedburg, Mike Preston and Tim Roberts each received 4 1st place votes.
  • Spots 21-25 were held by Brent MichaelsTim Richards, John ReynoldsSteve Stewart, and Chris Michaels.
  • The closest battle saw Ashley Morrison hold off Chad Rufer by 2 points.
  • Of the 66 program directors to receive votes, 19 received at least one 1st place vote.

Barrett Media Top 20 of 2024 in Music Radio Upcoming Schedule:

  • Monday January 27 = BMM Top 20 Urban/Hip-Hop Radio Shows and Program Directors
  • Tuesday January 28 = BMM Top 20 AC/Hot AC Radio Shows and Program Directors
  • Wednesday January 29 = BMM Top 20 CHR/Top 40 Radio Shows and Program Directors

Comcast Introduces New Sports and News Video Bundle

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Comcast has launched a new video package titled “Sports & News TV,” an offering that will bring Xfinity customers broadcast, cable news and sports channels and access to the Peacock over-the-top streaming service. When combined with Xfinity Internet, the video bundle will cost $70 per month and also include 300 hours of cloud DVR storage and the ability to view more than 100 free streaming channels within the overall guide. Networks owned by Comcast, The Walt Disney Company, FOX Corporation and Paramount Global are among the offerings, presenting games across various major sports leagues and properties. The skinny bundle of channels, however, does not have any Warner Bros. Discovery-owned networks, such as TNT, TBS and truTV.

“With Sports & News TV, we’ve brought together top networks for live sports and news and Peacock, the best streaming service for sports fans, to create a new video bundle packed with the best content at an unbeatable price, all accessible within a premium viewing experience that makes it easy for customers to find the content they care about most,” John Dixon, senior vice president of entertainment at Comcast, said in a statement. “Sports & News TV is a terrific option for customers looking for a great value in entertainment without sacrificing their favorite live sports and news channels.”

In addition to the Sports & News TV package, Xfinity customers are also able to add the “More Sports & Entertainment” package that includes access to NFL RedZone, MLB Network and NBA TV among other channels for an additional $9.95 per month. The Xfinity StreamSaver package, which comes with Netflix and Apple TV+, is also available as an add-on for $15 per month. 

Approximately one week ago, DirecTV introduced the MySports streaming package that brings content from Disney, FOX and Warner Bros. Discovery to consumers for $69.99 per month. This took place shortly after the discontinuation of Venu Sports, the joint streaming venture between the aforementioned companies that was blocked from launching with a preliminary injunction after a lawsuit from Fubo.

Even though Fubo dropped the lawsuit concurrent with an agreement to merge with Hulu + Live TV, challenges from DirecTV and EchoStar-owned Dish arose thereafter. All three companies continue exploring innovations in streaming, including FOX including its broadcast of Super Bowl LIX on Tubi in 4K resolution. ESPN reportedly plans to launch its Flagship direct-to-consumer product this fall, while Warner Bros. Discovery continues to offer the B/R Sports Add-On through Max.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Justin Shackil Leaves New York Yankees Postgame Hosting Role on WFAN

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Justin Shackil has announced that he will no longer be hosting postgame coverage on New York Yankees radio broadcasts heading into the 2025 season. Shackil, who filled in for parts of the last few years for play-by-play broadcaster John Sterling, articulated that the position requires one to have a constant presence, something he is unable to provide at this point. As Shackil moves forward, he will still make appearances on the YES Network in a variety of roles while focusing on his work with Matchroom Boxing events on DAZN.

Throughout a preponderance of the regular season, Shackil alternated work on Yankees radio broadcasts with Emanuel Berbari as the play-by-play announcer alongside analyst Suzyn Waldman. Five months after Sterling suddenly announced his retirement amid his 36th season with the Yankees radio broadcasts, he returned to the radio booth to call the final two regular season series and all the postseason games. Dave Sims, former WFAN host and play-by-play announcer for the Seattle Mariners, is returning to New York to serve as the new radio voice of Yankees baseball. It remains unknown who will be hosting postgame coverage on WFAN, although it is a program on which Berbari has worked previously.

“Thank you to the Yankees and WFAN for giving me one of the best seats in the house the last few seasons,” Shackil said in a post on X. “I am proud of the work we did, but I am also looking forward to what lies ahead. Also, thank you, the fans, for your great support with your kind messages and our interactions at home and on the road. Y’all rock! See you soon!”

Before starting with the YES Network, Shackil was an in-game host at Yankee Stadium and also freelanced for companies such as SiriusXM, Westwood One and Entercom. As an undergraduate student, Shackil attended Fordham University and studied communications where he participated at WFUV and also interned at Entertainment Tonight.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Ratings Roundup: Fox News, NewsNation See Record Highs Due to Inauguration, Face the Nation Leads Sunday Show Challengers

The Lead

A presidential inauguration is a once-every-four-year opportunity for the news television industry to show one of the grander spectacles in American political life. And for that opportunity, more viewers tuned into Fox News than anywhere else.

The network set a new high water mark for its presidential inauguration coverage, as it averaged 11.4 million during the 11:30 AM-1 PM ET timeslot on Monday afternoon, when Donald Trump took the oath of office to officially be sworn in as the 47th President in United States history.

Of the 11.4 million viewers, 2.4 million were in the key Adults 25-54 demographic.

The next closest challenger to Fox News in the cable news world was CNN, which featured an average audience of 1.9 million viewers during the window. MSNBC averaged 938,000 total viewers.

Meanwhile, on the network news side, the ratings race was significantly tighter than in the cable news world. ABC News eeked out a total ratings win, with 4.9 million total viewers in the timeframe. It topped NBC News, which saw 4.8 million total viewers, and CBS News with 4.6 million.

In the key demographic, NBC was first with 1.3 million while ABC (1.2 million) and CBS (1.1 million) were close behind.

The good ratings news for Fox News continued as it debuted The Will Cain Show on Tuesday afternoon. Cain stepped into the timeslot previously occupied by Your World with Neil Cavuto. During its inaugural episode, the show averaged 3.5 million viewers and 451,000 in the Adults 25-54 demographic.

The Tuesday show was the highest-rated daytime debut in history and was the second-highest-rated broadcast in the 4 PM ET window since 2021. It was up 106% in total viewers and 128% in the coveted demographic compared to the 2024 average for the timeslot.

NewsNation Sets New Record High

Also seeing an inauguration day high was NewsNation. The cable news outlet saw its highest total day viewership average in network history on Monday, January 20th. For the duration of Inauguration Day, the network averaged 134,000 total viewers, with 32,000 in the key Adults 25-54 demographic.

Additionally, Elizabeth Vargas Reports set a new record high, as that program earned 143,000 total viewers. Chris Cuomo’s primetime program, meanwhile, saw it’s highest ever viewership in the key demographic, with 60,000 viewers.

That performance on Inauguration Day came on the heels of the network besting MSNBC in primetime in the key demo on Saturday, January 18th with its primetime special Hunting UFOs. The program, which aired at 8 PM ET, saw more viewers from the Adults 25-54 demographic than each MSNBC primetime program on the same day.

Face the Nation Leads Meet the Press, This Week, and FOX News Sunday

The race for supremacy in the Sunday political affairs program continues to be won by CBS News’ Face the Nation.

On Sunday, January 19th, the program helmed by Margaret Brennan scored 2.8 million total viewers, earning the top spot in the category. The program has continually earned the most viewers since Brennan co-anchored the CBS News Vice Presidential Debate alongside Norah O’Donnell in October.

ABC News’ This Week with George Stephanopoulos was second with 2.4 million viewers, while Meet the Press was close behind with 2.3 million total viewers for NBC News.

In the key demographic, the NBC News show moderated by Kristen Welker earned the top spot with 473,000 viewers while Face the Nation finished with 468,000 viewers. The Stephanopoulos-led show was third with 363,000.

FOX News Sunday, anchored by Shannon Bream, saw an average total audience of 1.2 million viewers, with 266,000 coming from the key demographic.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

The Radio Industry Remembers Gary Krantz With Admiration and Appreciation

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Longtime radio executive Gary Krantz died earlier this week, mere weeks after celebrating his 65th birthday.

Krantz served as a syndicator with MJI Broadcasting from 1981 until 1995 before joining AMFM Radio as Executive Vice President of Programming. After Clear Channel acquired the company, Krantz took on an Executive Vice President role at Premiere Networks. From there, he joined the liberal talk network Air America, before joining Westwood One after Air America ceased operations.

At Westwood One, Gary Krantz served as the Chief Digital Media Officer before launching his own consultancy, Krantz Media Partners, where he worked with outlets such as Red Apple Audio Networks.

Additionally, in recent years, Krantz served as the Managing Partner for Podcast Radio US, helping distribute the brand and format around the country.

The news of Gary Krantz’s passing sent shockwaves through the industry Wednesday afternoon.

“Gary and I have known each other for over 50 years,” Ron Rivlin, President and CEO of Ron Rivlin Media said. “We grew up together in New Jersey, went to junior high together, went to high school together. He was at my Bar Mitzvah, he was in my wedding party. As I like to say, I was at all of his weddings,” Rivlin said with a chuckle.

“It’s a horrible, horrible situation. What can I say? I love the guy. He was everybody’s friend,” he continued. “Anybody who knew him was automatically his friend. My Facebook feed is just full of tributes and reminiscing. His influence is just so far and so wide. I miss him already.”

“I still am stunned, cannot believe he is no longer here,” said Valerie Geller, longtime radio leader, author, and President of Geller Media International. “The world will be a quieter, emptier place. And a huge loss for radio.”

Krantz was well-respected in industry circles. And that is shown through numerous conversations after his passing.

“I think Gary was an amazing advocate for radio,” said Xperi Senior Vice President of Broadcast Radio and Digital Audio Joe D’Angelo. “He was an innovator who was helping radio find its footing in the digital era, and trying to ensure the industry had a bright future in this very competitive landscape.”

“Gary was — first and foremost — friends, to everybody and helpful to everyone,” said McVay Media President and founder Mike McVay. “And then when you go to the professional part of it, he just absolutely loved the business and would help anyone, and suggest anyone. He would be there if somebody needed anything. His loss is unexpected and he is going to be greatly missed.”

“It’s impossible to gauge his impact on our industry,” said Geller. “Gary was a force of nature. Always positive. And he could talk you into anything. He took on diverse projects, from Air America, Westwood One, and his own agency. He was successful at all of them … Gary knew everybody. He was a master networker and loved connecting people together. Gary liked to make things happen and to solve problems. He was smart and he was good at it … He was a special special person and one who will be sorely missed.”

“Gary was the ultimate connector,” added Rivlin. “He put he put people together. When he saw opportunities, he knew the right people to ask to bring projects to fruition. I think of him as an entrepreneur. He was an ahead-of-the-curve type of guy. And his reputation was such that whenever somebody was starting something new, whether it was Podcast Radio or whatever it was, the task was ‘How do we get Gary on board?'”

A memorial service will be held on Sunday, January 26th at Riverside Memorial Chapel at 180 West 76th Street in New York. In lieu of flowers, the family requests donations be made to the American Foundation for Suicide Prevention in Gary Krantz’s memory.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Kirk Herbstreit’s Emotional Reaction to Ohio State Win Made for Great Television

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I usually root for whoever is playing Ohio State. The problem is, I also normally root for whoever is playing Notre Dame. So, for this year’s CFP Championship, I was rooting for some sort of electrical failure or an earthquake that would have prevented the game from ever being played.

However, that didn’t happen, and the game was in fact played and Ohio State came out on top in a game that looked like it was going to be a blowout before Notre Dame made a game of it, and it turned out to be a fun watch.

At the end of the game and following the broadcast, ESPN’s Kirk Herbstreit was visibly emotional. Herbstreit played at Ohio State, his son is on the team, clearly the game meant a lot to him. And I am here to tell you that it is ok that he did that, and we will all go on with our lives. As a dear friend of mine once said, “It’s not going to change my weight one way or the other.”

With that said, I kind of understand the negative reaction and I seriously think a lot of it stems from College GameDay and the picks segment at the end of the show. We’ve all seen it, one of the big games of the week is up that ESPN or ABC is carrying, and Rece Davis has to say something like, “Kirk’s on the call for this one, so he can’t make a pick…”

So, let me get this straight. A guy who is a college football expert, who studies the game, watches the film, knows the two teams in whatever game it is about as well as anyone, can’t tell us who he thinks will win based on all of the information he has? Why not? Whose weight is that going to change?

It feels like this is one of those things that was a rule set back in the 80’s and nobody has changed it since. In the end, I don’t really care if Herbstreit makes a pick or not, but it seems like mixed signals here. He can’t pick a team he thinks will win hours before the game because then people will think perhaps, he is ‘rooting’ for that team to win?

If that’s the case, shouldn’t he never have been allowed to call Ohio State games in the first place? Do we think when he does a game that Ohio State is playing in that he not only thinks they are going to win, but he is rooting hard for them to win? Just like you or I would when our team plays.

I used to laugh at the people who would give Joe Buck trouble all the time for rooting for this team or that team. I’ve heard Joe say numerous times it doesn’t matter because both sides are always going to rip him for favoring the other team. However, Joe grew up in St. Louis and like all St. Louisans, the Cardinals are in his blood. He practically grew up at Busch Stadium.

Guess what? One can probably safely assume Joe is a Cardinals fan and doesn’t like teams like the Chicago Cubs as much because every person born in St. Louis is taught to love the Cardinals and hate the Cubs. Now, personally I don’t think you could ever tell when you heard Joe call a Cardinals-Cubs game for FOX which way his fandom went, but even if you could, so what? He’s a professional with a job to do, he can call a baseball game on television without his rooting interests getting in the way.

These guys are human beings, too. I know that is hard for many of us to keep in mind. Kirk Herbstreit didn’t wake up and tell himself he was going to get emotional over a game on live television, it just happened. It was real. And that’s what made it great content. Reminded me again why we love sports so much.

But if the WWE can finally recognize kayfabe publicly, then I think it’s time to just let Kirk make the damn pick.

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The Best/Worst Thing I’ve Heard/Watched/Read Recently

The best thing I read recently was a LinkedIn post from Tim Montemayor, aka ‘Monty’, who I wrote about on the site yesterday. Around the time of the last iHeart round of layoffs (or was it the time before that, who can keep track these days).

Montemayor posted at the time, “A lot of good people in radio lost their jobs today. If I can be of service, in any way, please reach out. I offer coaching on creating your own platform on YouTube as well as other digital platforms! If you were impacted by these moves today, my services are free of charge.”

Tim will tell you himself he has some regrets from the way he treated people in the business in the past, but that is just where all of that lies, in the past. Montemayor is doing big things on YouTube and overall in digital and people would be wise to reach out to him and learn more.

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In Case You Missed It

Demetri Ravanos wrote a column earlier this week you should read if you did not already. The column was about stations hiring people from their own market versus going out and finding the best talent. The points are well made. Most of the time there is no ‘national search’, there is a look down the part-time roster to see who companies can pay the least that won’t be awful. That’s pretty much the standard these days in a lot of markets.

I liked this that Demetri wrote, “A local identity is what makes sports talk work. That’s true for all audio, so I get why a station wants its talent to feel connected to the market. Audiences prioritize themselves though. They just want to be entertained. And I think they would be forgiving of someone not sounding like them if the content is reliably strong.” 

To read the full column, click here.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

The Pulse: The Top 20 of 2024, Community Connections, And Radio Industry Happenings

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This past Monday, Barrett Media began the Top 20 of 2024 series, featuring the top Program Directors and Shows across music radio formats as voted by their industry peers.

The lists feature a who’s who of the best and brightest in the radio industry.

I’ve had the opportunity to talk to several of the programmers who made the list, and despite the differences in formats, geography, and ownership, I’ve noticed some similarities in what they credit for their success.

Among the consistent traits:

  • Sharing or giving credit to their people tops the list.
  • Passion for the industry, their station, and people.
  • Being open to ideas from anyone on the team.
  • Celebrating wins as a team and being proud when someone on their team moves on to greater success.
  • The belief that radio has a role in serving its community and not just in times of crisis.
  • Being transparent and keeping their team in the loop.
  • The belief that young people will still want to get into radio… you just have to look a little harder for them.
  • A firm belief that while radio sometimes shoots itself in the foot, it is far from dead, and provides a unique listening experience that streaming or pure plays can’t match.

Over the next few weeks, I will continue to feature people from the lists. So far, while exhibiting most of the traits listed above, I have learned something or taken away a great idea from each of them.

For instance, check out the feature with Terrie Carr at WDHA and her brilliant idea to generate revenue by sponsoring the station’s parking lot.

This is a graduate-level class in programming and content creation.

Watch this space.

Community Connections:

Congratulations to Eric Church and Luke Combs, co-recipients of the Country Radio Seminars 2025 Artist Humanitarian Award. They are recognized for raising over $24 million for Hurricane Helene relief efforts.

Saga Communications CBUS Media Group, Columbus, OH, hosted its annual “Stay Alive 5 Stuff The Bus,” collecting hats, gloves, coats, and boots for Ohioans in need. The items collected benefit Mission Warmth.

Industry Happenings:

The nominees for the 2025 iHeartRadio Music Awards have been announced. In addition to the awards show, Lady Gaga will be honored with the iHeartRadio Innovator Award, and Mariah Carey will receive the iHeartRadio Icon Award.

See the list of nominees here.                        

The Radio Advertising Bureau (RAB) will host a free webinar, “Better Together in 2025: A Unified Approach to Nielsen’s Measurement Modernization,” at noon (CT) on January 29. Register here.    

        

Add ons:

Cox Media’s 97.1 The River, Atlanta, will celebrate its 19th birthday with The River’s Rockin’ Birthday Bash on May 9.

The concert with Billy Idol’s “It’s A Nice Day To…Tour Again!” featuring Joan Jett & The Blackhearts will take place at Atlanta’s Ameris Bank Amphitheatre.

Bit Of The Week:

Hit me with your best. The Pulse wants to include your show with the “Bit Of The Week.” If you want to be featured, please send me an mp3 of your best, most recent bit to jeff@barrettmedia.com.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Full Metal Jackie Is Passionate About All Things Metal

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The Full Metal Jackie Radio Show, hosted by Jackie Kajzer, is syndicated on over 65 terrestrial stations across the U.S. and broadcasts on AFN (American Forces Network), bringing Rock and Metal to service members stationed overseas and ships at sea from Asia to Europe.

Additionally, Kajzer hosts Whiplash with Full Metal Jackie on 95.5 KLOS in Los Angeles and is the author of Full Metal Jackie Certified: The 50 Most Influential Metal Songs of the 80s. If that’s not enough, she also hosts and curates the Full Metal Jackie Channel and The Full Metal Jackie Slaylist on the iHeart Radio App. 

Beyond radio, Kajzer works in artist management, particularly with Five Finger Death Punch (a band she is largely responsible for breaking) at Tenth Street Entertainment. She also spearheads promotions and artist development for the #1 Rock label, Better Noise Music.

Kajzer grew up in New Jersey, inspired by the Hard Rock and Metal she heard on 89.5 FM WSOU, Seton Hall’s Pirate Radio. “That station sparked my passion for radio and motivated me to attend Seton Hall so I could become part of it—which I did,” she says. “After graduating, I began my career as a DJ at WHTG in South Jersey and later moved to WDHA in North Jersey.”

In 2001, Kajzer relocated to Los Angeles to pursue artist management and radio promotion. “A few years into my time in LA, I launched a show on Indie 103.1, working alongside incredible talents like Steve Jones (who coined the name Full Metal Jackie), Henry Rollins, Dave Navarro, and Rob Zombie,” she explains. “During that time, I was also traveling across the country as a radio promotions rep and building relationships with programmers—many of whom are still good friends today.”

During this period, Kajzer was asked to create metal shows for various stations. She eventually began syndicating her show independently, growing it to eight to ten stations on her own. This caught the attention of a syndication company, which helped expand the show’s reach to even more stations nationwide.

“In 2016, Keith Cunningham invited me to host a hard rock show on 95.5 KLOS in Los Angeles, which became WHIPLASH—a show I’m proud to still host today. In addition, I program the Full Metal Jackie Channel on the iHeartRadio app, which is a 24/7 metal channel and also airs my syndicated show after it broadcasts on weekends.”

What separates The Full Metal Jackie Radio Show from the rest is her focus on the music and the guests. You can tell by listening to her and reading her answers to these questions that her success started with a massive passion for the music and those responsible for creating it. You know what they say, “You can hear her smiling on the radio,” and you can tell she really loves what she does.

“The vibe of my show is all about celebrating the spectrum of Hard Rock and Metal, from the iconic classics of the ‘80s and ‘90s to today’s most exciting releases,” says Kajzer. “I aim to strike a balance between recognizable hits that fans know and love while also spotlighting the new music in Metal that truly matters. And while I’ve had the privilege of meeting and working with incredible people, the spotlight isn’t on me; it’s on the artists and their stories. I want my audience to feel connected to the music and the voices behind it, keeping the energy authentic and fan-focused.”

“I take pride in breaking new and emerging talent, giving them a platform to reach passionate listeners while also celebrating legendary bands and artists who might not get the recognition or airplay they deserve anymore. It’s about keeping the music alive and thriving, honoring its past while championing its future.”

One of the things Kajzer’s show is known for is Jasta’s Weekly Pick from the Pit, featuring Jamey Jasta of Hatebreed. “I’m a huge fan of Jamey—not only is he incredibly talented, but he’s also such a genuinely great guy,” she says. “It’s an honor to have him as part of my show for over a decade, bringing a fresh song and artist to the spotlight every single week.”

Another fan favorite is The Dethklok Brutal Pick of the Week, which showcases the hilarious and creative voices of the animated band Dethklok, performed by Brendon Small, the co-creator of the show Metalocalypse. 

“I laugh so hard every time I prepare these segments,” says Kajzer. “They’re wildly entertaining and add a unique, fun vibe to the show. These features not only celebrate metal in all its forms but also bring an extra layer of personality and energy to the show.”

Kajzer is pretty old school when it comes to prepping for her show. “I put everything together with a trusty notepad and pen,” she says. “Each week, I listen to all the latest releases to decide which new tracks fit the vibe of the show and complement the guest I’ll be featuring. At the same time, I love revisiting the classic tracks I grew up on, keeping that connection to the roots of Metal alive.”

“When I’m assembling the show, I’m blasting every single song at full volume, fully immersed in the music. It’s a hands-on process that keeps me connected to the heart of what makes the show special: curating a mix of timeless classics and fresh releases that resonate with the audience.”

Between radio, record promotion, and managing bands, Kajzer has created some exciting memories over the years. “Hosting The Full Metal Jackie Radio Show has opened the door to so many incredible experiences. I’ve had the privilege of hosting and traveling with various festivals and bands, participating in industry panels, and serving as the Black Carpet Correspondent for the first-ever U.S. Metal Awards show, The Revolver Golden Gods Awards. I’ve even traveled the world to witness some of the most iconic Metal festivals, connecting with fans and immersing myself in the global Metal community.”

One of the most surreal and exciting moments for Kajzer was getting to host an episode of Headbangers Ball. “It’s a show I grew up watching, and it played a huge role in shaping my love for Metal. It was truly a full-circle experience.”

Another recent highlight for her was being featured in the docuseries Nothin’ But a Good Time, which celebrates the untold stories of ‘80s hair metal—a genre and era she’s always loved.

One of Kajzer’s biggest challenges over the years has been juggling multiple responsibilities. Being a DJ for various shows, managing artists, and working in record promotions for the #1 Rock label is a lot to balance. Like many in the industry, she wears a lot of hats, and it can be a lot to manage.

“What keeps me going is my genuine love for everything I do,” says Kajzer. “That passion makes the challenges feel rewarding rather than overwhelming. It all comes down to time management and maintaining a sense of balance. Staying organized and focused on what needs my attention most has been key to navigating the demands of my career while still enjoying every moment of it.”

That being said, radio is facing incredibly challenging times right now; sometimes, it’s hard to stop and smell the roses. “Things are very different these days. Many stations are short-staffed, which means they often can’t do all the things that once made radio such a personal and dynamic medium,” says Kajzer. “The local connection, community involvement, and the unique personalities that made radio feel like a part of your life are sometimes missing in today’s fast-paced environment.”

Kajzer has some good advice that might help solve some of our industry’s problems.

“To bring back that unique connection, we need to refocus on the human element—investing in talent, creating more opportunities for genuine interaction with listeners, and tailoring content to local communities. Radio has always thrived on its ability to connect on a personal level, and by prioritizing that connection again, we can reinvigorate its relevance and appeal in a way that streaming services simply can’t replicate.”

Follow Jackie Kajzer and The Full Metal Jackie Radio Show: Full Metal Jackie RadioInstagram, Facebook.

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It’s Time for Local TV to Take a Page From the Local Radio Playbook

As outlets obsess over Elon Musk’s apparent (and unlikely intentional) Nazi salute, the industry just got a whole lot smaller. Local TV meteorologists at stations run by Allen Media Group are now saying goodbye to their viewers in a move that makes absolutely no sense for any self-respecting news outlet.  

I hate covering weather. Standing outside in Central Park saying “It’s cold… in the middle of January…in New York,” doesn’t make much sense (to me). Yet, this past Monday and Tuesday, almost all the New York local stations sent reporters out to cover the atmospheric conditions. Well duh, it’s cold! It’s not exclusive to the New York market — outlets across the country report on climatic happenings regularly. 

It’s hot in July, hurricane season is from June 1st to November 30th, and if a big storm is coming, get ready for full team coverage no matter the season. Weather is my least favorite (and last resort) type of news coverage. Yet, it is essential. 

For most local outlets, some of the biggest ratings stem from climatic aberrations, because it is the ultimate equalizer. No matter the market, you will be affected by the temperature outside. Which is why if any department in a newsroom should survive it would (and should) be weather. Full. Stop. 

You could cancel all the gloom-and-doom news shows, litter your network with feature shows, and still do break-ins of local weather alerts. News 12 did this for years, and it worked well. Today, it’s evolved into News 12+ — traffic and weather with some top headlines sprinkled in. 

The almost two dozen stations affected by the Allen Media Group layoffs won’t be without weather entirely. They will instead have a taped hit from The Weather Channel’s ‘weather hub,’ an outlet that the media group purchased in 2018. 

The Weather Channel had their own layoffs in October and there is no indication of how the national station will handle the extra workload. Unfortunately, this seems to be the status quo for the media industry as a whole. Cut jobs, add workload for those who weren’t cut, and then the burnout sets in. 

There is something so essential and sacred when it comes to a local TV meteorologist on your screen. Sure, Ettabetta Smith (not a real person) in Atlanta might be able to record hits for 12 stations across the country but she wont be able to do stuff with people locally.

Which brings us to the biggest thing local TV can and should learn from radio: do stuff with your audience. There is life outside of your newsroom and its time to seize the day or get lost in the shuffle. Green screens are now portable, Dejeros/LiveU makes it easy (and cheaper) to go live from cellphone signals instead of satellite. 

Good radio stations (and hosts) find ways to get out with their people and interact. iHeartMedia is extremely at this. From the Jingle Ball to its various different festivals and award shows, its listeners are constantly invited to interact with its radio hosts and celebrities. Even syndicated talk stars like Clay Travis and Buck Sexton travel the country and interact with their listeners.

It’s time TV does the same and some stations are already setting a good example. In New York, CBS2 does a good job with this ‘do stuff with viewers’ mentality. Segments like ‘Class Act with Chris Wragge’ and Mary Calvi’s book club #ClubCalvi. Both are great ways to connect with your viewers (or listeners). 

The perfect meteorologist example is WABC7 NY’s Raegan Medgie. She makes snowmen during live shots, and when they don’t have her at the green screen, she is out in the field reporting — meaning she gets to connect with viewers. 

For the longest time, local TV has lived in a box full of untouchable glamour. Non-media people in awe of reporters because they are on TV. This ideal is now the undoing of local news resulting in what may be Allen Media Group’s biggest mistake. Cutting loose people who have the greatest potential to take your broadcast to the next level… if only you think outside the green-screened box. 

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.