Terry Moran is still reacting to his high-profile exit from ABC News after he published social media posts critical of Donald Trump and others in his administration.
Earlier this month, Moran labeled Trump and his advisor Stephen Miller as “world-class” haters, stating that they’re both filled with hatred.
“The thing about Stephen Miller is not that he is the brains behind Trumpism,” Moran wrote. “Yes he is one of the people who conceptualized the impulses of the Trumpist movement and translates them into policy. But that’s not what’s interesting about Miller. It’s not brains. It’s bile. Miller is a man who is richly endowed with the capacity for hatred. He’s a world-class hater. You can see this just by looking at him because you can see that his hatreds are his spiritual nourishment. He eats his hate. Trump is a world-class hater. But his hatred is only a means to an end, and that end is his own glorification. That’s his spiritual nourishment.”
ABC News severed ties with Moran after originally announcing a suspension. In its announcement that Moran would not return after his suspension, the network said that Moran’s contract was ready to expire and that it would not renew. Moran, however, told The New York Times that that wasn’t the case and that he and the network had agreed to a three-year contract extension and that ABC News was guilty of “bailing” on him. Lawyers for the longtime correspondent are still negotiating with the network over severance.
In a conversation with Tim Miller on The Bulwark, Terry Moran shared that he was almost immediately aware that the comments he made were not being received well and could lead to issues with the network.
“I was rocked, clearly, and full of fear,” he said. “I realized that this was going to be a very serious situation and had to stand up and deal with it.”
After saying he wrote his statements on Trump and Miller “because I thought it was true,” Terry Moran added that he was understanding of why ABC News made the decision it did.
“From my perspective, it looked like a business decision, and I became bad business,” he concluded.
Terry Moran served as the senior national correspondent for ABC News. He had been at ABC News since 1997. He served as the network’s Chief White House Correspondent from 1999 to 2005, before becoming the co-anchor of Nightline. After exiting the late-night news program in 2013, he became the network’s Chief Foreign Correspondent, before assuming his current role in 2018.
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Lisa Salters will be making her return to the ESPN NBA Finals broadcast on ABC for Game 5 of the series on Monday night. Salters, who will resume her reporting role after a three-game absence, had been away from the broadcasts as the Indiana Pacers and Oklahoma City Thunder sought to gain ground and win their first league championship in franchise history.
“Lisa is attending to a personal matter,” ESPN said in a statement provided to Ryan Glasspiegel of Front Office Sports last Sunday. “We send her our best.”
Salters has been working for ESPN since 2001 after a five-year stint at ABC News based in Los Angeles, Calif. Over the years, she has traveled the world covering global events such as the Olympic Games and documenting stories airing on shows such as Outside the Lines and SportsCenter. Salters has been part of NBA coverage on ESPN/ABC since 2005, and she balances the role with her responsibilities on Monday Night Football as the sideline reporter for the broadcast.
Jorge Sedano, who was reporting for the ESPN Radio broadcast of the series and also hosts afternoon drive on ESPN LA 710, had been filling in for Salters during her absence. Sedano works as a reporter across NBA on ESPN coverage during the regular season and also contributes to studio programs such as NBA Today and SportsCenter. With Salters’ return to the television broadcast, Sedano will return to radio where he will be working alongside play-by-play announcer Marc Kestecher and analyst P.J. Carlesimo.
The NBA Finals is currently tied as one team looks to gain a key advantage on Monday with tipoff scheduled for 8:30 p.m. EST from Paycom Center in Oklahoma City, Okla. Breen and Salters will be joined by analysts Doris Burke and Richard Jefferson on the ESPN television broadcast of the game, which is averaging approximately 8.95 million viewers through the first three games. Despite the 23% year-over-year decline, the contests are still finishing as the most-watched programs on television since the first week of May.
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As previously reported, the St. Louis-based “The Bret Mega Show” is expanding to additional Audacy markets. (BMM 6/10)
The show is co-hosted by Bret Mega, Hannah Gibbs, Kevin Berghoff and Anna Bohlman.
In addition to Y98 in St. Louis, the show is now heard on 99.7 The Point in Kansas City and 105.3 The Buzz in Wichita. Beginning June 23, the show will expand to The New 96.5 in Philadelphia.
The show refers to itself as a fun, unfiltered on-air family who aren’t afraid to share it all. From personal stories to listener confessions, they bring real talk, big laughs, and unforgettable memories.
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Ratings for the championship series spanning the National Basketball Association and National Hockey League are down compared to the previous year, rendering scrutinized analysis towards what can be attributed to this shift. Aside from the matchups themselves, which do not contain teams from any major U.S. markets, there is a contention that both leagues missed a chance to bolster the audience by opting not to air a game concurrent with the Father’s Day holiday. David Haugh of 670 The Score concurred with this sentiment during the Monday morning edition of Mully & Haugh as he reflected on the weekend.
Rather than placing pivotal matchups of the final on the holiday, the leagues will instead be playing the seminal games on Monday and Tuesday night, respectively. Aside from regularly-scheduled Major League Baseball games, the Sunday sports slate consisted of the U.S. Open golf tournament. Haugh voiced that he does not care about the number of people who choose to watch either the NBA Finals or Stanley Cup Final, but he nonetheless expounded on what the leagues perhaps overlooked pertaining to airing a game on the holiday.
“This was a missed opportunity by both leagues,” Haugh said. “You have a built-in audience already on their couches from the U.S. Open that took forever – took forever – and went into the night, and then you’re right there. One or the other could take the day off, but both makes no sense, so tonight, we’ve got the Pacers in OKC, and tomorrow we’ve got hockey, and I think they both missed an opportunity for a Father’s Day audience gathered around the television sets already to get those eyeballs on those games.”
Dusty Rhoades, the producer of the morning program, voiced that the NHL could have delayed Game 5 of the Stanley Cup Final by one more day. While viewership data for the game has not yet been divulged, he opined that Saturday nights in the summertime is not a great instance for live sports game broadcasts. Co-host Mike Mulligan provided a local perspective as to why both leagues failed to capitalize on a putative chance to augment viewership.
“It’s a wasted opportunity – it really is – because of the fact that the ratings aren’t very good,” Mulligan said. “You’ve got an audience that is kind of locked in there – I get it, the golf went later, but it would have been great to turn on. Our baseball teams in Chicago played early. It would have been great to watch a game last night, it would have been a good time to do so as you’re winding down your day.”
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Following weeks of outcry from the digital media publication OutKick, the outlet was finally granted an opportunity to attend an Atlanta Dream WNBA game and received a day-of-game credential approval. OutKick founder Clay Travis was one of the leading voices in seeking clarification on why the league—and more importantly, the Atlanta Dream—were continuing to deny media access to OutKick following a viral clip of star center Brittney Griner saying what many believed to be “trash f***ing white girl” after fouling out of a game against the Indiana Fever.
Eventually, OutKick reporter Dan Zaksheske was granted access by the Dream over the weekend and questioned Griner on the viral moment—not once, but twice. Before the game, Griner told the reporter that she remembered the play where she fouled out but couldn’t recall what she said on the bench afterward.
Later, following the game on Sunday, Griner was asked again about the incident by Zaksheske.
“No, I would never say that,” said Griner. “There’s no place for that in our league. I wouldn’t say that. I was mad about the call.”
When asked a follow-up by Zaksheske—pointing out that even though Griner couldn’t remember exactly what she said in the viral clip—she stated she would never say anything of the sort.
“I know it wasn’t that because I wouldn’t use that type of language,” said Griner.
Subsequently, Travis took to social media following Zaksheske’s questioning of Griner and pointed out the amount of time between the incident and the line of questioning.
“No one else in the WNBA media has asked Griner about this video for weeks. Interesting that she specifically remembers that play and situation, but nothing about the viral video,” said Travis on X. “How do you think sports media would respond if a white player has a mega viral video where it appeared she used a racial slur against black women and then when asked about it said she didn’t remember it?”
Furthermore, the credential granted by the Atlanta Dream was not the first approval by the WNBA for OutKick. Travis noted earlier this month that OutKick had been granted credentials in the past but hadn’t received any since the Griner video made waves online.
After the game, I asked Brittney Griner if it was possible that she said "f***ing white girl" after fouling out against the Indiana Fever, even though she couldn't remember what she said.
"I know it wasn't that because I wouldn't use that type of language," she said. pic.twitter.com/ny9pXCzpCt
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For the first time in 20 years, ESPN will be bringingSportsCenter on a cross-country tour this summer for a mixture of live on-site shows and original segments emanating across the United States. The program will be airing content from all 50 states for 50 consecutive days, an initiative that will bring the show and its anchors to fans throughout the nation. Programs will air from athletic venues, events and other hometown locations across the seven-week venture as ESPN prepares to launch its direct-to-consumer product later in the year. Segments from the tour will be featured across ESPN platforms, and there will be multiple editions of the show airing across various outlets.
“SportsCenter isn’t just a studio show – it’s part of the fabric of sports culture across the country,” David Roberts, executive vice president and executive editor of sports news and entertainment at ESPN, said in a statement, “and we can’t wait for our anchors and other ESPN personalities to show up in people’s backyards as we celebrate the passion for sports that we all share.”
Throughout the tour, the show will air from events such as WNBA All-Star Weekend, MLB Home Run Derby, The Ocho at ESPN Wide World of Sports Complex and the ESPYS. Scott Van Pelt will begin the proceedings on Friday, June 27 with the official kickoff episode taking place from Washington, D.C. at 5 p.m. EST. Eight hours later, Nicole Briscoe and Michael Eaves host the second edition of the show from UFC 317 in Las Vegas, Nev. at 1 a.m. EST. The opening weekend closes with Shae Cornette anchoring from BMX Mount Rushmore Nationals in South Dakota at 7 a.m. EST.
This initiative concludes in mid-August with the Friday, Aug. 15 edition of the show airing from Burlington, Vt. around University of Vermont soccer with anchor Kelsey Riggs. The final edition of SportsCenter: 50 States in 50 Days broadcasts from the Little League World Series and is slated to feature Kevin Neghandi as the anchor.
The full schedule can be found below:
Date
State
Event
Primary Edition (ET)
Anchor
Fri, June 27
DC
SportsCenter with Scott Van Pelt: 50 States in 50 Days Kickoff
5 p.m.
Scott Van Pelt
Sat, June 28
NV
UFC 317 PPV
1 a.m.
Nicole Briscoe & Michael Eaves
Sun, June 29
SD
BMX Mount Rushmore Nationals
7 a.m.
Shae Cornette
Mon, June 30
AK
Midnight Sun Festival
12 a.m.
Randy Scott
Tue, July 1
AL
World Police & Fire Games
2 p.m.
Matt Barrie
Wed, July 2
NM
MiLB- Albuquerque Isotopes at El Paso Chihuahuas
2 p.m.
Christine Williamson
Thu, July 3
WA
Rubik’s WCA World Championship
6 p.m.
Kevin Negandhi
Fri, July 4
NY
Nathan’s Hot Dog Eating Contest & Subway Series (New York Yankees at New York Mets)
1 p.m.
Treavor Scales – Nathan’s Kevin Connors – Subway
Sat, July 5
MO
PLL & WLL All-Star in Kansas City
11 a.m.
Christine Williamson
Sun, July 6
WV
Timber Sports w/ Red Bull’s Matt Cogar
Weekend AM
Steve Coughlin
Mon, July 7
RI
Hall of Fame Open
6 p.m.
Amina Smith
Tue, July 8
AZ
Whitewater Rafting in Grand Canyon
12 a.m.
Randy Scott & Gary Striewski
Wed, July 9
KY
Louisville Slugger Factory & Museum
6 p.m.
Michael Eaves
Thu, July 10
MI
Edward Jones MLP Mid-Season Tournament
2 p.m.
Christine Williamson
Fri, July 11
KS
Dude Perfect World Tour
6 p.m.
Kevin Negandhi
Sat, July 12
NJ
MiLB- New Hampshire Fisher Cats at New Jersey Diners
12 a.m.
Ryan Smith
Sun, July 13
OK
Aubrey K. McClendon Whitewater Center
10 a.m.
Nicole Briscoe
Mon, July 14
GA
MLB Home Run Derby
2 p.m.
Elle Duncan & Kevin Negandhi
Tue, July 15
NE
Cornhusker State Games
7 a.m.
David Lloyd
Wed, July 16
CA
ESPYS
6 p.m.
Elle Duncan & Kevin Negandhi
Thu, July 17
UT
AUSL Softball: Bandits at Bolts
6 p.m.
Skubie Mageza
Fri, July 18
IN
WNBA All-Star Weekend
6 p.m.
Elle Duncan & Hannah Storm
Sat, July 19
HI
Surfing w/ Red Bull’s Carissa Moore
10 a.m.
Hannah Storm
Sun, July 20
DE
NASCAR Cup Series Race at Dover
10 a.m.
Marty Smith
Mon, July 21
MT
Big Sky Country State Fair
7 a.m.
Treavor Scales
Tue, July 22
MA
Cape Cod League Baseball: Wareham Gateman at Chatham Anglers
6 p.m.
Elle Duncan
Wed, July 23
AR
Mountain Biking w/ Red Bull’s Payson McElveen
6 p.m.
TBD
Thu, July 24
WY
Cheyenne Frontier Days
11 p.m.
Gary Striewski
Fri, July 25
IA
Youth Baseball Tournament at Field of Dreams
6 p.m.
Kevin Negandhi
Sat, July 26
WI
Back to Football Weekend – Packers
7 a.m.
Shae Cornette
Sun, July 27
VA
Back to Football Weekend – Commanders
7 a.m.
Jay Harris & Hannah Storm
Mon, July 28
ID
Boise Ironman 70.3
7 a.m.
Nicole Briscoe
Tue, July 29
MS
Neshoba County Fair
2 p.m.
Shae Cornette
Wed, July 30
MN
WNBA Finals Rematch: New York Liberty at Minnesota Lynx
6 p.m.
Elle Duncan
Thu, July 31
OH
OSU Training Camp & NFL HOF Game
2 p.m., 5 p.m. & 6 p.m.
Matt Barrie (OSU), Kevin Negandhi (HOF)
Fri, Aug 1
FL
The Ocho at ESPN Wide World of Sports Complex
2 p.m.
Randy Scott & Gary Striewski
Sat, Aug 2
TN
MLB Speedway Classic: Atlanta Braves at Cincinnati Reds
Weekend AM
Ryan McGee & Marty Smith
Sun, Aug 3
SC
ACL World Championships
Weekend AM
Ryan McGee & Marty Smith
Mon, Aug 4
NH
Hot Air Balloon Festival
7 a.m.
David Lloyd
Tue, Aug 5
ME
Maine Lobster Festival
7 a.m.
Shae Cornette
Wed, Aug 6
IL
MLB: Cincinnati Reds at Chicago Cubs from Wrigley Rooftops
2 p.m. & 6 p.m.
Nicole Briscoe
Thu, Aug 7
LA
US Gymnastics Championships
2 p.m.
TBD
Fri, Aug 8
NC
Little League Softball World Series
6 p.m.
Elle Duncan
Sat, Aug 9
CO
Savannah Bananas at Coors Field
12 a.m.
Gary Striewski
Sun, Aug 10
OR
Seattle Reign at Portland Thorns
11 p.m.
Kelsey Riggs
Mon, Aug 11
ND
NDSU Football in Fargo, ND
2 p.m.
Matt Barrie
Tue, Aug 12
CT
ESPN Fantasy Football Marathon
5 p.m.
Bristol Show Anchors
Wed, Aug 13
MD
PGA TOUR BMW Championship
2 p.m.
Matt Barrie
Thu, Aug 14
TX
North Crowley vs. Euless Trinity HS Football Scrimmage
2 p.m.
Hannah Storm
Fri, Aug 15
VT
University of Vermont Soccer in Burlington, Vermont
Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.
Last week, former New Jersey 101.5 morning host Bill Spadea fell in his bid to win the Republican nomination for governor in the state.
And after that loss, some have questioned whether a return to radio might be on the horizon. Spadea says he’ll have more information in the coming days.
In a post to social media, Bill Spadea spoke for the first time publicly since falling in the primary election to top opponent Jack Ciattarelli.
“Remember, ignore all the misinformation and nastiness coming from the other side,” Spadea wrote. “They fear our principled and focused movement so they continue to attack, disparage, and lie. Announcements on future plans coming soon. (By the way), happy to disappoint the haters, but we aren’t going ANYWHERE. That’s right, still DIGGIN’ IN!”
Hey guys, Happy Father’s day to all!
Remember, ignore all the misinformation and nastiness coming from the other side. They fear our principled and focused movement so they continue to attack, disparage and lie.
According to results published by Decision Desk HQ, Spadea finished second in a field of five behind Ciattearelli. He garnered just under 100,000 votes, good for 22% of the total votes cast by Republicans in the state. He did not win any of New Jersey’s 21 counties.
Spadea had spent nearly a decade hosting mornings at New Jersey 101.5. But in June last year, he announced he would seek the Republican nomination for Governor in the state. As the primary began to heat up, he departed the news/talk station in January in an effort to spend more time campaigning for the state’s highest office.
The station subsequently filled the open morning show with a more news-focused approach, with Eric Scott helming to program from 6-10 AM.
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The definition of insanity is doing the same thing over and over again and expecting a different result. Well, I must be insane because I keep waiting for radio executives to speak positively about the radio business. Time after time, many distance themselves from their identities, hoping the ad industry will see them differently. The belief is that by being seen as ‘radio’, they’re considered outdated whereas ‘digital’ or anything else makes them sound shiny and new.
The latest example came last week. Inside Radio published an excellent story on Townsquare Media’s latest results. Townsquare has earned a lot of praise in recent years for their digital focus, and according to CEO Bill Wilson, the company is doing well. That’s great news. We need more groups producing positive results.
But something Wilson said in the second paragraph didn’t sit right. Wilson expressed frustration with Townsquare’s stock performance not matching the company’s transformation. He said, “We believe we’re being penalized by being looked at and lumped into a group of companies that we don’t belong in. The bigger issue is being classified in a neighborhood that we don’t believe we live in anymore, which is the radio industry”.
I had to read those quotes twice to make sure I processed it correctly. One of radio’s top CEO’s, which owns 342 radio stations doesn’t believe he should be lumped in with other radio companies. Yet if you visit the company’s website, listed up top in large blue text is the line “3rd Largest Owner of Radio Stations in the US.”
When I read Bill’s comments, I instantly thought of Vince McMahon trying to convince the business world that the WWE wasn’t a wrestling company. Vince wanted people to see the WWE as an entertainment company. In theory, that might’ve been true since all sports are technically entertainment, but when you consider that WWE’s main area of entertainment revolved around wrestling matches, it was clear, they were a wrestling company first. McMahon tried modifying the identity of his business because the advertising industry saw wrestling as less desirable.
Bill isn’t the first executive to speak this way. Other execs have previously suggested that being identified as a radio company is bad for business. As a result, they try to change their identity to be seen as something modern to gain greater support from advertisers and shareholders. The problem is that most radio companies have digital tools but they’re still radio dominant. The advertising industry knows this. So do listeners, stockholders and employees.
One of my favorite business movies is ‘The Founder’ starring Michael Keaton. In the film, Keaton meets a gentleman named Harry Sonneborn. He invites him to his office to review his books to figure out why he’s not turning a profit for McDonalds. Sonneborn looks over the financials, confirms how the business operates, and tells Keaton “There’s a big problem. You don’t seem to realize what business you’re in. You’re not in the burger business, you’re in the real estate business.”
Whether Bill and other radio executives like it or not, they’re perceived as radio companies first. Do you know why? Because they own and operate hundreds of radio stations. To suggest that they are not a radio company is disingenuous.
There are extensions of that business of course. In Townsquare’s case, they’ve done an excellent job growing their digital business. Those extensions though are supported by 300+ radio stations. Without those stations, how would those digital products perform? I think it’s fair to say, radio plays a key role in driving that success.
This is a positive for radio companies, not a negative. Many industries would kill to have the megaphones and local audience connections that radio companies have. If the airwaves disappeared today, and radio had to rely on podcasts, websites, social channels, events, and digital marketing services, do you think we’d be better tomorrow than we were yesterday? How would that effect the amount of advertising revenue coming into our industry?
In that same Inside Radio article Wilson discussed Townsquare’s radio performance. He said, “We are treating them (our radio properties) as a traditional cash cow. Just through our AM/FM signal, we’re reaching half the adult population, which means we’re also reaching business owners as well.”
If the company’s radio stations are reaching half the adult population in their local markets, why seek separation from your radio identity? That’s a heck of a story. Isn’t it better to be known for being the best in your markets at something than just one of many in a crowded field? Billions of dollars still get spent on radio especially with groups who deliver results. With that type of impact, how can advertisers afford not to be doing business with them in their respective cities?
Townsquare Media CEO Bill Wilson
What exactly makes Townsquare or any other radio company a ‘digital’ business rather than a radio business? Is ESPN not a digital business even though many think first of the company for television? What about the NY Times and Amazon? Are Spotify, Apple, SiriusXM, Katz Media, Facebook and X not also digital companies?
There are tons of examples of businesses in other industries who have websites, social channels, apps, content, and digital marketing services. Most of them don’t own radio stations though where the airwaves can be used to boost digital performance. That’s a big advantage for radio. It’s one that makes companies in our industry unique.
Townsquare does a great job with their stations, websites, and talent. Talent are required to host shows and create digital content. The company’s websites are clean, well designed, and often marketed using Facebook and other social platforms. They also rank well for popular keywords, topics, and highly searched terms in addition to serving as a local ad buyer for local businesses. In the markets where they operate, they often do quite well.
But although they do some things better than other radio groups digitally, they don’t win every category. For instance, is Townsquare stronger at podcasting than iHeart? The last time I checked, podcasting is ‘digital’. Do Townsquare’s brands generate more video subscribers, views and watch time on YouTube and Twitch than Audacy brands? Video is also ‘digital’. How does the company compare when its social media followings and engagements are listed next to industry competitors who broadcast in higher populated cities? Social media is also ‘digital’.
Website traffic is another part of digital. Townsquare and other radio groups have local strategies that work today, but Search is being disrupted rapidly. By next year, AI will dominate how people gather information, and most of it won’t come from the promotion of links. Are radio station websites producing unique, original content that’s built to thrive in an AI search world? What happens to those websites when the content can be duplicated by AI in 10 seconds, and clicks and programmatic ad dollars shrink?
Townsquare Media COO Erik Hellum
I live in a market where Townsquare operates local radio stations. They run them well. I listen to two of their brands if I’m out in the car, and I see their articles appear often on Facebook, showing a consistent strategy to market their content. I appreciate what Bill Wilson, Erik Hellum and their local markets are doing, and want to see them continue having success.
Where I disagree is on the distancing from the identify of the core business – radio. Townsquare may offer more than just radio stations. Between podcasts, social media channels, digital marketing services, building websites for businesses, and operating their own, they have a lot of digital tools that they use to drive business. But those digital services gain a lot of traction in local markets because of the success of their local radio stations. iHeart, Audacy, Bonneville, Hubbard, Cumulus and other radio groups do the same.
For that reason, Townsquare Media is identified as a radio company and should be. The only question I have, why is that a bad thing?
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Last Monday, I explored the idea of a generational divide in media consumption. Where Generation X and Baby Boomers are on one side, and Millennials are on the other side, with Generations A and Z.
According to Evan Shapiro, the Cartographer of the Media Universe, people on both sides of the divide like a lot of the same content, such as Classic Rock. They just consume it differently. Moving into the future with this body of music doesn’t require stoking passion. What it requires is the right platform.
One of Shapiro’s suggestions for utilizing the Classic Rock credibility we’ve so carefully built over the years at our stations to reach younger audiences was to look at brand extensions. Like newsletters and podcasts. He pointed out that while radio attracts older demos, streaming platforms attract younger generations. Podcasting crosses all boundaries, making it an excellent area to explore.
I realize that podcasting isn’t new. Many stations have tried with varying degrees of success to implement a podcasting strategy. Quite often, the result ends up being a daily reposting of the morning show. So, fans who can’t listen in the morning can time shift the content. While that can be an important part of a station’s ratings strategy, I don’t believe it’s what Shapiro was suggesting.
He means creating new material designed to attract an audience that both stretches beyond your station’s existing cume and taps into the passion for Classic Rock that crosses generations.
This week, I’d like to shine the spotlight on one such effort to prove it can be done. Enter Janda Lane and her podcast, “Behind the Song.” Billed on the station’s site as “the history behind Rock’s greatest song lyrics.” Lane has been producing episodes for almost seven years. She says her goal is to “deliver a clear, straightforward history of the songs that make Classic Rock so interesting.”
Each of her 160 episodes breaks down one Classic Rock song. Telling the stories behind how the song came together. Songs are selected based on relevance to the genre. Whether there is a historical moment a song is related to, and in some cases, if something in current pop culture is fueling interest in a song.
She spends approximately a week researching and producing each episode. She says the most complicated episode featured ELO’s “Mr. Blue Sky,” which “makes sense when you think about Jeff Lynne’s approach to music.” She adds, “There were way more tidbits of interesting information about that particular song than what is typical.”
Photo Courtesy Janda Lane Gamut Podcast Network
Another thing that stands out about “Behind the Song” is the musical soundscape in each episode. This can be an issue when it comes to creating content about copyrighted music. The problem was solved by her talented husband, Christian, who creates soundalike music specifically for the podcast. Which “imparts the general vibe of the original recorded work.” Add in that Lane can use a few seconds of the original song under fair use because the podcast is editorial in nature, and a true homage is created each week.
It’s also important to mention that Lane has gotten great support from Hubbard Broadcasting. “They have a history of supporting good podcast content and provided the framework for me to get going.” She says the recent launch of Hubbard’s Gamut Podcast Network has helped monetize her efforts as well.
It’s this sort of approach to repackaging the world of Classic Rock that provides the best opportunity to tap into the passion for the music we see in younger generations without expecting them to listen to the radio. But it’s not easy. It requires a huge commitment. Lane, who clearly has managed it, has two pieces of advice for anyone with an idea they want to pursue.
First, be authentic. Genuine interest in what you are talking about will “keep you going and help make your content really resonate with your audience.” Second, be consistent. In her case, Behind the Song publishes every Wednesday, “so people know they can rely on it being there when they want to escape from the world for a few minutes and go down a musical rabbit hole with me.”
And in keeping with the idea of going down rabbit holes. Next week I plan to explore another way to potentially help expand Classic Rock’s influence to the younger generations community.
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If I were to begin this feature listing all the credits and incredible things that Matt Pinfield has accomplished, it would consume the majority of the story.
Rock journalist, radio host, MTV host, A&R man and the list goes on. Pinfield has been in the news for other reasons this year after he suffered a stroke in January, one that he wasn’t expected to survive.
However, he is back, hosting his radio show on 88.5 The SoCal Sound, and this past weekend, he returned to hosting duties for the syndicated “Flashback With Matt Pinfield.”
When I reached out to Matt to catch up, I told him that I didn’t want his health to be the focus of the feature, but that a quick update was something that readers would want.
“I am making improvements every single day,” said Pinfield. “Medical professors did not expect me to survive; they told my family basically to come and say goodbye to me numerous times during that period of coma.”
“One of the things they said was that my radio career was probably over. But then it was really funny, because a friend of mine happened to be in the hospital. My friend Allison, I’ve known her for a long time. She used to be a global head of Rock for Spotify.”
“When they walked out of the hospital, she said, ‘I don’t think you people know Matt Pinfield. If he’s alive, he’ll be talking. He’s like that. I don’t believe that at all.”’
“Gratitude is the thing that is keeping me going without a question. And I receive absolute love from the radio community and everybody. All the people who have really been behind me.”
Naturally, Pinfield is excited to be back on the air.
“I am so excited to be back on the radio. I love doing my radio shows so much. Radio has always been something that I’ve been in love with since I was a young child. There was never any doubt that this is what I wanted to do for a living.”
Pinfield has developed friendships through the years with the Mount Rushmore of Rock. I asked him about his recent gift from Ozzy Osbourne. Known as “The Ozzy Cane.”
“That’s the most amazing thing. Keith (KLOS Los Angeles Master of Mayhem Keith Cunningham) thought it would be a great idea. Sharon said to me, ‘You’ve always been such an ally of the Osborne family, and we’ve always loved you.”’
“When it came, I was just blown away. It came in a box. I thought it was a giant poster from a record label. It was one of Ozzy’s actual canes. I think about three or four were engraved like that.”
“That was a beautiful gift. I think people were just so blown away by it. All my friends. They are big fans of Ozzy and Sabbath. So yeah, that is so cool. It was a great gift.”
I asked if Matt could share some thoughts on Beach Boy Brian Wilson, who passed away on June 11 at the age of 82.
“I absolutely love Brian Wilson and The Beach Boys records so much. It’s obvious that “Pet Sounds” is really special. I love the idea of “Good Vibrations” being a pocket symphony. Just in his contributions to songwriting, production, and harmonies. The absolute brilliance of a young man.”
“He is a national treasure. Being on the radio in Southern California, you know how much the Beach Boys painted this picture and made everyone want to learn to surf.”
“Their impact on so many young people over the years can never be understated. Their biggest rivals and contemporaries. They were Keith Moon’s favorite band.”
I mentioned that, sadly, Rock is losing icons. “To let people know, not only am I sitting here in my fight to get better and get stronger after the stroke. But to show my appreciation for all the artists and music that has meant so much to me for my entire life.”
“We are in that period where we’re losing some of our incredible icons. I mean, you look back at everybody from Prince to David Bowie. It seems like every year.
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I asked if Pinfield saw a path for the next generation of icons.
“I’m always hoping so. I mean, there are bands that I certainly like. I’m always looking into new music. When people say there’s not great new music, I’m like, well, it’s just because maybe they aren’t being pointed in the right direction or finding the right curation. I believe there are always great young artists coming out, and there are a lot of people I’m very hopeful for.”
So, what is the state of Alternative music now?
“I do think that there are quite a few artists that I wish could get some airtime, because there’s always some exciting new stuff coming out. There seems to be a trend to help break new artists. I think it’s super important.”
“I still get excited about Rock and Alternative and some of the Triple-A stuff. There are quite a few artists who have been around for a while who are also putting out good music. I’m always looking for something new to get excited about. I’ll never stop looking for new music and trying to expose it. It’s very important.”
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