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Raj Sharan Named Program Director for Cat Country 95.1 And 98.1 KKFM Colorado Springs

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Cumulus Media has announced Raj Sharan’s promotion to Program Director for Country “Cat Country 95.1” KATC and Classic Rock 98.1 KKFM Colorado Springs.

Sharan, who hosts afternoons on KATC under the name ‘Roger,’ joined the station last February after serving as the Program Director for Bonneville Sports “104.3 The Fan” KKFN-FM in Denver from February 2019 until November 2023.

He also spent five years with Front Range Sports Network in Denver, where he held multiple roles, including producer, update anchor, traffic reporter, beat reporter, host, and ultimately Assistant Program Director.

Sharan assumes the Program Director role previously occupied by Mason Stanfield, who left in early December amid Cumulus Media staff reductions. (BMM 12/6)

Additionally, Cat Country 95.1 has added Westwood One’s “Kincaid and Dallas” morning show.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

NPR, The Daily, Dan Bongino, Tucker Carlson Earn Top Spots as News Podcasts See 8 of Top 10 Places in December Podtrac Rankings

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The news genre has become an important one to the podcast industry, and that’s reflected in the latest Podtrac rankings after NPR, The Daily, Dan Bongino, and Tucker Carlson all finished in the top 10.

In the December U.S. Unique Monthly Audience rankings, NPR News Now moved to the top, besting The Daily from The New York Times. Up First from NPR joined the other programs in the top three. DatelineNBC finished fourth, while Fox News Hourly Update jumped three spots to round out the top five.

The Dan Bongino Show slipped one spot to sixth. Meanwhile, The Shawn Ryan Show from Cumulus Podcast Network jumped six places to earn a top-ten finish, ranking seventh. The Tucker Carlson Show dropped three spots as it earned a ninth-place showing.

Other news podcasts finishing in the top 20 included The Ben Shapiro Show (13th), The Megyn Kelly Show (14th), Today, Explained (18th), and 20/20 (20th).

Elsewhere, in the Top U.S. Podcast Publishers & Networks rankings, iHeartAudience Network and iHeartPodcasts earned the top two spots. Meanwhile, Acast (3rd), Libsyn (4th), and NPR Sales Network (5th) also saw top-five finishes during the month.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Katie Nolan to Host New Podcast with SiriusXM

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Katie Nolan, an Emmy Award-winning host and ‘opinionist,’ will be hosting a new podcast with SiriusXM. The venture, titled Casuals, is a series geared towards fans who wish to discuss sports without feeling as if they need to be an expert. The program will cover the broad expanse of the sports world, including stories that intersect with the world of pop culture, while refraining from concentration on analytics.

Beginning on Tuesday, Jan. 21, the show will debut two episodes hosted by Nolan per week with slightly different formats. Tuesday versions of the show will feature Nolan reacting to newsworthy sports moments throughout the week, underscoring notable on-field performances and athlete storylines. Thursday editions of the program will feature different guests from sports, comedy and entertainment to better discern their sports fandom and examine trending topics in their worlds. Episodes of the show will be available on the SiriusXM app and on all major podcast platforms.

“I find that sports shows tend to talk about sports in a very specific way – stats, power rankings, gambling odds – while pop culture shows rarely talk about them at all,” Nolan said in a statement. “With Casuals, I hope to bridge that gap a little, talking with some of the funniest people I know about sports in a way that feels more welcoming to the casual fan. I want to help more people connect with sports, and I’m excited that SiriusXM does, too.”

Nolan has contributed to a variety of sports media entities throughout her career, including hosting her own weekly sports comedy show, Always Late with Katie Nolan, while with ESPN. Moreover, she has commentated for Friday Night Baseball on Apple TV+ and worked as a correspondent for NBC Sports during the 2022 Winter Olympic Games. Nolan also frequently appears on programming from Meadowlark Media, including Pablo Torre Finds Out, and also earned a spot in the finals of Celebrity Jeopardy! on ABC.

“Katie is a uniquely versatile talent, equally informed and entertaining on sports and pop culture,” Eric Spitz, vice president of sports programming at SiriusXM, said in a statement. “There is nobody better to host a podcast like this one, which is perfect for those casual fans who want to talk about the bigger storylines that touch sports, without needing to know about passer ratings or pitching rotations.”

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Eric Michaels And Mike Lee Out At Max 98.3 Lakeland FL

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Variety Hits “Max 98.3” WWRZ, Lakeland, FL, has parted ways with Program Director and morning host Eric Michaels and co-host Mike Lee.

Michaels shared the news on Facebook, indicating the move was financial related.

“Any business person will tell you, if something isn’t making money, then changes have to be made, and sometimes that means letting people go. While writing this, I feel as if I’m writing a eulogy, but I don’t want you to be sad. We will pick ourselves up and move forward. On behalf of Mike and myself, thank you for everything.”

Lee said he would focus on his comedy club and other business interests, “I have no ill will for Hall Communications. They have been so good to me, and they are truly a family-oriented company. When my father fell ill in 2020 they let me go home to him. When he passed in 2021 they sent me home again. And just last year, when my mother fell ill, they did it again. No questions asked, no vacation days garnered. They just knew I needed to be with family. For that and so many other things, I thank them, and I will always support whatever they have planned and whatever the future brings for them.”

The station is now jockless the entire day.

Michaels has been a part of the station, formerly known as AC “98.3 The Rose,” since 1998 and was appointed Program Director in January 2020. Lee has been his morning show partner since 2010.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

‘The Musers’ to Cut Back Hours on 1310 The Ticket

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A few months after 1310 The Ticket won the Marconi Award for “Major Market Station of the Year,” the programming lineup will undergo a slight change. The morning drive radio trio of Craig Miller, George Dunham and Gordon Keith revealed on Monday’s edition of the program that they will be reducing their daily schedule to a three-hour show airing from 6 to 9 a.m. CST. The show had previously taken the air at 5:30 a.m. CST and broadcast for the ensuing four-and-a-half hours, concluding at 10 a.m. EST before The Invasion was live. This change occurs as The Musers begin their 32nd year on the airwaves.

As the trio was explaining the move on Monday morning, they emphasized that in order to continue doing a sports talk program in the morning, not to mention the longest show on the station, it was necessary to cut back a little bit. The program also articulated that as far as it knows, the configuration is the longest-running morning show with the same people. Part of what has effectuated the longevity, they explained, was the loyalty of the P1 listeners and those working behind the scenes. Dunham also added that the program recently had its highest-rated year in the history of the morning program.

“We’ve said it many times – we consider ourselves fortunate to have each other, to have this experience that we’ve had, and we want to keep that going,” Dunham said, “and to do so, in cooperation with our management here at The Ticket, we have made the decision to get a little more sleep and address our hours of operation on the morning Musers.”

The morning programming commences at 5:35 a.m. CST with a replay of some of their previous segments before a new edition of the show airs live 25 minutes later. Following the conclusion of The Musers, Donovan Lewis and Matt McClearin will start their show at 9 a.m. CST and broadcast a four-hour show leading into the remainder of afternoon programming. This schedule change occurs after The Ticket recently celebrated its 30th anniversary broadcasting in the sports talk radio format.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Barrett News Media Top 20 of 2024 – Mid Market News/Talk Radio Midday Shows

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Welcome to day two of the Barrett News Media Top 20 of 2024 series presented by JJ Surma Voiceovers. This series is voted on by news/talk radio program directors and executives across the country. To see each day’s results visit the website, follow BM on X at @Barrett_Media or Facebook at Barrett Media or sign up for our newsletters here. We appreciate the support.

The six categories featured this year are news/talk radio’s Major and Mid market morning, midday, and afternoon shows, the top program directors and radio stations, and national shows. Major Markets represent shows, stations, and PDs in markets #1-#20. Mid Markets are for markets #21 and below. Not included in our lists are NPR brands and shows. Mainstream talk radio outlets are our main focus.

As you review the results, please remember that they represent the collective opinions of our radio industry executive panel. Decision makers receive lists and are asked to vote on talent, shows, brands, and leaders. We don’t participate in the voting process, we simply add up and present the results.

3 Things To Be Aware Of

#1 – We try to be thorough with the spelling of names, shows, cities, and the use of photos and logos. However, we’re creating 200+ images to highlight an entire format, so mistakes happen sometimes. If you see an error, please email Jason@BarrettMedia.com. Additionally, we ask voters to send in photos and logos in advance to avoid headaches. Once the series is presented, there are no changes unless it involves a mistake. Thanks in advance for understanding.

#2 – 46 mid market midday shows appeared on ballots turned in by our executive panel. Executives were asked to rank their Top 20 selections for each category based on a few key factors; quality of show (ear test), originality, ability to entertain-inform-connect across multiple platforms, ratings success, clearance (national shows) and industry buzz. Remember, our voters live in different cities, have individual tastes, work for different groups, and value certain factors higher than others. This is not a perfect system but it’s the best we’ve come up with to showcase the industry’s best.

#3 – The executive panel includes programmers, consultants and corporate executives from radio’s top companies including Audacy, iHeart, Cumulus, Hubbard, Cox Media Group, Townsquare Media, Salem Media Group, Bonneville, FOX News Radio, Westwood One, and Radio One. Our total number of voters this year was forty six (46). Most vote on six categories, but some only vote on national shows and/or program directors. We involve people from different groups and cities in order to provide a balanced view of the format.

I want to thank Dylan Barrett for doing a great job with this year’s graphics. I’d also like to thank all who took part in the voting process. Now without further delay, here are the Top 20 Mid Market Midday Shows of 2024.

Bill CUnningham - 700 WLW
Scott Sloan - 700 WLW
Lars Larson - KXL
Matt Murphy - SuperTalk 99.7 WTN
Kendall & Casey - WIBC
David Bellavia - WBEN
Jayme & Grayson - KMBZ
Newell Normand - WWL
Pete Kaliner - WBT
TJ Smith - WBAL
Vince Coakley - WBT
Marty Griffin - KDKA
Dan O'Donnell - WISN
Scott Voorhees - KFAB
Tony & Dwight - WHAS
Chis & Amy - KMOX
Chris Hand - SuperTalk 99.7 WTN
Dave & Dujanovic - KSL
Joyce Kaufman - WFTL

Additional Notes:

  • Bill Cunningham enjoyed a thirty nine (39) point victory over WLW teammate Scott Sloan. This is his 3rd straight year of winning the category. He has never lost. Cunningham recorded a category best ten (10) first place votes to secure the win.
  • Spots 21-25 belonged to Bob Yarbrough, Andrew McClainDerek HunterMoon Griffon, and Brandon Vogt.
  • The closest contest saw Newell Normand finish three points in front of WBT’s Pete Kaliner.
  • Of the 46 shows to appear on submitted ballots, five (5) received at least one 1st place vote.

BNM Top 20 of 2024 Remaining Schedule:

  • Wednesday January 8 = BNM Top 20 Major/Mid Market N/T Radio Afternoon Shows of 2024
  • Thursday January 9 = BNM Top 20 National N/T Radio Shows of 2024
  • Friday January 10 = BNM Top 20 Major/Mid Market N/T Radio Program Directors of 2024
  • Monday January 13 = BNM Top 20 Major/Mid Market N/T Radio Stations of 2024

Barrett News Media Top 20 of 2024 – Major Market News/Talk Radio Midday Shows

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Welcome to day two of the Barrett News Media Top 20 of 2024 series presented by JJ Surma Voiceovers. This series is voted on by news/talk radio program directors and executives across the country. To see each day’s results visit the website, follow BM on X at @Barrett_Media or Facebook at Barrett Media or sign up for our newsletters here. We appreciate the support.

The six categories featured are news/talk radio’s Major and Mid market morning, midday, and afternoon shows, the top program directors and radio stations, and the format’s best national talk shows. Major Markets represent shows, stations, and PDs in markets #1-#20. Mid Markets are for markets #21 and below. Not included in our lists are NPR brands and shows. Mainstream talk radio outlets are our main focus.

As you review the results, please remember that they represent the collective opinions of our radio industry executive panel. Decision makers receive lists and are asked to vote on talent, shows, brands, and leaders. We don’t participate in the voting process, we simply add up and present the results.

3 Things To Be Aware Of

#1 – We try to be thorough with the spelling of names, shows, cities, and the use of photos and logos. However, we’re creating 200+ images to highlight an entire format, so mistakes happen sometimes. If you see an error, please email Jason@BarrettMedia.com. Additionally, we ask voters to send in photos and logos in advance to avoid headaches. Once the series is presented, there are no changes unless it involves a mistake. Thanks in advance for understanding.

#2 – 37 major market midday shows appeared on ballots turned in by our executive panel. Executives were asked to rank their Top 20 selections for each category based on a few key factors; quality of show (ear test), originality, ability to entertain-inform-connect across multiple platforms, ratings success, clearance (national shows) and industry buzz. Remember, our voters live in different cities, have individual tastes, work for different groups, and value certain factors higher than others. This is not a perfect system but it’s the best we’ve come up with to showcase the industry’s best.

#3 – The executive panel includes programmers, consultants and corporate executives from radio’s top companies including Audacy, iHeart, Cumulus, Hubbard, Cox Media Group, Townsquare Media, Salem Media Group, Bonneville, FOX News Radio, Westwood One, and Radio One. Our total number of voters this year was forty six (46). Most vote on six categories, but some only vote on national shows and/or program directors. We involve people from different groups and cities in order to provide a balanced view of the format.

I want to thank Dylan Barrett for doing a great job with this year’s graphics. I’d also like to thank all who took part in the voting process. Now without further delay, here are the Top 20 Major Market Midday Shows of 2024.

Mark Simone - 710 WOR
WTOP Midday News
Gary & Shannon - KFI 640
John Kobylt - KFI
Mark Arum - WSB
Curtis Sliwa - 77WABC
Denise Nakano - KYW
Dom Giordano - 1210 WPHT
Grace Curley - WRKO
Mandy Connell - KOA
Greg Kelly - 77WABC
WBBM Midday News
KCBS Midday News
John Phillips - 790 KABC
KNX Midday News
Paul Smith - WJR 760
Chad Hartman - WCCO
Chris and Joe - KTAR 92.3
John Williams - WGN Radio 720

Additional Notes:

  • Mark Simone finished twenty two (22) points ahead of WTOP Morning News to secure the top spot. This is Mark’s first category win. He also notched a category best five (5) first place votes.
  • Spots 21-25 belonged to Casey Bartholomew, Laurie Kirby, Mike Broomhead, Adam & Jordana, and Dawn Stensland.
  • The closest contest saw WTOP Morning News edge Gary & Shannon by one (1) point.
  • Of the 37 shows eligible for votes, thirteen (13) received at least one 1st place vote.

BNM Top 20 of 2024 Remaining Schedule:

  • Wednesday January 8 = BNM Top 20 Major/Mid Market N/T Radio Afternoon Shows of 2024
  • Thursday January 9 = BNM Top 20 National N/T Radio Shows of 2024
  • Friday January 10 = BNM Top 20 Major/Mid Market N/T Radio Program Directors of 2024
  • Monday January 13 = BNM Top 20 Major/Mid Market N/T Radio Stations of 2024

Rethinking Social Media in 2025

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The social media experience, for the most part, sucks for creators. There is no sugarcoating it. At best, Twitter, Instagram and Facebook are necessary evils. At worst, they are a time suck that promise reach in order to get you to hand over your information to Russian and Chinese hackers disguised as t-shirt companies and cryptocurrency traders.

How far back does your experience with social media go? The very early days of Facebook? To Myspace? To Friendster

No matter the answer, too many organizations and individuals have approached these platforms with a single priority: get the audience to click on a link.

I know JB doesn’t don’t like me to cuss in these columns, but I don’t know a better way to say this. If that’s still the way you think about social media in 2025, then you’re f***ed.

To understand how to shape a social media strategy, you first have to accept the reality that these platforms are not designed to help your business. Maybe they were at one time, but not in 2025. Think about all of the stories and testimony about platforms owned by Mark Zuckerberg and Elon Musk penalizing users that link to outside websites. 

Twitter and the Meta sites want users to stay in their respective universes. Maybe Instagram will show you content from Threads, but it isn’t easy to get your audience to a totally different website with just a click. Elon Musk has acknowledged that Twitter kind of sucks for creators that want to link their audience to their wider portfolio. In fact, for the last two years, Twitter’s algorithm has automatically flagged most links as spam, meaning most of your audience will never even have the opportunity to click on your link.

We are talking about billion dollar businesses here. Do you really think they want to make it easy for users, which is what they can offer advertisers, to go somewhere else? 

So I am going to propose a radical idea for your social media strategy in 2025. What if instead of links, you prioritize content? Quit thinking of social media as the interstate and start thinking of it as the destination. 

It doesn’t matter if you are creating content for a station or brand or if you are an individual talent. The concept is the same. Social media works best for branding and image building, not as a portal.

Branding has had a mostly successful history. Long before we were online, radio stations and television networks were airing commercials. There was no link to click or QR code to scan. Good content stood out and generated conversation.

A good example of this is a commercial from 1990. I think all root beer is gross. However, I think about A&W regularly because of a commercial that begins with the line “Mr. Dumb Ass, I can bring a lot to Dumb Ass and Dumb Ass”.

It’s been thirty-five years since that commercial came out, but it has staying power. I made an emotional connection to it, because when I was 9 years old, I had never seen anything funnier in my life (Wayne’s World was still two years away). It’s content that matters to me and I have never forgotten what it was trying to sell me.

Common sense tells you video and graphics will always get more attention than links. Bright colors and movement versus plain text? Come on! 

Plenty of stations and talent already know that. They are creating funny, interesting, and exclusive content online. Chris Carlin on TikTok and 104.5 ESPN on YouTube are two examples that immediately spring to mind.

Of course they post clips from their shows and in the studio, but they are also creating content exclusively for these platforms. The goal isn’t to get the audience to go anywhere or do anything. It’s simply to entertain them. Doesn’t that sound like a better strategy to build the same kind of loyalty online they enjoy from their radio audience? 

The biggest social media platforms don’t want your audience to see your work if it requires your audience to go somewhere else. Keeping their users on their site is the business model, so you have to learn to work within that structure to make social media work for you.

Learn to make graphics, whether it’s with Canva, Photoshop or whatever. Learn to edit video. Check out what programs are out there that can make interesting edits, filters, and other camera tricks easy. There is so much you can do that is so easy when you know what you are doing.

Create content that is worth clicking on and sharing. Let people know in your profile where they can find more of you. Not everyone is going to look for that information, but the best way to give someone a chance to find more of you is to give them a reason to be interested. Links can’t do that. 

The truth is that so many of the links you post don’t make any impact. It’s not just the platforms deprioritizing links to outside content. The reality is you can put a link right in front of someone. It doesn’t guarantee that they are going to want or even think to click on it. 

Social media has trained us to look around on-screen advertising. The best thing you can do is make creative and interesting content. Your name/brand in the corner will always be there. Getting the audience to click on that and go to your page is a more realistic goal than getting them to click a link to your station page and then have them start streaming.

Scroll through Instagram and TikTok. Plenty of successful creators, both companies and individuals, offer courses to show you what they do that seems to always work.

These courses are cheap too, like $60. They may not be comprehensive, but they will give you a good jumping off point for how to start thinking about your videos. I won’t link to them, but I think One Peak Creative offers a short, simple, and effective course. 

The reality of social media is that it will always be working against you. You are simultaneously content and competition for Elon Musk and Mark Zuckerberg. Don’t let their goals deter your own. Understand the rules of their platforms and make them work for you. 

It’s 2025. All media outfits – radio, TV, print, etc – need to be employing departments of people whose job it is to stay on top of algorithm changes for all of these social platforms. That probably isn’t happening in a lot of buildings though.

Change the rules and your goals for social media. If the goal is to get Twitter and Instagram users to click a link that takes them to your website, you’ve already lost. That game is rigged against you. You can win a branding game though. Focus on creating great content and the audience will come to know that is what they will get from you. 

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

4 Tips For Creating a Unique and Memorable Brand

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“In business, copying is often seen as the fastest path to success, but true innovation comes from having the courage to go your own way.”

Richard Branson, Entrepreneur and Founder of Virgin Group

We’re just three days away from Quitting Friday – the second Friday in January when most of us drop our New Year’s Resolutions. According to Ask Mr. Google, the Top 5 most resolve items are:

1. Improved Health – Fitness

  • Lose weight, start exercising, and adopt a healthier diet.

2. Improved Finances

  • Budgeting better, saving more, reducing debt.

3. Improved Education

  • Picking up a hobby, learning a language, acquiring a new skill.

4. Improved Mental Health

  • Reducing stress, practicing mindfulness, meditating, and therapy.

5. Improved Relationships

  • Quality time with family, improve, and make new connections.

Among us broadcasters – what’s missing?

Resolutions for our brands – sonics – talent – uniqueness.

As you travel through the belly of America, the landscape feels remarkably uniform. Corn, beans, cattle, poultry – it’s all the same in Iowa and Indiana—increased sameness in these dark winter months. Press the ‘scan’ button on your radio – as I did in my October 15th column – and you’ll hear the same tunes and atmospherics by format.

Country, Top 40, Classic Hits, Adult Contemporary – sounds the same in Minnesota and Michigan. Much of the radio landscape in this country follows a repetitive pattern. And it’s not just the radio industry – far from it.

Have a look at the automobile industry and its trend toward mini-SUVs. As spot revenue tightens and human resources are starved for time, a growing shroud of complacency settles in with regularity. Some of the best distinctive and unique brands are planted in smaller markets where resources are hungry while bigger players – which are rare in The Bigs – are scarce but do occasionally pop off the dial.

The rise of centralized programming and syndicated production pieces has stifled local creativity. Brands by format are largely diminished to indistinguishable sounds and voices.

Here’s why it’s crucial for your brand to stand out:

Platforms like Alexa, Spotify, Prime Music, Siri, and Pandora are portable, making access possible everywhere.  Just.  Like.  Radio.

SiriusXM—initially dismissed as a niche product while arguing that listeners wouldn’t pay for radio—has picked up our best talent.

Creating a unique, memorable brand takes a time investment – but it’s doable. Ideation below to set your ‘cornfield’ apart from the one ‘across the field’:

Build A Secret Weapon Category

Outlined in my October 22nd column, curate a Secret Weapon list. Great songs that only YOU air. Take credit for the uniqueness. Craft imaging to introduce the song and a line about the background. Close with a back sell of the song and how it’s exclusively heard on your brand.

As with great on-air promotions – say you’re going to do it – do it – and then say that you did it. Own it.

Tell Stories With Your Imaging

We coach talent to tell interesting stories about experiences or observations. Do the same with your imaging. Get inspired by greats like the late Legend Nick Michaels and his still-syndicated The Deep End. Ideas for Secret Weapon Records are found there, too.

Here’s a freebie from a client:

“The core of this duo were classically trained studio musicians in New York before the heavy allure of Hollywood pulled them away. Like their friend Carlos Santana – they rotated musicians in studio sessions. This studio musician’s ONLY technique – gave every song a unique sound. They would peak in the 70s with their biggest work – ‘AJA.’  Also, working with a bevy of session musicians helped avoid ego fights in the creative process. A prosthetic phallus in William Burroughs’s novel ‘Naked Lunch’ gave them their name. Steely Dan IS (your ID).”

Aural Activator In Your Top Of The Hour

Better yet – put it in all of your imaging. Covered in my August 27th column, an Aural Activator is the sound that instantly identifies the brand. Think Intel Inside or McDonald’s “I’m Lovin’ It.” Often, McDonald’s branding only includes the first five notes of the jingle – without lyrics. You know it when you hear it.

A half-century back, legendary programmer Bill Drake created a signature drum sound to aurally ID his stations. Others used a Top Of The Hour tone – like CBS News does today. Is your market known for a ‘sound’? Nashville – music so perhaps a guitar riff. Seattle – the birthplace of Grunge. Indianapolis – race cars. Deploy a unique sound for your brand to aurally pop in the listener’s mind.

Actively Seek Emerging Talent – With Your Signal

Give interested kids your radio station. Seriously, engage students in your community with time on your radio station. As I discussed yesterday in Consultants Corner, work with local schools OR Boy and Girls Clubs to launch an after-school Radio Club.

Put interested emerging talent on early Sunday evenings. Nobody is at your radio station at that time and a well-trained student advisor would chaperone. Local interest will follow. Use your school’s P.T.O. as a mouthpiece to market it.

At a recent elementary career day, under my guidance, student teams wrote, voiced, and produced their own commercials. They were engaged and fascinated.

The challenge lies in being noticed amidst the noise. Developing innovation is a time investment. It requires patience, but the payoff is worth it.

From a Josh Spector newsletter, he challenged his readers to answer the following about what branding professionals do:

“Our brand is the only brand that ___________________.”

I would love to see your replies. Reach me here.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Aircheck: Jeff Christy (Rush Limbaugh) 1971 and 1974 In Pittsburgh

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Rush Limbaugh is a conservative spoken-word radio icon. It’s safe to say that Limbaugh changed the face of talk radio and paved the way for others like Sean Hannity, Glenn Beck, and Mark Levin.

Before replacing Morton Downey Jr. at KFBK in Sacramento in 1984 and going national in 1988, he held various jobs, including a stint in music radio in Pittsburgh, where he was known as Jeff Christy.

Listening to the aircheck, you can hear the familiar cadence and phrasing that would serve him well in talk radio.

Here are two airchecks from Pittsburg in 1971 and 1974.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.