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NHL Winter Classic Draws Under 1 Million Viewers on TNT, truTV

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Airing on New Year’s Eve this year, the NHL Winter Classic between the St. Louis Blues and Chicago Blackhawks averaged its smallest audience in the history of the game. The matchup, emanating from Wrigley Field in Chicago, drew 920,000 viewers on TNT and truTV, marking a 16% year-over-year decline, according to Jon Lewis of Sports Media Watch. Peak viewership for the matchup finished at 1.2 million viewers in the 6:45 p.m. EST quarter-hour.

Last year’s NHL Winter Classic between the Vegas Golden Knights and Seattle Kraken from T-Mobile Park averaged 1.1 million viewers, which represented the previous low point for the game. Yet that game and other iterations of the NHL Winter Classic generally aired on the first two days in January, but it reportedly moved to New Year’s Eve to avoid games within the expanded College Football Playoff.

The game accrued a 2.5 rating on linear television in the Chicago marketplace, down from the 5.8 mark registered by the locale when the team appeared in the 2019 version of the game airing on NBC. NHL Winter Classic games had averaged at least 3 million viewers in every year from 2008 to 2015, but over the last decade, the ratings have been on the decline. Over the last four seasons, TNT Sports has presented the game on its cable television network and has also made the matchup available to stream on Max.

Kenny Albert, Eddie Olczyk, Brian Boucher, Darren Pang and Jackie Redmond took part in the live game broadcast of the NHL Winter Classic airing on TNT and Max. The NHL DataCast concurrently presented the game on truTV and Max with John Forslund, Colby Armstrong and Mike Kelly on the call. TNT Sports also aired its NHL in ASL broadcast on Max with Jason Altmann and Noah Blankenship. The studio team, consisting of Liam McHugh, Paul Bissonnette, Anson Carter and Wayne Gretzky, broadcast live outside of Wrigley Field before and after the game on TNT, truTV and Max.

Warner Bros. Discovery is currently in the midst of a seven-year media rights contract with the NHL for a reported $225 million per year. The TNT Sports division will broadcast the Stanley Cup Final to conclude the 2024-25 season, marking the second time the game will be presented by the media conglomerate. Games throughout the 2023 Stanley Cup Final between the Vegas Golden Knights and Florida Panthers aired on TNT, TBS and truTV (excluding Game 5, which was on TNT and truTV) and averaged 2.6 million viewers.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

‘Babchik’s Morning After’ Moved to 6 a.m. EST Saturdays on SiriusXM Mad Dog Sports Radio

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SiriusXM Mad Dog Sports Radio has announced that it will air the Babchik’s Morning After program to 6 a.m. EST Saturdays on Mad Dog Sports Radio. The show re-airs at 6 p.m., 8 p.m. and 10 p.m. on Saturdays as well. Mike Babchik, who has worked at SiriusXM Mad Dog Sports Radio since the launch of the channel in 2008, hosts the program reviewing everything that has taken place on its airwaves over the week. The show previously aired one hour later on the channel; however, it has been moved coinciding with the addition of Patrick McEnroe’s new tennis show, titled Holding Court, available on SiriusXM satellite radio and the app.

During the weekday programming hours, Babchik is part of the four-hour morning drive show with Damon Amendolara that airs at 6 a.m. EST. Before he started hosting with Amendolara, he was working on the Morning Men show for parts of three years with Evan Cohen and Willie Colon. Babchik was a producer for the first show in the history of the station hosted by Christopher “Mad Dog” Russo.

Babchik’s weekend show explores the intersection of sports, pop culture and entertainment through discussions about a variety of topics pertaining to the station and other issues at large. In an interview with Barrett Sports Media last year, he articulated that the culture of the station begins with Russo, who goes about excoriating the station lineup on his show. Babchik also conveyed that there is synergy with midday host Cody Decker that he believes has turned into “a beautiful rivalry.” 

Babchik has been working with Amendolara on the morning program, titled The D.A. Show with Babchik, since October 2023, and the program broadcast from Media Row in Las Vegas ahead of Super Bowl LVIII last February. The morning show ranked No. 19 on the BSM Top 20 list for national sports radio shows last year.

Stuart Scott Died 10 Years Ago, Since Then He’s Been Often Imitated, Never Duplicated

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Hard to believe that this weekend will mark ten years since the passing of ESPN’s Stuart Scott, who we lost on January 4, 2015. Scott was just 49 years old when he died from appendiceal cancer, which he was first diagnosed with in 2007 after having his appendix removed.

July 16, 2014, is a night many sports fans will always remember. It was when Scott was honored with the Jimmy V Award at the ESPY Awards. It turned out to be his last public appearance before passing away. This was where Scott uttered his famous words, “When you die, it does not mean that you lose to cancer. You beat cancer by how you live, why you live and in the manner in which you live.”

ESPN has had many super talented anchors and a few that are the best of the best. From Chris Berman at the beginning up to Scott Van Pelt today, and in between, you had Dan Patrick and Keith Olbermann, Kenny Mayne, Rich Eisen and Stuart Scott. While the others are truly some of the best to ever do it, Scott was not only one of the best, but he also completely changed the game.

For most of us, Scott came into our lives in the mid-90’s on ESPN2. He was brought in because the network believed he could be relatable to a younger audience. Think about that for a moment. That is an issue many in broadcasting are dealing with today. It’s also something a heckuva lot easier said than done. I’d say it worked out pretty well for ESPN.

Scott was at WESH, the NBC affiliate in Orlando prior to landing at ESPN. He also had stints in Florence, South Carolina, and Raleigh, North Carolina after graduating from the University of North Carolina.

Those that knew Scott in his early days say it was obvious he was going to be a star in the business. People talk about how hard of a worker he was and clearly, he oozed talent and charisma. Throughout his career, you rarely heard anything but great things about Scott from those he interacted with. I had the chance to interview him over the phone a few times when he was writing for ESPN The Magazine and met him in person once at a golf major, and I can confirm he was as cool to talk to as you would imagine.

Those who worked with him at ESPN say Scott was the type of person who treated the janitor and the head of the network the exact same. One of those rare people who was universally liked and handled their success about as well as one can.

I can’t help but think what a Stuart Scott might be like in today’s media world if he were still with us. You get the feeling he would’ve loved to engage with people on social media and had some great posts. At the same time, Scott would be someone who would set a great example for everyone, by ignoring any hate that would’ve undoubtedly come his way. I can also see where he would be someone who would have meaningful things to say when things were at their worst and everyone needed people to help unify.

I feel like a Stuart Scott podcast would’ve been a home run or in his words, it would’ve been “as cool as the other side of the pillow.” Scott was really the first to bring culture and sports together in the way that he delivered the highlights. I’ve read where those who were at ESPN when Scott first started had told him to back off the hip-hop references and not to push things too far. Thank goodness Scott stuck to his guns.

From “Boo-Yah!” to “Hallah,” to “He must be jelly cause jam don’t shake like that,” to “Can I get a witness from the congregation!?” Scott had a flare and a style that nobody had really had before him, and everyone wanted to attempt after him.

When you think of a lot of the successful sports broadcasters today, you can almost see the influence Stuart Scott had on them in some way, shape or form. He was a broadcaster, but he was an entertainer. He looked like he was having the time of his life delivering sports news to his audience.

We were all lucky to get to witness the talents of Stuart Scott and to have the memories of what he did when he brought something completely new to our television screens. Gone, but never forgotten, Stuart Scott was truly one of the most talented sportscasters in history and he was someone who would score quite high if you measured his life simply by how he lived, why he lived and in the manner in which he lived.

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The Best/Worst Thing I’ve Heard/Watched/Read Recently

Say what you want about any one individual college football broadcaster on ESPN’s roster, but as a whole this group is hard to beat. The ESPN college football talent has been busy with the inaugural 12-team College Football Playoff and despite several of the games being one-sided, the ESPN crews have it covered wall to wall.

For me, I always feel like the people who are working on college football programming on ESPN are as passionate if not more passionate about the game than I am. It’s all very genuine. Whether it is the guys on College GameDay, the play-by-play crews calling games or those back in the studio, you just feel like everyone is on the same ride.

The flip of the calendar sadly means college football is almost coming to an end, so let’s all soak in the remaining time we have for this year. Tip of the cap to the ESPN (and TNT) crews knocking this year’s coverage out of the park.

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In Case You Missed It

I’m a big fan of John Ourand’s work with Puck. While I do miss he and Andrew Marchand doing a podcast together, in this new world of content consumption, it makes sense why both Ourand and Marchand made career moves this year. Derek Futterman had the chance to talk with John about his move and why it made so much sense for him.

I really liked Ourand’s comment when he said to Derek, “People feel that I’m writing right to them, and it invites people to respond to me, and in ways that writing for a magazine and having a byline or even a website and just sort of having a byline doesn’t quite work. All you have to do is hit ‘Reply,’ and our style of writing and our way of getting things out makes it very conversational, and that just seems to work really well for us.”

Make sure if you missed it, you check out Derek’s feature on John by clicking here.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Amazon’s Prime Video Registers its Most-Watched ‘Thursday Night Football’ Regular Season

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Amazon’s Prime Video has secured its most-watched season of Thursday Night Football over the three seasons it has had the package, with the Big Data + Panel from Nielsen Media Research registering an average of 14.23 million viewers across 15 games. Nielsen introduced this measurement system before the start of the 2024 season, which combines data points from 45 million households and 75 million devices. Based on its methodology and a one-minute qualifier, the Thursday Night Football season was viewed by 91.1 million unique U.S. viewers, a 27% increase from the inaugural 2022 season. The peak viewership across the 15-game Thursday night slate was calculated at 15.93 million viewers.

In reviewing data from Nielsen’s Panel Only measurement, the broadcast property averaged 13.2 million viewers, indicative of an 11% rise in average viewership. When including the Black Friday Football game into these measurements, viewership proliferates to a 13% year-over-year improvement with an average of 13.22 million viewers. For the third consecutive year, Thursday Night Football featured a broadcast team of Al Michaels, Kirk Herbstreit and Kaylee Hartung.

“We could not be more proud of our partnership with the NFL, our viewership growth and the innovations we’ve initiated for fans and brands over these first three seasons of TNF on Prime,” Jay Marine, global head of sports and advertising at Prime Video, said in a statement. “Our production and tech teams are best-in-class, and with AWS and our outstanding team of data scientists, we’re pioneering the use of AI to advance the presentation of live sports in exciting ways, and we are just getting started.”

Within its second consecutive year of double-digit growth, Prime Video also garnered best-ever audience figures in P18-34, P18-49 and P25-54 demographics. The median age of viewers tuning in for Thursday Night Football coverage is 49 years, approximately seven years younger than the average median age for viewers watching the NFL on linear television. The P18-34 group averaged 2.61 million viewers (+9% YoY) for Thursday Night Football, which scored as the most-watched prime time NFL game of the week in the demographic eight times. Data also evinced that 7% of viewers in the P18-34 demographic were watching prime time broadcast television during the Fall 2024 season. Moreover, twenty percent of viewers for the broadcast property encompassed this group.

As it pertains to the P18-49 demographic, Thursday Night Football averaged 5.99 million viewers in the category (+9% YoY), which included 45% of viewers for the broadcast property. The P25-54 demographic averaged 6.55 million viewers, the highest in the history of the broadcast property. All three of the aforementioned demographics surpassed previous all-time highs set in 2015 when Thursday night games were split between CBS Sports and NFL Network. Furthermore, average viewership for Thursday Night Football among females was up 10% year-over-year, amassing 4.23 million viewers per game.

The TNF Tonight pregame show drew an average audience of 1.53 million viewers, a 10% year-over-year increase. The subsequent TNF Kickoff show, which also features Charissa Thompson, Andrew Whitworth, Ryan Fitzpatrick, Tony Gonzalez and Richard Sherma, had a P2+ audience of 5.59 million viewers, a 6% year-over-year improvement. Following the conclusion of the matchup, the 10-minute TNF Postgame show averaged 4.42 million viewers (+12% YoY) while the half-hour TNF Nightcap elicited an average of 2.04 million viewers. Additionally, Nielsen data conveys that the median household income for Thursday Night Football viewers is $101,800 during the 2024 season, estimated to be 16% higher than audiences of NFL games on linear networks.

Amazon is on the verge of completing its third season of Thursday Night Football, the second year under a 10-year broadcast agreement with the NFL for a reported $1 billion per season. The company will broadcast its first NFL playoff game within the Wild Card round this month in a matchup to be determined.

Starting last season, the company began televising an exclusive NFL game on Black Friday, with this year’s tilt between the Kansas City Chiefs and Las Vegas Raiders. The game averaged 13.51 million viewers (Nielsen Panel measurement), representing a 41% year-over-year increase, with viewership peaking at 18.68 million viewers (+60% YoY). The Week 14 game between the Green Bay Packers and Detroit Lions averaged 18.48 million viewers (Nielsen Big Data + Panel measurement), the most-watched game of the season and in the history of the franchise on Amazon.

A full list of P2+ average minute audience (AMA) viewership, as measured by Nielsen’s Big Data + Panel, can be found below:

WeekDateVisitorHomeAMAPeak AMA
2Thursday, Sept. 12Buffalo BillsMiami Dolphins15.79 million18.82 million
3Thursday, Sept. 19New England PatriotsNew York Jets14.80 million17.11 million
4Thursday, Sept. 26Dallas CowboysNew York Giants17.61 million19.65 million
5Thursday, Oct. 3Tampa Bay BuccaneersAtlanta Falcons13.22 million14.86 million
6Thursday, Oct. 10San Francisco 49ersSeattle Seahawks13.91 million15.61 million
7Thursday, Oct. 17Denver BroncosNew Orleans Saints10.64 million12.65 million
8Thursday, Oct. 24Minnesota VikingsLos Angeles Rams13.76 million15.07 million
9Thursday, Oct. 31Houston TexansNew York Jets12.82 million14.57 million
10Thursday, Nov. 7Cincinnati BengalsBaltimore Ravens14.58 million16.28 million
11Thursday, Nov. 14Washington CommandersPhiladelphia Eagles15.51 million17.48 million
12Thursday, Nov. 21Pittsburgh SteelersCleveland Browns14.79 million16.34 million
13Friday, Nov. 29Las Vegas RaidersKansas City Chiefs13.51 million17.98 million
14Thursday, Dec. 5Green Bay PackersDetroit Lions18.48 million20.29 million
15Thursday, Dec. 12Los Angeles RamsSan Francisco 49ers13.36 million14.39 million
16Thursday, Dec. 19Denver BroncosLos Angeles Chargers11.94 million12.94 million
17Thursday, Dec. 26Seattle SeahawksChicago Bears11.69 million12.95 million

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

The Pulse: 2025 Goals, Community Connections, And Radio Industry Happenings

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Happy New Year. 2025 is here. With each new year comes everything from resolutions in your personal life to the promise to take a fresh look at how you are doing things in your professional life.

When I was programming, I laid out goals quarter by quarter, knowing that celebrating wins along the way kept everyone more focused than huge year-long initiatives, which allowed for loss of focus because it was easy to lose sight of progress.

Some New Year’s resolutions and goals I would love to see on radio lists include.

Encourage content creation. It’s hard to believe, but I have worked with people who used vague terms in talent contracts to prohibit them from starting a podcast or their YouTube channel.

The absurd and narrow thinking was that the talent should be 100 percent focused on their show, and any form of brand extension would dilute the on-air product.

PS The talent in question left at the term of his contract and is flourishing in a large market both on air and online.

Improve the quality of commercials. It is hopeless that huge spot loads will decrease, so at least make them high-quality. Some companies’ idea of production hubs should allow for something that doesn’t sound like, “That Max’s Toyota on Highway 15 next to McDonald’s followed by the phone number three times.” Even if you are not one of those companies, there are creative people in your company; use them and don’t rely on AE’s to write copy. It will come to you way too long and way too boring.

Speaking of commercials and sellers, TRAIN THEM! At least once a quarter, in the middle of a sales meeting, I would pick on one seller and ask the question, “What is the lineup on our rock station?” I never once had them get it right, and a couple of times, I was asked, “Which one is the rock station?” It’s inexcusable.

I know this one is hard, with some stations looking at corporate playlists and top-down management. But take some musical chances. I was always a proponent of a tight playlist. I once programmed a Top 40 in a large market with 120 songs: a total cume play and a market leader.

Not everyone is in that position, and I love stations that find a spot within their playlists for music discovery. The battle has largely been lost to the DSPs, but with the proper setup, new music can have a positive impact.

I especially like to see this in Country, where there is so much product coming out of Nashville. It can be effective if you ring the bell, package it around your powers, and don’t overdo it.

Saying Live and Local doesn’t make it so. Recommit to getting your people, regardless of how many or few you have, into the community to take advantage of and create what KSON San Diego PD Scott Roddy calls “white hat moments.”

Be honest and transparent with your staff. I used to say, “You may not like what I’m going to tell you, but it will be the truth.” Ask for their opinions and include them in the process. And “be there” when they need you. Don’t look at your email, pick up the phone, or schedule music when they need your time.

Lastly, one of the four covenants of the “Fish Philosophy” HAVE FUN!

Community Connections:

HeartMedia San Diego’s eight radio stations collaborated for the seventh annual iHeart Rady Children’s Giveathon on December 11 and 12, aimed at supporting Rady Children’s Hospital-San Diego. Listeners raised $437,264 through phone, text, and online donations. The funds will help acquire lifesaving technology, advance pediatric research, and support programs that provide essential care for children in need, including those without private medical insurance.

WSB-FM Atlanta has made this holiday season unforgettable for several local families with its initiative, “Tad, Drex & Kara’s Merry Little Christmas.” Thanks to the kindness of B98.5 listeners and sponsors, ten families will find gifts beneath their trees on Christmas morning.

In its eighth year, B98.5 invited listeners to nominate families in need of a little extra cheer during the holidays. Each nominated family shared a poignant story, facing challenges such as medical issues, the loss of loved ones, unsafe living conditions, and even the trauma of a child affected by a school shooting. With many of these families unable to provide gifts this year, B98.5 stepped in to offer support and joy.

Industry Happenings:

The Country Radio Seminar has released further details regarding the Y’All Means All: Diversity Breakfast, which is scheduled for Wednesday, February 19, at CRS 2025. This year’s event will host a panel focused on promoting diversity and inclusion within the Country music industry.

Tiffany Provenzano, Director at Equal Access/Theory, will moderate the panel, which will feature an esteemed group of participants, including The War & Treaty, Brooke Eden, Sean Copeland, Program Director of Hank-FM Radio One Indianapolis, and Shannon Sanders, Executive Director of Creative at BMI.

Add ons:

iHeartMedia is celebrating a surge in yuletide digital listening as the company shares its initial results from this year’s Christmas music campaign. iHeart Christmas, an all-digital station, reported sessions up 300% on the iHeartRadio app compared to 2023.

The platform reported nearly 200 million holiday radio listening sessions across phones, laptops, smart speakers, and other devices. Seven of December’s top 10 digital stations were Christmas-themed, including iHeart Christmas, North Pole Radio, iHeart Christmas Classics, and iHeartCountry Christmas.

Bit Of The Week:

In future weeks, The Pulse will include the “Bit Of The Week.” If you want to be featured, please send me an mp3 of your best, most recent bit to jeff@barrettmedia.com.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Audacy AE Billy DiMaio Killed In New Orleans Terror Attack

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New York-based Audacy Enterprise and Performance Sales Account Executive Billy DiMaio has been identified as one of the fourteen victims of the New Year’s terrorist attack in New Orleans.

Twenty-five-year-old DiMaio, a resident of Holmdel, NJ, joined Audacy in March 2023 as a Performance Sales Account Manager. He received a promotion to his current position in November.

An Audacy spokesperson said, “We are heartbroken to learn of the passing of Billy DiMaio, a New York-based Account Executive, in the terrorist attack in New Orleans. Beyond his professional achievements, Billy will be fondly remembered for his unwavering work ethic, positive attitude, and kindness. He was a true asset to the Audacy team, and his contributions and presence will be deeply missed. Our thoughts are with Billy’s family and friends during this exceedingly difficult time, and we extend our deepest sympathies to them and every member of the Audacy family who had the privilege of working with him.”

Audacy CEO David Field wrote in a memo to staff. “Billy began his journey with the company two years ago as a New York-based Account Manager and was recently promoted to Account Executive on the National Enterprise and Direct Response team. He was much loved, respected, and appreciated. Beyond his professional achievements, Billy will be fondly remembered for his unwavering work ethic, positive attitude, and kindness.”

Field continued, “He was a true asset to the Audacy team, and his contributions and presence will be deeply missed. It was clear to all that Billy had the talent and character to ensure a very bright future, and his sudden passing has left a profound void in the hearts of all who knew and worked with him. Our thoughts are with Billy’s family and friends during this exceedingly difficult time. We extend our deepest sympathies to them and every member of the Audacy family who had the privilege of working with him.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Diamond Sports Group Officially Emerges from Ch. 11 Bankruptcy as ‘Main Street Sports Group’

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Diamond Sports Group has officially emerged from Ch. 11 bankruptcy, the conclusion of litigation to position itself for bolstered operational and financial performance. The company, which has been renamed as Main Street Sports Group, has a “significantly deleveraged balance sheet” under the restructuring support agreement that was approved by the U.S. Bankruptcy Court for the Southern District of Texas in November. Main Street Sports, which is doing business as FanDuel Sports Network under a naming rights agreement with FanDuel Corporation, currently has 13 NBA teams, eight NHL teams and eight MLB teams within its broadcast portfolio of 16 regional sports networks.

Under its reorganization plan, Main Street Sports Group has diminished approximately $9 billion of pre-petition debt to $200 million. Last week, the company agreed to a deal to retain the Milwaukee Brewers among its group of MLB teams, producing and disseminating games for the 2025 season. The company also has a minority interest in the YES Network, the local broadcast home of New York Yankees baseball and Brooklyn Nets basketball. Main Street Sports Group, formerly known as Diamond, also agreed to a multi-year deal with Amazon’s Prime Video that allows users to access the RSNs as an add-on subscription for consumers living in designated geographic areas.

“Emerging from this process is the culmination of over 20 months of incredibly hard work to transform our business and position us to better serve passionate local fans across our markets,” David Preschlack, chief executive officer of Main Street Sports Group, said in a statement. “I am deeply grateful to everyone who made this restructuring possible – our new owners, partners, advisors, and especially our dedicated employees. With a stronger balance sheet, key partnerships, supportive new owners, we are modernizing our business to thrive in a changing media landscape.”

Before the restructuring support agreement was approved in November, MLB and the Atlanta Braves had filed an objection to the plan. The entities withdrew this objection ahead of the confirmation hearing upon reaching an agreement with the Braves on revised deal terms, including granting then-Diamond Sports Group streaming rights. The Detroit Tigers, Los Angeles Angels, Miami Marlins, St. Louis Cardinals and Tampa Bay Rays also renegotiated their contracts with the company prior to receiving approval to emerge from bankruptcy.

A full list of MLB, NBA and NHL teams that air games on FanDuel Sports Network RSNs around the country can be found below:

Major League BaseballNational Basketball AssociationNational Hockey League
Atlanta BravesAtlanta HawksCarolina Hurricanes
Detroit TigersCharlotte HornetsColumbus Blue Jackets
Kansas City RoyalsCleveland CavaliersDetroit Red Wings
Los Angeles AngelsDetroit PistonsLos Angeles Kings
Miami MarlinsIndiana PacersMinnesota Wild
Milwaukee BrewersLA ClippersNashville Predators
St. Louis CardinalsMemphis GrizzliesSt. Louis Blues
Tampa Bay RaysMiami HeatTampa Bay Lightning
Milwaukee Bucks
Minnesota Timberwolves
Oklahoma City Thunder
Orlando Magic
San Antonio Spurs

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Scott Jameson Named Brand Manager of 105.7 The Fan in Baltimore

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Radio veteran Scott Jameson has been named to the position of Brand Manager for Audacy’s 105.7 The Fan in Baltimore. Most recently, Jameson was Vice President of National Content for Beasley Media, a position he held since 2020. Prior to that, Jameson oversaw Cumulus’ 33 Classic Rock stations.

“We are excited to welcome Scott to the 105.7 The Fan family. His impressive track record in radio programming and community engagement will be instrumental in driving our brand forward,” said Tracy Brandys, Senior Vice President and Market Manager, Audacy Baltimore in a release. “Scott’s passion for sports and deep understanding of the media landscape make him the perfect fit to lead our team as we continue to deliver top-notch content to our listeners.”

Jameson has not previously held a Program Director position in sports radio, however, is known throughout the industry as a strong talent coach in all formats, including sports, having worked with the likes of Tony Siragusa and Michele Tafoya. Earlier in his career, he served as Executive Producer of the Atlanta Falcons Radio Network and was a producer for the Indianapolis Colts Radio Network.

“Audacy is the industry leader in sports audio, so I’m looking forward joining the team of content creators and talk talent at 105.7 The Fan in Baltimore. We’ll build on our passionate sports community with fun, energy and a rock-n-roll attitude. Game On. Thanks to Tracy Brandys, Mark Hannon and Jeff Sottolano. Special thanks to Mike Thomas and Chris Oliviero for their support.” said Jameson.

Jameson replaces Chuck Sapienza, who mutually agreed to part ways with Audacy Baltimore at the end of the year, an announcement which was made in late November. Sapienza had been with the station since 2017.

Jameson will inherit a station which has consistently produced strong ratings, often finishing 1st in the market among Men 25-54. 105.7 The Fan’s lineup consists of The Big Bad Morning Show, Vinny & Haynie, and Inside Access with Jason LaCanfora and Ken Weinman.

Jacobs Media president Fred Jacobs said this previously about Jameson, “Programmers tend to come in two different varieties – analytics and creatives. Scott is one of those rare leaders with a great balance in both spheres.  Add to that his collaborative skills, getting the most out of talent and his “think big” mindset, and you’ve got a gem of a brand manager.”

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Music Radio Has 16 Of The Top 20 Share Leaders in December 6+ PPM

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Music Radio has 16 of the top 20 market-leading stations in Average Quarter Hour Share Persons 6+, Mon-Sun 6 AM-Mid December PPM.

Not surprisingly, with many AC stations flipping to Christmas, the format places the most stations. Here are the stations that set the pace as the Music Radio leader in their market.

From Nielson Audio AQH share persons 6+ Mon-Sun 6 am to 12 am PPM Markets December 2024

iHeartMedia’s Classic Hits WMJI Cleveland 10.8- 16.3

iHeartMedia’s Adult R&B KJMS Memphis 16.0-15.4

iHeartMedia’s AC WNIC Detroit 8.8-13.1

Audacy’s Adult R&B WQMG Greensboro 12.9-12.3

Audacy’s AC WRCH Hartford 10.2-12.5

iHeartMedia’s AC KESZ Phoenix 8.3-12.3

Renda Broadcasting’s WEJZ Jacksonville 7.7-12.0

iHeartMedia’s AC WMAG Greensboro 5.8-11.8

Bonneville’s AC KSFI Salt Lake City 7.5-11.4

iHeartMedia’s AC KODA Houston 7.7-11.1

Urban One’s AC WYXB Indianapolis 8.7-10.9

Audacy’s AC WRVR Memphis 9.2-10.9

iHeartMedia’s AC KKCW Portland 7.4-10.8

iHeartMedia’s Classic Hits KQQL Minneapolis 6.8-10.7

Steel City Media’s Adult Hits Pittsburgh WRRK 9.6-10.5

Midwest Communications AC WJXA Nashville 8.5-10.2

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.

Patrick McEnroe to Host New Tennis Show ‘Holding Court’ on SiriusXM’s Mad Dog Sports Radio

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SiriusXM has announced it has added Patrick McEnroe to its team. McEnroe has spent a lifetime in tennis and experienced the sport as a player, team captain, coach, executive and broadcaster. He will host a new weekly show, Holding Court, which will be dedicated to tennis and the world of racquet sports.

The show will debut Saturday, January 4 at 7 a.m. ET, one week prior to the start of tennis’ first Grand Slam event of the season, the Australian Open. The one-hour show will air every Saturday morning throughout the year on SiriusXM’s Mad Dog Sports Radio channel.

Sirius said McEnroe “will cover the latest news and topics from the world of professional tennis, share instructional advice and equipment tips with players of all skill levels, and expand the conversation to other racquet sports including the growing game of pickleball.” Additionally, McEnroe will veer off into other sports such as college football, baseball, basketball and more.

“I’m really excited to be working with SiriusXM and to have a platform where I can talk with tennis fans like me across the country,” said McEnroe in a release. “I’ll share my thoughts on the game today on every level, from the Grand Slams to the weekend matches at your town courts, and I’m looking forward to taking calls and hearing our listeners’ views as well. We’ll also have the freedom to expand our weekly conversations to other racquet sports and the big stories in the other pro sports that we’re fans of as well. This will be a fun wide-ranging conversation every week and I can’t wait to get started.”

“Tennis enthusiasts have been underserved when it comes to audio content related to their favorite sport. ‘Holding Court’ is addressing that unmet need for those fans,” said Scott Greenstein, SiriusXM’s President and Chief Content Officer. “Nobody knows more about the game than Patrick. He brings an incredible wealth of knowledge and experience to this new show and we’re thrilled to have him sharing his perspective on racquet sports and more with our listeners every week.”

McEnroe won 16 doubles titles and reached a career-high ranking of #3 in the world in doubles. He won the men’s doubles gold medal at the 1987 Pan American Games with Luke Jensen, the French Open men’s doubles title in 1989 with Jim Grabb and the Paris Indoor with his brother John in 1992. In the Davis Cup, McEnroe represented his country as a doubles player in 1993, 1994 and 1996.

McEnroe has worked as a tennis commentator for ESPN since 1995 as a play-by-play voice, analyst and studio host. 

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