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Why Dan Bongino Returned to Radio But Not to His Old Timeslot

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Dan Bongino is back on broadcast radio, and he’s making up for lost time with two shows on the Westwood One network. The former Secret Service agent and podcast host launched The Bongino Report AM and The Bongino Report PM this month, marking his return to the medium that first gave him a platform nearly a decade ago. For Bongino, the comeback isn’t just a career move — it’s a homecoming.

Bongino credited stations like WMAL and WCBM in Baltimore for giving him his start.

“They took a chance on me a decade ago and let me guest host the show during guest host seasons, summers, and holidays,” Bongino said. He added that the medium clicked with him instantly, much like it did for a broadcasting icon he’s long admired.

Bongino compared his own experience to that of Sean Hannity.

“I think Hannity said the same thing — when the on-air light went on the first time, he just kind of knew this was for him,” Bongino said. Radio, he explained, has always felt like home to him, and that feeling never faded during his time away from the microphone.

A Measured Return

Rather than diving back into every format at once, Bongino took a gradual approach to his comeback. He described the process as “crawl, walk, run,” pointing to his responsibilities as a father as the driving force behind the pace.

“I’m a dad first. I have a young daughter at home, and I have a family I have to take care of first,” Bongino said. He also referenced his time serving in the current administration as a factor in the timeline.

Even the return of his podcast came with adjustments. Bongino noted that shifting the show’s start time created new challenges around length and structure.

“We wanted to go into that 11 o’clock hour and be able to extend the podcast with interviews,” Bongino said. He acknowledged the timing added difficulty, since he came back during what he called a lull for conservative media following the election.

Bongino chose afternoon drive and a new morning slot for his broadcast return instead of stepping back into his old 12 to 3 p.m. window, which Vince Coglianese now holds down. He made clear the decision wasn’t about ratings or competition, but about respecting the people who filled in during his absence. “Vince was doing a great job in that 12 to 3 spot, and you have Clay and Buck over there who are great, and Dana (Loesch) and others in that spot,” Bongino said.

Consequently, he opted not to disrupt what he called the radio ecosystem, choosing instead to build something new around the existing lineup, even if it meant him moving to a different timeslot. That mindset extends beyond scheduling. Bongino pointed to his friendship with Hannity as proof that success in radio doesn’t have to come at someone else’s expense.

“There’s only one thing I can control, and that’s myself,” Bongino said. “The guy who gave me my start, the king of drive time, 3 to 6, Sean Hannity, is on pretty much every station across the country. So these are all friends. I never viewed it as a zero-sum game. I get that maybe some others do, and that’s ok. I’m not mad at people for being competitive — it’d be silly. I’m a capitalist, too.”

Why Radio Still Matters

Despite building a massive podcast audience, Bongino insists broadcast radio carries a unique kind of influence. He recalled meeting a couple from Wisconsin at a wedding who told him his commentary on a local station had shaped how their community viewed a political issue.

“That’s the power of radio,” Bongino said. “I’m not telling you it isn’t there with podcasting — you have listeners anywhere. But it’s just different.”

For Bongino, the intimacy of audio-only content is what separates radio from nearly every other medium.

“There’s something about hearing a voice,” Bongino said. “There’s no visuals, so there’s an intimate nature to the audio-only medium that I think is really difficult to replicate anywhere else.”

He doesn’t see that connection fading anytime soon, regardless of how much the media landscape continues to shift.

That belief also shapes how Bongino approaches mentorship within his growing team, which now includes rising talents like Shawn Farash, Vince Coglianese and Haley Caronia. Bongino explained that he and his staff look for an intangible quality in emerging hosts, one he likened to the French phrase “je ne sais quoi.”

“You don’t really know what it is, but you know it when you see it,” the Westwood One host shared. He said that instinct guided him toward each of the personalities now sharing his platform.

Ultimately, Bongino framed his radio return as part of something larger than his own career.

“The show’s about the movement. If the movement dies, I don’t really care about this — it’s irrelevant,” Bongino said.

He said passing opportunities to the next generation, just as Hannity, Mark Levin and Glenn Beck once did for him, remains central to keeping that movement alive long after his own run in the industry ends.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Why Netflix Must Soon Decide if Paying More for Less Sports Is a Winning Strategy

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Netflix is in a quagmire of sorts with its live sports strategy. As much as I hate the notion of paying an added fee to watch the product I’ve always enjoyed on cable, I understand the shift in consumer behavior.

But Netflix is in a precarious position with its sports strategy, and I’m not convinced it can truly tame the beast it has purchased.

Netflix carried its first non-Christmas Day NFL broadcast Thursday. The viewership figures were not pleasant. An average of 18.5 million viewers in the United States tuned in for the NFL’s debut in Australia. Despite heavy promotion and marketing, the kickoff of the NFL on Netflix hit a new domestic viewership low.

So, is Netflix’s live sports approach working?

To start, let’s not kid ourselves. Any broadcast network would love to have 18.5 million viewers watching a four-hour telecast. But Netflix operates in a different hemisphere than your traditional network.

That distinction matters.

Paying More For Less

Earlier this year, Netflix and the NFL extended their agreement through the 2029-30 season. That essentially gives Netflix the same term as every other NFL network partner, outside of ESPN, whose agreement expires a season later. Reporting places Netflix’s cost for five games this season at around $500 million.

That means Netflix is paying roughly $100 million per game.

For comparison, FOX Sports and CBS Sports each pay about $2 billion for their NFL packages. NBC Sports pays roughly $2 billion for its package, while Prime Video pays $1 billion for Thursday Night Football.

Those networks and Prime Video get significantly more bang for their buck. Their per-game costs are far lower because they receive substantially more inventory. That’s why it’s more important for Netflix to hit home runs with their real estate instead of legging out doubles.

Habits are hard to break. They’re even harder to create. However, this is Year 3 for Netflix and the NFL. This isn’t Year 1, when establishing a habit could be the primary goal. Is the platform seeing growth? That depends on what you consider growth.

Netflix U.S. Viewership — Sports Events (NFL Regular Season)

YearEventAverage Viewership
2026NFL: 49ers vs. Rams (Melbourne)18.5 million
2025NFL: Lions vs. Vikings (Christmas)27.5 million
2025NFL: Cowboys vs. Commanders (Christmas)19.9 million
2024NFL: Steelers vs. Chiefs (Christmas)24.1 million
2024NFL: Ravens vs. Texans (Christmas)24.3 million

Netflix U.S. Viewership — Sports Events (MLB 2026)

YearEventAverage Viewership
2026MLB: Field of Dreams Game1.66 million
2026MLB: Home Run Derby5.3 million
2026MLB: Opening Night3.0 million

Looking at the U.S. average viewership for Netflix’s NFL events, Thursday’s game was the lowest. If Netflix can’t grow its audience with the NFL, what can it grow with? The same concern exists with Netflix’s MLB strategy.

This year has been a difficult one for the platform’s performance with Major League Baseball. The Field of Dreams Game delivered its lowest audience ever, while the Home Run Derby produced its lowest viewership since 2003. That followed a surprising 2.97 million average viewers for MLB Opening Night.

The simple point is this: Not everyone has Netflix, despite what your kids may tell you.

Developing Habit

Sports fans have habits that have developed over generations. The NFL is expected to be on FOX Sports, CBS Sports, NBC Sports and ESPN/ABC. Why? Because it’s a week-to-week sport, and those networks have established that expectation with viewers.

Netflix has an expectation with its subscribers, too. But that expectation isn’t sports. It also may never become sports. That’s where the quagmire lies.

Netflix pays more but delivers less.

It’s difficult to create a sports viewing habit when your platform only provides five of 285 games during the NFL regular season. How can any platform realistically expect sports subscriptions to follow when it owns such a small piece of the football schedule?

The same can be said about Netflix’s MLB strategy.

The company reportedly paid $60 million for three MLB events this season. That’s roughly 25% of what NBC Sports paid for its MLB package this year, yet NBC Sports carried more than 60 games. This is where the conversation needs to move beyond ratings.

Netflix doesn’t necessarily need to produce the largest audience. It needs to produce enough audience, engagement and business value to justify what it is spending. That is a much different measurement. Netflix doesn’t need to abandon live sports. It needs to decide what it wants live sports to accomplish.

If the strategy is to use marquee events to create appointment viewing, attract new subscribers and establish Netflix as a legitimate destination for sports, the early returns should be concerning. Paying a premium for a fraction of the inventory only works if that fraction delivers an outsized return. Otherwise, Netflix is simply paying more to reach fewer people with less product.

That may be sustainable for a company with Netflix’s resources. But it isn’t necessarily sustainable as a strategy.

What’s The Win?

The NFL and MLB provide Netflix with some of the most recognizable sports properties in the world. If those events can’t consistently move the needle, Netflix has to question what will. Sports rights are only valuable when the audience, engagement and business results justify the investment.

And that’s the question Netflix eventually has to answer.

Is the value of being associated with the NFL and MLB enough to justify paying a premium for a limited amount of inventory? Can those marquee events actually drive new subscriptions, retain existing customers and change the way consumers view Netflix?

If the answer is yes, Netflix can afford to absorb a few disappointing nights along the way.

If the answer is no, the company has a much bigger problem than a low rating.

The good news? Netflix has time to figure this out. What it doesn’t have is an unlimited amount of time to convince itself the strategy is working. At some point, paying more for far less has to be more than a bold move. It has to be a winning one. If the early signs are any indication, Netflix should start rethinking that strategy sooner rather than later.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Music Industry Politics: Avoiding Celebrity Political Commentary Mistakes

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Last week I was meeting with a new morning show hire. My direction was clear: be authentic, live your life on the radio, be real and emotional, and NEVER talk about your political views. Obviously, this was a music station, not conservative talk where you’re expected to take a side. With Election Day just weeks away, stay away from politics — unless you have superstar status.

It might be the same for artists and companies. Bruce Springsteen clearly takes a stand against the Trump administration when he is on stage. But he’s Bruce, and his fans expect that and agree with him. Meanwhile, when much less popular Macklemore pushed a strong Pro-Palestine message while opening for Ed Sheeran in New Jersey, the negative feedback was strong. Sadly, it spilled onto Ed as well. P!nk reposted an Instagram message from StopAntisemitism that called Macklemore’s performance “awful” and argued that concertgoers were owed apologies and refunds. Consequently, her 12 million followers became involved. Macklemore’s words became newsworthy.

Celebrity Influence and Political Risk

Jellyroll guest hosted Jimmy Kimmel’s late-night show. Knowing that Jimmy’s audience leaned to the left, he made fun of Trump during his monologue. Something country stars are not expected to do. Remember what happened when the Dixie Chicks slammed then President Bush? Similarly, Jellyroll probably helped his image with pop music fans, but alienated some of his core base. Moreover, he was reportedly uninvited from a law-enforcement fundraiser at Mar-a-Lago following the Trump jokes. But I’ll bet he found something else to do that night.

Nike is in the news as the company’s value has dropped dramatically. Indeed, they were dropped from the S&P 100. Sports commentators like Craig Carton attribute part of that to their liberal lean. Additionally, some even draw a comparison to the ill-fated Dylan Mulvaney ads that knocked Bud Light’s sales into decline a few years ago. Perhaps Nike execs will think back to the famous Michael Jordan line when he refused to take a political position. Republicans buy sneakers too.

The Divided Landscape

We live in a very divided world right now. There are haters ready to pounce on any missteps you make. Frankly, I think it’s unfortunate. Deep down, I believe most people are somewhere in the middle on most issues. However, the voices on the extreme ends of each side are the loudest. Especially on social media, where everyone has their own “show”. Imagine the fallout if your biggest PPM meter holder was on the other side of the aisle. What if they heard a political opinion you stated on air? Or worse — your biggest advertiser.

If you’re playing the greatest hits of all time on the radio and want to talk about your political beliefs, here’s my advice: Just DON’T Do It!

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Why Femi Ayanbadejo’s Road to 105.7 The Fan Was Anything But Conventional

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Often times, the greatest stories to tell in sports are the ones no one expected to happen. Obafemi (‘Femi’) Ayanbadejo was an undrafted free agent after playing two seasons at San Diego State University. With no guarantees, Ayanbadejo navigated his own path to a successful eight-year career in the NFL, earning a Super Bowl championship with the 2001 Baltimore Ravens.

His second act following the NFL also provided no guarantees. After earning his MBA from Johns Hopkins University’s Carey Business School, he co-founded several companies focused on health and fitness, with an eye toward analytics. However, his foundation in sports remained rooted in a calling to serve the industry after his playing career. That’s when Ayanbadejo began to hear another calling: sports radio.

“Radio chose me. I don’t think I chose radio,” says Ayanbadejo.

Thirteen years into answering that calling, with plenty of different experiences along the way, Ayanbadejo earned his first full-time weekday hosting role at Baltimore’s 105.7 The Fan.

Embracing The Role

Following Jason La Canfora’s departure from the radio station earlier this year, the long-running Inside Access program was in search of its newest contributor. Ayanbadejo, a longtime station contributor who co-hosted a Saturday program with Bruce Cunningham, immediately expressed interest in the opening.

“I felt the lines between journalistic news and content creators is very blurred. People are more interested in getting it first instead of right. That doesn’t sit well with me. No one should assume to know how an athlete, coach or someone in the front office is thinking,” explained Ayanbadejo. “I wanted to bring open-forum debate because I’m at the crossroads of athlete, access and accountability. I have a ton of experience to bring to the table.”

Five months after La Canfora’s exit, 105.7 The Fan elevated Ayanbadejo from weekends to afternoon drive alongside Tim Barbalace and Ken Weinman, two longstanding members of The Fan’s lineup.

“These incremental touchpoints I’ve experienced led to this point, which I couldn’t predict,” says Ayanbadejo. “These roles are hard to get. I know what a privilege and an honor it is to get this role. I’m planning to have a great time doing it.”

The territory of sports radio is nothing new for the former Ravens Super Bowl champion. Since 2013, he’s built a radio and media resume many hope to achieve over a career. Weekly guest appearances on radio and podcasts, along with valuable time with the Baltimore Ravens radio network, have given Ayanbadejo a foundation for his next journey.

He felt the natural transition was to join Barbalace and Weinman, both of whom he has personal and professional relationships with.

“Although they’ve been gracious with my addition, I’m in their house. I’m the new guy in town, not them. That’s how I feel,” notes Ayanbadejo. “I just need to get my reps, getting comfortable earning my third of the responsibilities. They’ve made it really easy on me.”

While the show is just a few months old, Ayanbadejo understands he still must introduce himself to the audience, even in a new daypart. That doesn’t just happen on the air. It happens in person and at every turn.

“Sometimes I’m the first professional athlete that people have met. I take that very seriously because I’m representing everyone who came before me and also those playing now,” said Ayanbadejo. “Most people that are deep into Baltimore sports have been hearing and seeing me for a long time. I’m supported in this community and always looking for ways to be a bigger part of it.”

Ahead Of The AI Curve

From his on-field experience to participating in a coaching internship, Ayanbadejo hopes to bring fans behind the curtain with his analysis. Experience matters. Calling out false narratives does, too. An authentic approach rooted in the foundation of his professional perspective is the goal for every segment and every show.

While he doesn’t feel the difficulties of playing in the NFL are on par with a role in sports radio, Ayanbadejo approaches the job with the same mindset. At first, he admits there was some fear of the unknown when shifting from weekends to a weekday afternoon timeslot.

However, over the first few months, he’s found his systems and processes to ensure his time management is at its peak for top-level performance. That includes the daily use of artificial intelligence to assist with his preparation.

“AI is like the railroad. The light bulb. It’s going from nomadic farming to living on a plot of land and growing corn. That’s what AI is, and it’s not going away,” explained Ayanbadejo.

Following his playing career, Ayanbadejo began experimenting with AI in 2014. He went on to co-found Sports Analytics AI, using analytics to create performance content and predictions around NFL players and game outcomes.

While much of the radio industry is still tackling the proper uses of AI in its day-to-day operations, Ayanbadejo feels he is well ahead of the curve.

“I have an AI agent that I use every day producing reports for me on the markets, MLB, NFL and more. I look at it, curate it, correct it and make it bite-sized so people can consume it,” said Ayanbadejo. “There’s a sense of pride I enjoy on projections and being able to predict what’s coming before it comes. That’s a risk I take. I love it when people take risks. What’s fun about sports is the risk you take when making projections.”

Every day, Ayanbadejo leans on this approach and posts data and analysis produced by his AI agents to his social media accounts. Years of trial and error have produced the data that backs the player analysis, outcome predictions and more.

Once he presents, fact-checks and prepares the data, Ayanbadejo considers how it fits into the daily sports news cycle while balancing the expectations of listeners on their commute home.

“We don’t want to overwhelm the listening audience with a lot of deep thinking either. We’re hoping to make their lives easier by presenting the data, earning their trust with accurate data and having that data move them one direction or another,” said Ayanbadejo. “I love data for the grounding effect. People can disagree with me all day, but I’m not going to fight the data. There’s certain fights I’m willing to have and not.”

A Player’s Perspective

Picking his battles in his analysis is another common thread in Ayanbadejo’s approach. With his on-field background, he empathizes with the human being behind the face mask. His story in the NFL was filled with the highest of highs and the lowest of lows.

Those experiences have shaped his approach to criticism, which he puts into practice daily during afternoon drive.

“I know how hard it is to play in the NFL. It’s a get-your-ass-kicked sport. I don’t ever want to dismiss the difficulties or the rarity of becoming a professional athlete by desecrating a person on a personal level because they weren’t good enough,” said Ayanbadejo. “It’s very easy to make a player an object, forgetting they’re a dad or a son.”

Instead, what Ayanbadejo hopes to bring every afternoon is warranted criticism that is respected by the subject without making them feel personally offended.

“I’ll be critical of what I see on the field, but never will it be personal. Personal attacks are just non-starters. It’s completely unacceptable,” explained Ayanbadejo. “I’m never going to forget how hard it is to be a one-in-a-million type of athlete. It’s difficult. I want to recognize that, but that also doesn’t mean you get a pass.”

For Ayanbadejo, the journey to afternoon drive at 105.7 The Fan was never part of a master plan. From an undrafted free agent fighting for an opportunity in the NFL to a Super Bowl champion, entrepreneur, analyst and now full-time sports radio host, each chapter has seemingly prepared him for the next one.

That may be why he doesn’t view his arrival on weekdays as the destination. It’s simply the next opportunity to earn.

The same player who once had to fight for a roster spot now has to earn the trust of listeners. The same entrepreneur who embraced analytics years before they became central to the sports conversation is using them to shape his preparation. And the same athlete who understands the human cost behind criticism is bringing that perspective to a microphone every afternoon.

“The hope is our listeners will enjoy what they hear with Three Deep,” says Ayanbadejo. “We hope to engage not just with the listeners, but also clients and partners on a whole other level than before. I’m truly excited about the opportunity, and can’t wait to see how high we can go.”

There are no guarantees in sports, and Ayanbadejo’s career has never been built on them. His path to 105.7 The Fan is another example.

This time, though, he isn’t waiting for someone to give him an opportunity. He’s ready to make the most of the one radio chose to give him.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

AI Music Labels: Industry Transparency Drives Market Acceptance

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The Reese’s commercial was half a century ago. Yet it nailed something that defines AI music right now: Two things don’t have to compete if people know what they’re getting.

People don’t reject AI music. Rather, they reject unlabeled AI music. Label it, and the industry stops panicking. Hide it, and you’ve got a problem. Listeners, creators, and label executives all say the same thing: transparency works. The disconnect happens when audiences discover AI content without warning. That breach of trust damages credibility across platforms. The industry is already building labeling frameworks to address this critical gap. Luminate has one rolling out by year-end. Meanwhile, the RIAA has pushed for standardized tagging across the board. These initiatives reflect a fundamental truth: disclosure isn’t punishment. It’s permission. Clearly, the message is this: transparency first, acceptance follows.

Some platforms are taking active stances. iHeartRadio and Bandcamp removed AI-generated music from their libraries entirely. Meanwhile, when streaming platforms resisted industry labeling initiatives, several told Billboard they have concerns about standardized tagging. That resistance proves something real. Importantly, agencies and platforms are sorting their clients. They’re deciding which lane they occupy.

The Consumer Preference Question

Will consumers accept AI music mixed in with traditional music? Or will they demand separation? Nobody knows yet. It’s a market preference question, not a moral one. For instance, some listeners won’t care about the origin. Others will prefer AI tracks for specific uses — background, loops, textures, royalty-free work. Still others want zero exposure in their primary listening. None are wrong. They just want different things from their music consumption. The consumer will decide this fundamental split. We won’t know for another year or two.

An entire economy for AI music is being constructed in parallel to the traditional one. Promotion pipelines are emerging. Distribution channels are emerging. Chart systems built for AI music are emerging. Additionally, playlists and radio strategies are developing. Data infrastructure — the kind powering Billboard’s charts — is now building identification and labeling systems specifically for AI music. This is operational. You can see it happening. The gap remains clear: the RIAA framework proposed two tiers — fully AI-generated versus AI-assisted. However, it doesn’t define what counts as “assisted” versus “human with AI tools.” An 80% human, 20% AI drum track isn’t the same as fully generated. Yet the framework treats anything AI-touched as one category. That blended approach might create more confusion than clarity.

Market Demand and Industry Response

The separate lane is being built because there’s genuine demand for it. Labels need places to put AI tracks they’re generating. Furthermore, artists need audiences who want that product. Independent creators see opportunity in AI music creation. Platforms need to sort the catalog efficiently. Traditional discovery mechanisms weren’t designed for AI content. So they’re building new pathways, new systems, new categories. This isn’t a temporary workaround. It’s infrastructure investment signaling long-term industry confidence in AI music’s viability.

The split will deepen or close based entirely on what consumers want. If listeners embrace AI music alongside traditional — streaming it, sharing it, demanding it — those walls come down gradually. The separate economy absorbs into the mainstream. It becomes normalized across platforms and radio rotations. Conversely, if consumers want it separate, the lanes stay distinct. AI music becomes a category like electronic or lo-fi hip-hop: recognized, legitimate, with its own charts and audiences. In any case, the infrastructure being built matters significantly. It’s the scaffolding for whatever comes next, whether integration or permanent division. Built because the market demanded it, not because anyone mandated segregation. The consumer hasn’t spoken yet. But the industry has already started listening.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Don’t Crown or Bury 60 Minutes After One Bari Weiss Episode

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60 Minutes returned Sunday night for its first episode since Bari Weiss took over as editor-in-chief of CBS News, and the industry reaction arrived before the closing stopwatch ticked its last second. Airing right behind the NFL on CBS, the broadcast likely pulled north of 10 million viewers — a number that’s going to get treated as proof of something much bigger than it actually is.

Here’s what happens next. Conservative media figures across radio, television, podcasts, and social media will call it a win. They’ll argue the ratings prove 60 Minutes was captured by bias before, and now that Weiss has cleaned house, audiences are flocking back because they trust the coverage again.

That’s poppycock. Mularkey. Balderdash. Pick your favorite synonym for “bullshit”, because that’s what a one-episode victory lap amounts to.

None of this means 60 Minutes can’t grow its audience under Weiss, or that a real shift in viewer trust couldn’t eventually show up in the numbers. It’s entirely possible. But nobody watching a single Sunday broadcast can prove that’s what’s happening, and pretending otherwise does a disservice to how ratings actually work.

Premiere Numbers Don’t Tell a Season’s Story

Season premieres get a bump almost every time, regardless of what changed behind the scenes. Curiosity drives sampling. A strong lead-in from the NFL drives sampling. New corporate ownership stirring headlines for months drives sampling. None of that confirms a lasting change in how people feel about the broadcast, and treating week one as a verdict skips over every factor that inflated it.

Longtime 60 Minutes viewers tuned in Sunday for the same reason curious skeptics did — they wanted to see what changed. That’s not loyalty, and it’s not vindication. It’s just people being people when a familiar show gets a new coat of paint.

Real conclusions require repetition. They require watching whether the second episode holds the audience, whether the third one does, and whether the numbers settle into a pattern that actually differs from where 60 Minutes was a year ago. One data point is not a trend, no matter how badly anyone wants it to be.

We’re All Guilty of the Rush to Judge

If there’s one skill the media world has mastered, it’s overreacting quickly and loudly. Algorithms reward hot takes over patience every single time, so nobody actually benefits from saying “let’s wait and see.” Slow analysis doesn’t trend. Certainty does, even when it’s premature.

So yes, even I’m aware that urging patience is its own kind of unpopular take. But I’ll make it anyway: let 60 Minutes play out for more than a week before anyone declares Bari Weiss its savior or its executioner.

Plenty of people already decided the show was finished the moment Weiss arrived at CBS News. Plenty of others are ready to declare it saved after one strong Sunday. Both camps skipped the part where they actually watch what happens next.

There’s a simpler path here, and it doesn’t require abandoning strong opinions about CBS News, Weiss, or the direction of 60 Minutes. It just requires holding those opinions loosely enough to let a few more episodes inform them. The show has decades of built-up trust and scrutiny riding on this transition, and that kind of legacy deserves more than a single Sunday’s worth of judgment.

Let it play out. Just a thought.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Netflix NFL Debut In Melbourne, Australia Averages 18.5 Million Viewers

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Netflix’s first NFL game from Australia drew a massive audience globally, but recorded a record low among U.S. audiences. However, the 49ers-Rams matchup became one of the top three most-streamed Thursday primetime NFL games.

What We Know: The game averaged 18.5 million U.S. viewers, peaking at 21.3 million between 9:30-9:45 p.m. ET. Among adults 18-34, it averaged 4.0 million viewers — the highest non-Christmas streaming number ever for a regular season game. Netflix’s 2026 slate looks different than prior years: instead of matching 2024’s and 2025’s Christmas Day doubleheaders, which drew between 19.9 million and 27.5 million viewers, this game aired on a Thursday, in Australia, without the holiday-scheduling boost.

What The Data Shows:

Netflix NFL Viewership (U.S. Viewership)

YearGameAverage Viewership
202649ers vs. Rams (Melbourne, Australia)18.5 million
2025Lions vs. Vikings (Christmas)27.5 million
2025Cowboys vs. Commanders (Christmas)19.9 million
2024Ravens vs. Texans (Christmas)24.3 million
2024Chiefs vs. Steelers (Christmas)24.1 million

What Remains Unclear: It’s unclear whether Netflix will schedule another international regular season game in 2027, or how the network plans to top four consecutive top-rated A18-34 broadcasts.

What It Means: Netflix has quickly become a force in NFL streaming, but this Melbourne game proves international matchups may not rival Christmas specials. With 100,021 fans packing the Melbourne Cricket Ground and 340 million social impressions generated, the league’s global expansion strategy appears to be working. Streaming numbers like these will likely shape future scheduling decisions. However, they still dwarf the audience on broadcast by some margin.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

WGN Radio Announces Multi-Year Extension With Chicago Blackhawks

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WGN Radio and the Chicago Blackhawks are staying together. The sides signed a multi-year rightsholder extension Monday.

What We Know: WGN has been the Blackhawks’ flagship station since the 2008-09 season, nearly two decades of coverage. The new deal keeps that partnership intact for preseason and regular-season broadcasts alike. Also, Steve Konroyd will be the new fulltime game analyst following the passing of Troy Murray last March. Moreover, WGN will air three preseason games — September 21, 24 and 26 — plus all 84 regular-season contests. In addition, broadcasts reach 38 states and Canada, and stream on wgnradio.com, team apps, and platforms like TuneIn and iHeartRadio.

What They Said: Blackhawks President of Business Operations Jaime Faulkner: “WGN Radio has been the home for Blackhawks hockey for almost 20 seasons, and we’re thrilled to continue this long-standing partnership. As ‘Chicago’s Very Own,’ WGN Radio shares a deep commitment to our fans, delivering the highest-quality live game broadcasts and team coverage to listeners across Chicagoland.”

Mary Sandberg Boyle, Vice President and General manager for WGN: “The Blackhawks and WGN are two brands deeply rooted in Chicago, connecting fans through game coverage, conversation and storytelling. We deeply feel the loss of our friend and colleague Troy Murray, whose voice, insight and love for the Blackhawks leave an extraordinary legacy. We’re grateful to have Steve Konroyd join John Wiedeman in the booth as we begin this next chapter.”

What Remains Unclear: Neither side disclosed the length or financial terms of the extension.

What It Means: Consistency matters in play by play. The extension will carry the Chicago Blackhawks games on WGN past two decades on the station. Also, the addition of Konroyd, a former Blackhawks defenseman, provides listeners with a known personality surrouding the team. In addition, he’ll join longtime voice John Wiedeman, now entering his 20th season. Charlie Roumeliotis returns for year three hosting pre- and postgame shows. Moreover, they anchor continuity for a franchise leaning on tradition amid change.

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Former WEEI Host Glenn Ordway Launching New Podcast

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Glenn Ordway is heading back to the mic. The longtime WEEI voice announced a new podcast set to debut this week.

What We Know: Ordway spent over five decades in radio, most notably at WEEI and with the Boston Celtics. Ordway was the radio voice of the Celtics from 1982-95, and spent 34 years as a host at WEEI. His greatest success at the station came while helming the highly-rated afternoon drive program “The Big Show” in the ‘90s and early 2000s. Ordway stepped away from daily hosting at WEEI in 2021. Now he’s launching a podcast with the first episode drops Wednesday.

What They Said: Glenn Ordway (via X): “Retirement has been great. Spending more time with the family and traveling. But as much as I cherish my free time, I miss the action. So, it’s time to satisfy that urge and become the 6 millionth person to host a podcast.”

Glenn Ordway (via X): “I spent 50 yrs in the business. I met, worked and interviewed some of the most interesting and fascinating people. So, why not go back and RE-CONNECT with them? Reminisce but also talk about what’s happening today. Since there’s no corporate boss, [or] no program director or GM, I can do whatever the hell I want.”

What Remains Unclear: Details remain scarce beyond the announcement itself. Ordway hasn’t named guests, a release schedule, or a distribution platform. It’s also unclear whether the podcast will pair with any WEEI-affiliated outlet or talent. However, Ordway suggested more sports-radio veterans could soon have free time to join him.

What It Means: Ordway’s move taps into a broader trend that continues today. Veteran broadcasters trading corporate structure for creative freedom. Consequently, longtime listeners get unfiltered access to stories once left on the cutting-room floor. Meanwhile, it signals continued audience appetite for nostalgia-driven sports content. Ultimately, Ordway could carve out a new lane with this podcast to extend well past his WEEI run.

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106.1 BLI Promotes Danielle Costa to Weeknights

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106.1 BLI promoted Danielle Costa to weeknights. The Long Island station tapped her familiar voice for the evening shift after Cat moved to afternoon drive.

What We Know: Costa spent time building her audience on BLI weekends before this move. Now, the station expands her role into weeknight hosting duties. Chris Lloyd, Director of Operations & Content for CMG Long Island, praised Costa’s consistent connection with listeners. Lloyd noted her strong performance both on-air and across digital platforms, citing her energy and passion for Long Island content.

What’s at Stake: This promotion signals management confidence in internal talent development. Meanwhile, the station faces the challenge of transitioning its weeknight audience from one voice to another. Costa’s established weekend presence provides a foundation for weeknight success. Yet audience retention during the time slot change remains uncertain in a competitive market.

What Remains Unclear: Details about Costa’s compensation structure or contract terms haven’t surfaced. Similarly, the station hasn’t announced when Cat’s afternoon drive show officially begins. Additionally, whether Costa continues weekend duties alongside weeknights remains unconfirmed. The timing and length of any promotion period for the weeknight transition also needs clarity.

What It Means: Long Island’s radio landscape rewards consistency and digital engagement. CMG demonstrates faith in nurturing talent from within its own ranks. The move reflects broader industry trends favoring personality-driven programming. Furthermore, Costa’s ascension underscores the importance of multi-platform presence in modern radio careers.

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