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Luke Bryan, Boots, and the Future of Radio

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I was standing in the crowd at the Luke Bryan and Shane Profitt show. At some point, I stopped watching the stage and started watching everybody else. Boots were everywhere.

There were white ones, brown ones, tan ones, and black ones. Some had clearly done real work in real mud. Others, though, looked like they were bought that afternoon. In fact, someone had probably been warned, “These are going to hurt by the encore.”

Still, it did not matter, because they all worked.

Nobody announced a dress code, and there was no pre-show memo. Yet a whole lot of people walked in already knowing the assignment. For them, the boots were simply part of the night.

That is what got me.

A Way to Say “I’m In”

It was never really about footwear. Instead, it was about feeling like you belonged in the room. The Swifties do the same thing with friendship bracelets. It is a different accessory, but it is the exact same idea. One is beads and letters. The other is leather and a questionable amount of arch support.

Either way, the message is the same: I’m in.

That is one of the best things fandom does, because it hands people small ways to spot each other.

Swifties trade bracelets, and Parrotheads had the Hawaiian shirts and shark fins. Deadheads had tie-dye, while KISS fans painted their faces. Sports fans wear the jersey. Meanwhile, country fans have boots, hats, and denim. On top of that, they share a quiet agreement that the show starts long before the first song.

It starts in the parking lot. It also starts in the group text. In fact, it starts the second somebody asks, “Are we wearing boots?” And by then, everybody already knows the answer. Note, I was that guy but opted for flip flops.

Radio Used to Do This Well

Radio used to be really good at this. There was a time when a station bumper sticker actually meant something. Back then, a station T-shirt was not just cotton the promo team fired into a crowd. Instead, it was a little badge. Call letters, catchphrases, listener clubs, van hits, concert shirts, and hometown events all added up. Together, they built a feeling that the station was not just something you listened to.

It was something you were part of.

Maybe that is harder now. After all, the audience is spread thin. There is endless audio, everywhere, all the time. So a shared moment is tough to build when everybody holds a private world in their hand.

But that is exactly why the opening is still there.

Don’t Force It — Signal It

Radio does not need to force it. Honestly, forcing it is usually where things get embarrassing. Nobody wants a corporate friendship-bracelet campaign, dreamed up by six people arguing about font size.

Still, radio can make small signals that feel local, useful, and cool.

For example, a rock station could do a limited-run patch that looks good on a jacket. A country station could make boot tags or a hat tied to its biggest summer show. Meanwhile, a Top 40 station could build collectible bracelets around the concerts that matter. A sports station could put out rivalry gear that feels like the parking lot, not the prize closet.

The whole test is simple. Would a listener wear it even if you were not handing out tickets for doing it?

Rituals Still Matter

The same goes for the rituals. After all, the best shows have always had them. There is the Friday roll call and the inside joke the audience is in on. There is the first-song-at-five tradition and the pre-concert meetup. And there is the phrase people repeat because it feels like theirs. These are little things, but little things turn into habits.

So that is still open ground.

Someone driving to work alone can still feel connected to everybody else. That has always been one of radio’s best tricks. In other words, it takes a private moment and makes it feel shared. Because of that, it makes the car a little less lonely.

Own the Local Conversation

Locally, radio still has the edge. Before the big country show, own the boot conversation. Before the game, own the jersey conversation. Before the first lake weekend, own the photos, the playlist, and the check-ins. And before the festival, do not just show up with a tent and a banner. Instead, give people a reason to say, “This is where we’re meeting.”

None of that needs a huge budget. However, it does need attention. So watch what your listeners are already doing, and then help them do it together.

That was the thing about those boots. No marketing department invented them, because they were already part of the culture. Therefore, the smart move is not to manufacture the feeling from scratch. Instead, notice it, turn it up, and hand people more ways to join in.

The Better Question

Radio has spent a long time asking how to get people to listen longer. Of course, that still matters. But here is another question worth chewing on.

What makes people feel like they are part of us?

Because when people feel included, they show up differently. Sometimes they bring signs. Other times they wear the jersey. Sometimes they trade the bracelets.

And sometimes they lace up the boots.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

How the Radio Industry Could Benefit From Academic Research

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While it might sound like an affectation to appear more intelligent, I really do hold a Ph.D., unlike some who used the title for fun (Dr. Demento, Dr. Don Rose, etc.). Mine is in Mass Media from Michigan State, and I wrote a dissertation (“A Model of Radio Listener Choice”) that won the inaugural Ken Harwood Outstanding Dissertation Award from the Broadcast Education Association (BEA) in 1990.

Last week, The New York Times reported that the number of students admitted to Ph.D. programs this year fell by 15% at major research universities. The article blamed reduced federal research funding, although it wasn’t clear whether the decline was only in STEM subjects (Science, Technology, Engineering, and Math) or across all disciplines.

Regardless of the number of Ph.D. students entering this coming fall, there are plenty of academics who conduct research as part of their duties, much of which appears either in scholarly journals or is presented at academic conferences. The BEA, founded in 1955, holds an annual conference in conjunction with the NAB Show in Las Vegas. Hundreds of papers are presented, and if you’re interested, go to beaweb.org.

Academic Journals and Peer Review

Some academic journals exist in our field. The oldest is the quarterly Journal of Broadcasting and Electronic Media (JOBEM), started in 1957, as well as the semi-annual Journal of Radio and Audio Media (JRAM), which I had a very small part in helping to start back in the early ’90s. The founding editor, Dr. Frank Chorba, who was teaching at Washburn University in Topeka, got in touch and asked for help. I found a massive $250 in my budget as research director of Birch/Scarborough and sent it along. Eventually, BEA took on sponsorship of the journal, and after a later name change, it began publishing twice a year.

Both journals are peer-reviewed. What that means is that you send in your manuscript, and it’s read by three reviewers who should know something about the topic. The review is blind — in other words, the authors’ names are removed to prevent bias. If the reviewers like the paper, possibly suggesting changes, it will be published in a later edition.

What the Research Shows

Would any of the research in these journals be useful for your operation? The answer is a full-throated “maybe.” The most recent issue of JRAM focused on podcasting. Some of the articles would be considered “esoteric” at best by US radio and podcast pros. The most recent JOBEM has articles on everything from NBA 2K players to AI and media bias.

What sent me down this path was a paper covering JRAM’s content: “Mapping Three Decades of Radio and Audio Scholarship: A Bibliometric and Content Analysis of the Journal of Radio Studies and Journal of Radio and Audio Media (1997-2025).” Nothing like a short, catchy title, and like many books, there apparently is a worldwide law requiring a colon in the title (I deliberately did not use one in my dissertation title, and it’s a wonder that I graduated without it!). The authors are Dr. Bradley Freeman and Dr. Padma Pillai of Sunway University in Malaysia.

The article uses a “bibliometric” approach, a form of content analysis, of 570 peer-reviewed articles in JRAM. What stood out for me were the trends. It’s no surprise that US-focused articles have declined over the years as the journal’s stature has grown. Since 2008, about half of the articles concerned the US, down from over 60% in the earlier period.

For business-oriented types, articles that the authors placed in the categories of “Broadcast industry and production practices” or “Audiences and listening practices” have been a relatively small part of the journal’s articles. That’s unfortunate. I believe academia has something to add to our knowledge of audiences and how to improve the radio/audio business.

There are some very good academics in our universities who could offer new thoughts and ideas. But in my view, the business folks and the teachers don’t spend enough time together. There are some local connections, but those often relate to getting experience for students, which is a fine thing. But let’s move to the next level.

Time for an Industry-Funded Research Fund

The NAB used to sponsor a broadcast research grant program. It started in 1967, and the last announcement I can find is from 2007. It may be moribund, no doubt the victim of budget cuts, and when it existed, many of the studies never saw much publicity beyond the initial announcement of the awards. I have first-hand experience, as my dissertation was funded by an NAB research grant.

Good research costs money, and there are academics who know how to do excellent research but don’t have the resources. Perhaps I’m dreaming, but can our industry draw up a list of our biggest issues, publicize a request for proposals, and put some dollars behind it? Convene a committee of execs, pick a winner or two, set timelines, and make sure the results are presented such that everyone in audio can have access. Yeah, I’m dreaming, but couldn’t we benefit from some outside research that can help our industry?

Building a war chest for this project won’t be cheap. To start out, I’d put in a grand. That’s not much, but any initiative has to start somewhere.

Correction: The RAYBAUM Act

Last week, I mentioned the RAYBAUM Act in my column and joked about the name.

I was unaware that the act was named for Ray Baum. Baum was a former majority leader in the Oregon House of Representatives. He also served as a vice president of government relations for the NAB, and a member of Congressman Greg Walden’s staff. He had a strong interest in telecommunications and 911 services. The act was passed shortly after Ray passed away from prostate cancer in 2018.

Thanks to Dan McDonald at NAB for pointing this out. My apologies.

Let’s meet again next week.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Audacy Repositions Star 94 Atlanta With Brighter AC Direction

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Audacy has repositioned rhythmic AC WSTR Smyrna/Atlanta as a brighter AC outlet. The station now carries “Atlanta’s Upbeat Variety” positioning effective today.

What We Know: Star 94 is shifting away from rhythmic toward a more balanced pop-leaning mix. The music focus now spans the past 30 years, pulling back significantly on rhythmic content. That move places the station in much closer sonic territory to Cox Media Group’s B98.5 WSB-FM. The new positioning signals a clear strategic pivot for the Audacy-owned outlet.

What’s at Stake: Star 94 and B98.5 now appear to be targeting nearly identical audiences in one of the South’s most competitive radio markets. Atlanta’s AC landscape just got tighter. Direct format overlap between two established brands creates real pressure on both sides. Ratings and billing will ultimately determine whether there’s room for two stations chasing the same listener.

What Remains Unclear: Audacy has not publicly detailed what triggered the format adjustment at this time. It’s also unknown whether additional on-air or programming staff changes will follow. How aggressively the station plans to market the repositioning remains to be seen. And whether the move reflects a broader Audacy strategy across other markets is still an open question.

What It Means: This repositioning puts Audacy in direct competition with one of Atlanta’s most established AC brands. Cox has built B98.5 into a strong market performer over the years. Audacy is clearly betting a softer, broader pop approach can carve out meaningful share. For Atlanta listeners, the market just added another familiar option — but differentiation will be the real challenge ahead.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Brad Elliott Joins 95.1 The Wolf in Abilene

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Community Broadcast Partners has added Brad Elliott as afternoon host at Country KABW “95.1 The Wolf” in Abilene, TX. Elliott is a familiar voice in the market, returning home to fill a key daypart role.

What We Know: Elliott previously worked in Abilene at Townsquare Media’s Classic Hits “100.7 Kool-FM” KULL, and also held positions in Amarillo, Kansas City, and New Mexico. He steps into the afternoon slot that opened earlier this year when VP/Programming Kaden Kimberlin transitioned to sister station Farm/Country “Q Country 96.1” KORQ. Community Broadcast Partners President David Klement confirmed the hire.

What They Said: Elliott expressed enthusiasm about the move, saying, “I’m honored to join the team at 95.1 The Wolf. Abilene has always been home, and I’m grateful for the opportunity to connect with listeners once again. I can’t wait to get behind the microphone and be part of a station that’s committed to great country music and serving the Big Country.” Klement added that Elliott’s deep market roots and strong relationships with listeners and advertisers made him a natural fit.

What Remains Unclear: No start date has been announced for Elliott’s afternoon show. Additionally, it’s unclear whether the station plans any format or programming adjustments alongside his arrival. Whether Kimberlin’s former VP/Programming duties have been permanently reassigned also remains an open question.

What It Means: Elliott’s return signals that Community Broadcast Partners knows how to program to its market. Bringing back a familiar voice with deep local roots is smart radio. For 95.1 The Wolf, this hire keeps the afternoon daypart strong and the dial where listeners expect it.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Dana Loesch Blasts Megyn Kelly and Candace Owens Over Charlie Kirk Coverage

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Dana Loesch escalated her criticism of Megyn Kelly and Candace Owens. She accused media figures of exploiting a high-profile murder case for attention.

What We Know: Dana Loesch used her radio show to sharply criticize Megyn Kelly, Candace Owens, and other conservative media personalities. The issue she presented was about covering the aftermath of Charlie Kirk’s murder. She argued that audiences no longer trust several commentators discussing the case. Loesch also questioned their motives, accusing them of pursuing ratings, influence, and financial gain rather than seeking the truth. Additionally, she challenged those she criticized to appear on her program and defend their positions publicly.

What They Said: “I’m done with the spineless Fox News rejects who sit on their skinny asses, look into the camera, and act like, ‘No, you can come to us. We’re going to bring you day-to-day coverage of the trial.’ No one wants to hear it because no one trusts you. No one believes you. You have no credibility here. Take that welfare card back. We don’t want it. You’re making a mockery of someone’s murder — someone we knew — because you want a fat wallet. It’s called ‘Gal Sharpton’ for a reason.

“Any of you fake-ass hustlers are welcome to come on my show and have a conversation about it. It’s not going to go well for you, but my door is open. I’m not going to run from you cowards like you run from everybody else. I’m not going to be like Tucker (Carlson). I invited Tucker to come on the show, and he absolutely refused. He wanted to argue with me over text, and he’s not the only one. I’m almost at the point where I’m about to name and shame. I’ve been trying to be classy. And I’ve been trying to be New Testament about it. But y’all are testing me now. I’m done with this.” – Dana Loesch

What Remains Unclear: Loesch didn’t identify every individual included in her criticism beyond her references to Kelly, Owens, and Tucker Carlson.

What It Means: The comments mark another escalation in the growing divide among prominent conservative media personalities following Charlie Kirk’s death. As public disagreements continue, the dispute increasingly shifts from reporting on the case itself to a broader fight over credibility, influence, and leadership within conservative media.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Jason Rantz to Guest Host Katie Pavlich Tonight on NewsNation

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Jason Rantz is stepping into a national primetime role. NewsNation will feature the Seattle radio host on Friday night.

What We Know: Jason Rantz will guest host Katie Pavlich Tonight on Friday at 10 PM ET on NewsNation. Rantz hosts the afternoon drive program on Seattle’s Red 770 and has become a familiar face on national television through regular appearances on Katie Pavlich Tonight, as well as on CNN and Fox News. His guest-hosting assignment comes just months after NewsNation launched Katie Pavlich Tonight as part of its revamped primetime lineup. The program replaced Ashleigh Banfield’s former primetime show earlier this year, giving political commentator Katie Pavlich a nightly platform during one of cable news’ most competitive hours.

What’s At Stake: Friday’s appearance gives Rantz another opportunity to strengthen his national profile beyond radio. Moreover, it continues NewsNation’s practice of showcasing familiar contributors in expanded roles. Filling in for an established primetime host also allows the network to evaluate on-air chemistry and audience response while maintaining continuity for viewers. Meanwhile, the assignment highlights the growing crossover between talk radio and cable news.

What Remains Unclear: It’s unknown whether Rantz’s guest-hosting role could lead to additional fill-in opportunities. It’s also unclear whether the network plans to continue rotating contributors behind the desk when Pavlich is unavailable.

What It Means: Rantz has steadily expanded his national media presence while maintaining his Seattle radio audience. Consequently, this guest-hosting opportunity further reinforces his value as a multiplatform personality. For NewsNation, the move provides viewers with a recognizable contributor who already has experience discussing the day’s biggest stories. As the network continues refining its primetime lineup, trusted guest hosts can help maintain consistency while introducing audiences to additional on-air talent.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Google Adding AI Labels to Ads Across Search and YouTube

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Google is expanding AI transparency across its advertising platforms. The company will now disclose when AI helped create an ad.

What We Know: Google is introducing a new feature inside its My Ad Center panel that tells users whether AI created or edited an advertisement. The update will appear on ads shown in Google Search, YouTube, and Google Discover. Users can access the information by clicking the three-dot menu or information icon already attached to supported ads. They’ll then see a new “How this ad was made” section explaining whether AI played a role in producing the creative. Google said ads built with its own generative AI tools will receive the disclosure automatically. However, advertisers using third-party AI platforms must voluntarily indicate AI involvement through a new control. Google won’t independently verify whether outside-generated ads used AI.

What’s at Stake: The change reflects growing concerns about transparency as AI-generated images become more common in advertising. Businesses increasingly rely on generative AI to create product imagery, reduce production costs, and develop marketing campaigns faster. Yet consumers may struggle to distinguish AI-generated visuals from authentic product photography. Although Google already prohibits deceptive advertising, synthetic content doesn’t automatically violate those policies if it accurately represents the advertised product.

What Remains Unclear: Google hasn’t explained how it will enforce compliance for advertisers using outside AI tools. Likewise, the company hasn’t detailed potential penalties for advertisers who fail to disclose AI-generated content. Local regulations may also require additional labeling in certain markets, creating different disclosure standards worldwide.

What It Means: The update signals that AI disclosure is becoming a standard part of digital advertising rather than a requirement limited to political campaigns. As AI-generated marketing content becomes more widespread, platforms like Google are placing greater emphasis on helping consumers understand how advertisements are produced. That added transparency could strengthen trust while giving advertisers clearer expectations as AI becomes a larger part of creative workflows.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Sylvana Kelleher Announces Departure From 97.5 The Fanatic After Three Years With Station

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Sylvana Kelleher is leaving 97.5 The Fanatic. The producer’s exit from Unfiltered with Ricky Bo and Bill Colarulo takes effect today.

What We Know: Kelleher announced her departure directly, citing a difficult and emotional decision. She confirmed Friday marks her final show on Unfiltered with hosts Ricky Bottalico and Bill Colarulo. The move follows a period of personal reflection tied to recent family loss. Station colleagues reportedly supported her throughout the process.

What They Said: (all quotes from 97.5 The Fanatic)

97.5 The Fanatic Producer Sylvana Kelleher announces her departure from the station: “I wanted to be very honest with everyone because I always said that I would be very honest being in this position. It’s a really difficult decision that makes me feel very sad and also very guilty. But I tomorrow is my last show on Unfiltered.”

97.5 The Fanatic Producer Sylvana Kelleher reveals she’s been battling her emotions with the decision: “I lost my dad almost two years, and he was the reason that I love sports. He was my hero. The last year really changed my life and my interests and my passion, and it’s still hard. It still feels like it happened, but everyone here has been like beyond understanding.”

97.5 The Fanatic Producer Sylvana Kelleher thanks the staff at the station: “I feel like I need to take a step back and do something a little slower and try and rekindle the passion. This is a business and an opportunity that deserves someone that is fully passionate about it. Honestly it’s just been really difficult for me to find that after all this happened. It was probably one of the hardest decisions I’ve ever made.”

What Remains Unclear: Kelleher’s next career step is unknown. She says wanting to “rekindle the passion,” but specifics weren’t shared. A permanent replacement for the Unfiltered producer chair is unknown.

What It Means: Kelleher’s exit shows how personal loss can reshape even established broadcasting careers. Her openness to discuss such personal tragedy and its affect on her should be commended. Meanwhile, 97.5 The Fanatic must now adjust quickly behind the scenes on Unfiltered. Kelleher departing is just the latest exit in a number of departures from the radio station over the past two years.

Netflix Reportedly Exploring Live TV, Added Bundles In Addressing Subscriber Engagement Declines

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Netflix is reportedly considering live television channels and subscription bundles. The plan aims to reverse a slide in viewer engagement despite the streamer’s continued dominance.

What We Know: According to the Wall Street Journal, Netflix executives flagged a decline in subscriber engagement at this spring’s business review. Profits and franchise hits still impressed the room. However, since then, engagement has become a recurring internal topic, according to people familiar with the matter. Netflix’s U.S. television viewership share fell to 7.8% in April, the lowest since May 2025, per Nielsen.

What The Data Shows: (via Nielsen The Gauge) **Share of U.S. Television Viewership**

MonthNetflix TV Viewership (per The Gauge)
April 20267.9%
March 20268.2%
February 20268.4%
January 20268.8%
December 20259.0%
November 20258.3%
October 20258.0%
September 20258.3%
August 20258.7%
July 20258.8%
June 20258.3%
May 20257.5%
April 20257.5%

What Remains Unclear: Whether Netflix will actually launch live channels remains unresolved. In addition, talks about bundling Peacock and other services are still preliminary. Netflix also hasn’t detailed how live programming might affect its ad-supported tier, which drove roughly $1.5 billion in revenue last year.

What It Means: Looking at the past year’s data, the spring months show Netflix engagement is at its lightest. While the percentage of viewership may have increased year over year, the marks don’t meet the expectations of the company. Moreover, a pivot toward live channels would mark a reversal for Netflix, whose founders long championed on-demand simplicity over linear scheduling. Bundling rivals like Peacock would also turn Netflix into a storefront rather than just a destination. While the live event business has proven to be successful with MLB, MMA, boxing among others, whether or not live television programming would be successful remains to be seen.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Buffalo Bills Quarterback Josh Allen Interested in Broadcasting Post-NFL Career

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Josh Allen isn’t ruling out a broadcast future. The Buffalo Bills quarterback opened up on CNBC Sport this week.

What We Know: Allen sat down with CNBC’s Alex Sherman for a wide-ranging interview this week. The conversation followed a recent NFL Network appearance where Allen discussed his focus entering his ninth season. Additionally, Allen joins a growing list of quarterbacks, including Tom Brady, Drew Brees, Matt Ryan, Tony Romo and Troy Aikman, who have weighed broadcast careers. Many of whom enter the industry post-NFL career.

What They Said: Josh Allen (via CNBC): “I do think it would be cool if you can keep it from a strictly broadcasting angle. When players go from players to journalists and say certain things that they hated people saying about them, I think that’s where it gets a little murky for me. But I do think that it would be something I would entertain. I can’t say for sure yes or for sure no right now. I do go back and forth on it. I’d have to put some more thought into it.”

What Remains Unclear: Allen stopped short of committing to any broadcast timeline. It’s unclear whether he’d pursue a studio role, a game analyst position, or something else entirely.

What It Means: Allen’s comments add him to a wave of star quarterbacks eyeing life after football. Networks have paid big for proven talent, as Brady’s $375 million FOX Sports deal shows. However, Allen’s stated discomfort with criticizing former peers could shape any future opportunity. For now, broadcasting remains a distant, undecided consideration rather than a next step. However, by making his interest known so early, networks could consider Allen an option for bye week appearances to showcase his talent.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.