Good Morning Football will be adding former NFL linebacker Manti Te’o to its full-time roster following the departure of Akbar Gbajabiamila. According to a report from Front Office Sports, Te’o will be joining full time after appearing on the show in a part-time but regular role over the past year.
Te’o joined the NFL Network in August of last year, following an eight-year career playing for three teams after starring at Notre Dame. Additionally, the former linebacker has appeared as an analyst during Netflix’ studio coverage of the NFL on Christmas Day.
So far, the NFL Network has not commented on the addition to the show.
Te’o would be joining a program where Gbajabiamila’s exit was the latest departure from the morning show on the NFL Network. Furthermore, Peter Schrager exited the program in March to take an insider role with ESPN. Since both Schrager and Gbajabiamila’s exit, the program has been using a rotation of guest hosts to work alongside Kyle Brandt and Jamie Erdahl. Notably, Brandt is the only remaining original member of the Good Morning Football program since it debuted in August of 2016.
Meanwhile, with the show moving from New York and now originating from Los Angeles, NFL Network changed the format to air as a two-hour program instead of a three-hour program.
Gbajabiamila will continue to co-host broadcasts of American Ninja Warrior, while Schrager took a position with ESPN where he will be featured on several programs within the network.
Te’o’s elevation to a full-time role with the program is happening while talks between ESPN and the NFL have reportedly re-surfaced regarding a possible acquisition of NFL Media. This would include the NFL Network as well as other properties. The NFL may opt out of its current agreement with Disney following the 2028–2029 season. Therefore, making an agreement for NFL Media now would benefit ESPN with more NFL content for its already vast host of live 24/7 channels. Moreover, it would benefit the league by finding a suitor to take hold of some assets which have not performed as well as originally thought.
Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.
With the Detroit Tigers and St. Louis Cardinals in the midst of an interleague series, the respective FanDuel Sports Network RSNs presented a joint pregame show featuring an on-air roster covering both teams. The one-hour special combined program featured perspectives on both teams, and the network branded it on social media as something that was created “from our drive for innovation and elevating live events.” Jon Jansen, however, voiced Wednesday morning on 97.1 The Ticket while hosting alongside Jim Costa that it was a demonstration of budget cuts and expressed his disappointment in the on-air product.
Jansen himself was at a game on Tuesday night and listening to the radio broadcast featuring Dan Dickerson, but he acknowledged difficulties in accessing the pregame and postgame programming in the first place. There are instances where he will hear the pregame show, but in the way that the network has it set up, Jansen has to click a ‘Watch’ button to transition to the next program. For example, when a Tigers game concludes and he wants to tune in to hear postgame coverage, he needs to manually select it on the ‘Watch’ button. In discussing the shortcoming, he described it as something that seems idiotic, a point with which Costa concurred before discussing what took place on Tuesday.
“I was curious, ‘Okay, they’re doing this Tigers-Cardinals live split pregame,’” Costa said. “Todd Jones was the lone Tiger representative while they’re in St. Louis, and I don’t know if they’re going to do this every time both teams are FanDuel broadcasts.”
When Jansen mentioned budget cuts in the discussion, Costa agreed and explained that people see through it, rendering an “awkward presentation” that is trying hard to give teams equal time. Costa talked about how Jones was making a good point about Tigers starting pitcher Tarik Skubal but how the broadcast also had to give Cardinals catcher Iván Herrera credit for a good at-bat in the sixth inning.
“I don’t need to be spoon-fed homerisms, but I feel bad that guys – like Johnny Kane’s not doing this and we’re getting less of Natalie Kerwin and there’s no more of Mickey York, no more Trevor Thompson, and I’m getting two Cardinals people that I don’t know that are trying really hard to like, ‘Here’s a positive Tiger thing, and here’s a positive Cardinal thing.’ Waving both pom-poms at the same time makes for a weird presentation.”
So how are we feeling about these “Tigers/Cardinals Live” pregame shows
Jansen pointed out how it felt like a mix of two home broadcasts, and Costa added that there is no camaraderie or chemistry evident on camera. Furthermore, he is not sure whether this is going to be a one-time thing or something that will last for a longer time, but there are also mechanical issues some people pointed out. When the show ended, as an example, someone informed Costa that the show tossed live to the Cardinals’ broadcast booth, but people in Detroit ended up hearing their home announcers instead. Jansen also opined that the formula of passing around the microphone does not necessitate that people always have to be nice to the opponent.
“It felt like they didn’t want to step on anybody’s toes – walking on eggshells,” Costa said. “Okay, someone won, someone lost. Someone had a bad day, someone had a good day.”
“To me, all that means is I’m just turning it off,” Jansen replied. “I’m not actually going to click the ‘Watch’ button.”
Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.
MSNBC has announced that it is hiring CNN executive Marcus Mabry as its new Vice President of Content Strategy.
Mabry will be “responsible for how MSNBC connects and builds community with non-linear audiences,” MSNBC President Rebecca Kutler said in a memo to staffers announcing his hiring.
Kutler added that Mabry “will lead the development of new, innovative consumer experiences for MSNBC, including identifying new revenue streams for the network, and will oversee the network’s growing direct-to-consumer, subscription and premium businesses.”
He joins the network after spending the past eight years working at CNN, spending the final three years of his tenure as the Senior Vice President of Digital Editorial and Programming. Other previous stops include working at then-Twitter and The New York Times.
Marcus Mabry joins MSNBC as the network is preparing to separate from NBC News as the parent company of both — Comcast — is spinning off its cable entities.
His appointment follows the addition of Sudeep Reddy, who is joining the network to head its Washington D.C. news bureau after previously working as the Senior Managing Editor of Politico for the past eight years.
Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.
The Buffalo Bills will be spotlighted on the training camp edition of Hard Knocks from HBO and NFL Films, making its debut on Tuesday, Aug. 5 at 9 p.m. EST/PST. This five-part series will be highlighting the Bills for the first time featuring quarterback Josh Allen, head coach Sean McDermott and general manager Brandon Beane. The Bills have made the playoffs for the last six straight seasons but have failed to advance beyond the conference championship, and the series will document the start of a quest to win the first Super Bowl in franchise history.
Once this iteration of the series concludes on Tuesday, Sept. 2, the Hard Knocks enterprise will make its return in December with an in-season edition of the show featuring teams within the NFC East division. Consisting of the Dallas Cowboys, New York Giants, Washington Commanders and defending Super Bowl champion Philadelphia Eagles, viewers will receive behind-the-scenes access to players and personnel amid the playoff push. Some of the stars that will be featured in this series include Dak Prescott, Malik Nabers, Jayden Daniels and Saquon Barkley, marking the second edition of the divisional format following its debut last year with the AFC North.
“We are thrilled to provide ‘Hard Knocks’ fans a summer with the Bills and winter with the Cowboys, Giants, Commanders and Eagles in the first year of our exciting new deal with NFL Films,” Nancy Abraham and Lisa Heller, co-executive vice presidents of documentary and family programming at HBO, along with Bentley Weiner, senior vice president of HBO sports documentaries, said in a joint statement. “There will be no shortage of star power.”
Both of these new installments within the Hard Knocks franchise will be produced under a new multiyear deal between HBO and NFL Films. Moreover, the series will be narrated by Liev Schreiber, who has been the voice of Hard Knocks for nearly every edition of the program.
“There aren’t many shows in history that have had a successful 25-year run,” Ross Ketover, senior executive at NFL Films, said in a statement. “We are thrilled that the partnership between NFL Films and HBO – which has captivated football fans for so long – will continue years into the future.”
Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.
Jessica Chenoweth produces the highly successful “John & Tammy: San Diego’s Morning Show” at Country 103.7 KSON San Diego.
Chenoweth was recently named the second Mentoring and Inspiring Women in Radio, Country Radio Mentee.
The latter is where we began our conversation.
“It means a lot. The last couple of years, I’ve wanted to further my career and expand what I do. I’ve been producing now for a very long time, about 10 to 15 years, said Chenoweth.
“I wanted to see what was next, especially in Country radio. I love Country radio so much. It’s so different from any format that I’ve worked in previously. And so, I saw this opportunity to meet more people, get better at networking and learn from some of the best in the business.”
Switching back to the producer job, I asked what advice Chenoweth has for someone producing a high-profile show or looking to land in that role.
“If you’re not passionate about it, if you can’t find a way to turn it, make an angle out of a story that you’re going to be excited to talk about, then your audience isn’t going to be excited to hear about it. That’s something we always try to keep in mind. That’s good for any producer: is your talent excited about a topic?”
“Don’t force something down their throat that they won’t be excited to talk about. Find a way to make them excited about it. I think that’s something you have to learn, and every talent is different. You have to figure out what works with your talent, and I think that’s important for any producer.”
With a show as active as “John & Tammy,” Chenoweth has to stay out ahead of things, and planning is essential.
John & Tammy Photo KSON Website
“I’m a pre-planner. I like to make sure that we have everything buttoned up before we go into an event, or we get into a certain week. This week, we have our Service Pet for a Vet. I like to make sure we have as much done ahead of time, so that when we go into the week, it’s less stressful.”
“For example, with this Service Pet for a Vet that we’re doing this week, we had all the interviews done last week. Those are already done and in the can. We aren’t trying to schedule them at the last minute. Actually, last week was a little late for me. Usually, I have had them done weeks ahead of time.”
How does a good producer get everyone on board when someone on the show may be less than enthusiastic about a show idea?
“With any show, you’re going to come in, and, because everybody’s different, you’re going to think something might be more interesting, and other people might be going, no, that’s not interesting. I think the challenge is to find a way to get people on board.”
“If they’re adamant against it, you know what? I’m not going to force anything down somebody’s throat that they don’t want to do or don’t want to be a part of, because I get it. It goes back to being passionate.”
“If you’re not passionate about it, how are you going to make your audience passionate about it? So we pivot. We’re good at compromising, and I’m also really good at saying, ‘Hey, let’s try it this way once.’”
“If it doesn’t work, we’ll move on. But give me this one time with this thing, and depending on, and I’ve had it happen both ways, where they’re like, oh yeah, that worked, and then I was, I know you were right. It won’t happen again. Won’t do it again. It’s all about finding that common ground and compromise.
With a show as active and forward-thinking as “John and Tammy,” I wondered if there was ever a time when Program Director Scott Roddy had to pull on the reins.
“We couldn’t have a bigger cheerleader than Scott. And I couldn’t have a bigger cheerleader than Scott. Most of the time, he’s okay with it. Sometimes, he might say, ‘Hey, I love that, but hear me out. Let’s see if we can do something this way, or maybe we do it that way.’”
“Or he finds a way to get on board, and when he’s not, he finds a way that he thinks might be a better way, and it ends up being perfect. He’s not somebody you go to, and he’s going to say no, which is awesome. He’s usually like, okay, I see where you’re going. What if we did it this way? Or what if we did this instead? And it always ends up being such an amazing approach.”
Like many successful morning shows, “John & Tammy” steer clear of the political third rail.
“We’re not in the business of politics. We don’t want to divide, because we have listeners on all sides. We never want to bring that to our listeners and potentially alienate somebody. They can get it anywhere else. They don’t need us to be railing about politics. We usually make jokes out of stuff.”
“If it’s something that we feel that we have a unique take on, that we want to make it kind of fun and funny, then we’ll bring it to the air. But for the most part, if it’s not fun and funny, we won’t bring it to the air.”
“For example, during the Black Lives Matter protests in 2020, we found a local pastor, a local black pastor, to come on the show and talk to our listeners. And that way, the conversation was being had with him. And we’re like, what can we learn?”
“What do you want us to talk about? What do you want people to hear from your perspective? And it turned into an amazing conversation that to this day is, I think, one of the best conversations we’ve had on air.”
“We all were crying by the end. You have to find ways to bring those conversations on in a way that’s respectful of the conversation but also makes sense. And sometimes, like I said, it just doesn’t make sense.”
In closing:
“I’m so excited, and I’m just so thankful for the people who have shown me the ropes throughout the years. I started in Top 40 and at KISS (Los Angeles). I was able to learn a lot from Dennis Clark, I call him my first mentor.”
“Throughout the years, I’ve had many great people who have helped lift me up. And right now, I have Scotty, and I couldn’t be happier with that. I’m really happy where I am right now. And I’m excited to keep moving forward, especially in Country radio, which is truly unique. It’s hard to explain it to people outside of Country radio.”
“I’m so thankful for everything I’ve been able to see and do in these last few years. I can’t wait to see what else I can see and do.”
Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.
The popularity of online gambling continues to rise on a global level, with Ireland taking the leading spot and giving birth to numerous iGaming platforms. No verification casinos stand out as players’ favorites, and in the future, their influence can only be predicted to grow.
Even though gambling is legal in Ireland, some people disapprove of it. Irish players are interested in locating an online casino no id needed because they want to avoid scrutiny and preserve their anonymity. Sharing your ID on gambling platforms can feel uncomfortable and unsafe, so knowing you don’t have to do this is liberating.
What are these casinos like, though? Is there a catch, and what other reasons attract Irish players to such platforms? You’ll find answers to all your questions in this article.
What Are No Verification Casinos?
No verification casinos are also known as no-KYC (Know Your Customer) gambling websites. Their name already discloses their biggest advantage: these are the platforms where you can register, play games online, make deposits, and withdraw your winnings without uploading your passport or any other ID. You’re allowed to maintain your anonymity.
On the other hand, presenting personal information is instrumental to joining a traditional casino or a bookmaker, and the rules behind money withdrawals are even stricter. For example, if you’re interested in the upcoming football season and decide to place a bet on one of the events, you won’t be able to get paid even if you win a fortune. The vast majority of gambling sites maintain KYC policies and are strict about upholding them.
Most no-ID casinos support payments through cryptocurrencies and anonymous e-wallets. This is what helps them bypass KYC restrictions: a player can claim their money quickly without a bureaucratic fuss.
Ireland is a country of developing technologies. As an example, its software industry is predicted to grow at an annual rate of 3.92% between 2025 and 2030, so most Irish people are tech-savvy. The functionality of no-ID casinos appeals to them as they can easily use crypto and benefit from gambling without bothering with any verifications.
Key Benefits of No Verification Casino
What benefits of no-ID casinos carry the biggest relevance in the eyes of these players? Let’s make an overview of each factor.
Faster registration and withdrawals. Normally, people have to wait a couple of days for their accounts to be verified, and the wait period for withdrawals can last for weeks. In most no-ID casinos, both registration and withdrawals happen in an instant.
More privacy and anonymity. Like we already established, no-KYC casinos support their customers’ right to privacy. You can stay anonymous since you don’t need to share any documents.
Less risk of data leaks. Even the safest casinos can be hacked, which makes all the documents they store vulnerable to theft. In no-ID casinos, such privacy risks don’t exist.
Easier mobile access. The lack of identity verification technicalities makes no-ID casinos more optimized, so players from Ireland can easily access them from their cell phones. The performance will be just as smooth as with an app.
These are the key reasons that make Irish players choose no-ID casinos.
Legal Situation in Ireland
How can no-verification casinos be allowed to exist in Ireland? It’s true that this country has a variety of legal restrictions, with gambling laws getting stricter by the year. However, most no-ID gambling platforms operate offshore. It means that they aren’t subjected to the same scrutiny as traditional local casinos.
This fact places no-verification casinos in a grey area of operations. Yes, they aren’t breaking any laws, but they also hold no licenses from the Irish government. That’s why you need to be careful when choosing a platform for gambling. Go for known casinos that have earned plenty of reviews — this is an ideal way to stay safe and withdraw money without undergoing identity verification.
Are These Casinos Safe?
The safety of an online no-ID casino depends on its operator. Plenty of such platforms got licenses from offshore institutions: they might not be regulated by Irish rules, but they are still subject to audits by independent parties. This makes them relatively safe.
Did you find a casino with terms that seem too good to be true, such as no verification, excellent bonuses, and a multitude of online games? Check if it has any licenses at all, such as from Malta or the UK Commission. As the next step, look at reviews from other players.
The examples of licensed no-ID casinos that work in Ireland include Wonaco, Dolly Casino, Cashed, etc. The shady platforms known for never fulfilling their promises and lacking a license are Roletto Casino, RedDog Bet Casino, and some others. Pay attention to every detail before you decide to trust a website.
The Role of Crypto in Anonymous Gaming
Payments made in cryptocurrencies like Bitcoin and Litecoin are always processed faster. In most instances, players can access their money within one hour, sometimes even quicker. This is a stark contrast to such methods as credit cards or bank transfers.
No-verification casinos rely on crypto because payments like these are next to impossible to track. They are anonymous, meaning that you don’t need to show an ID to make or receive them. It’s cryptocurrencies that made the existence of no-ID casinos possible in the first place.
Ireland’s developing tech industry helps more people adopt cryptocurrencies. The user penetration rate is predicted to rise to 61.84% by the end of 2025, and this will definitely have an impact on gambling. As more Irish players choose to make crypto payments, no-ID casinos will surge in popularity even further.
What to Check Before Playing
Staying safe is the most important rule in the gambling sphere. Let’s make a final checklist with reminders of what you should do when choosing between no-verification casinos.
Look for licensing details. Every reliable casino must have a license from at least one globally recognized authority.
Read the terms and conditions. Check how deposits and withdrawals are made by yourself instead of trusting casinos’ promises blindly.
Test customer support. Contact support in advance to check how quickly they respond.
Check payment options. See what payment methods are available, paying specific attention to cryptocurrencies.
Choose reliable casinos that make good on their promises. Having a license is a must — everything else is secondary.
Audacy is swapping frequencies on two of its Chattanooga stations on Friday. Rock 105 WRXR-FM will move to 103.7 FM and rebrand as Rock 103.7, while Kiss FM WKXJ-FM will shift to 105.5 FM, becoming 105.5 Kiss FM.
Nichole Hartman, Senior Vice President and Market Manager, Audacy Chattanooga, said of the move, “We always find ways to improve the listening experience for our consumers. Rock 105 has been a heritage brand to the community, and this new frequency will elevate its legacy to more fans beyond Chattanooga.”
Adding, “At the same time, broadcasting Kiss FM on 105.5 allows us to bring the best pop hits to the heart of the city and form a deeper connection with listeners in the Chattanooga metropolitan area.”
According to radio-locator, the 105.5 frequency has an ERP of 5300 watts at 348 feet, while 103.7 has an ERP of 25,000 watts at 262 feet.
The on-air lineup for both stations will remain the same after the switch.
Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.
After 43 years with Salem Media Group, longtime executive Terry Fahy has announced he is ending his long run with the company.
Fahy joined Salem in 1982 as General Manager of KDAR-FM and quickly rose through the ranks.
During his tenure with Salem Media Group, Terry Fahy has served as a General Sales Manager, a Market Manager for the company’s holdings in Los Angeles, and also as Reigonal Vice President, where he oversaw markets like Honolulu, Oxnard, Sacramento, San Defio, San Francisco, and Seattle.
“Terry’s vision, integrity, and deep commitment to Salem’s mission have left a lasting mark on everyone who has had the privilege to work with him,” said Salem CEO David Santrella. “His contributions extend beyond radio programming into building meaningful community experiences and nurturing strong leadership in our teams.”
“I am grateful for the opportunities and support Salem’s leadership has afforded me to make a spiritual impact in Southern California and other West Coast markets,” Fahy added. “I also treasure the talented and hard-working broadcast and media professionals I have had the privilege to work alongside.
“I am proud of what we accomplished, not only on air but also with our community events,” Fahy continued. Many people hope to look back on their careers with a sense of purpose and accomplishment. By God’s grace, that has been my experience and privilege at Salem.”
Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.
Scott Hanson, acclaimed host of Peacock’sGold Zone and NFLRedZone, is set to return to NBC Olympics to lead Gold Zone coverage during the 2026 Olympic Winter Games in Milan-Cortina. After his debut coverage of the 2024 Paris Olympics, Hanson will once again guide viewers through the moments of the Games. His work from Paris earned him a nomination for Outstanding Personality – Studio Host at the 2025 Sports Emmy Awards, highlighting his dual success with Gold Zone and NFL RedZone.
In addition to hostingGold Zone last summer, Hanson has served as the host of NFL RedZone since its inaugural season in 2009. He is also a host for NFL Network’s on-location coverage of major events, including the Super Bowl and NFL Draft. The 2026 Games will mark Hanson’s second Olympic assignment.
“I’m thrilled to be back hosting Gold Zone on Peacock for the Winter Olympics in February!” said Hanson. “‘The Witching Hour’ will once again be ‘The Golden Hour’ as we show you the best moments from every sport as they happen. It’s the biggest Winter Olympics ever—nearly 3,000 athletes, 116 events, and one place to see it all: Gold Zone!”
This winter will mark the first time Gold Zone streams during a Winter Olympics, offering live, daily coverage on Peacock. The show will take viewers across Italy’s Olympic venues capturing medal moments, live action, and the pageantry that defines the Games.
NBC Olympics executive producer and president Molly Solomon praised Hanson’s return.
“After crushing it in Paris, I can’t wait to see Scott bring his trademark enthusiasm and passion to the snow and ice of the Winter Olympics,” she said. “Gold Zone was such a success in Paris that we felt compelled to bring it back for Milan-Cortina—a Winter Games first for Peacock. And there is no one better equipped to whip viewers from ice hockey to short track to snowboarding and more than the incomparable Scott Hanson.”
Notably, Gold Zone made a strong impression during the Paris Games, where up to 40 events occurred simultaneously. The show offered what NBCUniversal described as the most comprehensive live whip-around Olympic coverage ever presented. This year, Gold Zone will also be available via “TV Everywhere” on NBCSports.com and the NBC Sports app for pay-TV subscribers.
Peacock will be the exclusive streaming home of the 2026 Olympic Winter Games, providing fans with the most comprehensive Winter Olympic destination in U.S. media history. Once again, the service will stream every sport and event live—including early morning alpine skiing—covering all 116 medal events. Viewers will also have access to full-event replays, all linear programming, curated video clips, and intuitive product features. Additionally, Peacock’s popular Multiview feature—an innovation that enhances the live viewing experience by allowing users to watch multiple events at once—will return for Milan-Cortina alongside Gold Zone.
NBCUniversal owns the U.S. media rights to the Olympic Games through 2036, which are scheduled for Milan Cortina (2026), Los Angeles (2028), French Alps (2030), Brisbane (2032), Salt Lake City (2034), and the 2036 Summer Olympics.
Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.
Chris Berman signed a contract extension with ESPN earlier this month, making him the first ESPN talent to spend 50 years at the network. The 70-year-old Berman is one of the founding fathers of the network and has been closely associated with ESPN’s coverage of the NFL since 1981. While Berman has never left ESPN during his tenure, there were several instances where he was offered jobs with other networks and one Major League Baseball team.
Recently, Berman was a guest of Pardon My Take with Dan “Big Cat” Katz and Eric “PFT Commenter” Sollenberger, and he described how in the late 1980s he was offered the opportunity to become the television voice of the San Francisco Giants.
“The owner of the San Francisco Giants, his name was Bob Lurie,” explained Berman. “He goes ‘next year we’re going to hire, and that’s going to be our hire. We think you’d be a great San Francisco Giants play by play guy. I’d not done it other than Brown baseball, but it was one of my goals to do the Giants.’”
Moreover, the famed SportsCenter anchor described his meeting with Lurie taking place at the 21 Club in San Francisco when the offer was made to him. While he told Lurie that ESPN had just acquired NFL rights and that he would be the main guy, they never discussed salary. Nevertheless, the allure of moving to the Bay Area was enticing to Berman. Subsequently, he described his phone call a couple of days later to turn down the job.
“I said Mr. Lurie, I can’t believe I’m telling you this. It’s been my life’s dream, but I’m going to have to turn it down,” said Berman. “He said, and here’s what a good guy he was. ‘After you told me yesterday about ESPN about the NFL, and you’re the host, you’re Brent Musburger. You made the right decision.’”
Furthermore, Berman explained that his favorite city is San Francisco and has been for his entire adult life. He said he doesn’t regret the decision to turn down the offer and is happy he has been with ESPN for going on five decades.
“I’m a Taurus. I’m stubborn, I ain’t leaving,” joked Berman.
Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.