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Super Bowl Ads Prove Classic Rock Still Sells

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Unbelievably, there was a time when the Super Bowl halftime show was not a gigantic source of controversy. In fact, there was a string of years when halftime was the purview of Classic Rock. Between 2001 and 2011, headliners included Aerosmith, U2, Paul McCartney, The Rolling Stones, Prince, Tom Petty, Bruce Springsteen, and The Who.

Let’s be real. Those days are over, and I am not here to pine for them to come back.

That doesn’t mean, however, Classic Rock is no longer present in the biggest television event of the year. In fact, the staying power of the music was evident throughout the broadcast.

It started with the Green Day pre-game show. Not a traditional core Classic Rock artist, but among the top thirty most-played acts in the format last year. They looked great and sounded amazing. A nice start for Classic Rock on the big day.

During the team introductions, the Patriots came out to Aerosmith’s “Sweet Emotion,” and the Seahawks’ soundtrack was Alice in Chains’ “Man in the Box.” Both songs ranked in the Top 100 most-played last year. Then the broadcast moved on to Ozzy’s “Crazy Train,” which the Patriots have been using in-stadium for years. More great presence for Classic Rock.

Then came the commercials. Fred Jacobs recently covered some of this in his blog. According to his research, forty percent of the spots in the Super Bowl prominently featured music. Of those, half featured a Classic Rock or Classic/Adult Hits title. That’s a great ratio, once again proving the general appeal of the music.

But how did those spots do? Remember, lots of Super Bowl spots air once and are never heard from again. Here’s a look at some winners and losers and, in some cases, a thought about how the song is being rotated at radio stations.

Winners:

Budweiser “American Icons” featuring Lynyrd Skynyrd’s “Free Bird”: This seems to be the biggest winner of the night. It was ranked number one by voters in a USA Today poll and still had people talking the next day. Grade A+

Pepsi Zero “You Deserve Pepsi” featuring Queen’s “I Want to Break Free”: This got a lot of attention because of Pepsi stealing Coke’s polar bear. It ranked number three on USA Today, but unfortunately the song is not a staple of station playlists. Maybe following the spot’s success, it should be. Grade B-

Michelob Ultra “The Ultra Instructor” featuring Survivor’s “Eye of the Tiger”: Hard to beat Kurt Russell making a guest appearance, and Michelob Ultra is a big enough advertiser that this spot will likely have more life after the Big Game than many. USA Today ranked it as the fifth-best spot of the game. Grade A-

Unsure:

State Farm “Stop Living on a Prayer” featuring Bon Jovi’s “Livin’ on a Prayer”: This spot, more than some others, gave strong prominence to the Bon Jovi song and even included a guest appearance from the man himself. I thought it was clever and attention-getting, plus State Farm will likely run it to death for the foreseeable future. That said, USA Today ranked it the thirteenth-best spot, which is good but not as strong as I thought. Grade B — I guess.

Losers:

Svedka “Shake Your Bars Off” featuring Rick James’ “Super Freak”: This spot has been getting panned all around for its use of AI. The response has been so bad, I wouldn’t be surprised to see Svedka pull it completely going forward, cutting down exposure of the iconic Rick James hit. Grade F

Xfinity “Jurassic Park” featuring Rupert Holmes’ “The Piña Colada Song”: This is another one that received strong votes, ranking sixth in the USA Today poll. However, it sure seems like that has more to do with the premise — fixing Jurassic Park’s Wi-Fi — than the music. Even though it scored high, I doubt it’s because of Rupert Holmes. Grade C-

A few others worth noting:

• The latest trailer for Supergirl features Blondie’s “Call Me.” Considering that will be running for a few months until the release, it might be worth checking what rotation you have the song in.
https://www.youtube.com/watch?v=ydqvWEeJpdk

• A spot for Absolut Tabasco features Lou Reed’s “Walk on the Wild Side.” Either I was getting a snack at the wrong time, or this didn’t air. If it starts getting heavy rotation post-Super Bowl, it might be time to look at how much you are spinning this one.
https://www.youtube.com/watch?v=1FBVEfTIGVg

Overall, it’s encouraging to see the amount of Classic Rock still being chosen by marketers when they make decisions for what best represents their product. That said, Green Day and Alice in Chains were in the broadcast, there were two different advertisements featuring the Backstreet Boys, Limp Bizkit appeared in a Bud Light spot, and House of Pain’s “Jump Around” was featured in a Volkswagen ad.

You can see the 1990s starting to make their mark. Much like the musical analysis I did for each format at the end of last year, those artists’ days as nostalgia for a generation are coming, and we’re going to need to deal with it.

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U-93 Tabs Tommy Bickham as New Morning Host

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U-93 in South Bend has named Tommy Bickham its new morning drive host for the Sound Management CHR station.

Bickham joins the station after previously working as a host and producer at a local TV station in Champaign, Illinois. He previously spent time working in radio for Saga Communications, Alpha Media, and for Federated Media in South Bend.

“My wife, our dog Grouper, and I are so excited to call Michiana home,” said Bickham. “South Bend is a special place, and we already feel welcomed here. I’m so happy to be a part of the U-93 family, and I can’t wait to spend mornings with listeners and become part of this community.”

“With a wealth of terrific candidates applying for mornings here; Tommy was a stand-out from the beginning,” said U-93 Program Director Lori Bennett. “Not only for his incredible sense of humor and authenticity, but a true desire to serve and engage our audience in new and innovative ways. Can’t wait to reintroduce him to the Mishawaka area and watch him go!”

Bickham takes over mornings on U-93 after Tim Bayless prepares to exit the daypart following an 11-year stint with the station. He will depart the outlet later this month and relocate to Florida. The two will helm mornings together until Bayless’ exit on February 25th.

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Don Lemon Pleads Not Guilty to Felony Charges Surrounding Minnesota Church Protest

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Don Lemon pleaded not guilty Friday to federal civil rights charges tied to a protest at a church in St. Paul, Minnesota.

Don Lemon did not address reporters while exiting the courthouse after entering his plea. Several protesters gathered outside, chanting phrases directed at the U.S. attorney general and in support of the press.

The charges stem from a January protest at Cities Church, where an Immigration and Customs Enforcement official serves as a pastor. Prosecutors allege that protesters disrupted a worship service by chanting inside the church. Lemon has said he attended the event to document it for his livestream program and was not part of the protest.

Attorney Abbe Lowell told the judge she plans to raise First Amendment arguments. Lowell also asked for Lemon’s phone to be returned after it was taken during his arrest in Los Angeles. Prosecutors said the phone is being held by the Department of Homeland Security under a sealed search warrant and cannot be returned until the search is complete.

Civil rights attorney Nekima Levy Armstrong was also scheduled to be arraigned Friday. Armstrong was shown in an altered image shared on White House social media that inaccurately depicted her reaction during her arrest. The image circulated after the shootings of Renee Good and Alex Pretti by federal officers in Minneapolis.

Two additional defendants are scheduled for arraignment next week, including journalist Georgia Fort. Nine people have been charged in the case.

All defendants are charged under the FACE Act. The law bars interference or intimidation by force, threat of force, or physical obstruction against people exercising religious freedom at a place of worship. Convictions can carry penalties of up to one year in prison and fines up to $10,000.

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iHeartMedia Tampa Bay Moving Sports Radio WDAE To 95.7 FM In Switch With Rumba

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iHeartMedia Tampa Bay will expand its sports and Spanish-language offerings later this month, shifting formats and strengthening signals in a move designed to deepen its reach across one of the country’s most competitive local audio markets.

Beginning Monday, February 23, the company will launch a significantly enhanced FM presence for 95.7 WDAE, branded as Tampa Bay’s Sports Radio, while relocating its Spanish-language format to 95.3 FM and 102.9 FM under the new Rumba 95.3 & 102.9 identity.

The expansion gives 95.7 WDAE a 100,000-watt FM signal to complement its longtime home on 620 AM, where the station has operated since 1999, positioning the brand for broader in-car and at-work listening while reinforcing its status as a heritage sports outlet in the region.

The station serves as the flagship radio home of the Tampa Bay Rays and carries Florida Gators football and basketball, in addition to extensive coverage of the Tampa Bay Buccaneers, Tampa Bay Lightning and USF Bulls, creating a year-round sports portfolio that mirrors the region’s championship résumé and collegiate passion.

“Expanding WDAE’s heritage brand strengthens our long-standing broadcast and marketing partnerships with the Tampa Bay Rays, Buccaneers, Lightning, Florida Gators and USF Bulls,” said Russell Robertson, market president for iHeartMedia Tampa Bay. He added that the move reflects the company’s commitment to serving listeners across multiple platforms at a time when distribution and accessibility matter as much as content.

Weekday programming will also change as the station is dropping The Herd w/Colin Cowherd from 12-3 p.m. after adding the programming in the daypart in November of 2024. The new lineup will include The Pat & Aaron Show from 6-9 a.m., followed by The Dan Patrick Show, The Nick Wize Show will air from 12-2 p.m. with The Drive with Tom Krasniqi shifting to 2-6 p.m.

At the same time, iHeartMedia will transition its Spanish-language format from 95.7 FM to 95.3 FM and 102.9 FM, rebranding the stations as Rumba 95.3 & 102.9 and focusing on contemporary Latin hits spanning reggaetón, urban pop, bachata and salsa.

P.J. Gonzalez, senior vice president of programming for iHeartLatino, said the rebrand maintains continuity for Spanish-speaking listeners while sharpening the station’s identity in a growing demographic segment.

With The Enrique Santos Show in morning drive and local hosts Sarykarmen Rivera and Flip Rios anchoring middays and afternoons, Rumba aims to deliver high-energy entertainment tailored to Tampa Bay’s Latino community.

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States Driving U.S. Online Casino Gaming

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Online casino gaming in the United States is expanding quickly, but the story is not national. A small cluster of states is responsible for most revenue and tax growth, and that concentration is driven by legislation, not a uniform wave of consumer demand. For media and broadcasting executives, knowing which states matter is increasingly central to forecasting advertising budgets, sponsorship demand, and affiliate revenue connected to gambling.

Online Casino Gaming vs Online Sports Betting

Online casino gaming refers to digital versions of slots, blackjack, roulette, and similar table or live dealer games delivered via websites or mobile apps. It differs from online sports betting, which is built around wagering on real-world sporting events and typically follows a different pattern of seasonality, margin, and risk management.

In practice, online casino products are always on, with high-frequency play and a broad catalog of games. Sports betting is more calendar-driven, spiking around the NFL, March Madness, and other tentpole events.

A Seven-State Map

Despite national marketing, real-money online casino play is legal in only seven states: New Jersey, Pennsylvania, Michigan, Connecticut, Delaware, West Virginia, and Rhode Island. Nevada remains an outlier, permitting online poker but not full iCasino.

A national iGaming revenue rollup across these seven states reported combined online casino revenue of about $835.6 million in November 2025, up from roughly $714.4 million in November 2024 (CDC Gaming, U.S. iGaming Revenue Report, November 2025).

Why New Jersey, Pennsylvania, and Michigan Lead

Within this seven-state group, New Jersey, Pennsylvania, and Michigan are the clear heavyweights. All three combine large or dense populations, established land-based casino brands, and competitive licensing structures that support multiple skins per property.

Industry analysis frequently points to New Jersey surpassing $2 billion in annual iGaming revenue, with Pennsylvania and Michigan operating at a similar scale. In particular, performance trends around Online Casino in PA are often used as a practical benchmark for how operators balance always-on spend across local television, regional sports networks, and digital audio, because the market is large enough to matter but regulated tightly enough to produce stable planning assumptions.

For media companies, these three states are where online casino operators have both the regulatory permission and the economic incentive to run sustained, high-value campaigns across broadcast, sports media, and digital audio. These markets also matter because online casino advertising tends to be less event-dependent than sportsbook advertising. In iCasino states, operators can run always-on acquisition and retention campaigns that support inventory beyond live sports, including news, entertainment, podcasts, and off-season schedules.

Connecticut, West Virginia, Delaware, and Rhode Island’s Contribution

The remaining four iCasino states are smaller in population but still meaningful in revenue and market design.

Connecticut operates a tightly controlled model tied to the state’s tribal operators and lottery. That limits the number of brands but can support strong per-capita monetization. Delaware and Rhode Island use lottery-led structures, including Rhode Island’s single-operator model where Bally’s holds exclusive iCasino rights. West Virginia, while demographically small, is more open, with multiple online casino brands tethered to existing casinos.

For broadcasters and digital publishers, these states will not match New Jersey or Pennsylvania in absolute spend, but they can deliver incremental revenue and targeted regional campaigns that matter for local television, radio clusters, and digital outlets.

Regulation, Tax, and Market Structure: Why Growth Is Uneven

The uneven growth of online casino gaming is less a function of consumer appetite and more about which legislatures authorize iGaming and how they structure it. Tax policy, licensing design, and political comfort with expansion determine whether a state opens its market and how attractive that market is to operators.

Tax rates on iGaming gross gaming revenue vary widely across the seven legal states, but most sit in a band designed to generate meaningful public revenue while still leaving room for operator marketing budgets. Where rates climb too high or licensing is limited, operators may respond with more controlled spending and fewer long-term media commitments.

Regulation also shapes how operators can advertise. States with tighter responsible gambling rules, bonus restrictions, and content guidelines require more careful media planning. At the same time, stable frameworks can encourage larger, multi-year sponsorships once operators trust that rules will not change abruptly.

Why iCasino Growth Matters More Than Headline Sports Betting

Numbers

In states where both online sports betting and online casino gaming are legal, iGaming revenue often outpaces sports betting revenue. Casino margins are typically stronger and less volatile than sports betting, whose hold can swing sharply with results and promotional cycles.

For media organizations, that means the most durable gambling-related revenue opportunities are often anchored in iCasino markets rather than sports-betting-only states. Sports still provides the most obvious environment for sportsbook advertising, but online casinos support year-round demand and can fill inventory in non-sports programming and digital audio where live-odds integrations are less central.

States on Deck for Potential Expansion

Several large states that already generate substantial sports betting handle are being watched as potential iCasino markets.

New York lawmakers have introduced multiple bills, including proposals such as S2614 and a broader S8185 framework, that would authorize online casinos, live dealer games, and other iGaming verticals, though none have yet passed. Illinois has also seen renewed legislative pushes for online casino and poker, with analysts projecting significant upside if legalization advances. Industry coverage often cites additional candidates such as Indiana and Maryland as potential next-wave adopters.

For media and advertising stakeholders, the takeaway is that the seven-state map is not static. But expansion is likely to be incremental and tied to state budget pressures, tax policy debates, and evolving views on responsible gambling.

What Media and Broadcasters Should Watch in 2026 and Beyond

For U.S.-based media and broadcasting professionals, a few indicators matter most:

  • Legislative calendars and budget debates, where iCasino bills often surface
  • Regulatory tightening around payments, bonuses, and player protections, which can reshape creative and channel mix
  • Shifts in operator economics and profitability expectations, which influence sustained marketing spend in high-return states

In short, the media impact of online casino gaming will remain concentrated in the same states where regulation and operator economics align. Executives who treat iGaming as a national opportunity risk overestimating the addressable market for high-value campaigns.

The Future of iGaming in the U.S.

Online casino growth in the U.S. is being driven by a compact group of states that chose early, and deliberately, to regulate and tax iGaming. New Jersey, Pennsylvania, and Michigan sit at the center of that story, with Connecticut, Delaware, West Virginia, and Rhode Island adding depth to a concentrated revenue base.

For broadcast, sports, and digital audio professionals, the right approach is to build strategy state by state, not on a generalized assumption of national demand. Until new bills pass in large sports-betting-only states, the biggest growth in online casino-related media spend will continue to flow from the same limited group of jurisdictions that already define the iGaming map.

PodcastOne Sees 25% Revenue Growth in 2025 Powered By Q4 Record

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PodcastOne entered 2026 with momentum, reporting strong fourth-quarter results that highlight its diverse revenue streams.

Revenue for the fiscal quarter ending December 31, 2025, climbed 25% year-over-year to a record $15.9 million, while earnings surged 516% to $2.8 million, marking another quarterly high for the podcast network.

Ad sales continue to be a major driver. A three-year agreement with Amazon-owned Art19 includes a $15 million minimum revenue guarantee, and company leaders now expect the partnership to generate more than $20 million annually.

“We’re pleased with PodcastOne’s continued performance this quarter, driven by strong subscriber growth, strategic partnerships, and the continued success of our flagship shows,” President Kit Gray said.

With three quarters complete in its fiscal year, the company is now pacing for record annual results. Revenue stands at $46 million so far, 21% ahead of last year, while earnings have reached $4.5 million, a 421% increase.

Based on current trends, full-year guidance has been raised to $58 million to $60 million in revenue and $5 million to $6 million in earnings.

Additionally, PodcastOne says it has added 25 new shows to its stable so far this year. Three of those shows — Varnamtown, Vigilante, and The Opportunist — have been optioned as TV shows.

“The acquisition of ‘Varnamtown’ by Paramount underscores the value of our content and the strength of our network, while our ongoing investments in technology and distribution position us well for future growth,” Gray added. “We remain focused on delivering compelling programming and creating meaningful opportunities for our talent and audience alike.”

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Stephen A. Smith Not Willing To Give up ESPN Salary for Potential Run for Public Office

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Stephen A. Smith continues to walk a careful line between political intrigue and professional reality, and during a recent appearance on the Netflix podcast The White House, he made clear that any presidential curiosity must contend with a far more immediate calculation: his existing contract with ESPN.

While discussing how his situation differs from that of former President Barack Obama, Smith pointed to economics before ideology.

“Barack Obama respectfully, because I do revere that man was a community organizer who became an elected official who didn’t have money. I have money. So there’s a difference,” Smith said. “To have the money and have to forfeit it. Just do the math. I’m not confirming nor denying my dollars, because I don’t do that. But just do the math based on the reports. ‘This is what you’re making a year, and with three years left on your deal you’ll have to give up this money in order to run for office.’ Do I look like a person that’s interested in doing that? Hell no.”

That blunt assessment underscores the tension between celebrity viability and fiscal practicality, especially for a media figure whose value continues to climb. Yet even as he poured cold water on the idea of walking away from millions, Smith admitted that the competitive side of him finds something alluring about the national stage.

“I want to be on that debate stage against them. Who I believe have done what they’ve done to our country. That’s a win for me,” he said, framing the debate platform itself as a personal victory regardless of outcome.

That appetite for confrontation should not surprise viewers of First Take, where Smith has built a career on forceful opinions and rapid-fire rebuttals. However, he insisted that he keeps political commentary separate from his ESPN responsibilities.

“I don’t bring it to ESPN. I never discuss any of this on ESPN,” Smith said, adding that First Take has remained the top-rated sports debate show for nearly 14 consecutive years. He also touted strong ratings for his SiriusXM programs on both the POTUS channel and Mad Dog Sports Radio, emphasizing that he delivers precisely what those audiences expect.

At the same time, Smith described a professional life that has expanded well beyond sports.

“I have never had more fun doing my job in sports as I do now, because nothing bores me,” he said, explaining that the crossover between politics and media has sharpened his focus. With appearances spanning CNN, MSNBC, Fox News, NewsNation, ESPN and SiriusXM, Smith said he must stay prepared daily because he never knows which platform will call or who might challenge him next.

“You never know what platform I’m going to be on day to day, and you never know who’s coming for me. So the fact that I have to be on alert like that excites me,” said Smith.

For now, the equation appears settled. Smith enjoys the spotlight, relishes the debate and commands significant compensation. Running for president may intrigue him as a theoretical exercise, but surrendering a lucrative deal for a campaign trail remains a cost he is unwilling to pay.

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How a Defensive Masterclass Won Super Bowl 60

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Eleven years is a long time to hold a grudge. But for the Seattle Seahawks, the wait was worth every second. 

Super Bowl LX was hyped up for its 60th anniversary and potential half-time show in a politically volatile time. It was even the second most-watched, ever. But the real story was the decade-long redemption arc that began with a heartbreak on the goal line in Phoenix and ended with a dominant coronation in Santa Clara. 

On Sunday night at Levi’s Stadium, the Seahawks dismantled the New England Patriots 29-13. It wasn’t close, and the win served as the ultimate resurrection for Sam Darnold, who transitioned from draft bust to Super Bowl champ. The tactical masterpiece for Mike Macdonald also certified his Dark Side defense as the successor to the Legion of Boom.

A defensive masterclass in Santa Clara

Sport is all about stories, and the protagonist of this game was Seattle’s defensive front. From the first whistle, the Seahawks’ Dark Side unit lived up to its billing. They subjected New England’s young star Drake Maye to relentless pressure. Seattle recorded six sacks and forced three critical turnovers in the game. That meant the Patriots didn’t even sniff the scoreboard until the final quarter. 

The defensive dominance may well uproot some of the NFL hierarchy. Macdonald’s positionless pressure packages were simply more effective against young QBs than traditional man-to-man coverage. But, as with all approaches in the NFL, it’s cyclical.

The Seahawks came into the game as only slight favorites. Those who followed the lines at Odds Scanner USA would have seen the value in a Seattle defense that had been comfortably dominant throughout the 2025 season. Cornerback Devon Witherspoon was a constant menace. He recorded a sack-fumble that led right into Seattle’s first touchdown, while the presence of Leonard Williams and Byron Murphy II made the Patriots’ run game very much elusive.

Kenneth Walker III and the return of the bell-cow back

High-flying aerial attacks have been all the rage, but Kenneth Walker III provided a very refreshing throwback to old-school football. Again, it’s cyclical. Racing the Super Bowl MVP honors, Walker was the first to get the award since the 90s when Terrell Davis won it. He was the engine of the Seattle offense, pumping out 135 rushing yards on 27 carries. By consistently gaining yards on first down, Walker neutered New England’s ability to use their nickel-blitz packages. The result was a forced hand into a predictable, base-heavy defensive shell.

Walker’s aptitude in contriving up dirty yards against a relatively disciplined New England front meant the Seahawks could control the clock for over 33 minutes. His consistency helped take some weight off Sam Darnold’s shoulders. That allowed the veteran QB to play a mistake-free game (19/38 for 202 yards and a touchdown). The stats weren’t flashy, but the efficiency was exactly what Seattle needed to keep the Patriots’ defense on the field and tired.

The record-setting Jason Myers

While the defense held the line, kicker Jason Myers was responsible for keeping the scoreboard ticking over. Given that the Seahawks did struggle to convert red-zone trips into touchdowns early on, Myers was undoubtedly flawless. He set a new Super Bowl record by converting five field goals, helping cap off his historic 206-point season. This extreme reliance on the kicking game shows a lingering inefficiency in the Seahawks’ low-red offense that may need a personnel shakeup towards a bigger-bodied receiving threat in the offseason.

The final whistle

The Patriots finally found something to chew on in the fourth quarter when Drake Maye and Mack Hollins connected for a 35-yard touchdown. The lead was slashed to 19-7. While it was all too late, there was a brief moment where the prospect of a comeback loomed. That hope was quickly extinguished when Uchenna Nwosu intercepted a desperate Maye heave and returned it 45 yards for a pick-six touchdown. It was over. The Seahawks have their second Lombardi Trophy, and the ghosts of 2015 have finally been laid to rest.

Vice President JD Vance to Sit Down with Tony Dokoupil in Next CBS News Town Hall Event

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CBS News is set to continue its town hall series next month, as Vice President JD Vance will sit down with Tony Dokoupil.

On Saturday, March 14th at 8 PM ET, Dokoupil will lead the discussion with the Vice President about a variety of topics.

According to CBS News, Dokoupil will speak with Vance about the economy, foreign policy, the state of the Republican Party, and the 2028 presidential election, among other subjects.

The one-hour special will be pre-recorded in front of an audience in North Carolina. In addition to airing on CBS, it will stream on Paramount+. Additional airings will be available on CBSNews.com and the CBS News 24/7 streaming platform.

The discussion with JD Vance will be the latest in what the network has billed as its Things That Matter series.

After featuring a town hall discussion between Bari Weiss and Erika Kirk, the network will continue the series this weekend as Gov. Wes Moore (D-MD) will be featured in a town hall event. That conversation will be broadcast on Sunday, February 15th at 8 PM ET. Norah O’Donnell will lead the discussion.

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Noah Eagle Aims To Bridge the Age Gap With NBA All Star Game Call on NBC Sports

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As Noah Eagle prepares to call his first NBA All-Star Game for NBC Sports, the 29-year-old broadcaster says the most important guidance he has received ahead of the assignment is surprisingly simple: do not overthink it.

During a Friday appearance on The Dan Patrick Show, Eagle said the best advice he has heard leading into Sunday centers on authenticity and enjoyment rather than attempting to manufacture a signature moment on one of basketball’s brightest stages.

“Honestly, it’s just been to be myself and really do everything that we normally do,” Eagle said. “Have fun, and if you have fun, the audience generally tends to follow and celebrate the game. That’s what we’re here to do. And so you kind of accomplish all those things, and you can leave happy.”

That mindset reflects a broader philosophy Eagle has carried throughout his rapid rise within the NBA broadcast landscape on NBC, where he has steadily built a reputation for balancing energy with poise while handling national assignments that demand both precision and personality.

Calling the All-Star Game, however, presents a unique challenge because the audience spans generations, from longtime viewers who have watched the event for decades to younger fans who consume highlights and commentary across digital platforms in real time.

Eagle said his goal is to respect the history of the showcase while remaining aware of how modern fans experience the sport.

“I want to make sure that I’m doing the due diligence for all of those people who have been watching for decades,” he said. “But at the same time, I do at least have a sense of what’s happening with the younger generation. The hope is, I can bridge the gap between those who are 22 and those who are 72 that are tuning in. That is kind of the goal in any of this.”

This year’s USA vs. the World format adds another layer of intrigue to the broadcast, particularly after recent All-Star Games drew criticism for inconsistent competitiveness and disjointed pacing. Eagle believes the revised structure will create a more cohesive viewing experience.

“I think that you’re going to get a full 48 minutes of basketball on Sunday,” he said. “To me, that was always the concern… The NBA did a great job of rectifying some of those issues where it felt like actually the games were getting competitive. Then it was so choppy, because they were so short, that you never got a full rhythm of basketball. This will be a full rhythm of basketball.”

Ultimately, Eagle views Sunday less as a personal milestone and more as an opportunity to serve the game, trusting that preparation, perspective and a genuine love for the moment will resonate with viewers across generations.

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