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Please Stop With the No Announcer Broadcast Shtick

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Enough already. Stop trying to make a splash. Stop trying to be so gimmicky. Just give this idea that’s been done before a rest. Permanently. Peacock recently broadcast a Sunday game between the Tigers and Royals with no announcers in the booth. There were reporters conducting interviews and showing fans different views of the ballpark, but there was no commentary. No play-by-play. No analyst. Been there. Done that. Now stop. 

This sounds like a publicity stunt. As if to say, ‘our baseball broadcasts on Peacock are struggling, so let’s get people talking about us, right?’ I guess to an extent it worked, because people were talking about it and I’m writing about it. 

Instead of traditional play-by-play and color analysis, the broadcast featured something “completely different,” as Sam Flood, NBC Sports executive producer puts it. There were reporters that took fans around Detroit’s Comerica Park, showing the game from different angles and vantage points.

“The whole idea of this is treating a game completely different. We’re going to take you out to the ballpark,” said Flood. “We just want to be the ultimate fan’s experience and spend it like anyone else. It’s an American holiday celebration weekend. We’re going to lean in and treat baseball like fans do.”

Ahmed Fareed, MLB Sunday Leadoff host and in-game reporter was part of the game. He was joined by Bally Sports Detroit analyst Craig Monroe and NBC Sports’ Britney Eurton.

“One of our goals for the Peacock game has been to celebrate the game and the players and everything that makes the sport special. So, for this game that kind of gives us an opportunity to celebrate everything that makes baseball special off the field,” Fareed said.

Reaction to the stunt was mixed on social media. 

Those that did not enjoy the broadcast seemed to be turned off by the fact they couldn’t do what they normally do when watching a game. 

Other viewers weren’t fans of the reporters and who they were interviewing, instead of focusing on the baseball game. 

Some just didn’t seem overly impressed by the production, even if they didn’t realize the whole game would be without announcers. 

There were those that enjoyed the broadcast and liked the way the game ‘breathed’ with only the natural sounds of the game shining through. 

Others that were fans of the ‘experiment’ pointed out that the lack of constant talking was soothing. 

There were also viewers that felt like they were being taken behind the scenes, which was enjoyable for some. 

This is not the first time a network has tried the shtick, for lack of a better word. 

TNT attempted “players only” broadcasts a few years ago, experimenting with NBA alumni on the game broadcasts instead of a traditional play-by-play and analyst set up. The idea was to let those who once played, talk about those that are currently playing. It didn’t work. 

Late in the 1980 NFL season, NBC was looking for something to bring in some fans for a Dolphins/Jets game in Miami, so they went the ‘no announcer’ route. The plan was to have the PA announcer give a little more information after each play to help viewers on the telecast. The rest was just fan reaction at the old Orange Bowl. It was successful in bringing in curious viewers, but not something NBC deemed sustainable. 

It was the brain child of Don Ohlmeyer. He was the first producer of Monday Night Football, produced and directed three Olympics broadcasts, won 16 Emmy awards and is a member of the Sports Broadcasting Hall of Fame. Yet, that broadcaster-less game continues to follow him.

“All the stuff I’ve done in my career,” Ohlmeyer told ESPN in 2010, “and that’s what I’m going to be remembered for. It serves me right.”

One lesser motivation for Ohlmeyer in presenting a game without announcers was reportedly to send a message that he thought announcers talked too much during telecasts, sometimes speaking less to inform than to fill space with the obvious. He felt that intruded on compelling action.

The late Dick Enberg was the top football announcer back then, and while nervous that the game would be a success, he did learn a few things. He spoke to ESPN in a 2010 interview that the experiment helped him in the long run. 

“It improved me. Consciously, to this day, there are moments in every sport that I do when I kind of throw up my hands as if to say to myself and to my partner, ‘Let’s not talk. This moment is special, we don’t need to talk. Let’s let it play.’” That is a good lesson even today. Allow the game to breathe. 

Look, you already know where I stand on this, but let me make a case. I’m not exactly sure how no announcers on a broadcast really serves an audience. To me it’s quite the opposite. Many people have the telecast on, but aren’t paying attention to every pitch and count on the announcers to let them know what’s going on.

If you start watching in the bottom of the fourth inning and it’s a 3-2 ballgame, how did the game get to this point? There’s nobody there to recap it for you. Graphics only can say so much. 

Along those lines, there’s no explanation of confusing or controversial plays. How can such plays or instances be clarified? 

Part of what I enjoy about doing play-by-play and hearing when I’m watching a telecast are the interesting back stories. The trials and tribulations of the 30-year-old rookie finally getting a shot at the big-league level. I want to hear about a pitcher developing a cutter in the offseason to help his cause. It feels kind of empty when an opportunity to share good information is wasted because nobody is in the booth. 

Perhaps the biggest issue I have is there’s nobody there to set the scene, or to build drama in key moments. Those big sequences in a game need a play-by-play announcer to let you know just how important this situation is to the game. The telecast needs the words to support the picture and stress the enormity of what is happening at that time. It falls flat without it. 

In some ways, I’d like to encourage more networks to try this, because they will help to prove my point even more. These ‘gimmicky’ telecasts, just reinforce what some of us see as normal and necessary. We need the play-by-play and analysis to make the broadcast complete. 

Report: Cumulus Media Rejects Second Offer From Jeff Warshaw

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Cumulus Media has reportedly rejected a second offer from Connoisseur Media CEO Jeff Warshaw to purchase the company for $15 to $17 per share. 

Radio Ink reported the latest development Wednesday. In May, Warshaw sought to buy the company for $1.5 billion but that attempt was rebuffed by the company’s board. Cumulus Media owns and operates 406 radio stations across the country in 86 markets. 

“After a careful and thorough review, conducted in consultation with our financial and legal advisors, the Board unanimously concluded that the indication of interest significantly undervalues the Company and is not in the best interests of its shareholders,” the board said in a statement in May. 

Warshaw’s company owns and operates 13 radio stations in Maryland, New York, and Connecticut. In 2019, Connoisseur Media executed an asset exchange with Cumulus. In the deal, Connoisseur acquired two radio stations in Southern Connecticut, including news/talk brand WICC in Bridgeport, Connecticut.  

Cumulus’ board reportedly believes that Warshaw’s current offer is still too low. The website was not able to reach either party for a comment. 

Casey Wasserman: Sunday Ticket Deal A “Transition to the Future of Media”

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At the annual Sun Valley Conference, an annual media finance conference, Casey Wasserman the founder and CEO of Wasserman, the owners of the largest sports agency, was in attendance.

He joined CNBC’s Power Lunch and was asked about the NFL Sunday Ticket negotiations which are still ongoing. Specifically, he was asked what would it mean if the NFL Sunday Ticket package went to a stream-only buyer like Apple or Amazon.

“I think it’s the begging of a transition to what people think the future of media is going to be like,” Wasserman said. “Sunday Ticket is sort of a precursor to streaming given that it was on DirecTV and subscription. It gives someone like an Apple or Amazon or whoever might buy it, hundreds of games a year to deliver to their fans in a very meaningful way and ways to experiment around those broadcasts”.

Wasserman was also asked if he thinks those rights will go to a streaming service.

“I do think they go to a tech company or a someone who is solely focused on streaming those games,” Wasserman predicted. “That’s the next generation of monetization of those fans. Given the 100+ million fans in the United States of the NFL, a streaming platform that has the ability to direct the focus to those games to those fans is a really powerful platform”.

Wasserman did not think there would be a surge in cord-cutting if more streaming services got into live sports. But he also added that streaming would add revenue to leagues and not detract from. “It’s a really powerful opportunity for the next 10 years. And what sports is, it’s predictable and unique in a world where almost nothing else is”

USFL Championship Most-Watched USFL Game Since Opening Weekend

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On Sunday, the Birmingham Stallions and Philadelphia Stars played for the USFL Championship. On Sunday, a lot of people tuned in.

Fox announced that the game on Sunday averaged 1,517,000 viewers during the bout that was the first game not played in Birmingham this season.

The network also announced that the audience peaked right when they wanted it to, at the end of an exciting second half that saw the Stallions come back to win 33-30. That audience number topped at 1,834,000 during the 10:30-10:45pm ET window.

It’s also no surprise which market was the best for the USFL title game. Birmingham, the winning team and host of nearly every single game, averaged an 11.0/24 for the market’s best USFL game since Week 1.

It marks the end of what has been seen as a successful first year back on the gridiron for the league which is already in the stages for a Year Two.

Dan Le Batard: Hank Goldberg Was a Legend But Terrible To Many People

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Many mourned the passing of Hank Goldberg on Monday. He was a longtime, loud voice in Miami radio on WIOD and even longer with WQAM. He was also a familiar face to ESPN viewers.

Dan Le Batard, beginning in 1990, was also a loud voice in Miami as a columnist with the Miami Herald. He and Goldberg had a strong, often bitter, rivalry that played out in the eyes of the public.

On The Dan Le Batard Show with Stugotz, Le Batard commented on the passing of Hank Goldberg and his comments were an “honest” discussion of the two’s history.

“More than merely a legend, I can say this honestly, if not for Hank Goldberg, this would not exist (referencing the now podcast). All of it. The Hank Goldberg coaching tree, the best thing it birthed, sits right next to me. It has belched out little other radio talent but Stugotz is the lasting legacy of what Hank Goldberg did.”

The podcast goes on to tell the story of Stugotz, once the executive producer for Hank Goldberg, needing looking talent when he was part of a group that launched WAXY-AM also known as 790 The Ticket. Stugotz never forgot how much Goldberg did not like Le Batard. Goldberg would read Le Batard’s columns on air and react to them weekly with vitriol. Stugotz got an idea to counter-program Goldberg’s and WQAM’s ratings dominance.

“Because he would talk about Dan so much when I was the executive producer of his show,” Stugotz said, “I figured ‘hey I got to hire this guy to go against Hank Goldberg… if I can get Hank to go against Dan or Dan go against Hank then Dan would have a daily platform to snap back if he wanted to.”

Le Batard would join WAXY and the back-and-forth that came mostly from Goldberg’s frequent bashing of the columnist, now had two sides. Le Batard, who well aware of how his comments may seem, tried to tame the waters some.

“I don’t want to get aggregated as ‘Le Batard Dances on Hank Goldberg’s Grave’ or buries Hank Goldberg. I would never say that I am happy to see anyone die. I am just saying that I was never that happy when he was alive,” Le Batard opined. “He was truly terrible to so many people…you want to talk about this honestly? He was a legend, yeah. And he was an asshole to a whole lot of people”.

Stugotz added more context. “Hank didn’t like you (Le Batard) because Hank had an ego and you were a perceived threat”.

Le Batard referenced stories he didn’t want tell about Goldberg “playing defense” on his career but did say that Goldberg’s impact on the city was undeniable.

“Hank Goldberg in this town, did create a sports voice that helped make us more national. And made gambling a little more normal. And Hank Goldberg in this town, before anyone else, was a big shot in this town…”

Cari Champion: My Job on ‘First Take’ Was To Ask Questions and Lay Out

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From 2012-2015, Cari Champion was the moderator for First Take on ESPN with Skip Bayless and Stephen A Smith. While she was a part of the show, she was not able to voice her opinion on the topics that were being discussed.

Champion was a guest on the I Am Athlete podcast with Brandon Marshall, Adam “Pac-Man” Jones, and Nick “Swaggy P” Jones. She knew Bayless and Smith were hard workers, but she did not feel like she was valued by ESPN:

“They [Skip and Stephen A] are exactly who they are. Super-talented, they worked hard, they taught me work ethic…They did the homework, they came prepared. The problem was for me as a black woman in that position at the time, nobody was Monday-Friday on a popular 2-hour TV show that was a black woman. They let me know I didn’t matter, intentionally or unintentionally. It was obvious. You don’t matter. Just be happy that you are here. Don’t talk. Ask questions. Just be happy that you are here.”

When she first started at First Take, Champion said that Jemele Hill was a huge help to her, especially when people were criticizing her for pronouncing names wrong:

“The first few weeks were crazy. I went from 500 followers on Twitter to thousands and thousands. Aggressive a** fans. I don’t like your hair, your shoes, you don’t know what you are talking about. My whole world is rocked. I figured it out, but I figured it out with help from people who did it before like Jemele Hill, like when they used to be on my a** for pronouncing names right.”

Champion mentioned that the show went from talking about more than sports when the Ray Rice domestic violence incident happened in 2014. Everyone was asked to weigh in on the situation, except Champion:

“My job was only to ask questions and lay out. Then, we started to talk about more than just sports…When Ray Rice was on the elevator punching his then fiancée now wife, we all had to talk about it. They were very clear that I couldn’t weigh in. What does that look like? We’re talking about domestic violence and you have the only woman in the show not being able to discuss it. By they, I don’t know who made the decision, but it became so awkward and noticeable that people started to write about it…It was so foreign to have women debate.”

However, Champion mentioned when she watched the show after she left and Molly Qerim became the host, she noticed Qerim was allowed to talk more than she ever was and it did upset her:

“It was upsetting because then, the following host, Molly Qerim, in the beginning, they would let Molly talk all the time. Molly could talk and I was told specifically not to talk. The reality is because I was the first, I had to go through things that people didn’t have to go through. I felt a way because I went through it tough because I just wanted to say my opinion.”

Gregg Giannotti: The ManningCast Needs to Eliminate Guests

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Peyton and Eli Manning were a hit on ESPN2 last year with their alternate broadcast for multiple Monday Night Football games. The ManningCast saw its audience grow regularly and won praise across the industry.

On Wednesday’s edition of Boomer & Gio on WFAN, Boomer Esiason said it wasn’t always appointment television for him, but he did think the ManningCast had plenty of value.

“To me, if the game stinks, then I’ll turn them on,” Boomer said noting that the Manning brothers are entertaining and knowledgeable enough to make chicken salad out of a chicken you-know-what football game.

According to Giannotti though, the broadcast is not without its flaws.

“I do think they gotta drop the guests,” he said. “The guests are a big problem.”

The guests are meant to provide insight and entertainment. Gio said they actually have a very different effect. They tend to be more distracting than anything.

“They put them on those Zooms and the connection is always terrible and they are talking over each other and there is a delay.”

The Manningcast is designed to be a fully remote set up. Eli Manning is in New Jersey. Peyton is in Denver. The guests join from their homes.

Giannotti understands that there probably won’t come a day when the ManningCast has absolutely no guests. He just wants the stars of the show to have room to make an impact. Fewer guests would be a good start.

“They put like three of them on a broadcast, so it’s ‘bring in another guest, bring in another guest’ and it takes away from Peyton and Eli.”

Sean Kelley Named New Voice Of Florida Gators

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Sean Kelley is leaving ESPN Radio after just three years. He is headed to the Sunshine State as the new radio voice of the Florida Gators.

“Florida is one of the elite of the elites with regard to intercollegiate athletics,” Kelley said in a press release. “That makes it not only a destination job for anyone in our business, it makes it a destination job for those who have reached certain heights in our business.”

It is a job that has been held by just four men. The title of “Voice of the Gators” belonged to Mick Hubert for the last 33 years. He announced his retirement in May.

Gators fans will hear Sean Kelley on football and men’s basketball. He will also make public appearances and host podcasts.

Prior to joining ESPN, Kelley was in New Orleans. He called games for Tulane University and the New Orleans Pelicans. He was also a digital host for the New Orleans Saints and a firefighter in St. Tammany Parish.

“I am excited to have someone with Sean’s talents and experience as the new play-by-play voice of the Gators,” UF Athletic Director Scott Stricklin said. “This position attracted a large number of highly-qualified applicants, but Sean rose above the field early in this process.”

Sean Kelley will make his debut in the Florida Gators’ radio booth on September 3, when the team welcomes the Utah Utes to Gainesville.

Dan Le Batard: ‘Brian Windhorst Won The Internet This Weekend’

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Each week, The Dan Le Batard Show with Stugotz recaps the funniest thing in sports that they saw over the weekend. Usually, the bit is reserved for Mondays, but with most people getting to enjoy a three-day weekend, the conversation was pushed back to Tuesday this week.

On Friday morning, Brian Windhorst delivered his “what’s going on in Utah” analysis of the Jazz trading Royce O’Neale to the Brooklyn Nets on ESPN’s First Take. By that afternoon, it had spawned memes that had overtaken NBA Twitter.

Le Batard and his crew noticed. Amin Elhassan declared the reaction “the funniest thing in sports” on Tuesday’s show noting that it was very much in line with his own podcast, Basketball Illuminati.

“He won the internet this weekend,” Dan Le Batard said.

The show wasn’t the only media entity to pay tribute to Windhorst and his questions on Monday. USA Today’s For the Win blog gathered up its favorite memes based on the segment.

Billy Gil, producer of The Dan Le Batard Show, said that Windhorst certainly knew how to command the attention of his colleagues on the First Take set, but speculated that just maybe he commanded the attention of decision makers around the NBA too.

“You know, it was about his performance too. He played it so well,” he said. “He had me believing something was going on and then there was. What if there wasn’t something going on and then it just materialized?”

Ken Charles Abruptly Resigns as KNX Program Director

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KNX Program Director Ken Charles abruptly announced his resignation in a lengthy email to staff Monday which was also shared on his personal Facebook page.

According To Radio Insight, Charles was named KNX Radio’s Brand Manager back in 2015. Prior to that, Charles spent 20 years at iHeartMedia clusters in Sacramento, Houston, and Miami.

“I’ve made the difficult professional and personal decision not to renew my contract and am stepping down as Brand Manager for KNX and Format VP for Audacy,” Charles posted.

Charles thanked his staff at KNX for working tirelessly during a recent rebranding which culminated with the station simulcasting on the FM band. He also remarked about the many changes at KNX which have led to wins in ratings and the expansion of its digital footprint.

“We’ve evolved the station’s sound, grown our ratings, expanded our digital footprint and become a leader in the company,” the post said.

With Charles at the helm, KNX celebrated its 100th anniversary and won the first two national Edward R. Murrow awards in the station’s 54-year all-news history. Charles acknowledged the success behind the award-winning newsroom, station news director Julie Chin.

“None of the above happens without Julie’s help, counsel, insight, friendship and hard work. She will continue to be a steady hand in the continuing success of KNX and keep the momentum we’ve built going,” he added.

According to Charles, his last day will be Friday, July 22.