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Tom Brady: First Broadcast For Fox ‘Won’t Be My Finest Moment’

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Dan Patrick asked Tom Brady some tough questions about his future during an interview that aired Wednesday. The pre-recorded interview was meant to promote Hertz, a company the Buccaneers quarterback endorses. Still, Patrick made time to talk about his future in the broadcasting world.

Brady said he is optimistic about what he can accomplish. He just hopes that his bosses and his audience realize he won’t be a finished product in his first game on FOX.

“It’s a new opportunity for me to try something that I’m going to work really hard to prepare to be as good as I possibly can be, knowing that the day I walk on the set for the first time won’t be my finest moment,” he said. “There’ll be a lot of growing pains, and I’ll have to learn to be really good at it.”

Dan Patrick pointed out that Drew Brees found it hard to transition to broadcasting, but noted that studio work is tougher to transition to after playing than being a game analyst is. Brady acknowledged that it won’t be easy, but he said NFL quarterbacks have more exposure to the business than some may realize.

“I’ve been in every production meeting for 22 years since I started playing in 2001. I know what those guys are asking, I know what they’re asked to do.”

Plenty have questioned just how much FOX will get back on its $375 million investment in Tom Brady. It sounds like the GOAT is prepared to deal with the early criticism and also to work through it. He will almost certainly have a long leash.

In the early going, Brady says he is going to simply enjoy the chance to stay around the sport and continue to travel.

ESPN 630 In DC Adds Baltimore Ravens

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Cumulus Media’s ESPN 630 The Sports Capitol lost Washington Commanders games for 2022. The team left the deal that saw its games air on both that station and Audacy’s 106.7 The Fan.

On Wednesday, the radio station revealed it would not be without NFL football in the coming season. ESPN 630 will be Washington, DC’s home for the Baltimore Ravens.

The station will carry all Ravens’ preseason, regular season, Wild Card, and Divisional Playoff games thanks to a new four-year deal. It will also simulcast pregame and postgame coverage from the team’s flagship radio partners at 98 Rock and WBAL.

“We’re thrilled to expand the reach of Ravens Nation heading into another exciting season,” ESPN 630 Program Director Bill Hess said in a press release.

ESPN 630 The Sports Capitol will also create its own Ravens content. From August to January, the station will create Monday features around the team.

“We are thrilled to partner with ESPN 630 AM and to further distribute the Ravens’ award-winning gameday radio experience,” Kevin Rochlitz, Ravens chief sales officer, stated. “The Ravens and ESPN 630 AM have a shared commitment to providing our audiences with first-class radio content on gameday and beyond. This agreement will enhance and expand our connection to the passionate Ravens fans of the Washington, D.C. metro area.”

Jason Fitz Is Comfortable With Chaos

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Part of being in the sports media industry is being able to adapt on a live show when something goes wrong. That doesn’t come easy, but thanks to his time doing digital work for ESPN, it is something Jason Fitz has become comfortable with.

Fitz was a guest on the GoJo with Mike Golic Jr. podcast and he told the story of the first time he covered the NFL Draft in 2019 on ESPN’s digital platform with Golic Jr., Domonique Foxworth, and others. There was one moment where he had to figure out on-the-fly on how to make everyone look good on the broadcast when something unexpected happened:

“ For anyone that has never watched digital shows, we don’t have commercials, we don’t have researchers, we don’t have a safety net. When I host College Football Live on TV,  I have had things go wrong and it’s ok. You get a commercial, you regroup. Digitally, you don’t get that chance.”

“The first time we did the draft together, I remember looking at Domonique Foxworth for one pick and I was like ‘hey Dom, what do you think of this one?’ He was like, ‘I don’t know, never heard of the guy’. I was on this island and I figured out quickly how I can steer the conversation over to somebody else to make sure we look good. That moment for me was transcendent because I was like I can handle being on my feet.”

When Fitz had the opportunity to host Outside The Lines, that digital experience helped him during a time when technical issues happened that caused the show to lose both of their interviews in the first segment of the show:

My life changed on OTL. I was hosting Outside The Lines. We had two interviews back-to-back, the first segment. They have you switch from one seat to the other. The intro is ready. I read the intro exactly as we script and I roll my chair to the first spot and I am looking at the camera and in my ear, they are like we don’t have it, we lost comms. Go to the next interview.”

Instead of panicking and having the show go off-the-rails, Fitz decided to let the audience know nothing was working and sent it to commercial:

“I just looked at the camera and I was like well guys, the beauty of live television. Nothing is working. So, we are going to take a break and we will see if we can get it right on the other side. When we went to a commercial, they got in my ear and they were like you handled that so well.

“I realized in that moment that all the times you and I [Fitz and Golic Jr.] had done digital shows without a safety net prepared me. I am so comfortable now with chaos. That took a couple of years to honestly get my footing with.”

Greg Hill: ‘Until Every Media Member Stops Using Gas, LIV Golf Concerns Are Just Noise’

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Every discussion of LIV Golf and the players participating in the Saudi-backed tour has come with debates about the morality involved. Those debates became local Wednesday morning on WEEI as Greg Hill discussed the US Open teeing off this week in nearby Brookline.

He discussed Rory McIlroy’s shots at LIV golfers and a listener texted in to ask why no one asked McIlroy about his Nike sponsorship. The company has been found to regularly use unpaid and underpaid labor in some countries.

“I think that would have been an excellent question for Rory McIlroy,” Hill said.

He added that handwringing over the stars that have faced tough questions about their association with LIV Golf is largely meaningless. Saudi Arabia is guilty of some pretty terrible things, including the murder of journalist Jamal Khashoggi, but the country’s money is everywhere in the United States.

“Unless every person in America is going to stop doing business with everything related to the Saudi Royal Family, it’s just noise,” he said. “It’s just noise about Phil Mickelson. It’s noise about Dustin Johnson. It’s noise about guys who are doing their job.”

Producer Chris Curtis agreed saying that he hopes no one thinks the show is defending the Saudi Royal Family. Instead, Hill and crew are pointing out that we all use products and consume entertainment that we aren’t even aware is backed by their money.

“Do you think the people that were in the Avengers: End Game movie are somehow complicit in supporting terror groups in the Middle East? No! Their money is everywhere.”

He pointed out that the hypocrisy being shown by Jay Monahan is astounding and going largely unchecked. The PGA Tour Commissioner gave multiple players a waiver to compete in Saudi Arabia in December on the condition that they must commit to playing in the AT&T Pebble Beach Pro Am for the next two years. He made no fuss about them profiting from their appearance or victory at the time.

Greg Hill noted that the PGA Tour has never had a well-funded competitor and that means for a lot of players, it is the first time they have had real options for their careers.

“A competing business is offering them millions of dollars to participate and they made the move.”

Could Short-Form Video Rights Surpass Value Of Live Rights?

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Younger generations and their media consumption patterns have already changed a lot about our business. A new column in Delaware North’s “Future Of” series suggests that the bounty of live sports rights could dry up by 2030 as Gen Z’s tastes start to matter more to business leaders.

The report suggests that live rights will still have value, but leagues will be making even more money on short-form video rights.

“Only a small percentage of Gen Z — and an even smaller proportion of Gen Alpha — will watch a three-hour live sporting event, preferring video highlights on YouTube, TikTok and other outlets, usually curated by social media stars.”

The change may not be sudden. After all, millennials are the next generation of decision-makers. The upper end of that generation is in their 40s and behaves more similarly to Generation X in their media consumption.

Still, we can already see evidence that Delaware North is onto something. Front Office Sports’ Doug Greenberg points to the ratings of Game 1 of the NBA Finals. It was the least-watched opening game for the event in 15 years

Todd Merry, CEO of Delaware North says it may not look as simple as his company’s prediction reads.

“It’s a complex issue because you might have to buy the live rights to own the short form rights,” he told Greenberg. “So they are gonna be linked, I think, for a long while.”

ESPN Adds 6 Podcasts From Omaha Productions

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ESPN cannot get enough Peyton Manning! The Hall of Fame quarterback’s production company, Omaha Productions, is already deeply tied to the network and its streaming service, ESPN+.

Now, that relationship is growing as ESPN gets set to host six new podcasts from Manning’s brand.

The new shows will all launch over the course of the next two months. They will feature a variety of talents including some from the ESPN roster and one from the Manning family. Full details, including titles, launch dates, and hosts are as follows:

  • The VC Show (June 20): Each week, Carter will talk NBA news with co-host Gold-Onwude. The eight-time NBA All-Star will also share personal stories from his 22-year NBA career.
  • Courtside Club (June 20): Host and influencer Rachel DeMita will hold “courtside” talks with athletes and influencers. 
  • Moxie Bets (June 20): Sports gambling pro Katie Mox will preview betting lines, spreads, parlays, and prop bets. 
  • Always College Football (July 5): Former Alabama quarterback turned analyst McElroy will go deep on college football news. 
  • The Cam Heyward Show (July 11): The Steelers defensive tackle will give fans an inside look at the real life of NFL players. 
  • Soup with Coop (July 18): The elder Manning brother will invite players and coaches to share stories, and laughs, over a bowl of soup.

“We are thrilled to extend this already successful partnership into the audio space with the launch of these first six titles led by so many engaging personalities, with much more to follow,” ESPN President Jimmy Pitaro told Front Office Sports.

Omaha Productions produces the Places Universe, a collection of shows following sports stars tracing the history and visiting the places and people that shaped their sport. It also is behind the popular ManningCast. The alternate presentation of Monday Night Football quickly became a critical darling and Manning says inspired the vision for an Omaha podcast network.

“One of the best parts of the Monday Night Football show is getting to talk about a sport I love with other folks who share the same passion for the game,” he said. “With this audio network, we want to deliver those same entertaining and informative conversations from a great crew of folks at Omaha Audio, who are not only informed but genuinely love the sports and topics they cover.”

Meet The Market Managers: Jay Davis, Cumulus Media Oklahoma City

When you work with a guy for over thirty years, you get used to the consistency, but you have to know the conversation is coming. At some point, one of you will turn to the other and say that it’s over.

That is how I met Jay Davis. When Chris Baker told him he was ready to step down as Program Director of 98.1 The Sports Animal in Oklahoma City and retire, I reached out about the job.

Obviously, I am still working with JB and not in the middle of the country. While it didn’t work out the way I hoped though, Jay and I stayed in touch and remain friendly.

I wanted to feature him this season in our Meet the Market Managers columns, presented by Point-to-Point Marketing, because of that monumental shift he and his building are dealing with right now.

In this conversation, we discuss what happens in the moments after Baker made his announcement, how this political spending season could be different than in the past, and why his stations are have never had trouble finding good people when there is an opening.


Demetri Ravanos: The Sports Animal is experiencing its first change in literal decades. So let’s set the staff side for a second. How do you adjust to working with someone new when for so long you knew what you were dealing with? With Chris Baker, you guys had a good relationship that worked for a long time. 

Jay Davis: Yeah, we’ve been very lucky here. Chris started with us in the early nineties. I got here in the late eighties, but he was a rock. Not only did he oversee The Sports Animal, but for many of those years, he was an operations manager. So his imprint is on our success here or at least a large part of it. He certainly deserves full credit.                

He was great. I loved him as a coworker, but also personally, he’s a personal friend of mine and just a great guy. Enjoying his retirement is well-deserved.                     

The person who took his place, Robert Mueller, a guy we call ‘Cisco’, had worked for our company also for ten or fifteen years, and then he left us for six years to try some other things that he was wanting to do in the business. But again, he had been around our stations for many, many, many, many years, so he already had built-in credibility with the people on air, our sellers, and our clients.                      

There were a number of very, very talented candidates that we visited with for that job, as you know. In the end, he made the most sense for it in terms of just being able to come in with knowledge. There was zero learning curve. I mean, he could literally just hit the ground running on all these different fronts. So yeah, we’ve been very fortunate to have what could have been a very difficult transition be a pretty easy one. 

DR: So one of the things that you and I talked about during that time was sort of the parochialism or perceived parochialism of Oklahoma City. Is Robert’s experience, not just in Cumulus but in a market like this one, a necessary thing? Does that familiarity and knowledge translate in the decisions a programmer makes in parochial market?

JD: Obviously, if somebody knows the market, it helps and he does know the market, our stations, our personalities, and our presentation. The Sports Animal is such a big radio station in town. It could have been an earthquake with Chris leaving. Instead, it’s just been more just of a transition. And it’s been a good one. We were lucky. 

DR: So that day that it becomes public that Chris is going to retire and it’s found out in the building, are the air and sales staffs immediately coming to you with their ideas of what sort of knowledge or qualities the next PD needs to have? 

JD: Chris was obviously so well-liked inside the building. I was happy for him. There’s no doubt about that. As you would imagine though, it was a two-fold thing.               

It’s just like, “Oh, what the hell are we going to do? What’s that next?” Because he’s such a mainstay and a big part of what we do and all of our decision-making. Of course, there was an anxiety that came along with that.                  

The timing was something else. Cisco had been reaching out to me in the months prior to that just to say “hey, if you ever have something in Oklahoma City…” He was just looking to come back home. We just got lucky in terms of the timing of it all.                  

I was ready to tell people “Hey, listen, don’t worry, guys, we got to plan here. We’re not in as big of trouble as you might think.” We didn’t have that interim for too long where we had to worry or have client fears or sales fears or on-air staff fears. We were able to quickly soothe that tension.

DR: So it’s 2022 and one of the issues that I think every radio group around the country is talking about this year is obviously political spending. And I wonder, with you guys being in a pretty solidly red state, how does that affect spending in a state with so many assumed victories? Do you see less of a windfall than you could somewhere that is more competitive during these years? 

JD: Oh, there’s probably some truth in that, but you know, at the same time, there’s still issue ads that are that could be meaningful. Listen, no one is counting it in the bank anymore. We’ve seen in the last two or three years, what you thought might have happened politically doesn’t happen.               

We’re just now kind of getting into some of those ads. We’re receiving some dollars on the political front and expect to get more. So no, I don’t think so. But again, it’s such a crazy situation now. I mean, people are going to really want to spend to make sure their person wins because you can’t ever count on it. 

DR: What about the way the changing media landscape affects that spending? With the pandemic, suddenly Netflix and Hulu and Disney Plus and all of these streaming TV services become every day parts of our lives and not luxuries anymore. Could you foresee more candidates spending on radio because it still has a widespread penetration that maybe traditional TV is losing? 

JD: Yeah. I’d like to think that that’s true and that that could happen, and I do think you’ll see a little bit of a shift that way. Television has obviously been the traditional way that they have gone about it, but as it continues to be challenged in that way you mentioned, it certainly leaves it open for radio to maybe get a little bit better share than we’ve had in the past, especially with the stronger, more powerful, wider-reaching signals that that that would be able to provide both a frequency and a reach.                

You know, in a candidate’s mind, it will just kind of come down to cost to some degree. I think people are going to continue to do TV no matter what because that’s all they’ve known. But to your point, I do think that we will see a little bit more headed our direction in this cycle, and hopefully in the coming months and years.

DR: So you guys have chosen not to pursue either Oklahoma or Oklahoma State as a play-by-play partner. Why has staying neutral in that way been the right play for The Sports Animal? 

JD: Well, you know, those rights fees don’t come cheap. Listen, don’t get me wrong. We’re in the Oklahoma and Oklahoma State business.                 

We’re the flagship station for the Oklahoma City Thunder. So, you know, having both of those might be a hard thing to pull off just due to the commitments that come along with them.        

Even if we’re not the rights partner per se for OU or Oklahoma State, we certainly are in the business of Oklahoma and Oklahoma State football. That’s what we do most on air. It’s something that I guess could always be considered whenever those rights come up, but they are expensive and you do have to weigh the value against the cost and make your decisions from there. 

DR: In the sports format, Cumulus seems to have a lot of stations in markets your size and in your situation that are doing very, very well. There’s JOX in Birmingham and The Zone in Nashville. I mean, these non-major market stations where sports fandom traditionally was built on college sports and now pro sports is a relatively new thing. 

Do you look at any of those stations as either a role model or a partner, someone that you want to be part of an information-sharing relationship with to help The Sports Animal evolve and grow? 

JD: We do, yeah. I’ve had conversations with both Birmingham and Knoxville. Even The Ticket down in Dallas is a brand we look to, although they’re obviously a monster. But you know, we’re kind of a monster in our town.                     

We’re open to any and every idea that our infrastructure gives us access to obviously. We’re encouraged to reach out to other markets if they’re doing some things that we need to be doing. They’ve reached out to us as well. We are very lucky to have some very, very good support stations in our community of stations. 

DR: How are you going about recruiting for jobs that are not on-air jobs right now? Sales, promotion, whatever? What is the best way for the broadcast business to reach young jobseekers? 

JD: Well, again, I’ve been at these radio stations since 1989, and we’ve got very strong, very well-branded radio stations in the market. The Sports Animal is just omnipresent in Oklahoma City. The Cat is a heritage rocker that is just awesome. It is a great, great radio station and has been around for 45 years.           

We get our share of people just wanting to put their foot in the door on-air, on the sales side, just to get into radio period. We haven’t seen, with the obvious exception of COVID, how that affected everybody else. In terms of calls or resumes we stay pretty in demand. We’re just lucky that way.                 

We’ve had these great radio stations for a long time and we’ve kept our top talent on the air. So we’ve been very consistent with what our presentation sounds like, looks like, etc.  I think people see it as destination employment. 

DR: I was thinking about this watching the NBA Finals last night. Crypto companies, whether it’s coins or exchanges, are spending a lot right now in terms of sports marketing, both on TV and live sponsorships. How about radio? Is that sector seeing growth for you? 

JD: Well, we have not seen that yet. Now, that may come to Oklahoma later than it might come to New York or L.A. or someplace larger. I’m not sure. But we have not yet seen that. But again, this business is growing and expanding in so many different ways with, you know, with the advent of how important digital is becoming into our sales process and into what we’re doing for our clients. So, you know, any of these things, such as what you’re talking about or I’m sure destined to be here sooner than later. 

Orlando’s WDBO Is Delisted From the April PPM Ratings

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Orlando’s News & Talk Station WDBO has been delisted from the April PPM ratings after Nielsen determined that the station violated its Encoding and Rating Distortion Policies. 

According to Inside Radio, PPM codes for WDBO-AM were retransmitted on WPYO-FM (95.3) from April 2-April 29. According to the audience measurement company, PPM codes are a key part of a station’s identity in the PPM system. Each station’s PPM codes are unique. The unique nature of PPM codes helps assure we assign listening credit to the appropriate station

Nielsen said during the period of April 2-April 29 the authorized code of WPYO-FM was not transmitting on the 95.3 signal. A client notice triggered the notice on Tuesday. 

“During that period, the authorized code of WPYO-FM was not transmitting on the 95.3 signal,” the notice read. “As a result, listeners tuned to 95.3 were exposed to WDBO-AM’s PPM codes and not the appropriate code for WPYO-FM.” 

The Spanish Broadcasting System assumed ownership of WPYO-FM on Friday, April 29th and began broadcasting a Spanish Tropical format. Nielsen said WPYO has been properly encoded since that time. 

Cox Media Group-owned WDBO will not be included in the April ratings period, WYPO will get credit for the only two days properly coded (Thursday, March 31st and Friday, April 1st).

Stephen A. Smith Tells JJ Redick About His History with Skip Bayless

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The undisputed “Face of ESPN” sat down for a discussion with First Take newcomer JJ Redick and talked for over an hour. The conversation was partifuclarly interesting when Redick asked Stephen A. Smith about his television past. Specifically, the television past that included his former First Take co-host Skip Bayless.

Smith was asked pretty early into The Old Man and The Three, Redick’s podcast, about the origins of First Take. That’s when Smith painted an intriguing beginning of the show and how he become involved.

Skip Bayless was on First Take‘s precursor, Cold Pizza and to hear Smith tell it, it was regular sports show stuff until the arrival of a key executive.

“A guy by the name of Jamie Horowitz, who was an executive here, he took over First Take for a short period of time, said Smith. “He did a focus group and the focus groups say, ‘we don’t want all that other stuff, we want debate’. And so he made he took First Take from a conventional show and changed it into an all debate format featuring Skip Bayless. And that’s when it really took off.”

The early days of First Take were littered with a mixture of talent sitting across from Bayless attempting to work out this new format. The show, according to Smith, wasn’t as successful as the network would have liked. That’s when Bayless approached Smith.

“Skip Bayless comes to me in a parking lot on the campus of ESPN in Bristol, Connecticut, and he says, ‘I know you got your plans. You love the NBA. You love being out on the road, you love being in the locker room, but I need you.'” He said, ‘I’ve done all that I could to take this as far as I could go. I just need three years.”

Smith agreed partly because he felt like he lacked options.

“One month later, we were number one. And we’ve been number one ever since.”

That chemistry that launched a debating empire had been around for a long time. Yeah, we always had a chemistry. Smith and Bayless worked at Fox and in fact, did a pilot with essentially the same format as what First Take would become.

“It was called Sports in Black and White. And they were they were basically trying to create it to go up against PTI. They loved it. We were in contract talks, the whole bit. And at the 11th hour, 59th minute, the head of Fox, David Hill, pulled the plug and said, this is not what we want to do.

Redick probed Smith on the end of the show’s pairing and the potential of a relationship “fracture”. Smith was quick with his response.

“Never. The only time anything came close to that was when I knew he was leaving before he told me. And I was like, ‘What the hell is going on?’ You know? And so I confronted him. And then when he confessed to me what had transpired between his negotiations with the company, I understood why he couldn’t tell me in the immediate moment. But that’s literally the only thing that we’ve ever had any kind of issue about. And that lasted for like six hours.”

Clay Travis Questions the Intelligence of Karine Jean-Pierre

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With inflation rising and a possible recession looming, White House Press Secretary Karine Jean-Pierre has the unenviable task of answering questions from a press corps demanding answers. 

Clay Travis and Buck Sexton took exception Tuesday with the way Jean-Pierre is doing her job, hinting that she may be lying for President Joe Biden whose approval numbers continue to sink to all-time lows. 

The duo made their comments during their syndicated show Clay & Buck. A transcript of their conversation was published on the show’s website. 

“Here is the new White House press secretary, Karine Jean-Pierre, who is telling everybody, “No, you don’t understand. We’ve got inflation right where we want it!” Exclaimed Sexton. 

Travis asserted that Biden has picked the “worst people” to represent his administration. 

“Is she the dumbest White House spokesperson that has ever existed in the history of the country?” Travis said of Jean-Pierre. “I know we went after Little Red Lying Hood, the former spokesperson who’s now moved on to MSNBC, and I know there have been dumb White House spokespersons before, right? I’m not pretending that this is like uniquely dumb.” 

According to CNN, Biden acknowledged inflation is “sapping the strength of a lot of families,” as the price of gas and food skyrockets, the president blamed America’s problems on Russia’s invasion of Ukraine.