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America 250 Imaging, Digital, and On-Air Ideas For News/Talk Radio Stations

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As the 250th anniversary of our great country’s founding approaches, I can’t help but be a little bit excited. Like you, I assume, I love this country. I love what it means to be an American, what living in this country provides, and the America 250 celebration has me bursting with pride.

To be frank, however, I’m a bit disappointed by the response from the news/talk radio space. This should feel like a momentous occasion.

But I don’t know that you’d feel that reflected by the medium as a whole.

Sure, it’s probably too late to get much done for the coming weeks and have it ready by the 4th of July. I don’t believe, though, that the America 250 celebration has to end on Independence Day. It can carry all the way through the end of 2026. Heck, if you commit to it hard enough, you could really argue that it should roll all the way through July 3rd, 2027.

Below, I’ve crafted some easy — and some not-so-easy — ideas for news/talk radio hosts, producers, leaders, and sales managers to execute over the coming days, weeks, and months to help spark some ideas on how the format can own this event.

Imaging

  • Legal IDs

This is perhaps the simplest way to “own” the celebration. I know your legal ID is probably already crammed full with a sponsor, positioning statement, the actual ID, and promotion for something else on the station. But slapping in a “(Insert City/Region Here)’s Official Home for the America 250 Celebration”, or something similar, is easy. Now, should you have been doing this for the past six months? Absolutely.

I’ll give credit to one station I know has been on top of the ball: WOWO in Fort Wayne. I think I heard the first piece of “America 250” imaging the first week of January. Having your ducks in a row that early sure makes it much easier to monetize than thinking about it now.

  • Local Heros

If you look hard enough, you can find local connections in major stories. They’re not all this simple, but, for instance, Neil Armstrong’s hometown was in my old radio market. Additionally, every tank used by the American military was built in that market. Not every story like that is going to be that easy to find/well-known. But they’re out there. Honoring the local heroes in both the past and present is a fun, easy way to connect deeper with your community and sound like the local authority.

  • Listener-Driven Imaging

It’s never been easier to get audio from listeners. Whether it’s phone calls, talkbacks on your app, having listeners record voice memos, or setting up a recording station at your remotes, if you want listener audio, you can get it. But ask listeners what freedoms they value most. What makes them proud to be an American? What does it mean to be an American? They’ll answer. Truthfully. Honestly. And most importantly, passionately. Harness that for an “America 250 Minute…powered by (insert advertiser here).”

Social Media/Digital

  • Special Logos

Similar to the Legal ID space, this is also easy to pull off. Even if you don’t have an on-staff graphic designer, with the rise of AI, it’s simple to create graphics for social media.

For instance, I changed the 1210 WPHT logo from its usual branding to be more “American flag themed.” Drop it in as your logo on your social media channels, use it as your branding from Flag Day through Sunday, July 5th, and look like you’re owning the topic.

A photo of the 1210 WPHT logo with an American flag theme
(Photo: Generated by Google Gemini)
  • “My American Story”

There is probably a strong crossover between news/talk radio listeners and those interested in family genealogy. Creating a place for listeners to submit their own personal stories about family history in the country, as well as the opportunities, service, and sacrifices they and their family members have experienced, will draw plenty of submissions and attention on social media. People like seeing themselves. Show them, then. It is also a great chance for listeners to share their or their relatives’ military history. It’s never a bad time to honor our veterans. No one is going to look down upon it. Take the opening and run with it.

  • Polls/Question of the Day

If polls aren’t already a part of your social media strategy, they should be. You know who listens to news/talk radio? Boomers. You know who loves to tell you how they feel about everything? Boomers. Have an America 250 question of the day on social media. Slap a sponsor logo on it. Tag their business in the post.

Furthermore, theme questions of the day are good social media options. Easy things like: “Who’s the greatest President in American history? What’s the greatest American invention? Who gave the greatest speech in American history?” Then, use the answers as a short segment on a show. Cross promotion. Everyone wins.

On-Air Content/Promotions

  • 250 Acts of Service

This is perhaps the most difficult to pull off. But it is also the most impactful. Think about your city or market. There are always places to help. Similarly, there are always people to thank. You wouldn’t believe how appreciative a local fire or police station is when you bring them pizza, donuts, or a catered meal. You have those connections within your community. If one of the tent poles of great radio is the local component, harness it. Bring people together in your community. Help create volunteer projects, food drives, blood donations, and veteran support causes. It makes you look good, it helps the community, and listeners will remember that you were there. It’s a triple-win.

  • The Presidential Series

I loved what WJR 760 in Detroit rolled out last week with its Founding Fathers Friday series. Each Friday in its morning show, the station will speak to a historian or an expert on a given Founding Father. A good solid 8-10 minutes with an expert about the men who helped shape the foundation of the country. It’s informative and educational. If you find the right interview subject, it’s also entertaining. The possibilities are endless. You can create a sales package around the series. You can continue the series for a really long time. Combine the conversations into speciality or “best of” programs to air on weekends, holidays, or other occasions. Again, the possibilities are endless.

  • Local Landmark Campaign

We all have and know local landmarks. Famous buildings. Natural wonders. I could go on, but you get the point. Highlight those things that make your market — and America, by proxy — special. It’s never been easier to broadcast on location. Use it to your advantage. Take the show out of the studio and on the road. Even if you can’t fit gobs of listeners into the space, you have the ability to create theater of the mind and bring them there with you.

The America 250 celebration doesn’t have to end on July 4th. In fact, I think you could argue that the appetite from local advertisers to tie their brands to the event is probably just now reaching its apex. Capitalize on both the programming opportunities and the non-traditional revenue chances. There is no other format better positioned than news/talk radio to capture listenership and revenue with this once-in-a-lifetime opportunity.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

Greg Beharrell’s GREG FM Format Debuts in East Tennessee

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*Editor’s Note: Sometimes you write the news. Sometimes the news writes itself. Greg FM sent us a press release. We made the editorial decision to run it as is. Creativity wins, and normal press releases suck…please take note.

LOUD MEDIA LAUNCHES 105.9 GREG FM IN KNOXVILLE, ON PURPOSE 

After months of questioning the decision, Loud Media is now proud to announce the launch of 105.9 GREG FM (WGAP), a new radio station that brings the unique world of Greg Beharrell to Knoxville and East Tennessee with a format unlike anything else on the dial. 

GREG FM is the innovative format from YEA Media Group, built around the humor, storytelling, observations, and offbeat perspective of internationally syndicated radio personality Greg Beharrell. Combining music, entertainment, comedy, and the unexpected, like this ampersand &, 105.9 GREG FM delivers a 24-hour listening experience designed for audiences looking for something refreshingly different, apology cards will be mailed the sixth Wednesday of every month.

“Radio works best when it surprises people,” said Aaron Ishmael, owner of Loud Media. “Greg has built a tremendous following by doing exactly that. His ability to connect with listeners through humor, storytelling, and a genuinely unique perspective makes him a perfect fit for our vision. When we learned about the GREG FM format from YEA Media Group, we knew Knoxville deserved to hear it. Greg is himself every day, and I envy the courage that must take.” 

“Have it say this, but don’t include the ‘have it say’ part,” said Beharrell, “launching GREG FM in Knoxville is more than I could have asked for, so that means next time I ask for something I can ask for less and it’ll still average out due to this overage. I’ve long been in awe of Knoxville, specifically, the rarity of the letter x being followed by the letter v which, like Greg FM, seems as though it shouldn’t work, yet, somehow…” 

105.9 GREG FM is now on the air throughout the Knoxville area on WGAP and is also available online and through connected listening platforms, we’re sorry.

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iHeart Media Reshuffles Hot 99.5 and Z104.3 Lineups After Fred Show Launch

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Two iHeartMedia CHR stations are reshuffling their lineups. The moves follow the April launch of “The Fred Show” on Hot 99.5 WIHT Washington and Z104.3 WZFT Baltimore.

What We Know Nick Gomez moves from evenings to middays at WIHT. He has been on nights since July 2022 and took on Music Director duties the following January. Gomez also programs iHeart’s TikTok Radio. Before WIHT, he served as student PD at William Paterson University’s WPSC-FM and hosted overnights at Z100 in New York.

What’s At Stake Gomez’s shift to middays triggers a cascade of changes across both stations. Premiere Networks’ “On Air with Ryan Seacrest” moves to nights at WIHT, airing 7-11pm. Seacrest’s show also picks up a new midday slot at WZFT from 10am to 2pm. Meanwhile, Elizabethany slides to 2-4pm at WZFT while continuing her APD/afternoon role at WIHT.

What Remains Unclear No announcement has addressed who fills evenings at WIHT following Gomez’s departure from that slot. It’s also unclear whether additional programming adjustments are planned at either station. The long-term scheduling strategy beyond these moves hasn’t been disclosed.

What It Means These changes carry extra weight in Baltimore, where the shuffle is significant. Z104.3’s lineup now leans heavily on non-local and syndicated talent.

The ripple effect is hard to ignore. One programming decision at WIHT reshaped dayparts across two markets. iHeart is clearly investing in Gomez, moving him into a higher-profile slot — a vote of confidence in his growing company role.

Yet the Baltimore picture raises questions. Adding Seacrest’s syndicated show to middays means less local voice on Z104.3. For a station serving a distinct market, that tradeoff matters. Listeners notice when familiar local personalities give way to national programming.

For both stations, the puzzle pieces are still settling. Whether this lineup holds or prompts further adjustments remains to be seen. What’s clear is that the Fred Show launch set off a chain reaction — and Baltimore felt it most.

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Provident Entertainment Promotes Josie Hardin and Reagan Hughes to Director Roles

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Provident Entertainment has elevated two rising executives within its digital marketing ranks. Josie Hardin and Reagan Hughes each move into director-level roles effective immediately.

What We Know: Hardin advances to Director of Digital Strategy after joining Provident in 2024 as Associate Director of Digital Marketing. She previously spent three and a half years at Big Machine Label Group and began her career at WME. Her roster includes Brandon Lake, Zach Williams, and Leanna Crawford. Hughes, meanwhile, rises to Director of Marketing after starting at Provident in February 2024. She built her foundation at Capitol CMG, where she supported DSP relationships with Spotify and Apple Music before moving into a digital marketing manager role in 2021.

What They Said: Todd Stepp, SVP of Provident Entertainment, praised both promotions. Of Hardin, he said she “has a great instinct for digital strategy and audience engagement” and consistently turns ideas into results. On Hughes, Stepp noted she brings “a unique combination of strategic thinking, marketing expertise, and genuine passion for both our artists and industry.” He added that her leadership and work ethic have made a significant difference for the team.

What Remains Unclear: The specific scope of each director’s expanded responsibilities has not been fully detailed. It is also unclear whether additional staffing moves will follow these promotions. Provident has not announced changes to the broader digital marketing team structure.

What It Means: These promotions signal that Provident Entertainment is investing heavily in digital leadership. Both Hardin and Hughes arrived in 2024 and quickly earned elevated roles — a strong indicator of organizational momentum. Hughes will now oversee a roster that includes Seph Schlueter, KB, bodie, Aaron Cole, and others. Together, these moves reinforce Provident’s commitment to growing artist audiences through dedicated, senior-level digital strategy.

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‘Move the Sticks’ Podcast Officially Comes to an End

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The NFL’s long-running Move The Sticks podcast has officially come to an end. Hosts Daniel Jeremiah and Bucky Brooks announced the news separately on social media.

What We Know” Move The Sticks launched over a decade ago as an NFL Media production. Jeremiah and Brooks hosted the show together, publishing more than 1,000 episodes over that span. The podcast focused heavily on scouting and NFL analysis, building a loyal audience among fans and aspiring scouts alike. It became one of the more respected football podcasts in the sports media landscape.

What They Said: Daniel Jeremiah (via X): “I want to thank everyone who’s listened to Move The Sticks over the last decade. It’s been a blast to create shows with Bucky Brooks (over 1k of them). He’s a fantastic partner & will always remain a close friend. We’ve had amazing producers & I appreciate them all so much. I’ll let you guys know when I finalize my new podcast home.”

Bucky Books (via X): “It’s been a fantastic run for the MTS podcast. Partnering with a respected colleague and friend on 1K+ episodes has been a career milestone. While I will miss our on-air banter, discussions, and debates, I know our professional paths will cross again in the near future. To the fans and aspiring scouts who have enjoyed our work, I hope you will continue to support our individual projects at NFL Media, NFL Network, and ESPN. Although this chapter is closed, I’m excited about the future chapters that will be written down the road.”

What Remains Unclear: Jeremiah confirmed he is exploring a new podcast home but has yet to finalize details. Brooks, meanwhile, did not specify any upcoming podcast plans.

What It Means: The end of Move The Sticks closes a significant chapter in NFL podcast history. Few shows in the space reached the 1,000-episode milestone. Both hosts remain active at major networks — Jeremiah at NFL Network and Brooks split between NFL Media and ESPN. Whether a new project could involve a reunion could be a possibility. The duo captured the attention of the NFL fan in need of in depth coverage regarding scouting and draft news. ESPN, who now oversees the NFL Network, could navigate a path for both talents to be involved in a project together. Especially with the network’s longstanding relationship with Omaha Productions.

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Five ESPN Studio Programs Earn Best May Viewership Ever

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ESPN’s studio programming delivered a banner month in May. Combined studio shows jumped 27% in viewership over May 2025 and rose 11% year-over-year among adults 18-49.

What We Know: Five shows recorded their best May ever. Get Up averaged 487K viewers, up 38% YOY. First Take drew 564K, up 18%. The Pat McAfee Show pulled 412K across linear and digital, up 25%. NBA Today surged 42% to 398K, fueled by the NBA Playoffs. The 6 p.m. SportsCenter averaged 546K, up 40%. PTI led all studio shows with 703K viewers, its best May since 2019. NFL Live posted its most-watched May since 2014, averaging 436K, up 32%.

What The Numbers Show: (May 2026 is considered by Nielsen as April 27 – May 31, and May, 2026, was a five-week month while May, 2025, was a four-week month. Year-over-year comparisons are to the full month of May, 2025. All metrics are based on Nielsen Big Data + Panel and YouTube Analytics)

Show/ProgramAverage Viewership (May 2026)% Lift Year Over Year
Get Up487K+38%
First Take564K+18%
The Pat McAfee Show412K (Linear + Digital)+25%
NBA Today (M-F 3pm)398K+42%
SportsCenter (6pm)546K+40%
NFL Live (M-F 4pm)436K+32%
Pardon the Interruption703K+17%
SportsCenter (7am)326K+41%
SportsCenter (2pm)342K+55%
SportsCenter (5pm)454K+20%
SportsCenter (1am)418K+9%
SportsCenter AM (Saturday)500K+29%
SportsCenter AM (Sunday)471K+52%
SportsCenter with Scott Van Pelt626K+10%

Notable Milestones

Show/ProgramAchievement
SportsCenter (6pm)Best May viewership ever
NFL LiveMost-watched May since 2014
Pardon the InterruptionMost-watched May since 2019

What Remains Unclear: As the NBA playoffs took center stage in May, key shows that saw rises month to month include Get Up, First Take, NBA Today and the 6pm SportsCenter. Pardon the Interruption and NFL Live saw slight declines month to month but still saw year over year growth. Moreover, as the calendar creeps closer to the one-year installment of Big Data + Panel, it’s remains a mystery how the numbers will compare year over year at that time.

What It Means: ESPN’s studio programming is on a sustained upward trajectory compared to figures last year that did not include the Nielsen Big Data + Panel figures. It is interesting to see a dip in PTI viewership month to month during the time of the NBA playoffs. Also, the network has not released any viewership data of Inside the NBA and how it compares year over year to the network’s NBA Countdown programming last year airing during the NBA postseason.

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Clay Travis: OutKick Now ‘Fully Grown’, Time to Build Something New

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Clay Travis is moving on from OutKick. He teased what’s next in his final episode.

What We Know: It was announced Monday that Travis will leave OutKick as part of a new deal with Fox News. He’s spent the past 15 years with the brand since founding it. He sold OutKick to FOX in 2021. During his final YouTube episode with the show, he shared his thinking behind the exit and what’s next.

What They Said: “I feel like I’m getting to go out on my own terms at OutKick with it being at its absolute apex. It’s fully grown. I’ve been thinking about this a lot because my oldest son graduated from high school just a couple weeks ago, and he’s now off to college. He’s an adult. I feel like OutKick is a fully grown site that’s an adult. I’m looking forward to building something new. I’m going to share more details about that going forward.” -Clay Travis

What Remains Unclear: What Travis’ future endeavors entail. He has teased a new company that he looks forward to building. However, he has not shared any inkling of what it will be.

What It Means: Travis and OutKick have become synonymous over the past decade and a half. He wasn’t shy about his willingness to leave what he built behind. Now he’ll have the opportunity to build something new. We’ll see how closely it will resemble OutKick once he announces his future plans.

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Glenn Beck’s ‘The American Story’ to Air As Independence Day Special

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Glenn Beck has a new Independence Day special for news/talk radio stations to air as the America 250 celebration approaches.

What We Know: Beck’s “The American Story” is a three-hour special for news/talk radio stations. The special was originally produced as a 10-part series for Glenn Beck’s Torch platform. The show is available as early as Friday, July 3rd. It is also available to air multiple times throughout the 4th of July holiday weekend. The special will air on 350 affiliates nationwide as the official version of The Glenn Beck Weekend Program. Those interested in carrying the special program can email Premiere Networks to inquire about its availability.

What’s At Stake: This is an opportunity for both Glenn Beck and Premiere Networks to create new relationships in the news/talk radio space. It also allows Beck to showcase his Torch platform to an engaged and interested audience.

What Remains Unclear: Market exclusivity is currently unknown. With the special airing as the version of Beck’s weekend show, that should be a tell to those interested in carrying the program.

What It Means: Glenn Beck has built his Torch platform for situations like this. While focusing on history and the founding of the nation, his storytelling will likely render this special as a must-listen program around the nation.

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Approaching the Summit: Joel Raab, Country Radio Programming Consultant

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Approaching The Summit is a series of special interviews created in partnership with Point to Point Marketing featuring speakers at the upcoming 2026 Barrett Media Audio Summit in New York City. Follow along with this series as prominent names surrounding the event June 30-July 2 share their insights and expectations for what’s to come in the Big Apple. The Summit takes place at the SVA Theatre on West 23rd Street. For tickets and hotel room reservations, click here or visit the Summit section at the top of the website.   

Joel Raab is a Country radio consultant who advises stations for Audacy, Bonneville, Beasley, Max Media, and a roster of other media companies. Before consulting, he programmed and worked as an on-air personality in New York, Cleveland, and Pittsburgh. A Northwestern University graduate, Raab was inducted into the Country Radio Hall of Fame in 2015 and has served on the Board of Directors for Country Radio Broadcasters since 2009. Country Aircheck named him one of the format’s most influential people for 13 consecutive years.

*Editor’s Note: Answers have been edited for clarity and length.*

David Hill: Why is it important to attend events and continue learning?

Joel Raab: If you don’t keep learning, you go backwards. Networking is more vital than ever as the industry shrinks. If you’re young in the business, seek out mentors. Those of us who have been doing it for a while are happy to help up-and-comers. And for your event specifically — there’s better food in New York City than anywhere else in the world.

David Hill: What is the value in connecting with peers and competitors?

Joel Raab: The value is what you make of it. Sometimes it’s intimidating to talk to people you don’t know, but when you get up the courage, it’s extremely rewarding. If you go, target in advance who you want to speak with. Try to set up a coffee. You’d be surprised how many will say “sure” simply because you had the nerve to ask. Be a “pleasant pest.”

Regarding competitors — it pays to stay on friendly terms. You can learn a lot from them, especially if they’ve had a few. When it comes to gossiping, it’s always better to receive than give. Radio is competing less with itself and more with other media, so at times we can help each other. Kindness will come back to reward you. Just don’t be too kind by sharing too much.

David Hill: What is the biggest challenge facing your format?

Joel Raab: Country’s challenges are similar to those of other formats. Our listeners form a community, and we need to maintain that feeling with far fewer people than before. The priority has to remain: what’s in it for the listeners when we do — or don’t — make a move.

Fifty-five number ones in 52 weeks is a problem. Keep the strong songs longer. The other challenge is sales. As programmers, we must think about our decisions in terms of what can bring in and sustain revenue while maintaining the integrity of the format. Many stations are doing shows and making money — from larger concert festivals to smaller acoustic performances. It makes sense to leverage your radio brand for events.

David Hill: What is your favorite moment from past shows?

Joel Raab: Star performances from the NAB and CRS — Garth Brooks, Graham Nash, Elton John, Dr. John — are all memorable. For me personally, being on a panel with Kenny Rogers was a career highlight.

David Hill: Which speaker do you most want to hear at the Summit?

Joel Raab: I’ve always been a fan of Boomer Esiason. He’s reinvented himself numerous times — from quarterback to TV commentator to radio host and personality. In radio, we constantly have to reinvent ourselves. Podcasting is the perfect example of where you can explore ranges of your personality that traditional radio doesn’t allow.

David Hill: What is your view of the industry — present and future?

Joel Raab: The industry is clearly struggling. Not so much from a creative standpoint, but financially. Soul-crushing debt has caused large companies to cut past the bone. That said, we have to keep our heads down and do the best work we can. There is only so much you can do to make yourself fireproof.

My best advice: have money attached to your position, especially if you’re an air talent. Take on multiple roles to make yourself indispensable — and don’t expect a lot of sleep. Some talent have side hustles like real estate. One PD I worked with moved to that full-time when his station was on the block.

I laugh when I hear about how great radio used to be. Have you listened to some of those old airchecks? It’s mostly time and temp with a pukey DJ. Today, air talent are expected to dazzle listeners every time they crack the mic. And they should — given the audio competition.

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Pat McAfee Reportedly Could Earn $60 Million per Year From ESPN With Contract Extension

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ESPN and Pat McAfee are reportedly in serious talks on a contract extension. Thenew deal could pay McAfee more than $60 million per year, according to a report by The Athletic.

What We Know: McAfee currently is under contract with ESPN that earns him roughly $30 million annually under a deal with two years remaining. Earlier this month, Front Office Sports reported that McAfee and ESPN had begun contract extension talks. In addition, his existing arrangement includes a licensing agreement for The Pat McAfee Show that pays over $17 million per year — plus separate contracts for College GameDay and other ESPN contributions. The two sides are reportedly negotiating somewhere between $60 and $65 million per year. According to The Athletic, McAfee’s representatives, TKO/WME’s Ari Emanuel and Mark Shapiro, initially proposed $100 million annually.

What The Data Shows: Pat McAfee Show viewership data (per ESPN Press)

Month / ProgramAverage Audience (Linear & Digital)
April 2026 (Noon–2pm)430,000 (+29% YOY LINEAR ONLY)
March 2026 (Noon–2pm)455,000 (+25%)
February 2026 (Noon–2pm)317,000 (+28%)
January 2026 (Noon–2pm)575,000 (+16% YOY)

What Remains Unclear: No deal is completed. ESPN and McAfee have not commented publicly on the discussions. Also, no timetable remains unknown to come to an agreement. Also, ESPN has not said if an agreement doesn’t get done if that affects McAfee’s role for College GameDay.

What It Means: ESPN is smart to start talking now. Also, for McAfee, the talks should also provide him some basis in understanding how much ESPN values his content. Without a doubt, ESPN has stood by McAfee through on air disputes and elevated him with opportunities no other ESPN talent share.

The timing here matters. Netflix is aggressively pursuing major sports podcasts, landing deals with Barstool and The Ringer properties. The addition of a live video stream of The Breakfast Club means Netflix is entering the daily content race. Moreover, McAfee’s proven ability to attract younger audiences — and drive sports betting customer acquisition — makes him a rare asset. It will be interesting to see if McAfee takes other bidders for his content after being on ESPN in recent years.

If the $100 million annual number proves true, it will be interesting to see if a streaming platform like Netflix could offer that amount with it becoming public.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.