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Audacy SVP of Programming Michael Martin Stepping Down as Brand Manager Alice 97.3

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Audacy is set to adjust its brand leadership structure in San Francisco. The company announced senior executive Michael Martin is transitioning away from a key local role while expanding his focus nationally. Martin will step down as brand manager of Alice 97.3 at the end of the year, according to internal communication.

The move allows Martin to focus fully on his corporate role as Audacy’s Senior Vice President of Programming and Head of Music Initiatives.

Audacy San Francisco Senior Vice President and Market Manager Kieran Geffert confirmed Martin will remain brand manager through December. The move ensures continuity and an orderly transition.

“We’re grateful for Michael’s 16 years of leadership and the passion he’s brought to Alice, and all of our brands,” Geffert wrote. “His programming vision, artist partnerships, signature events, and steady leadership have been integral to Alice’s trajectory over the years.”

Martin’s history in the Bay Area extends well beyond Alice 97.3. For two decades, he led several of Audacy’s top San Francisco stations, including KLLC, KMVQ, KITS, and KRBQ. His work has consistently blended audience-driven programming with strong artist engagement and event strategy.

Audacy Chief Programming Officer Jeff Sottolano highlighted Martin’s long-standing impact on the company’s local success.

“Michael has been a valuable contributor to the success of our San Francisco brands for almost two decades,” Sottolano said. “In his SF role, he has led highly rated shows and award-winning on-air talent and brought artists such as Justin Bieber, Ed Sheeran, Taylor Swift and John Mayer to the city by the bay.”

Sottolano added that Martin’s influence has been felt on and off the air. He has helped elevate Audacy’s brand profile in one of the nation’s most competitive media markets.

As Martin steps away from daily local brand oversight at year’s end, his national responsibilities continue to expand. In his SVP role, he works closely with Audacy’s format leaders and events teams. He helps guide music strategy, artist relationships, and large-scale initiatives across the company’s nationwide footprint.

“Michael will continue in his role as SVP, Programming and Music Initiatives and continue to collaborate with our format leadership and events teams across the country,” Sottolano said.

Audacy has not yet announced plans for new leadership at Alice 97.3.

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CNBC Moving Morgan Brennan From Closing Bell: Overtime to New Early Morning Show

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CNBC is making a change in its daily lineup, moving Morgan Brennan from the Closing Bell: Overtime afternoon program to her own early morning show.

In a post on social media, Brennan revealed that Friday will mark her final day helming the show alongside John Fortt and Scott Wapner before starting her own new show later this month. Fortt will also be exiting the program on Friday afternoon.

“I am getting my own show on CNBC!” Brennan shared. “Starting January 26th, join me at 5 AM, as we set the teon for the day and deliver news and analysis you will need to hit the ground running.”

She added that the hour is a unique one, as the program broadcasts in both Europe and Asia during trading hours, while U.S. financial markets are preparing to open.

Morgran Brennan did note, however, she was sad to be leaving Closing Bell: Overtime — which airs from 4-5 PM ET — after working so closely with her colleagues since joining the show in February 2023.

“I am deeply grateful to that team for their incredible ideas, energy and expertise these past few years together,” Brennan said. I could not be more excited about what comes next!”

Morgan Brennan originally joined CNBC in 2013.

Beginning on Tuesday January 20th, Melissa Lee and Michael Sanotli will take over Closing Bell: Overtime. Jon Fortt is set to anchor a new show focused on tech leadership. According to a memo from CNBC Editor-in-Chief David Cho obtained by Barrett Media, that program is “still in development and more details will be shared soon.”

Other moves for CNBC include Brian Sullivan moving from U.S. Markets Edition to now co-anchoring Power Lunch alongside Kelly Evans. Meanwhile, Frank Holland will leave Worldwide Exchange on Friday, January 23rd to become the new anchor of U.S. Markets Edition.

“These moves allow us to refresh our lineup and place our anchors in positions that maximize their impact,” wrote Cho.

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David Cone Departs ESPN As MLB Analyst

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David Cone’s run as a national analyst at ESPN has come to an end. ESPN confirmed a report from Front Office Sports that Cone was departing the network after serving the last several years in the Sunday Night Baseball booth.

“We appreciate David’s many contributions to our Major League Baseball coverage and wish him the best,” a network spokesperson said to Front Office Sports.

The decision for Cone’s departure was reported largely driven by structural changes rather than performance. ESPN’s recent decision to opt out from its long-held Sunday Night Baseball package in favor of a slate of midweek MLB games created logistical challenges.

Balancing those new commitments with Cone’s prominent role on the New York Yankees’ YES Network became increasingly difficult.

At the same time, ESPN is reportedly reassessing its baseball presentation following the rights shift, including its on-air talent. Cone’s exit appears to be part of a broader reset as the network redefines how it covers the sport. Especially without a weekly Sunday night broadcast. With Sunday Night Baseball now shifting to NBC, there may be a case where Cone becomes part of NBC’s new baseball lineup.

Cone joined ESPN’s Sunday Night Baseball booth in 2022, teaming with play-by-play announcer Karl Ravech and analyst Eduardo Pérez. The trio delivered a mix of analytics, storytelling, and on-field perspective during broadcasts. Cone earned praise for detailed breakdowns of pitching mechanics and game strategy.

Over 17 Major League seasons, Cone compiled a 194–126 record with a 3.46 ERA and 2,668 strikeouts. He won five World Series titles, including one with the Toronto Blue Jays in 1992. Cone added four championships with the New York Yankees from 1996 to 2000. He also won the American League Cy Young Award in 1994.

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NBC Sports Announces 2026 Sunday Night Baseball, MLB Sunday Leadoff Schedule

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NBC Sports is set to return with a robust season of Major League Baseball in 2026. The schedule is headlined by reigning MVPs Shohei Ohtani and Aaron Judge, storied division rivalries, and the 2025 postseason clubs across a stretch of five consecutive Sunday nights.

The schedule, which runs from March 26 through the end of the regular season, blends primetime broadcasts, special holiday events, and exclusive Peacock streaming. MLB and NBC announced a three-year media rights agreement in November following ESPN opting out of their former media rights agreement with MLB.

The network’s slate includes 27 primetime games, featuring Sunday Night Baseball and marquee holiday matchups on NBC and Peacock, plus 34 afternoon broadcasts. Highlighting the afternoons are 18 MLB Sunday Leadoff games on Peacock, most starting at noon locally. A dedicated whip-around show follows the Leadoff contests to check live action across the league.

In addition, a special final-day whip-around will air Sunday, September 27, on both Peacock and NBCSN. Additionally, one out-of-market game per day will be streamed nationally on Peacock, offering fans a season-long, coast-to-coast viewing experience.

The schedule also features a patriotic July 5 Star-Spangled Sunday, with all 15 MLB games presented nationally on Peacock.

NBC will provide exclusive coverage of the entire Wild Card round. Announcing plans to air eight to 12 postseason games across NBC, Peacock, and NBCSN. This expansion of Sunday Night Baseball lets NBC offer year-round primetime sports on the same night each week. This goes alongside its established Sunday Night Football (NFL) and Sunday Night Basketball (NBA) broadcasts.

The 2026 season kicks off with the Los Angeles Dodgers raising their championship banner. Their primetime opener against the Arizona Diamondbacks on March 26 is the only primetime game on Opening Day. That day also features a 1 p.m. ET matinee with 2025 NL Cy Young winner Paul Skenes and the Pittsburgh Pirates visiting Juan Soto and the New York Mets.

Sunday Night Baseball officially debuts on March 29 at 7 p.m. ET with a matchup between the Cleveland Guardians and Seattle Mariners.

Midseason events will spotlight rising talent, including early MLB Draft coverage on July 11 and the All-Star Futures Game on July 12.

The full Sunday Night Baseball, MLB Sunday Leadoff, and Star-Spangled Sunday schedule is listed below via NBC Sports.

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77 WABC Adding Drivetime Market Reports From John Terrett

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77 WABC has announced it is adding twice-daily financial market reports anchored by John Terrett to its daily programming.

The reports will air in both morning and afternoon drive, delivering updates from key financial stories and providing market intelligence to New York news/talk radio listeners.

“More than ever before, listeners need clarity on what’s happening on Wall Street,” Red Apple Media owner and CEO John Catsimatidis said. “John (Terrett) has been a guest on my Sunday program, The Cats Roundtable, many times, and his exceptional understanding of the financial world arms listeners with the knowledge they need to make smart financial decisions.”

The morning report will center on pre-market activity, while the afternoon report will provide an update on the developments of the day.

“I am delighted to join the Red Apple family and look forward to reaching listeners across America with valuable insights that will help them maximize their investments,” said Terrett. “I want to thank John (Catsimatidis) for this wonderful opportunity.”

John Terrett has a long history of working in financial media. He’s previously spent time at outlets like the BBC, Al-Jazeera America, and CNBC, among others.

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Big Loud Records Tabs Stacy Blythe, Jordan Pettit as Co-Presidents

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Big Loud Records has named Stacy Blythe and Jordan Pettit as Co-Presidents, the company announced. Blythe, a Big Loud veteran who joined the label in 2015, moves into the role from her position as Executive Vice President of Promotion, effective immediately.

Pettit, previously Vice President of Artist & Industry Relations at Opry Entertainment Group, will join Big Loud on February 2. Both executives will report to Big Loud partners Seth England, Joey Moi and Craig Wiseman.

The leadership appointments place Blythe and Pettit at the helm of all label operations, including artist development, A&R, promotion, marketing, merchandise, strategic planning and special projects. The move underscores Big Loud’s continued expansion and global ambitions as it seeks to build on its record of modern country innovation. Blythe will maintain oversight of the promotion team as part of her new responsibilities.

“Stacy has been integral to Big Loud from the very beginning,” England said. “Her vision, dedication and leadership have been key to shaping both our culture and our success. Adding Jordan’s expertise and extensive industry experience brings fresh perspective and energy to the team. Together, they position Big Loud for an exciting future.”

Blythe expressed enthusiasm for the role, noting her long history with the company and the significance of teaming with Pettit.

“This next chapter is especially meaningful because I’ve grown alongside the team here from day one,” she said. “Big Loud has always prioritized bold ideas and an artist-first approach, and our focus will be on strengthening collaboration across the company as we continue to grow.”

Pettit says he is honored to join Big Loud’s leadership. “I have long admired the Big Loud team for its impact on Nashville and the global music scene,” he said. “Being part of this organization, supporting its roster of artists and creatives, is a true privilege.”

The dual appointments highlight Big Loud’s commitment to combining homegrown leadership with new industry insights.

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Keith Olbermann: ‘It’s Time for ESPN to Fire Stephen A. Smith’ After Comments on Minnesota ICE Shooting

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Stephen A. Smith took to his podcast to share his belief that the ICE officer involved in the shooting death of a Minnesota woman was justified in his actions. Keith Olbermann says that should be the last straw for ESPN.

In the aftermath of the controversial shooting earlier this week, Smith argued that the officer who shot and killed 37-year-old Renee Good acted properly in the heat of the moment when he fired three bullets at her, striking and killing her in the process.

The shooting has caused plenty of arguments, conversations, and discussions on social media, cable news programs, and podcast episodes in the days following the incident.

On social media, Keith Olbermann argued that it was clear that “It’s time for ESPN to fire Stephen A. Smith.” He stated that he was “speaking for a lot of people who actually built the place.”

“He is now damaging the brand in a way his on-air cartoon character could never approach,” Olbermann concluded.

Stephen A. Smith is not yet fully through the first year of a five-year, $100 million contract extension he signed with ESPN in March 2025. He additionally holds a deal with SiriusXM to broadcast a show on Mad Dog Sports Radio, as well as a weekly politically-focused program.

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Julia Announces Departure From Alt 98.7, Audacy

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Radio personality Julia has officially left her morning host role at Alt 98.7 in Detroit, as well as her midday slots on nine of Audacy’s CHR stations nationwide. Announcing her departure on social media, Julia reflected on nearly 15 years with the company and the decision not to renew her contract.

“This wasn’t a hasty decision,” she wrote. “I’ve known for a while it was time for me to move forward. I feel really clear-headed and energized to find the next situation for me to thrive in.”

Julia thanked listeners and colleagues for their support over the years. She noted her career growth from early promotions to becoming Detroit’s only solo female-led morning show host, while also being nationally syndicated in Top 40 formats.

“Twenty-year-old me, who got a job in promotions by dancing on a table because they told us in broadcasting school to ‘try to be memorable,’ wouldn’t believe I got to where I am now,” she said.

Her radio career began in Port Huron, Michigan. She joined WDZH in 2015 as a night host on 98.7 Amp Radio. She moved into mornings in 2018, shortly before the station shifted to Soft AC. In early 2019, Julia joined sister station B96 in Chicago, handling nights, middays, and afternoons through February 2024.

While staying with B96, Julia returned to Detroit to join the Church of Lazlo show. It aired afternoons on Alternative stations in Kansas City, Dallas, Las Vegas, and Detroit. When the show retrenched to Kansas City in August 2022, she transitioned to her current morning host role at WDZH.

Audacy has not yet announced a replacement for Julia’s morning slot at Alt 98.7 or her syndicated midday duties.

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How Online Connectivity Redefined the Console Market

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The video game industry has spent the last forty years selling us boxes. We bought the box, we hooked it up to the TV, and we inserted a cartridge or a disc. That was the transaction. The relationship between the manufacturer and the player was defined by hardware sales. In 2025, that dynamic is effectively dead. The new era of gaming is defined not by the plastic casing under your television, but by the invisible tether connecting you to a server farm hundreds of miles away.

This transition has been slow but absolute. It started with simple firmware updates and multiplayer lobbies. It has now matured into a state where the hardware is almost secondary to the account you use to sign in. 

The PlayStation 5 and the Xbox Series X, or their mid-generation upgrades, are impressive pieces of engineering, but they are increasingly just portals. The real product is the ecosystem.

The Death of Ownership

We need to talk about the disappearing shelf. Ten years ago, a game collection was something physical. You could look at a row of cases and know exactly what you owned. Today, a collection is a list of thumbnails in a digital library. This change has fundamentally altered the economics of the industry. Publishers love digital distribution because it cuts out the middleman. There is no packaging, no shipping, and no used game market to eat into profits.

For the consumer, the trade-off is convenience versus control. We have gained the ability to switch between games in seconds and access our libraries from anywhere with an internet connection. We’ve lost the ability to lend a game to a friend or sell it when we are bored. We also face the reality that digital licenses can be revoked. 

If a server goes down or a licensing agreement expires, the game simply vanishes. This impermanence has created a sense of anxiety among preservationists, who worry that large chunks of gaming history will be lost when companies decide it is no longer profitable to keep the lights on.

The Subscription Economy

The most aggressive change in recent years is the move toward subscription models. Microsoft led the charge with Game Pass, and Sony followed with its revamped PlayStation Plus tiers. 

These services have changed player habits. When you have access to hundreds of games for a monthly fee, you play differently. You are more likely to try indie titles or genres you would usually ignore.

This model mimics the streaming video industry. It relies on constant engagement. The goal is no longer to sell you one sixty-dollar game a year. The goal is to keep you subscribed for twelve months. 

This shifts development priorities. Studios are incentivized to build games that never end. We see more “live service” titles designed to be played solely for years, constantly updated with new content to keep the subscriber hooked.

Mobile Integration, iGaming and the Unified User

Cross-play, once a pipe dream, is now standard. You can play Call of Duty on a PlayStation against someone on an Xbox and another person on a PC. This unification extends to mobile devices. Cloud streaming allows high-end console games to run on smartphones. The phone in your pocket is no longer a separate gaming ghetto. It is an extension of your console experience.

This blending of mobile and console gaming has acclimated users to managing all their entertainment from a single handheld device. We see this behavior in other regulated sectors where access and ease of use are paramount. In the Midwest, the legalization of sports betting created a surge of users enthusiastically managing bankrolls from their phones. 

The ongoing legislative discussions regarding ks online casinos reflect this broader trend and the specific benefits digital access provides. Proponents highlight that a regulated market offers significantly better player protection and data security compared to unregulated sites. Beyond safety, the convenience factor is undeniable. It allows users to play a quick hand of blackjack during a commute rather than planning a trip to a physical venue. Online casino platforms can also host a variety of gaming titles that far exceeds the floor space of any brick-and-mortar building. 

People appreciate the ability to engage with their preferred entertainment, be it a round of slots or a match of Fortnite, without being tethered to a desktop or a physical location. The expectation is now seamless access across all verticals of digital life.

As gaming moves entirely online, it bumps against outdated laws. The question of who owns a digital good is still being litigated. When you buy a skin in Fortnite, do you own it, or are you leasing pixels? These are not just philosophical questions. They have real financial implications for consumers who pour thousands of dollars into digital accounts.

Regulators are trying to catch up. Issues surrounding loot boxes, age verification, and data privacy are constant sources of friction. Legal resources and databases are increasingly filled with case law regarding digital rights and online consumer protection

The console makers are no longer just hardware manufacturers. They are digital platforms, subject to the same scrutiny as social media giants.

Media and the Cultural Impact

The culture surrounding video game discussions has shifted alongside the technology powering them. Midnight launch events at physical stores have effectively vanished. The excitement now lives entirely on social media feeds and streaming platforms like Twitch where reactions are instant. A game can launch in a poor state and be completely rebuilt through updates within six months. The narrative is never static.

This rapid pace challenges the traditional media coverage of the industry. Outlets that track these shifts, such as the Columbia Journalism Review, document how tech giants are pivoting to meet these new demands. The focus has moved from reviewing a static product to analyzing an ongoing service.

The Hardware of Tomorrow

So where does this leave the console? It is not going away, but it is specializing. The success of the Switch proves that unique hardware still has a place. But the days of the console being the only way to play high-fidelity games are over. 

The next generation of hardware will likely focus on integration rather than raw power. We might see devices built specifically for the cloud, or handhelds that dock seamlessly with home servers.

The console market is no longer about selling a box. It is about selling an entry point to a digital universe. The winners of the next decade will not be the companies with the fastest chips. They will be the companies that can build the most compelling, interconnected, and accessible online worlds. The box is just the key. The real game is the network.

MS NOW Names Maria Spinella Vice President of Programming

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MS NOW has named Maria Spinella its new Vice President of Programming.

Spinella will be based in New York City for her new role with MS NOW. She joins the network after spending nearly 20 years at CNN, working in a variety of positions.

At CNN, Maria Spinella worked on shows helmed by Paula Zahn and Campbell Brown. Later, she worked as the Senior Producer of Piers Morgan Live and CNN Tonight before adding the title of Executive Producer for Don Lemon Tonight.

She later became the Executive Producer of the network’s multi-platform programming following Lemon’s high-profile move to mornings.

In addition to her time at CNN, Spinella also previously worked as a producer at both ABC News and CBS News.

Maria Spinella will begin her duties at MS NOW on Monday, January 12th.

Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.