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Troy Aikman Plans To Be A Free Agent Following Super Bowl With ESPN

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Troy Aikman says he plans to be a free agent after the NFL season on ESPN. However, he declined to address reported tension with Joe Buck on Thursday.

What We Know: Aikman is in the final year of his ESPN contract, which ends after February’s Super Bowl. Meanwhile, Buck signed a six-year extension worth roughly $108 million last month. That deal keeps him as the voice of Monday Night Football long-term. Front Office Sports reported Wednesday that the partners argued over the disparity before the Bills-Rams game. Thursday, during an appearance on 96.7/1310 The Ticket in Dallas, Aikman hesitated to confirm tension between Buck and himself. But also said he expects this season to be his last with ESPN.

What They Said: Troy Aikman on the reported tension between him and Joe Buck at ESPN (via 96.7/1310 The Ticket): “There’s probably a time and a place for all that to be discussed. I don’t know if now is the time. I don’t know if it’s hard to figure out kind of what has happened. I’ll broadcast through this season and I’ll be a free agent at the end of the year and kind of see what happens. I’m looking forward to whatever the rest of this year does hold and the Super Bowl and all that and where my next landing spot may be.”

What Remains Unclear: Notably, ESPN has not publicly confirmed Aikman is leaving the network following its first Super Bowl broadcast. Additionally, the network declined to comment on the reported argument between Buck and Aikman earlier this week. Aikman also did not say whether he wants to return to ESPN. As a result, his next landing spot remains an open question.

What It Means: Ultimately, Aikman’s comments confirm his free agency path in his own words. Consequently, the NFL’s longest-running booth pairing faces an uncertain future. Rival networks could now pursue one of the sport’s most respected analysts. Meanwhile, ESPN risks breaking up a 25-year partnership after calling its first Super Bowl.

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Doug Gottlieb Hangs Up On FOX Sports Radio’s Rob Parker Following Request For An Apology

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Doug Gottlieb hung up on FOX Sports Radio’s The Odd Couple after a heated on-air exchange with co-host Rob Parker. The Wisconsin-Green Bay coach demanded an apology from Parker over mis-representing Gottlieb’s own words from two weeks ago. Parker flatly refused.

What We Know: Two weeks ago, Gottlieb argued coaches matter more to universities than players do. He reasoned that coaches stay put, while players leave every single year. This is in reference to defending the Protect College Sports Act which Congress has yet to pass and sign into law. In his comments two weeks ago, Gottlieb also criticized college players earning as much as $4 million, more than most head coaches. Afterward, Parker told his audience Gottlieb believed players simply don’t matter. Which led to an appearance by Gottlieb on the program leading to a heated debate.

What They Said: Doug Gottlieb on the level of importance in college sports coaches versus players (Two Weeks Ago): “Coaches are way more important than players, because they just do more. Coaches don’t leave every year the way that players leave every year.”

Doug Gottlieb says paying players in college sports has gotten out of hand (Two Weeks Ago): “You got players making three and a half, $4 million to play college sports. That’s above most head coaches. We’ve gotten to the point of ridiculous. This is, by the way, why I was always against flat out paying the players when I was a broadcaster and when I was a player. Because there’s never amount that satisfies people.”

(All quotes via The Odd Couple, FOX Sports Radio):

Doug Gottlieb says Rob Parker is misrepresenting what he said about the importance of coaches over players: “What you just done is the part that I missed the least of broadcasting. What you just did was bullcrap. I did not say players don’t matter. Play the audio again. Tell me the part that said they don’t matter.”

Doug Gottlieb on what matters most in college athletics: “What matters the most is the school. Then what matters is the coach. Probably combined with the alignment of the coach with the administrators, because nothing can be done without them. But you said I said players don’t matter. Not only is it unfair, it’s not true and it’s the problem with media. This is not an all or nothing proposal. In no world is it all or nothing. Zero.”

Rob Parker refusing to grant Doug Gottlieb’s request for an apology for misrepresenting what he said: “Doug, if you came here for an apology party, I’ll hang up on you right now. I’m not doing that. Thank you. Goodbye. That’s it. I’m not apologizing to him on the radio, get off the radio. That’s why you don’t have a show. I’m not apologizing two minutes in. He wants me to apologize. He made the case that the coaches only matter and that players are secondary. It’s always about the players, Doug Gottlieb.”

Rob Parker believes Doug Gottlieb isn’t a great coach because he hasn’t recruited well: “If you were so great, you would be winning at Wisconsin, Green Bay, or whatever it is. You’re not winning. You know why? You don’t have good enough players. You’re such a great coach. I’m glad you hung up. Don’t call back here. In fact, turn to ESPN. Go listen to Jim Rome. You better not be listening to this show.”

What Remains Unclear: Still, it remains unclear whether the feud ends here. Parker told Gottlieb not to call back, and neither side has signaled any interest in a truce. Additionally, Gottlieb never received the apology he came on the show to demand.

What It Means: Ultimately, the clash spotlights Gottlieb’s unusual leap from the microphone to the sideline. He gave up his FOX Sports Radio show to coach Green Bay full time. Meanwhile, the larger debate over coaches, players and NIL money shows no signs of cooling. Gottlieb speaks from experience on and off the court, but did Parker mis-characterize Gottlieb’s words? While not said directly, the level of importance on the players in college athletics will continue to drag on as sports figures out rules for NIL and transfer portal access granted.

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FOX, Roku Shareholders Approve $22 Billion Acquisition

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FOX Corp. and Roku shareholders have approved a proposed $22 billion acquisition, putting the companies closer to a major media deal. The transaction remains on track to close in the first half of 2027.

What We Know: The companies held separate special shareholder meetings on Wednesday, October 14th, to vote on the proposed purchase. Preliminary tallies indicate that both groups approved the transaction, with 99.9% of FOX voters approving the deal. FOX expects to complete the acquisition during the first half of 2027. Once the deal closes, Roku stockholders will own approximately 27% of FOX’s outstanding shares.

What’s At Stake: The $22 billion acquisition would significantly expand FOX’s streaming distribution and digital advertising businesses. By combining FOX’s news, sports, and entertainment programming with Roku’s streaming platform, the company would gain a larger presence across the television ecosystem. The transaction would also position FOX as the country’s third-largest media distributor, behind YouTube and the newly combined Paramount Skydance and Warner Bros. Discovery.

What Remains Unclear: Despite shareholder approval, the acquisition still faces regulatory hurdles. The U.S. Department of Justice issued a second request for additional information in September, extending its review of the proposed transaction. The companies must satisfy outstanding regulatory requirements and other closing conditions before completing the deal. Final shareholder vote tallies also remain pending.

What It Means: The approval represents a significant step in FOX’s effort to strengthen its position in streaming and connected television. Roku’s technology, audience reach, and advertising capabilities could complement FOX’s established programming brands, including FOX News, FOX Sports, and Tubi. However, regulatory approval remains a key obstacle before the companies can finalize the acquisition and begin integrating their businesses.

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Portland Trail Blazers Name Travis Demers New TV Play By Play Voice

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Travis Demers will call Portland Trail Blazers television games on a trial basis this season. The move follows a chaotic offseason in the team’s broadcast booth.

What We Know: Demers, the team’s radio voice for seven seasons, will call games on a game-by-game basis, according to The Oregonian. He joins color analyst Lamar Hurd and courtside reporter Brooke Olzendam. Meanwhile, the opening stems from Kevin Calabro’s July exit and the botched hire of Braiden Bell. Calabro left after receiving what he deemed a “subprime” contract offer from the Blazers and new owner Tom Dundon. He has since joined the Minnesota Timberwolves. Ultimately, the team picked Bell but fired him roughly eight hours after hiring him over offensive social media posts he wrote as a teenager.

What’s At Stake: With Demers shifting to the television booth, the Trail Blazers now must fill in their radio play by play role when Demers is unavailable. With the season officially underway, the Trail Blazers were under pressure to find a secured voice for their television product. However, the continued fallout from Bell’s firing could last long into the season with a possible lawsuit being filed over the reasoning for his dismissal.

What Remains Unclear: The team hasn’t decided what to do with radio. For now, the Blazers will likely simulcast his TV call on radio, as Dundon does with the NHL’s Carolina Hurricanes. But will that setup last the full season is unknown.

What It Means: In short, the Blazers chose stability over a splashy hire. Demers has lived in the Portland area for more than two decades, and fans already like him. Still, executives previously have long fought to keep a dedicated radio broadcast. Consequently, a permanent simulcast would mark another major shift under Dundon. Just the latest shift under the new ownership group.

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Kirk Minihane Unsure About Long Term Status With Barstool Sports

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Kirk Minihane doubts Barstool Sports will re-sign him when his contract expires next year. Still, the longtime host insists he has no plans to retire.

What We Know: Minihane joined Barstool in May 2019 after leaving WEEI. Since then, he has signed three deals with the company. Last November, he ended his show following a mental health hiatus, but made a return in January. Meanwhile, his current contract expires next fall. Minihane discussed his long term status with the company during his program on Wednesday saying he’s unsure if he’ll sign another deal with Barstool Sports.

What They Said: (All quotes via The Kirk Minihane Show):

Kirk Minihane unsure about his long term future with Barstool Sports: “I would love to stay here. But, I don’t think I’ll get re-signed. My gut tells me no. I could be wrong. It doesn’t feel, I don’t know. I could be completely wrong. I have no idea, and would love to stay. This is not like a thing. We talk on the air about these things. February, March. I’ll start [contract talks].”

Kirk Minihane says he has no plans to retire: “I’m not retiring. I can’t. Well, I could. But, I would do something else for sure and get everybody involved. I hope and would like to make what I make. I think I’ve signed three deals here, maybe. The entire length of negotiations have been 20 minutes. So, I could probably call Dave [Portnoy] this afternoon and get an answer. He’s pretty straightforward. But we’ll see. We’ll see what goes on next year.”

What Remains Unclear: Minihane plans to begin contract talks in February or March. However, Barstool hasn’t publicly addressed his status. Furthermore, Minihane admitted he could be completely wrong about the outcome. Finally, if he does leave, his next destination remains unknown with a reported staff shakeup coming to the show next year.

What It Means: Ultimately, Minihane’s comments suggest a seven-year Barstool run may be nearing its end. Yet, by his own account, past negotiations have lasted about 20 minutes in total. As a result, an answer could come quickly once talks begin. In the meantime, his January return doubles as an audition for potential suitors for the show with a staffing shakeup potentially at hand.

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Civic Media Expands Into Illinois and Iowa With 13-Station Deal

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Civic Media is buying 13 radio stations in Illinois and Iowa. The Wisconsin-based company will also pick up three translators, pending FCC approval. The deal covers the Galesburg, IL, and Burlington, IA, markets.

What We Know: Pritchard Broadcasting, Titan Broadcasting and Galesburg Broadcasting are the sellers. John T. Pritchard led the family’s broadcasting business for decades until his August 2026 death. His son, John C. LJ Pritchard, took over Titan in 2007. Additionally, the deal includes news/talk WGIL (1400/93.7) in Galesburg and talk KBUR (1490/99.3) in Burlington.

What They Said: “While we are sad to see the end of the Pritchard family’s long-standing media legacy in Galesburg, joining Civic Media brings valuable resources for our team and a shared commitment to our local community.” -Galesburg Broadcasting GM Roger Lundeen

“We believe radio plays a crucial role in our local communities and we look forward to supporting the teams at Titan Broadcasting, Pritchard Broadcasting Corporation, and Galesburg Broadcasting Company in fulfilling that role.” -Civic Media CEO Sage Weil

What Remains Unclear: Neither side disclosed financial terms. Furthermore, the FCC must approve the sale, and no timeline has been announced. Civic Media has not said whether it will keep current formats, staff, or local programming. 

What It Means: While giant national conglomerates have spent years slashing local newsrooms, syndicating national shows, and centralizing operations. Civic Media is taking the opposite approach by focusing heavily on hyper-local news, high school sports, and local community engagement. Additionally, Small-market family owners are increasingly consolidating or selling as financial demands grow increasingly complex for independent operators.

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Is Netflix Preparing For A Sports Media Rights Shopping Spree?

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Netflix is just like any other business. As time goes by, changes happen. The platform knows a thing or two about evolution. Remember when Netflix was a DVD rental service? I do, because I was a customer. Today, it’s a giant in the streaming industry, with 325 million subscribers and counting. But despite that success, Netflix announced layoffs affecting approximately 6% of its workforce on Wednesday.

No network, distributor, talent or platform is immune to workforce reductions. Cost-cutting has become part of the business landscape. More than 1,000 employees are losing their jobs, while Netflix shares have struggled this year. Growth has slowed, and spending on content continues to rise. But could these cuts be part of a bigger strategy for Netflix in the sports arena?

Without a doubt, Netflix wants a bigger presence in live events. They draw audiences, attract subscribers and generate engagement. There’s a reason Netflix invested in the 2027 and 2031 FIFA Women’s World Cup and secured exclusive rights in Spain and Andorra to the 2030 FIFA Men’s World Cup earlier this week.

Netflix has expanded its NFL portfolio this year with games beyond Christmas Day, including a Thanksgiving Eve matchup and the season opener in Australia. The company also secured a three-year agreement with Major League Baseball that began this season, bringing Opening Night, the Home Run Derby and the Field of Dreams Game to the platform.

What about the NHL? The league’s national media rights agreements with ESPN and Warner Bros. Discovery run through the 2027-28 season, with exclusive negotiations reportedly underway.

The NBA’s national media rights are locked in for years to come. However, could the league create another package of games to sell to Netflix? Perhaps it could offer an in-season tournament or the All-Star festivities. As the NBA considers a centralized hub for its regional media rights, could Netflix emerge as an alternative to DAZN and its evolving approach to sports distribution?

Live Sports Is The Rocket Fuel

Netflix co-CEO Ted Sarandos acknowledged last week that he isn’t satisfied with the platform’s growth.

“Overall, we’re not growing as fast as I want us to, and we’re working on making that move faster,” Sarandos said at the Bloomberg Screentime conference in Los Angeles. “We are, though, also doing things that create a lot of headwind to that number.”

According to CNBC, Netflix continues to expand beyond its core business of films and television series. Approximately 5% of its $20 billion content budget goes toward live programming, including live events.

Could this week’s layoffs be part of an effort to redirect resources toward live sports rights? Is Netflix looking to make room in its budget to pursue more major events?

If you don’t think Netflix has become a destination for live sports, you’re fooling yourself. The NFL season opener in Australia drew an average U.S. audience of 18.5 million viewers, peaking at 21.3 million. Through the first three weeks of this season, NFL games across all networks were averaging approximately 20 million viewers per game.

Netflix has only been in the NFL business for three years, and its schedule remains relatively limited. Add more games, expand the audience and create more opportunities to attract subscribers and viewership on par with any network. That’s a formula Netflix could pursue as it looks to strengthen its position in live sports.

Sure, MLB’s early returns on Netflix weren’t spectacular. This was the streaming platform’s first season carrying major league baseball events, a sport with an older audience profile than some of its major competitors. Still, Opening Night drew just under 3 million viewers, making it the most-watched Opening Day audience since 2020.

When Opportunity Knocks

With uncertainty surrounding the future of TNT Sports amid the Skydance merger, would it be out of the question for Netflix to add NHL events to its slate? Imagine the Winter Classic on Netflix, bringing the game to a global audience. There could be significant benefits for the NHL in reaching viewers beyond its traditional markets on a platform like Netflix.

More broadly, the way Skydance combines CBS Sports and TNT Sports could reshape the sports rights landscape. As companies reassess their portfolios and distribution strategies, opportunities could emerge for Netflix to invest in properties that reach new audiences.

Netflix’s decision to lay off more than 1,000 employees is a reminder that even successful companies continually evaluate where to invest and where to cut costs. But what if these layoffs are about more than slowing growth, rising content expenses or improving the bottom line?

What if Netflix is positioning itself for an aggressive push into live sports?

The company has demonstrated that it can draw substantial audiences for the NFL and is establishing a presence in MLB. With potential opportunities across the NHL, NBA and other major sports properties, Netflix could be preparing to spend considerably more on the rights that bring fans together in real time.

The streaming wars are no longer just about who has the best original series or the biggest library of movies. Those offerings remain important, but the competition increasingly centers on who controls the live moments audiences don’t want to miss.

Netflix has the subscriber base, global reach and financial resources to become a serious player in that fight. Perhaps the company’s layoffs are simply about controlling costs. However, if they’re part of a larger strategy to redirect resources toward premium live sports, the next chapter of Netflix’s evolution could be its most significant yet.

The company that once mailed DVDs to your doorstep may be preparing to redefine what it means to be a sports media destination.

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Think Big, Ask Big: Doug Abernethy’s Radio One Playbook

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There’s no shortage of people ready to write radio’s obituary. Some of them work inside the industry. Doug Abernethy has never been one of them.

The Regional Vice President for Urban One’s Radio One has run clusters from Miami to Houston, overseen more than a dozen markets at once, and walked away from the business only long enough to realize he couldn’t stay away. Through every consolidation wave, every budget cut and every “radio is dead” headline, his position hasn’t moved an inch. Radio works. And the people who doubt it should probably find another line of work.

A Second-Generation Radio Brat

Abernethy didn’t stumble into radio. He was raised in it.

“I’m a second-generation radio brat,” he said. His uncle, Tom Abernethy, was a fixture at WSTV in Steubenville, Ohio, where he hosted mornings for years. He was such a local institution that Steubenville shops have sold nutcrackers and Christmas ornaments made in his likeness. His father worked in the business, too.

The young Abernethy spent his time behind a turntable and a microphone, cutting his own air checks on tape. “I was 12 years old, and so I knew I was destined to be in this business,” he said. “My uncle Tom and my dad — they had these big baritone voices. I grew up in it and just loved it. I would see the two of them, and it was like going to an RAB meeting.”

The 60-Second Pitch That Made a Career

After college, Abernethy decided he’d spent enough winters in Pennsylvania. He headed to Tampa and landed his first sales job in 1986. The facilities were rough. The training was rougher.

His sales manager worked out of a double-wide cubicle, smoking his wife’s Virginia Slims. “He’s like, ‘Kids, there’s no such thing as a sales call. You just got to con them out of their money,'” Abernethy recalled. “That was my sales training.” The manager didn’t last long.

Abernethy took a different path. Because he knew production, he’d tear through the thick Sunday paper, write spec spots for advertisers, record them on Sunday nights and take them out to sell. His white whale was Import Warehouse, a sprawling wicker furniture store that ran a double-truck ad in the St. Petersburg Times every week. The owner wasn’t interested. “I’ve tried radio before, and it doesn’t work,” he told Abernethy.

Six months later, his new sales manager wanted to hand the account to someone else. Abernethy asked for one more shot. He wrote a spot for a going-out-of-business sale, called the owner and promised it would be the last time he ever bothered him.

He walked in with a boombox and asked for 60 seconds. The owner’s face turned redder by the second until he slammed the stop button. His business was thriving, he shouted. Abernethy didn’t flinch. “I said, hold on. It gets better than this. My sales manager told me that I could run this for free all weekend.”

The owner erupted. Abernethy had the perfect answer. “What do you care? Radio doesn’t work.”

Import Warehouse became his number one customer. The owner became a good friend.

Checking Out of the Hotel California

In early 2025, after roughly 36 years without a break, Abernethy resigned from Audacy. He’d led its Miami-Fort Lauderdale cluster and later served as a regional president overseeing more than a dozen markets. It was time to stop and think.

His first instinct was to go small. He formed an LLC, Iron Spur Media — a nod to his roots near Pittsburgh and his love of West Texas, where he owns a ranch. The plan was to buy a handful of small-market stations in the region. Then the Texas floods hit, swamping transmitter sites. “I’m like, I am just buying a capital nightmare if I go through with this,” he said.

That’s when Urban One CEO Alfred Liggins called. Abernethy had already returned to the company once before. “This is my Hotel California,” he joked. “I check out, but I can never leave.”

The pitch was too good to pass up. Abernethy had been Director of Sales for Cox’s Houston stations in the early 2000s, then ran Radio One’s Houston and Dallas operations from 2004 to 2015. With Urban One’s integration of the former Cox Houston stations, every station he’d ever managed in the market now sat under one roof.

He returned in October 2025. When Liggins introduced him at a town hall meeting, the room erupted. “It was like your favorite team just scored a touchdown,” Abernethy said. “I was like, I am right where I need to be.”

This summer, Urban One closed its acquisition of Service Broadcasting’s Dallas stations, bringing K104 and Smooth R&B 105.7 alongside 97.9 The Beat. Today, he says, Radio One’s Texas markets are “in total growth mode.” His footprint is growing, too, with Charlotte and Indianapolis — two markets he’s led before — joining his portfolio.

Managing that many people means learning a lot of names. Abernethy has a trick for it. When he enters a new market, he lines up the staff by birthday without letting anyone speak, then has each person introduce the colleague beside them. It’s a lesson in collaboration and communication, two of his non-negotiables.

No Room for Naysayers

Ask Abernethy about the biggest challenge facing radio, and he doesn’t mention ratings, revenue or streaming. He names the naysayers.

“I wish I had all the things I could sell that are available through radio today in 1986,” he said. “Our industry has transformed better than any other traditional media, and people still say that we’re done.”

He has zero patience for that mindset inside his own building. “If anybody ever came to my office that worked for me and said our best days are behind us, I wish radio was the way it used to be, I’d fire them on the spot,” he said. “This industry to me is still as exciting today as it was day one.”

Radio One’s motto under Abernethy is simple: Think big, ask big. Come with a big idea, then make a big ask. “When you come up with a big idea and a big ask, I haven’t had anybody say no,” he said. “They might say that might be a little too much, so can we scale that down?”

Recently, his team pitched a single client on a six-figure deal built across all of the company’s assets. It was one of the biggest asks of his career, and to Abernethy, that’s the fun part. “How exciting is that?” he said.

To the doubters, his message is blunt. “Go play dominoes or cards, or go fishing,” he said. “But don’t be a hater. Our best days are still ahead of us.” That belief, he says, has to run through the whole staff — the front desk, the street team and the on-air talent. “Everybody knows we think big and we ask big because it takes everybody in every position to execute those big asks.”

From Airwaves to Audio Company

Abernethy expects more consolidation over the next five years, and he doesn’t see it as a death knell. “You can’t save your way to success, but you can consolidate your way to greater success,” he said. “You’re going to have less players, but the overall thing is going to be growth for those who remain and are still passionate about this business.”

Part of that growth means reviving what the industry lost. During his first run in Houston, Radio One built a car show and concert that drew 15,000 to 20,000 people. It returns next month. Ticket sales are “flying through the roof,” he said, and sponsorship sales have been just as strong. Similar tentpole events are planned across other Radio One markets. “They are as lucrative, if not more lucrative, than they were back then.”

He also believes radio already owns the asset every brand is chasing. “Everybody talks about these influencers,” Abernethy said. “Our on-air talent were influencers before influencers were even created. They’re the best influencers, and they’ve got more channels to do that.”

Between podcasts, social media and live events, he sees an industry that has outgrown its own name. “We’ve gone from just the airwaves to a complete audio company,” he said. “Whether you’re talking to me or Audacy or iHeart or Cumulus, audio is exploding. It’s the number one medium, and we’ve got the best asset to capitalize on that as an industry.”

Concrete Over Carpet

Abernethy used to preach “concrete over carpet” to his sellers — get out of the office and in front of people. Now he preaches it to everyone in the building.

He saw it pay off when he recently promoted an assistant program director to PD. In front of the staff, the new PD summed up his job in three words. “Here’s what I understand. I understand ratings, I understand revenue, and I understand relationships. And those relationships are the clients, the community and everything that we do.” Abernethy’s reaction: “Man, am I the smartest man in the room to promote him.”

For a brand-new account executive walking into an industry they’ve heard strange things about, his advice starts simple. Be inquisitive. Be bold. Learn.

“You are embarking on something that is going to be life changing for you,” he said. “You have the opportunity to meet so many different business owners. You’ll get more knowledge in one year of this than four years of college. If you grasp the ability to pull out challenges that marketers are facing, and you can come back to a team of people who are going to give you big, bold ideas, you’re going to be immensely successful. You’re going to have more fun than you’ve ever had in your entire life.”

And when a client tells him radio is dead? Abernethy doesn’t get defensive. He gets excited. “I’m like, oh yeah, let me tell you,” he said. “This is a great conversation starter.”

Thirty-plus years after a wicker furniture dealer told him radio doesn’t work, he’s still proving people wrong.

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Ken Charles Explains How Trust Drives Ratings and Sales at 95.5 WSB

Radio’s most prestigious night returns to New York on Tuesday, October 20th, and WSB Director of Operations, Branding and Programming Ken Charles feels honored that he and the team are nominated for News/Talk Station of the Year.

“The Marconis are the only awards that reflect the entire brand. It reflects your content, community service, and news commitment for spoken word stations. It reflects your sales. And it reflects your ability to generate ratings.”

Charles added, “It is the only award that I know on a big level that takes everything that a station is and does into account and then runs it by a committee of our peers and a number of others to determine not only the nominees, but the winners. So it’s a really important award because everybody’s involved.” But there is much work for the team to do before they can celebrate the honor.

Over the weekend, the WSB team was preparing to be hammered by Hurricane Isaias. “So while we were watching the storm Monday, Tuesday, Wednesday, we kind of knew that it was going to strengthen and it was going to have some impact on the state. So we started holding daily meetings, looking at the storm,” Charles noted.

Coverage Without Over-Dramatization

As Isaias grew closer, the team had its meteorologists watch out not only for the community but also for the local events the station hosts — like University of Georgia football games. “So we know we’re going to be here. We’ve got digital set up. We’ve got a reporter, too, ready to go. And we’ve got our meteorologist ready to go. Then on Friday we had a plan set.” Charles went on to say, “As the storm progressed through Friday, it changed a little because the storm sped up. So now we kind of have a little bit of an idea, but it still kept jogging back and forth. So we were ready for anything.”

Fortunately, Isaias landed 50-60 miles east of Atlanta. While the team faced blustering winds of 20-30 miles per hour, they prepared the community for the worst and got the best. What they don’t do with their storm coverage is overdo it. “I think what separates WSB from a lot of our brethren in TV and radio is you’ve got to cover it, but you shouldn’t hype it,” Charles affirmed.

Storm coverage for the team also means being honest with listeners. “You shouldn’t make it sound more cataclysmic or more dramatic than it is because all you do is frighten people. And you do tend to tarnish the credibility of the radio station.” Charles added, “So we cover it, we cover it urgently, but we don’t over-dramatize.”

Trust as a Long-Term Strategy

According to Charles, cutting out media drama is something WSB carries over to every part of the station: “The way we cover those storms, the way we cover politics, the way we cover major breaking stories, both locally and nationally, the way we do it sets it apart and enhances the credibility, which enhances the trust of the radio station.”

Charles added, “The trust of your audience is crucial not only to long-term success but to being a long-term part of the community and a long-term part of their habits, so that when things happen, they go to the place they trust. And we want to be the place they trust the most.”

This community trust is how WSB has built incredible sponsorships like Dog of the Month and Carathon for Children’s Healthcare of Atlanta.

Getting Involved in the Community with Sponsors

There are many ways stations can get involved in their communities, but 95.5 WSB has two very unique ones. Dog of the Month is one of their newer initiatives. “It was a great opportunity and partnership to come along. It was something we wanted to do, and it all fell into place perfectly. We found the right partner, which is Paws Atlanta, and then Findlay Roofing, which is a longtime partner whose mascot is Rufus, was just the perfect sponsor,” Charles said excitedly of the initiative.

“If one of our Dogs of the Month is adopted, the adoption fee is paid for by Findlay Roofing. So not only does it help us, it helps Paws Atlanta, it’s a great partnership with Findlay, but it also helps the people who are adopting dogs.” Now, instead of paying adoption fees, adopters can buy more food and toys.

The second major partnership WSB has with the community is Carathon for Children’s Healthcare of Atlanta. This year, the station raised $2.3 million in a 36-hour broadcast alone (almost $64,000 an hour). It’s a year-round commitment that also includes a comedy night with Jeff Foxworthy and a once-a-month show called “The Children of Children,” which tells the stories of the families and children the audience meets during the 36 hours of Carathon. “The show is hosted by Lex Stolle, a survivor of childhood cancer who is now in remission.”

Service Beyond the Airwaves

In addition, the WSB team hosts a holiday food drive and a toy drive, each with its own partnerships. “I think those kinds of emotional touchstones throughout the radio station give WSB its larger-than-life image inside the community,” Charles maintained. “Because we’re not just here to entertain and inform, but we’re here to serve. And we’re here to be a part, and we’re here to make a difference.”

No station is complete without a strong social media team — and for Charles, the integration is essential. With Hurricane Isaias, Charles said the WSB team started with videos from its meteorologist. “Our meteorologist, Christina Edwards, was doing videos of here’s what we think is going to happen with really cool graphics, showing where we think the storm is going to go and what’s going to happen to Atlanta. It didn’t only go up on the place you would think it would go up for news, Facebook; it was on Twitter, it was on Instagram. And yes, it was on TikTok.”

News alerts go beyond storms to include major roadway shutdowns. “Over the last two months, [there have been a number] of huge shutdowns of the 285 major freeway on the east side of town here in Atlanta, starting at 7 pm on Friday and closing it down through 5 am Sunday morning.”

The WSB digital team saw this as another opportunity to serve the community beyond the airwaves. “Our guys in the traffic team did some great videos showing the maps and not only where these things were going on, but ways to get around them,” Charles recalled.

Chasing the Radio Triple Crown

It’s a service Charles sees as an expansion of the brand, even if it doesn’t bring people to radio right away. “Time and time of being there for them on social media, they may just become a listener. But if they don’t, it’s okay, because they’re engaging with your brand, which makes and keeps us relevant,” he stated.

Staying relevant, reliable, and steadfast with the community is essential not only to content, community service, and news commitment, but it also helps with sales and ratings. Having won several awards this year, Charles and the team are hoping for a “radio triple crown” by winning this year’s Marconi for News/Talk Station of the Year.

“This year, we won a Crystal and a Service to America award for Carathon,” he said. “So I would really, really, really love the triple crown of winning a Marconi too.”

The honor of being nominated for a Marconi is not lost on Charles or the WSB team. Given the dedication they all put toward their community, it becomes easy to see why they are a top contender this award season.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.

How Pete Sousa’s Road to Sobriety Led Him Back to a Sports Media Career He Thought He Lost

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In any lifetime, mistakes happen. They are always forgivable, but only if one has the courage to admit them. Pete Sousa is no different from anyone else. At one point, he was a rising star in sports media. After a career in NBA public relations, he worked for the Philadelphia 76ers and Charlotte Bobcats for almost a decade. But Sousa was dealing with his own personal demons tied to addiction, a common trait on his father’s side of the family.

“When I was working in Charlotte to work on radio, I was in bad shape. I was a real alcohol and drug addict, and I brought some of that to work for me. I was not my best self,” explained Sousa, who spent one season with Charlotte. “Day in the day, I used to lament that I let these opportunities slip through my fingertips. But all of that had to happen for me to get sober.”

Sousa’s media career was flourishing in his younger days. It’s rare for someone to pivot from the communications world and take a leap of faith into play-by-play. That’s the journey Sousa took, shifting from years of experience in media relations to becoming an on-air presence himself.

But his struggles with addiction put a pause on his growth in sports media.

“When I was in Charlotte, I was reading this book called ‘Moments of Clarity.’ It’s a collection of notable people who shared their stories of sobriety. The book was so relatable, I figured, if they could do it, why can’t I?” said Sousa.

The Road Back

After wrapping up the season in 2011, Sousa checked himself into rehab for 30 days. After completing treatment, he moved into a halfway house and earned a job at Kentucky Fried Chicken. This came after a promising career in sports media and professional sports, and it was obviously a far cry from where he envisioned himself.

“I really bottomed out and had that gift of desperation. But getting sober came together at the right time,” said Sousa. “When I got sober, I identified what I was going to do. Take the steps to do it and fail. I just went out from working in the NBA to Kentucky Fried Chicken. I endured a shitload of rejection but kept going.”

The work began again for Sousa. He landed a play-by-play role in the NBA Development League and eventually made a short return to Charlotte, working radio for Hornets games. He then pivoted again to local television news in Louisiana and Texas for the next nine years while rebuilding his play-by-play profile, calling college football, baseball and basketball for ESPN, primarily covering the Big 12.

Last month, Sousa added another element to his arsenal when he was named the new co-host of The Drake Toll Show on Westwood One Sports.

“Over the summer, I filled in for Westwood One to get a vibe check for the executives with Westwood One Sports. Armen Williams arranged for me to do some fill-in work previously, so I was on the radar,” noted Sousa. “I’ve known Drake [Toll] from years ago, and always thought Drake was a superstar.”

Sousa’s relationship with Toll dates back to when both worked in Waco, Texas, albeit not together. Over time, they developed a mutual respect for one another as Sousa called play-by-play and Toll began building his multimedia brand.

When Westwood One Sports was beginning to take shape, Toll encouraged network management to take a look at Sousa for potential work with the new network. While the two sides didn’t come to an agreement at the onset, Williams kept Sousa on standby for fill-in work over the summer.

“I told Armen [Williams] I would always love to fill in because terrestrial radio was always something I wanted to do. I was raised on Howard Stern and Howard Eskin, and thought radio was the coolest medium. It meant something to me,” said Sousa. “I do a lot of play-by-play, and I can have a colorful personality. But there’s only so far you can go.”

Sousa admits that while he always had plenty of opinions on sports, he never took any of them seriously. Because of his experience playing, observing and seeing what goes into any role in collegiate or professional sports, he didn’t consider himself at a level where he could confidently express those opinions.

A Balanced Approach

Instead, the support system around him, from personal friends to colleagues in the industry, helped build his confidence and encouraged him to begin expressing himself. He formed a podcast called The Pete Sousa Show, where he began sharing his opinions and analysis on everything happening in sports. His experience working in public relations also provided a prerequisite understanding of how an opinion can feel on the other side.

“When you show up to an arena and see the sports information guy, I have a ton of respect for those guys. I also understand how players are disappointed after being roasted by the media. I’ve seen it firsthand and how it affects them,” explained Sousa. “The human experience is what I’m in touch with, and I feel people respect that about me. I’m more about explaining why instead of shooting from the hip.”

When it comes to opportunities, Sousa has learned never to turn down a chance to learn. He credits his time as a news anchor with helping him battle through his dyslexia while working with a live teleprompter. It was another example of working through a struggle to develop an additional skill in his arsenal.

His journey to sobriety also gave him a new appreciation for every opportunity. Knowing full well that nothing is guaranteed, Sousa makes the most of each one.

“With me, a lot of it is fear because I worked so hard to get here. Getting sober. Living in a halfway house. I’ve done some terrible jobs, but it was about doing whatever I needed to do to get here,” said Sousa. “I don’t say no because I’m scared people will stop asking. I’m so fortunate to get so many opportunities. You always have to think that anyone could be watching or listening.”

Now on the other side of his journey to sobriety, Sousa enjoys every opportunity to share his story. In hopes it can provide comfort or confidence for others. He plans to relaunch his Payoff with Pete Sousa podcast, which showcases the stories of others and their journeys as well.

Understanding that every journey is different for those dealing with addiction, Sousa hopes his positivity, authenticity and perspective can provide hope through his example.

“There’s always hope. Life can be short,” said Sousa. “When you get sober, the sky is the limit. I’m living, breathing proof of that. People thought I was extremely hopeless. I’m here to tell anyone with a problem, if you think you’re hopeless, that is not true. If you go through the right process with the right people, you don’t have to do this alone.”

A New Outlook

For Sousa, the journey is no longer about making up for the opportunities he believes he lost. It’s about appreciating the ones he has today and understanding that every stop along the way helped shape the person and broadcaster he has become.

The road from professional sports to a halfway house and a job at Kentucky Fried Chicken was not the career path Sousa envisioned. But it gave him something far more valuable than another line on a resume. It gave him perspective, and humility. Plus, an understanding of what it means to keep moving forward when the next step isn’t always obvious.

Today, Sousa is still building his career across play-by-play, radio, television and podcasting. But his most important work may be what happens when the microphone is turned toward his own story. By being open about addiction, recovery, rejection and the long road back, he has given others a reason to believe their own story doesn’t have to end at its lowest point.

Sousa knows there will always be another challenge, another opportunity and another chance to learn. After everything he’s experienced, he no longer takes any of them for granted. He simply keeps showing up, keeps saying yes and keeps moving forward.

“I want to continue to evolve and give back to the people who provided me opportunities,” said Sousa. “I know what it’s like to go to a job that you don’t love, and I want people to laugh and enjoy life. That’s what I hope my work with The Drake Toll Show provides. Honestly, I’m waiting for someone to knock on my door and say this is a mistake… I have a great level of gratitude for these chances I’ve been given.”

If Pete Sousa’s journey has taught him anything, it’s that hitting bottom doesn’t have to be the end of the story.

Sometimes, it’s where the comeback begins.

Barrett Media produces daily content on the music, news, and sports media industries. Sign up for our newsletters to stay updated and get the latest information right in your inbox.