The Walt Disney Company CEO Bob Iger addressed the ongoing carriage dispute with YouTube TV on Thursday morning, telling investors during Disney’s quarterly earnings call that the company remains committed to reaching a fair agreement while emphasizing its responsibility to both consumers and shareholders.
The blackout of Disney’s networks — including ESPN, ABC, and FX — is entering its third weekend, leaving millions of YouTube TV subscribers without access to some of sports and entertainment’s most popular programming. Iger said Disney has worked “tirelessly” to restore its channels to the platform but stressed that any new deal must reflect the value Disney provides.
“We care deeply about our consumer,” Iger said. “Our priority has always been to remain on their service without interruptions, and you close a deal on a timely basis so an interruption does not occur. The deal we have proposed is equal to or better than what other large distributors have already agreed to. We are not trying to break any new ground.”
Iger pointed to Disney’s long track record of striking equitable agreements with other distributors. He said the offer on the table mirrors terms already accepted by “distributors larger than they are,” suggesting Disney believes its proposal to YouTube TV is consistent with industry standards.
“While we have been working tirelessly to close this deal and restore our content to their platform, it is imperative that we make sure we agree to a deal that reflects the value that we deliver, which both YouTube and Alphabet have told us is greater than the value of any other provider,” Iger added.
Before the earnings call, Walt Disney Company CFO told CNBC that the company prepared for this dispute earlier in the year, and is set to go on as long as it takes.
“We’re in the middle of negotiations right now. Things are live. They’re happening,” said Hugh Johnston, Walt Disney Company CFO to CNBC. “Obviously as we entered the year, we knew this was going to be a challenging battle. We prepared ourselves for it, and we’re ready to go as long as they want to So, beyond that I’d rather not comment on that.”
The comments come amid mounting public pressure for both sides to resolve the dispute, particularly as major live sports events continue to air on ESPN and ABC and other Disney owned networks. Fans have taken to social media expressing frustration over missed college football, NFL, and NBA games, while industry observers note the standoff underscores the changing economics of digital distribution.
Iger’s tone suggested optimism but also resolve, balancing consumer empathy with Disney’s insistence that its premium content justifies a premium price.
“We are trying hard and working tirelessly to close this deal,” he said. “And we are hopeful we will be able to do so on a timely enough basis to give consumers the opportunity to access our content over their platform.”
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The Washington Post has announced it is partnering with Triton Digital to expand its presence in the digital audio space.
Under the new agreement, Triton Digital is set to lead the publication’s digital audio strategy, including podcasting, monetization, and measurement services.
The partnership integrates advertisers with The Washington Post‘s growing roster of podcast inventory with Triton’s programmatic and direct sales expertise. The publication is set to use the Triton Ad Platform, Triton Audio Marketplace, Demos+ audience targeting solution, and the Podcast Metrics measurement platforms to expand its reach and create new revenue opportunities across its portfolio.
Podcasts and digital audio have become a growing priority for The Post. Shows like The Seven, Post Reports, Try This, Impromptu, and Washington Post Live have all seen expansions and increased focus in recent months.
“At Triton, we look forward to supporting The Washington Post as they expand their digital audio presence,” said Triton Digital President and CEO John Rosso. “This partnership reflects the power of Triton’s technology and our commitment to helping premium publishers grow and monetize their audio strategies at scale.”
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The Pac-12 Conference has found a new media home beginning in 2026. The league announced a five-year partnership with USA Sports that will make USA Network a key broadcast destination for the “new Pac-12” across football, men’s basketball, and women’s basketball.
The deal runs through the 2030–31 season. Adding another national platform to the Pac-12’s evolving media strategy. Joining CBS Sports and The CW as part of a multi-network approach.
Under the agreement, USA Network will air 22 regular season football games. In addition to 50 men’s basketball games, and up to 10 women’s basketball games each year. The network will also carry every game of the Pac-12 Men’s Basketball Tournament leading up to the championship, which will air on CBS.
“The new Pac-12 is where tradition meets transformation. A unique opportunity in the rapidly evolving college sports landscape. That strongly aligns with the go-forward vision of USA Sports,” said Pac-12 Commissioner Teresa Gould. “We are thrilled to launch this partnership with the USA Sports team. Leveraging our shared vision to build something unique and special.”
Matt Hong, President of USA Sports, said the deal reinforces the network’s expanding sports portfolio.
“USA Sports is proud to partner with the new Pac-12 and showcase the league to a national audience on USA Network,” Hong said. “Our partnership further establishes USA Network as a destination for all sports fans. With weekends packed with Pac-12 football doubleheaders and men’s and women’s basketball double- and triple-headers beginning next fall.”
With the addition of USA Network, Pac-12 football games will now be seen across CBS, The CW, CBS Sports Network, and USA Network. While CBS will retain the rights to the Pac-12 Football Championship Game. The conference’s basketball schedule will also see broad exposure. With the majority of men’s games and select women’s matchups distributed across the same platforms.
Pac-12 Enterprises, the conference’s in-house production arm, will produce more than 80 events annually for USA Network as part of the new partnership. Overall, the entity is expected to handle more than 150 broadcasts each year across its network partners.
The reimagined Pac-12 will feature Boise State, Colorado State, Fresno State, Gonzaga, Oregon State, San Diego State, Texas State, Utah State, and Washington State beginning in 2026–27. Oregon State and Washington State will continue to operate under the Pac-12 banner through the 2025–26 academic year before the new membership structure takes effect.
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Larry Brooks, the longtime New York Post hockey writer known for his sharp reporting, deep connections, and Hall of Fame career covering the New York Rangers, died Thursday after a brief battle with cancer. He was 75.
Brooks spent nearly four decades between two separate tenures with the Post, becoming one of the most respected and recognizable names in hockey journalism. His coverage of the NHL made him a must-read for fans and insiders alike.
“He was around the crease all the time,” said Dave Maloney to the New York Post, who broadcasts Rangers games for MSG TV and first met Brooks when he was a 19-year-old rookie defenseman for the team and Brooks was cutting his teeth at the Post. “He was a Hall of Famer at what he did and more often than not he tapped it in. On the journey to reach the crease he might get body checked and hit in the nose, maybe got his jaw broken. But he always got there.”
Brooks joined the Post in the mid-1970s, covering teams like the Yankees before shifting his focus to hockey. His reporting on the NHL became essential reading for generations of New York sports fans. His signature mix of scoops, analysis, and accountability set the tone for how a beat is covered in one of the toughest media markets in the world.
“For the last three decades, no one covered a sports beat in this city better than Larry did on the Rangers,” said Chris Shaw, the Post’s Executive Sports Editor. “Well before the Hockey Hall of Fame enshrined him, Larry had already earned a place among the legends who have graced the pages of The Best Sports in Town.”
In 2018, Brooks received the Elmer Ferguson Award from the Hockey Hall of Fame, one of the sport’s highest honors for a journalist.
Known for his persistence and professionalism, Brooks often found himself at the center of memorable hockey moments — from his famous exchanges with Rangers coach John Tortorella to his long-running advocacy for players and issues he believed in, including campaigning for the Rangers to retire Brad Park’s No. 2 jersey.
He also coined one of the game’s most enduring nicknames, “King Henrik,” for longtime Rangers goalie Henrik Lundqvist.
A New York native, Brooks was known by colleagues for his mentorship and high standards. When Post reporter Mollie Walker succeeded him on the Rangers beat, Brooks insisted she first read the NHL’s collective bargaining agreement “cover to cover” to truly understand the game.
Brooks is survived by his son, Jordan; daughter-in-law, Joanna; and two grandchildren. His wife, Janis, died in 2020.
Larry Brooks was a giant of American hockey writing, as tough and fearless as anyone I have known in the business. https://t.co/w4X9r3qYjd
Just horrible news to wake up to. Got the chance to work with Brooksie for 5 years from 2019-2024. He came on the Rangers podcast almost every week. I learned so much just through listening to him. He was so well respected by everyone in the hockey world & inside the Rangers.… https://t.co/AcTvLqqnCt
He was a fixture for me at the Garden for 20 years, 20 years before that as a fan. Massive loss for the sport of hockey and journalism in general. RIP https://t.co/1nAAfKnbVv
Quite simply, there was no one else like Brooksie. The game has always needed gatekeepers and today the game has lost a giant. Rest easy. https://t.co/Cz5IqsPtGA
There was nothing more intimidating to a young writer than when Brooksie was in the locker room of a team you covered. But there was no one more supportive if you got a story and had to deal with the usual outrage the next day.
Such sad news….no one in NYC history covered the NHL like Larry…he’ll be sorely missed…every good thought and prayer to his family https://t.co/ecVXjwonFe
Quintessential journalist. Would have had scoops no matter the beat. Sourced. Cared. Fiercely independent. Truth-seeker. Glad I got to watch him work. https://t.co/PlPfMT8hjW
You may not have always agreed with him. Hell, you may not have even liked him (and that might have been the point) but you always read his work. There was not a bigger presence covering the New York Rangers. No one will come close to doing it like Larry did. RIP https://t.co/EPcog40Y9r
I feel lucky that I got to know Larry over the past few years. He had such a unique voice in the game, and his passion for not only the Rangers, but for hockey, especially his Grandson’s career, was evident through everything he did.
Awful news. Larry’s passion for the game and for covering it was obvious. His passion for watching his grandson Scott play the game was also obvious. We had many a conversation about youth sports. Condolences to his family, The Post and those closest to him. RIP. https://t.co/V2nFfYOp6B
Old school reporter. Maybe the last of its kind. Informative and witty. For many years was one of two to three sources for Rangers information to the fans. RIP, Brooksie. https://t.co/6I1xRT5Udy
This is devastating. Larry was and is a giant of New York sportswriting. I cherish our years together covering the Rangers dearly. He was an incredible mentor and friend. I will miss him terribly https://t.co/IPFEKLssnQ
I grew up in NYC reading the New York Post sports coverage, especially Larry Brooks coverage of the New York Rangers and the NHL. I became a fan for life reading his columns where his passion for hockey was beyond evident and beloved in the city. Just absolutely terrible news to… https://t.co/xDazIdDy3G
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NBCUniversal is returning to its sports cable roots — with a modern twist. The company announced that it will launch the new NBC Sports Network (NBCSN) on Monday, November 17. A 24/7 linear channel showcasing many of the marquee live events and studio shows that define NBC Sports’ portfolio.
The network will debut exclusively on YouTube TV, with Xfinity expected to follow shortly after. Additional pay-TV distributors are set to be announced in the coming weeks. NBCSN will serve as a companion platform to Peacock, offering pay-TV subscribers a way to access much of the same premium sports content available on NBCUniversal’s streaming service.
“NBCUniversal delivers the biggest moments in sports. The new NBC Sports Network gives pay-TV customers a seamless way to enjoy the wide range of sports in our portfolio,” said Matt Schnaars, President of Platform Distribution and Partnerships at NBCUniversal. “NBCSN is a win across the board — driving value for fans and distributors who prefer an aggregated experience, league and conference partners seeking broad reach, and advertisers targeting engaged sports audiences.”
The lineup reflects NBC Sports’ deep bench of properties, mixing major league action with legacy events. NBCSN will feature Monday Night NBA games and NBA Playoffs coverage. Along with dozens of MLB regular-season and select postseason games, pending a soon-to-be-announced agreement.
The network will also showcase Premier League soccer, WNBA games, and college sports from the Big Ten, Big East, Big 12, and Notre Dame football.
Golf fans can expect select coverage of the U.S. Open and The Open Championship. While cycling enthusiasts will see the Tour de France, Tour de France Femmes, and Vuelta a España on the schedule. The network will also air undercard races for the Kentucky Derby and Kentucky Oaks. As well as a mix of Olympic sports like figure skating, gymnastics, track and field, and swimming.
NBCSN will further lean into personality-driven studio programming. Carrying popular shows such as PFT Live, The Dan Patrick Show, The Dan Le Batard Show, and Fantasy Football Happy Hour with Matthew Berry. The new channel will also serve as the exclusive home for Gold Zone, a whip-around style program hosted by Scott Hanson during the Milan Cortina Olympic Winter Games in February 2026.
.@NBCUniversal to launch NBC Sports Network next Monday, November 17
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Have we all lost sense of what ESPN is? Has sports media—and fans—forgotten the sole point of ESPN’s programming, the purpose it has always served?
It’s been a difficult couple of weeks for the “four-letter network” as the ongoing carriage battle between The Walt Disney Company and YouTube TV rages on into a third weekend of football. Therefor, more than ten million subscribers are having to find alternate ways to watch sports that they love and pay for. Plus added tensions from the current state of the country and the time of year.
Amid all this, ESPN presented two recent instances that, for many, were shocking. Events that suggest the modern audience may have forgotten what ESPN is for today’s consumer.
The first example came on Monday Night Football’s alternate broadcast, The ManningCast, with the Manning brothers. Earlier that day, Omaha Productions announced that Walt Disney Company CEO Bob Iger would appear on the program as Green Bay hosted Philadelphia.
It was an unusual choice for a football show: the CEO of the company embroiled in a public dispute with YouTube, appearing with no explanation as to why. Furthermore, timing, of course, is everything. This was an opportunity for Iger to use his platform to provide his spin on the dispute. Even if those affected couldn’t watch live.
Nine minutes of scripted questions about Iger’s background and his love for the Green Bay Packers. He was treated with soft Mickey Mouse hands by the show’s hosts.
It was predictable, expected, and boring. Exactly what you would expect from a CEO talking to his partners on their own broadcast. Why throw in a hardball question about a pressing business matter when it’s third down and four?
Still, many in sports media and among fans criticized the Manning brothers for not asking a single question about the YouTube TV dispute.
SI Media columnist Jimmy Traina said that to not ask Iger a single question about the YouTube TV issue was “a complete joke.” Mike Florio questioned why Iger was even at the game in the first place when he could be working on the issue itself. He called the interview “a microcosm of the current disconnect between those who pull the strings and those whose chains are getting jerked.”
Sports radio hosts across the country chimed in as well. Including Craig Carton, who questioned if the Mannings were told not to ask, or “didn’t have the stones to ask” Iger the question. Many others, including Clay Travis of Outkick, questioned why even have Iger on at all.
Trump’s Debut
On Tuesday, a second occurrence of a somewhat similar appearance happened when The Pat McAfee Show welcomed President Donald Trump on the program, which airs on ESPN. McAfee and his program were broadcasting live from Parris Island as the show celebrated Veterans Day with the United States Marine Corps.
McAfee and Trump discussed a range of topics from college football’s evolving landscape under name, image, and likeness rules to the NFL’s new kickoff format, the Ryder Cup, and the World Cup. There was some non-sports conversation too. Topics regarding the Department of Veterans Affairs, his labeling of the shutdown as a Democrat shutdown, and ending wars.
This marks Trump’s first appearance on ESPN programming after his re‑election. Also just two months after ESPN personality Paul Finebaum publicly stated the network turned down an offer to have Trump interviewed on his program.
Once again, sports media and fans upset. This time that McAfee didn’t challenge Trump on statements about improving the VA after slashing roughly 30,000 jobs or on his claims about the government shutdown.
Have we all forgotten what ESPN is? The very first letter of the “four-letter network” stands for entertainment. The content company of what ESPN has become provides entertainment for the viewing audience.
Iger wasn’t going on CNBC, and Trump wasn’t going on CNN. ESPN is a safe space for public figures. They know there’s challenging on a majority of programming that the network provides.
All in the name of providing entertainment.
Are You Not Entertained?
Was it disappointing to see Iger avoid questions about a business matter affecting more than ten million YouTube TV subscribers? Sure. But why expect it?
When has Pat McAfee ever been a fact-checker for an interview? He rarely, if ever, challenges the person who gives their time to his program. That’s why he gets the list of celebrities he gets. It’s not a knock; the formula works. So why change the model if the business continues to grow?
Peyton Manning, Eli Manning, and Pat McAfee are not journalists. They go into interviews uncoached on tough questions—and that’s the point. The concepts and models for their programs are designed to be the escape from the realities and difficulties of the world.
Sports media and fans have lost their way in what to expect from ESPN. Bob Ley is no longer around. Outside The Lines doesn’t exist anymore, and The Sports Reporters was the first shovel in the grave. Journalism is no longer the product that the network provides to the consumer, because entertainment is where the dollars and eyeballs are going.
Sports is the escape, and the programming direction of ESPN serves as exhibit A of that escape. To expect anything different is more a reflection on the ones providing the critique.
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Meet The Leaders is a special 8-week series created in partnership with Point to Point Marketing. Our sixth feature is on the CEO and founder of Connoisseur Media, Jeff Warshaw. Follow along with the series and revisit former conversations by checking out the entire category.
Jeff Warshaw’s entrepreneurial journey began at the Wharton School of Business, where he built his first radio station. A lifelong broadcaster, Jeff launched Connoisseur Communications Partners LP in 1993, growing it into a 39-station powerhouse before selling it to Cumulus Broadcasting in 2000 for $258 million. In 2004, he founded Connoisseur Media, which has recently acquired Alpha Media and its 207 radio stations in dozens of markets around the nation. The company also acquired stations from Bonneville International in San Francisco.
Jeff’s influence extends beyond his company. He serves on the Board of Directors of the National Association of Broadcasters, the Executive Committee of the Radio Advertising Bureau, and is Chairman of the Nielsen Audio Advisory Council. Widely celebrated for his integrity, accountability, and forward-thinking spirit, Jeff continues to set the standard for excellence in broadcasting.
In this edition of “Meet The Leaders,” we dive into why Warshaw is leading Connoisseur Media to purchase traditional radio brands across the country. Why investing in local is key for success. Also his thoughts on the potential relaxing of ownership limits on radio stations, and what makes a Connoisseur Media seller standout from the rest.
Warshaw spoke with Barrett Media from his offices in Connecticut.
*Editor’s Note: Answers have been edited for clarity and length.*
John Mamola: Why is traditional radio a medium still worth the investments that your company has made in it?
Jeff Warshaw: We’re vital to our communities. We get great results for our clients, providing unique, compelling, and required coverage in our markets. We provide great results.
Not only using radio but using all the tools of a radio company such as endorsements and events. We are a great tool for our clients, and we’re beloved by our communities.
There’s nothing like radio. We are the local voice.
John Mamola: You recently acquired Alpha Media earlier this year. When you were scouting the possibilities of what that move could be before the acquisition, what stuck out to you as the greatest purchase point with the acquisition of Alpha Media?
Jeff Warshaw: The company had a lot of terrific assets in the markets that we’d like to be in. The company had not been able to invest in its people and its products.
We saw a lot of opportunities to improve things and saw an opportunity to improve digital execution to enable the sellers to get better results for their clients. We saw an opportunity to get stronger in some of the markets.
It was a group of stations that didn’t have a tremendous focus on market size or strategy.
Our approach of being extremely focused on our local communities, having large sales forces, and lots of local talent. We saw that they had been doing that in some cases. In some cases, they had not been able to continue to do it the way that we thought was the best for the communities, clients, and for the people that work in the company.
We are very much of the belief that the only way we can be successful is if we look at our bosses as our communities, our listeners, clients, and colleagues—the people that work in the company. We believe that if we take care of those three, they will get taken care of.
If we put our own interests first, if we put what we think is right first, then we’ll be destined to fail. We need to listen to what our listeners want and what our clients need. We want to make it a great place to work, and want to keep the best people and help them get better at their jobs so they can make more money with a longer tenure and build the careers that they want. That’s important to everybody.
John Mamola: I just talked with Scott Sutherland at Bonneville International. He mentioned the acquisition that Connoisseur Media made with their San Francisco stations.
What was the attractive part with those brands from Bonneville in San Francisco?
Jeff Warshaw: These are fantastic radio properties in one of the largest, most dynamic markets on the planet. Top-rated stations with great people. Legendary talent providing amazing programming. These are a dream to own.
We already have a strong presence in the Bay Area. We own stations in the South Bay and East Bay. This will give us an opportunity to have more scale, interesting programming, and resources as a total entity than either of us could have done individually.
John Mamola: The one aspect that I see from talent Connoisseur Media employs is the trust and belief that the company has in them. That’s a rare sight today when there are so many companies continuing to slash jobs.
The notion of “stop cutting, start hiring” is something I continue to see revolving around Connoisseur Media. From your point of view, how could a talent look at a longer-term career play with Connoisseur Media versus another entity in the radio industry?
Jeff Warshaw: First, we are strong financially. We have a great balance sheet. We have built our business on having large presences in our markets. We’ve built our business on having great people that we retain and make them feel loved and valued.
That’s why we have had extremely low turnover within our company historically. We pride the people in the company.
I always say that the people in the company have a lot more to say about how successful I will be than I will say about how successful they will be. I truly believe that. The only way that we’re going to be successful as a company is if we have people that are dedicated, inspired, and rewarded for contributing.
We have a Connoisseur employee Bill of Rights. You have the right to be told what your job is. You have the right to be told how you’re doing, plus have the right to be told how you can do your job better, and you have the right to benefit if you create value.
We believe that, and we’re going to push that through the entire organization. It’s part of our DNA.
John Mamola: You mentioned the Connoisseur Media Bill of Rights. Do you think that’s one of the biggest mistakes that some of the bigger brands are missing on—explicitly showing the belief in people, where people can believe in the companies that they work for?
Jeff Warshaw: I don’t really need to talk about other companies. Everyone has their own strategy. Our perspective is that when we give somebody a job, we have a responsibility to help them become great at their job.
I’m a huge believer that people should be working in the office every day. The industry and many companies have whiffed on that, particularly in the radio business or local media business. We’re intrinsic to our communities.
How can we be great community servants if people aren’t there?
With that strategy and that core belief, it’s our responsibility to make our offices a great place to work. We need to provide people the opportunity to be creative and share their ideas, to be inspired and compete with each other.
We have the opportunity to show people that they are valued. When you make it worth somebody’s while to show up—when they feel like they’re learning, being inspired, and becoming more successful—they’ll come to the office.
It’s not just that we believe that our communities and clients are better served if people are in the office. We also feel it’s our responsibility to make it a great place to work. There are many different forms. They think they can make more money. They’re learning more, they’re growing. It’s fun because there’s camaraderie. They get to know each other and become a team.
You can’t do that if you’re hoteling and making an appointment to get a desk. It’s a different strategy. Everyone is entitled to their own strategy. I don’t need to denigrate anybody else’s; this is what works for us.
This is how we got through COVID-19, right after having bought out the Perot family as an investor. When people talk about COVID, it was obviously awful. Our markets were decimated. New York and Connecticut were the hardest-hit markets, but we were able to pay off almost all of our senior debt from the time when COVID started to the time that we bought Alpha Media.
We did that despite headwinds and an environment that everyone is blaming for their troubles. We walk the walk and have more salespeople in the markets that we owned prior to Alpha Media than we had before COVID. Plus we have a big promotions staff and all the things that we think are important pieces of our success.
That’s what we do. Everyone has a different strategy, but this has worked for us.
John Mamola: What stands out to you as characteristics of a solid seller for Connoisseur Media?
Jeff Warshaw: Extremely client-focused. Realizing that their success is totally dependent on whether or not we’re doing right by our clients. They need to be creative, be able to sell more than just spots and dots.
They need to really care about their client’s success. Their client being successful and a long-term user of our company is the way that they can be successful in the long term as well. Fully understand that it’s not just about making their commission.
It’s about having a deep interest in their client’s best interest. There is no successful salesperson if they don’t get success for their clients.
They also need to work their asses off and need to be in there every day being creative, trying to get results for their clients. Using the full capabilities of our business. We have radio and all the things that go along with it along with a full digital agency and a creative agency that we own.
We have a lot of tools for our sellers to be able to bring to our clients.
John Mamola: The 18–34 demo in a short time will be in the 25–54 demographic, and right in the heart of where a majority of clients’ advertising dollars go.
What’s the strategy for the Connoisseur Media radio brands to attempt to reach that 18–34 demo today when data shows they’re moving away from the traditional radio side of the industry?
Jeff Warshaw: Media has become much more fragmented. Audio is extremely strong. We need to give our listeners products that they’re excited about, and don’t need to run twenty minutes of commercials that are huge tune-outs, especially through programmatic streaming.
We need to make sure that we are creating local and compelling content.
I coached Little League a couple years ago. My son at that point was ten years old. Star 99.9, one of my local stations here in Fairfield County, sponsored the team. So I hand out the uniforms, and on the back, it says Star 99.9.
One kid says, “Star 99.9? That’s my favorite radio station.”
Another kid says, “Anna and Raven? I love Anna and Raven.”
Another kid says, “That’s what me and my mom listen to on our way to school every day.”
Two weeks later, guess who’s sitting at one of their baseball games? Anna. She comes and meets all the kids. It was a huge moment for them.
We’re providing great, compelling content, and it’s something that they’re listening to on their way to school with their parents. You can’t get that interaction or local presence any other way except for local radio.
We think there’s obviously a place for syndicated programming. There’s a place for local. At the end of the day, having one-to-one relationships with our listeners is something that we need to continually always remember is the bread and butter of our business.
John Mamola: I know you’re very involved with the ongoing discussions about relaxing ownership limits with the FCC.
If that indeed does happen and it does go through, what’s the first plan of action for Connoisseur Media to capitalize on if that were to happen?
Jeff Warshaw: We won’t be waiting for the rules to change. We’re going to continue to try to buy things where necessary. We’re going to ask for waivers. You cannot have a monopoly on local media.
Radio does a low single-digit percentage of the total advertising pie. I don’t even know that there are any radio clusters that do more than one to two percent of the total advertising in our markets. Those are tremendously antiquated rules.
What we’ll be doing is finding the right opportunities in our markets to be stronger. To be able to provide greater content, diversity of content, more news, and local public affairs programming. Bigger staffs being able to do more for our communities as a result of having some scale.
John Mamola: You’re acquiring all these properties and injecting positive vibes in an industry that has had a lot of negativity for many years. What’s the most fun part about your job, and the most difficult part of the job for you?
Jeff Warshaw: The excitement of meeting new people, being in new cities, hearing unusual programming from different personalities is the fun part. There are so many new things to experience. I love going into the markets and trying the food that is local to that town.
This is an opportunity to see places and meet people that I don’t normally get a chance to do.
The toughest part is trying to create a place that’s inspiring for people to compete effectively in a challenging market where there’s been so much depression in the rates and the way our inventory has been. So many people are running so many commercials.
The markets are very competitive, partially because of the financially challenged places that many of our competitors have found themselves. Getting our local people to understand the value of what we’re doing and getting them excited again about what we think is still an industry that has a lot to offer.
Getting past the negativity and the competition that has depressed things. That’s a challenge.
John Mamola: If you have one message for advertisers in all the markets where you’re at, if they ask you the question of why legacy media like radio still works in 2025 but also five years from now, what would you say to them?
Jeff Warshaw: We make every other kind of media more compelling and more successful.
Whatever else you’re doing, adding a radio schedule to it will make it much more successful, efficient, and get better results for you.
To learn more about Point-To-Point Marketing’s Podcast and Broadcast Audience Development Marketing strategies, contact Tim Bronsil at tim@ptpmarketing.com or 513-702-5072.
He’s lived life on “The Edge” through four different infernos, and now Eric Bolling is bringing this edge to a screen near you.
“[My new show] is about taking [life’s] fires, getting knocked down—[I’ve] clearly been knocked down a bunch of times—and what it takes to get back up,” the host boasted resoundingly.
The show is one Bolling wishes he had started prior to his June 2021 stint at a fringe network. “Wish I had done The Edge then [because] we’re servicing a lane that’s highly, highly underserved, and men being men again,” the former CNBC and Fox News host said. “I call it the pro-bro show.”
Launching in September, the podcast’s first 45 days on YouTube saw 3,504 subscriptions, which is 100× faster than the average new channel. Bolling also garnered over 50,000 views with more than 1,120 watched hours — meaning The Edge is outpacing 99.9% of YouTube channels in the same timeframe.
“So the people I have on are people like that: successful people who didn’t have the wind in their sails the whole way. They get knocked down, [and most importantly] they get back up,” Bolling added. “We’re growing at a rate that takes the average YouTube show two to three years to hit, and it’s because I bring authenticity to it, because I’ve lived it.”
“The Edge has become what my life was,” Bolling affirmed.
“I was drafted in college by the Pittsburgh Pirates, and I only spent a few weeks in the minor league system. I blew my rotator cuff out right away. It was a couple of weeks in, and you know, you’re a kid, your dream is to become a pro ballplayer — I made it — and it blew apart within weeks.”
The disappointment was just the first of many infernos Bolling would face in his life.
Bolling went back home to Chicago, down on his luck, when his father “threw a classified ad newspaper at me. He’s like, ‘Just get a job.’” He got a job as a traveling salesman and recalled, “I couldn’t be more depressed” during those few short weeks.
Turning the depression into something productive, Bolling said to himself, “‘Screw this.’ I just got up and went to New York.” He got a gig at the New York Mercantile Exchange [NYME], with no connections and no Ivy League degree. With just a resume and grit, he jumped into his second inferno: Wall Street.
By 2006, Bolling became Trader Magazine’s Trader of the Year and later helped bring the NYME public. “[It] was the largest [banking] IPO in the history of Wall Street at the time.” CNBC caught wind of his achievements, and as oil hit $50 a barrel, Bolling recalls, “Trish Regan stuck a microphone in my face and said, ‘What’s going on?’ I gave them a 60-second rundown—they liked it.”
Next thing Bolling knew, CNBC was calling him for a new show. “I became the fourth seed of what became Fast Money.” The rest is history. Bolling moved on to Fox Business before heading to Fox News, where he became a household name.
“I’m gonna make you a star,” Roger Ailes told Bolling when he joined the network. Taking center stage, Bolling became one of the network’s biggest stars, helping to launch The Five after Glenn Beck departed Fox in 2011. “Within a week, we were exceeding Glenn Beck’s audience.” Of his long stint on cable TV, Bolling called it his third inferno.
The fourth inferno, Bolling said, is the one “which is hardest to talk about”—losing his only child to an overdose. “[My son] thought he was taking the Xanax. He bought it on campus; it was laser fentanyl. He died.” Still, Bolling persevered, and he wants his viewers to know that no matter what you are going through, you can too.
Bolling loves the non-legacy media (digital) platform. It offers a better connection to his viewership, which is mostly men aged 25–44. “It’s straight-up YouTube right now. Who knows where it’s gonna go? I think it’s gonna become a platform more than just a show.”
This connection and prospective platform wouldn’t be possible without social media. “I spent probably six months understanding the YouTube algorithm,” Bolling asserted. “You can’t do the same things on X that you do on YouTube. There are just so many quirky, unique rules, tricks, and hacks within the digital world. I’m constantly working to understand how to cross-brand, cross-promote, and cross-pollinate content from social media to YouTube, and vice versa.”
This small learning curve is nowhere close to the infernos Bolling has faced in his life. More importantly, it is the culmination of his life’s work and could be the most rewarding for him personally. For those who are looking to follow in his footsteps—be it in baseball, Wall Street, or TV — his show will surely provide good guidance. But no matter where you’d like to go, Bolling believes you should always “make sure you love what you’re doing, because if you don’t, it’ll shine through, and you won’t be successful, you won’t be as successful at it, but certainly find your passion and pursue it.”
That being said, Bolling gives a caveat: “Just be realistic, whether it’s talent on the baseball field. Maybe you’re not great with numbers, but you really want to work on Wall Street. That door might be too heavy for you.” If the door is too heavy, there will be another passion somewhere—just as there was for Bolling, not once, not twice, but several times over his successful career.
For Bolling, this next career move is not for the money but instead for passion. “I made a lot of money on Wall Street. I’m not doing this for the money. I don’t care if it makes a dime,” he asserted. “I care that this is something I can deliver organically, because it means so much to me to put my life out here.”
“I adore the ability to show young, aspirational, aggressive, persistent guys how to make it — and to let them know that, no, you’re not alone if you just got slammed, or fired, or lost all your money on a trade, or made a bad sports bet.” Bolling’s latest platform is ensuring his audience hears this: “You’re not alone. I got a million stories. Sit down, let’s talk about this, and let’s talk about what it’s gonna take to get your ass back up and become successful.”
Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.
The words everyone longs to hear when a PPM weekly or monthly is released – we got a meter. You see a minor cume increase in some demo but a big jump in share. It’s like winning the lottery. Although instead of getting yearly payouts, you could get cut off at any time. In fact, you may only have this golden meter for a week.
I’ve day to day programmed in New York for 28 years, watching measurement change from diary to meter. I remember those trips to Arbitron for a diary review under the watchful eye of Pat Duggan. I always loved those diaries where the respondent wrote WLTW and drew a line down from 9am to 5pm indicating non-stop listening at work. Of course, I knew that person didn’t really listen for 8 hours without a break. No rest room, no trip to Starbucks, no meetings, no lunch? Yes, PPM really fixed that. That wonderful 8 hours of listening was cut by 75%. But, once in a while we got that “heavy” meter.
They are few and far between. My former station WLTW had a young woman hang with them for well over a year ending in April. Lite FM is a very successful station, but was it real that they were beating Z100 and Hot AC WNEW 4 to 1 with 18-24 women? Of course not.
We had one come our way at CBS-FM a few years ago as well. It was a 52 year old man who listened every night without fail. We had that guy for 51 weeks and my night talent enjoyed #1 25-54 adult bonus checks for 4 quarters. When he went away, so did the bonus checks.
I’ve always felt it is important to know when your station is getting an artificial lift and when a competitor has a friendly meter. A meter that gives you a huge lift can come from someone really devoted to your station. They may listen all day because they love your product. But those of you who subscribe to the Nielsen Control Panel Reports, know that magic meters can also come from a good listener who is heavily weighted. That means they come from an under sampled zip, age or ethnicity. The “weight by panelist” column shows most meters counting for something between 1,000 and 2,000.
When you see a number like 8,000 you know you’ve hit the jackpot. I dream of a loyal listener, on the stream (counting much more than over the air) with a heavy weighting that stays in the panel for 3 years (yes, they can be there that long). However, I live in reality. I know that while that is unlikely, if I had one like that, a competitor is likely to “target” that meter with marketing.
For those large market folks who never worked in radio in the time before PPM, we marketed back then to be top of mind. Much like I see in my home diary market of Ft Myers-Naples, Florida. TV advertising was great for that.
Back in the 90’s and early 2000’s people watched local TV, sports and male targeted stations bought cable to be on ESPN and CNN. But now, in a market like New York, if I’m targeting a 10 year core age cell, there aren’t more than 4 zips that have meters worth going after. Why advertise to the 18 million people in the metro when I only need a handful of PPM households to switch or remain loyal?
Yes, you have to make a good product and pay attention to commercial placement. Great content that engages the listener is the critical step one. But step two is playing the Nielsen game.
Some companies do it better than others with someone on staff who can narrow the focus on who to target. Each of the two biggest broadcast companies have a “Gary” for that. If your company doesn’t have one, and you have the ability to micro market, there are outside vendors for hire. Ted Ruscitti is someone I would recommend. I learn from Ted with each conversation.
Next week, I’ll dig into some tips on maximizing your meters. I’ll add that there is someone in that PPM panel closer to you than you think.
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Little did we know at the time that it was likely that he would never return to the airwaves on a regular basis ever again.
Dennis Prager’s absence from news/talk radio leaves a hole that few others have been able to fill. In a landscape dominated by shouting matches, viral moments, and attention-grabbing outrage, Prager stood apart.
He wasn’t a hot-take artist, he didn’t try to shout down his opponents, and he didn’t aim to provoke just for the sake of clicks or ratings. Whether you agreed with him or not, you could follow his reasoning, understand the foundation of his arguments, and even, at times, see the logic behind perspectives you might otherwise dismiss. That kind of clarity is rare in today’s radio environment, and it’s sorely missed.
Prager’s approach was calm, deliberate, and thoughtful — a blueprint for what news/talk radio could be if it wanted to elevate the conversation rather than merely chase the next viral soundbite. In a medium where too many hosts now chase emotion over reasoning, he reminded listeners that ideas can be compelling without being sensational. Listeners tuned in not for a fight, but for a guide through the complexities of politics, culture, and morality. In short, Prager made the audience think.
The irony of his absence is that his style — measured, well-reasoned, and intellectually rigorous — should be in high demand. Stations chasing ratings often assume the loudest, most polarizing voices draw the audience. And while that formula works, it undervalues what Prager represented: a voice that encouraged understanding, reflection, and intellectual engagement. News/talk radio could use more, not fewer, voices like his. The format benefits when hosts treat their listeners as capable thinkers rather than as a mob to be stirred.
Prager also demonstrated that conservative commentary can exist without constant outrage. In an era when many hosts lean on insults and exaggeration to maintain relevance, he chose the opposite path. Listeners knew what to expect from him: a clear articulation of principles, a willingness to walk through his reasoning step by step, and an insistence that arguments stand on logic rather than theatrics. That consistency created trust, a rare commodity in today’s fragmented media landscape. His absence highlights how little radio prioritizes voices that foster thoughtful discussion.
It is easy to forget, though, the personal struggles behind this absence. The fall left Prager as a quadriplegic. Yet even from a wheelchair, he has shared messages of relentless optimism, demonstrating resilience and determination that are inspiring in themselves.
While he may not be able to return to the Salem Radio Network lineup daily, his perspective and intellect remain undimmed. His occasional opining on major topics is a reminder that a voice as measured and insightful as his can still contribute meaningfully, even in limited form.
Watching Prager navigate this stage of his life offers lessons beyond politics or radio. It is a testament to perseverance, intellectual rigor, and the importance of thoughtful dialogue. For a medium that thrives on sound bites and steaming hot opinions, his continued engagement — even from a wheelchair — is a reminder that substance still matters. Perhaps his absence will remind news/talk radio leaders that not every voice needs to scream to be heard. Some need only to reason, to guide, and to teach listeners how to think, not just react.
Dennis Prager’s story is both a caution and an inspiration. While his absence from the airwaves leaves a noticeable void, his personal resilience and unwavering commitment to clarity and optimism provide a blueprint for how news/talk radio could evolve.
The format may not be ready to fully embrace his style again, but the audience that craves thoughtful, reasoned discourse remains. That is a demand that deserves attention.
Barrett Media produces daily content on the music, news, and sports media industries. To stay updated, sign up for our newsletters and get the latest information delivered straight to your inbox.