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ESPN Reportedly Ordering Talent To End Papaya Gaming Promotional Messaging

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ESPN is attempting to distancing itself from a controversial gaming company after several of its top on-air personalities promoted it on social media. According to Front Office Sports, sources tell the outlet that ESPN instructed Dan Orlovsky, Kendrick Perkins, Mina Kimes, and Laura Rutledge to end their marketing partnerships with Papaya Gaming, the company behind a popular solitaire app facing a federal lawsuit.

Papaya has been accused of falsely advertising games of skill and allegedly using “tailored bots to control the outcomes of tournaments,” according to court documents cited in the case.

Mina Kimes, one of ESPN’s most visible NFL analysts, was the first to publicly sever ties over the weekend. In a candid apology on X, she called her involvement “a colossal f**k up.” Admitting she failed to properly vet the company before signing on. “Thought it was just typical marketing work, and I’m deeply embarrassed I didn’t vet it,” she wrote.

Within days, she and fellow ESPN personalities Orlovsky and Rutledge deleted their promotional posts tied to the campaign.

The promotion is tied to ESPN personality Stephen A. Smith being named a global ambassador for Papaya’s World Solitaire Championship. This follows Smith earlier this year being spotted playing the game during the NBA Finals.

Smith released a statement on the promotion during his Stephen A. Smith podcast Monday night.

“We’re aware of the recent legal developments involving Papaya and the broader skill/gaming space,” said Smith Monday night. “My team is currently evaluating the accuracy and merits of the claims made. I want to be very clear. I do not support nor condone any company engaging in fraudulent or unfair gaming practices. Thus, my team and I will evaluate the situation and ensure that we are not in favor of any fraudulent or unfair gaming practices at all.”

According to the report, the sponsorships reportedly blindsided ESPN executives, who were not given an opportunity to review or approve the deals before they went public. That lack of internal vetting, combined with Papaya’s legal troubles, created a situation the network wanted to resolve quickly.

Papaya has denied the lawsuit’s claims.

“Papaya looks forward to vigorously proving in trial that Skillz’ misleading accusations against the company are false and unjustified,” the company said in a statement.

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PodcastOne Reports 22% Revenue Increase During 2025’s 3rd Quarter

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PodcastOne has unveiled its third-quarter financial results, and the company reported an increase in revenue during the period.

During July, August, and September, the company secured $15.2 million in overall revenue. That figure represented a 22% increase compared to the same period in 2024.

PodcastOne operates on a fiscal year that begins on April 1st, so the calendar quarter represented the midway mark of its fiscal year. In total, the company saw $30.2 million in overall revenue in the first half of its year.

During the period, the company reported an Adjusted EBITDA of $1.1 million, which is a sharp change from 2024, up 369%.

During the quarter, the company added 17 shows to its growing roster of podcasts. It also says it is expecting between $56-60 million in overall revenue during the year.

PodcastOne continues to lead the podcasting industry by combining innovation with proven performance,” President Kit Gray said of the revenue gains.

“Our brand momentum is stronger than ever,” Gray added. “We’re expanding both our content lineup and our audience reach.”

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YouTube TV, Disney Reportedly Have Momentum in Talks To End Carriage Dispute

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There’s potential new life in the negotiations between YouTube TV and Disney that could soon bring ESPN and ABC back to millions of frustrated subscribers.

Sources tell The Athletic that the two companies have made progress, though disagreements over the value of Disney’s non-sports networks — including FX, Freeform and National Geographic — remain a sticking point.

The blackout, which began October 30, has left roughly 10 million YouTube TV subscribers without access to Monday Night Football, college football, and other ESPN programming during one of the busiest stretches of the sports calendar.

The timing could prove critical. Disney will release its quarterly earnings Thursday afternoon. Providing added incentive for both sides to reach an agreement before the company faces investor scrutiny.

Neither Disney nor YouTube TV would comment on the current state of negotiations.

Disney’s carriage agreements typically come as a bundled package combining ESPN’s portfolio. Also its ABC-owned affiliates, and entertainment channels such as FX, Freeform, and Disney Channel. Distributors have long complained that the bundle forces them to pay for lower-rated networks that viewers rarely watch.

Disney, meanwhile, insists those networks are offered at a discount within the package.

Earlier this week, Puck reported that YouTube TV is attempting to negotiate rates for Disney’s content that are lower than the three largest pay TV distributors in the country: Comcast, Charter, and DirecTV. Disney sees this as untenable. As agreeing to give YouTube TV a lower rate would trigger “Most Favored Nation” clauses in its other contracts. That would force the company to give the same lower rate to the other distributors.

In a sign that talks have escalated, The Athletic is reporting top executives have reportedly stepped in. Google CEO Sundar Pichai and Disney CEO Bob Iger are now said to be directly involved. Alongside Disney Entertainment co-chairs Dana Walden and Alan Bergman and ESPN Chairman Jimmy Pitaro.

Adding another layer of intrigue. YouTube TV’s global head of media and sports, Justin Connolly, has been recused from the discussions due to his prior role at Disney. Connolly, who departed Disney earlier this year after legal wrangling over his contract. He is required to sit out negotiations involving his former employer.

Meanwhile, YouTube TV has attempted to keep customers appeased, offering a $20 credit to subscribers impacted by the outage.

Even the federal government has taken notice. Earlier today, FCC Chair Brendan Carr weighed in on X, urging both sides to resolve the impasse: “People should have the right to watch the programming they paid for — including football. Get it done!”

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News Media Reacts to Epstein Files Emails Showing Donald Trump ‘Knew About the Girls’

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On Wednesday, emails from the Jeffrey Epstein files purport that the convicted sex criminal said President Donald Trump “knew about the girls” who were trafficked by Epstein.

The releases from the Epstein Files were shared by Democrats on the House Oversight Committee, showing three emails referencing Trump between 2011 and 2019. Those emails made public are part of a batch of 23,000 documents provided by Epstein’s estate to the Oversight Committee.

In the 2019 email, Epstein told journalist Michael Wolff, “Of course he knew about the girls as he asked Ghislaine to stop.”

A different 2011 email from Epstein called President Trump the “dog that hasn’t barked,” saying that one of the women trafficked by Epstein “spent hours at my house with him”, adding that the interaction “has never once been mentioned.”

After the release of some of the emails related to the Epstein files were made public, White House Press Secretary Karoline Leavitt called them “nothing more than bad-faith efforts to distract from President Trump’s historic accomplishments,” adding that “any American with common sense sees right through this hoax and clear distraction from the government opening back up again.”

The revelation of the emails saw plenty of reactions on social media. Some called them a “bombshell”, while others noted it wasn’t a “smoking gun” but instead a “bonfire.”

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Pat McAfee to Critics of President Donald Trump Interview: “You Hate the Troops”

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Pat McAfee addressed the reaction to his Veterans Day show Monday after hosting President Donald Trump live from Parris Island, defending the decision and firing back at critics who questioned the choice.

Broadcasting from Marine Corps Recruit Depot Parris Island to commemorate Veterans Day, McAfee and his team produced a special edition of The Pat McAfee Show that included a surprise live appearance from Trump.

“We also had the commander in chief on the show live,” McAfee said. “I believe it’s the second time that a sitting president has been live on an ESPN show. The last one was from a Democratic political party. This one obviously representing, I guess, the Republican political party, but in my eyes, he’s the leader of the military, and we were celebrating the hell out of Veterans Day.”

The live interview drew national attention and sparked debate across social media, with some applauding McAfee for securing a rare presidential appearance, while others criticized ESPN for giving airtime to a polarizing political figure.

McAfee acknowledged the criticism during his Wednesday program, saying he understood that not everyone would be happy with the decision. Still, he defended the intent behind the broadcast, emphasizing that the focus was on honoring members of the armed forces.

“There are people who are certainly not the most happy that that happened,” McAfee said. “Every veteran, military person I talked to was very grateful and thankful that we spotlighted the heroes of America who walk amongst us, who are willing to sign a line and go for the United States of America. So if you’re against what happened yesterday, I’d like to say you hate the troops, and you should go ahead and swallow that.”

The host, known for his unfiltered style, also addressed backlash from some viewers who vowed to stop watching his program following Trump’s appearance.

“A lot of people say mean stuff to me. Yep, got a lot of people that don’t know what football looks like telling me they’re never watching my show again,” McAfee said. “And I would like to let you know—good. F**k you. Let’s move on.”

During the wide-ranging segment on Tuesday, Trump discussed topics ranging from college football’s evolving landscape under name, image, and likeness rules to the NFL’s new kickoff format, the Ryder Cup, and the World Cup. McAfee defending having Trump on following his appearance and also revealed that he reached out to former President Barack Obama to appear on the program in honor of the holiday.

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Nielsen Names Peter Naylor First-Ever Chief Client Officer

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Nielsen has announced it has appointed Peter Naylor as its first-ever Chief Client Officer, a newly created position focusing on clients, advertisers, and publishers.

Naylor comes to the company after previously working at Netflix, Hulu, and Snap, among other companies. At Netflix, he was the organization’s first-ever Vice President of Global Advertising Sales. He helmed similar sales executive roles at Hulu and the social media platform Snapchat.

“Nielsen’s partners represent the very best of advertising and media. I am thrilled to be in a position to support them and the markets we serve during this dynamic time in media,” said Naylor. “As a Nielsen customer for over 20 years, I will tap into my experience to help clients find even more success with Nielsen data, while also sharing partners’ needs to develop even better world class products at Nielsen.”

In his role with Nielsen, Peter Naylor will report directly to CEO Karthik Rao.

“The key to Nielsen’s continued success is working closely with our clients to build the best marketing intelligence platform in the world,” said Rao. “Peter is the perfect person to help that mission, building on Nielsen’s momentum of Big Data + Panel measurement, live streaming innovation and our AI transformation. He has led teams across linear TV, streaming and social media. He knows what consumers and clients want – and need – as behaviors continue to evolve. We can’t wait to keep building with him and our partners.”

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Why the Media Needs Blockchain Now More Than Ever

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The media is facing a trust problem. The fake news spreads faster than the real one, deepfakes are increasingly difficult to spot, and people begin to question practically everything they see online. The reality is now negotiable, and that is not where journalism ought to be.

Blockchain could change that. Built on transparency and verification, it offers the kind of accountability traditional media systems can’t match. In the same way that investors closely follow upcoming crypto coins to evaluate which projects are genuine, news organizations could use blockchain to trace sources, timestamp content, and prove authenticity. The technology designed to assist in finance may be the only hope for facts in a world full of misinformation.

A Growing Problem

The internet has simplified the process of publishing and made the truth more difficult to locate. On a daily basis, there are millions of stories circulating online, videos, and images, most of which have been photoshopped or completely fabricated. The Deepfake technology has now reached a disturbing level of replicating voices, faces, and even events. Another problem would be a falsely reported video that starts trending before the newsroom can confirm it.

Social media just intensifies the issue. The fake headlines are more likely to be spread more quickly than the confirmed ones because outrage spreads more easily than facts. These distortions may change the opinion of the people instantly during such periods as huge elections or a crisis. 

To viewers who already question more traditional sources, each photo-shopped image or false clip undermines the little credibility they have left. And the outcome is basically an information ecosystem whereby doubt is spreading at a greater rate than the truth. One of the lowest levels in recent history is that only 31% of adults trust the media to deliver fair and accurate news.

How Blockchain Brings Transparency to Information

Trust used to come from reputation. Now, it needs proof. Blockchain offers a digital record, which cannot be changed or destroyed. Every entry is time-stamped, verified, and visible to anyone who checks. To journalists, it implies that a story could be proved from beginning to end.

In the case of newsrooms, it might mean being able to track down when a photo was shot or when a quote was first used. It may also display the name of the person who edited an item and the time, which creates an open record of responsibility. The same technology that secures financial transactions could secure facts, turning reporting into something verifiable, not just believable.

It was found that 72% of Americans now worry about distinguishing real news from fake content online. In a world where misinformation moves faster than correction, blockchain could give journalism what it’s been missing: a way to prove the truth. 

Protecting Intellectual Property and Journalism Integrity

Original reporting doesn’t travel far before it’s copied these days. Stories are lifted word for word, videos are reposted without credit, and AI tools are starting to blur who made what. For journalists, that’s more than an annoyance; it’s a threat to credibility and ownership.

Blockchain offers a fix that actually makes sense. Each article, photo, or video could be logged with a digital signature like a verifiable record showing who created it and when it first went live. That record can’t be changed or deleted, which means creators finally have a way to prove what’s theirs.

Independent reporters receive the praise they rightfully deserve, and large media houses receive safeguards against edits and content theft. In the wake of the media industry struggling to keep pace with the rapid disruption of AI, blockchain may be an addition to the changes that will provide an option to maintain authorship and integrity in a world that is becoming more and more machine-driven.

Decentralized Media: Giving Power Back to the Audience

A growing number of media startups are rethinking who gets to decide what’s true. Instead of leaving fact-checking to a handful of editors or algorithms, decentralized platforms are putting verification in the hands of their audiences. With blockchain, that idea starts to make sense.

Every story can be logged on a public ledger where readers can trace sources, review edits, and even vote on authenticity. Reputation systems built on blockchain mean credibility is earned transparently, not handed out through clicks or ad dollars.

This model has been tested by some projects that have allowed reporters to publish straight to the blockchain and have allowed readers can verify each step of the process. It is an idea of what journalism would be like when trust is not a top-down system, but a bottom-up one.

Difficulties and the Path to Go

Blockchain will not solve journalism immediately. The technology itself is a good one, but its use is slow, and not all newsrooms can afford to test it. It could be costly to keep media on a blockchain, and creating intuitive software to help journalists, many of whom are not tech-savvy, is still in development.

There’s also the question of trust itself. Technology can verify data, but it can’t rebuild faith in institutions on its own. People still need to believe the motives behind the reporting.

Still, the momentum is shifting. With the increasing misinformation and the need to find evidence, blockchain is no longer a buzzword but a potential basis. It will not kill journalism, but it could also possibly restore what it has lost: transparency and trust.

Final Thoughts

Blockchain will not rescue the media, but it may allow it to regain its footing. The industry has been chasing trust for years and losing ground with every viral fake and AI-forged headline. What the blockchain is offering is something journalism has not had in a long time: a means to verify rather than make claims.

It is not an issue of replacing reporters with code and transforming newsrooms into technology laboratories. It’s about building systems that make truth harder to fake and easier to trace. If journalism’s future depends on transparency, then blockchain isn’t just a nice idea; it’s a necessary one.

Salem Radio Network Replaces Eric Metaxas With New Show From Kevin McCullough

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Salem Radio Network has announced it is replacing The Eric Metaxas Show in its daily lineup with a new show hosted by Kevin McCullough.

That Kevin Show will be heard from 2-4 PM ET. Broadcasting from Times Square, the show will debut on the Salem Radio Network on Monday, November 24th.

That Kevin Show doesn’t whisper opinions – it detonates them,” McCullough said. “In a media world allergic to truth and humor, we bring both, with a healthy dose of common sense. I’m deeply thankful for the opportunity to grow this show with the team at Salem, and I couldn’t be more excited about what’s ahead.”

“Kevin McCullough is one of the most engaging communicators in talk radio,” said Salem Media Group Senior Vice President of Spoken Word Format Phil Boyce. “He brings a bold voice with strong convictions, a great sense of humor, and a deep faith that shines through in every broadcast. We’re thrilled to welcome That KEVIN Show to SRN and know it will connect powerfully with listeners across both our NewsTalk and Christian Talk stations.”

McCullough is a columnist for Townhall.com, and is also a regular contributor to Salem News Channel. He’s previously made appearances on Fox News, CNN, MSNBC, and Newsmax.

In addition to the daily show heard from 2-4 PM ET, a weekend edition will be heard from 9-11 PM ET on Salem Radio Network, and 8-10 AM ET on Salem News Channel.

The Eric Metaxas Show debuted in 2015, and was heard from 2-4 PM ET on Salem Radio Network. That program ended in September, as Metaxas exited the company as part of broader layoffs.

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ESPN Daytime Programming Earns Highest October Viewership Since 2015

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ESPN’s weekday daytime studio lineup recorded its strongest October in ten years, driven by year-over-year growth across all 10 shows in the 7 a.m.–7 p.m. Eastern window. The network averaged 424,000 viewers during daytime hours, marking a 13 percent increase from October 2024 and its highest monthly daytime audience since 2015.

The surge follows a strong September in which every individual studio show also saw year-over-year growth, positioning ESPN for one of its most successful early fall sports seasons in recent memory.

Among the highlights, Get Up drew an average of 464,000 viewers, its largest October audience since debuting in 2018. The Pat McAfee Show reached an average of 439,000 viewers, combining ESPN and YouTube metrics for its most-watched October ever. Meanwhile, First Take delivered an average of 524,000 viewers, its second most-watched October in the show’s eight-year history.

Legacy programs also posted strong gains. NFL Live and the 6 p.m. edition of SportsCenter each logged their best October in a decade, with averages of 443,000 and 502,000 viewers, respectively, both up more than 20 percent from the previous year. The network’s 5 p.m. SportsCenter also improved 16 percent year-over-year, registering an average of 446,000 viewers.

The NBA season kickoff contributed to audience growth for ESPN’s afternoon lineup. NBA Today drew an average of 331,000 viewers, a 26 percent increase from last year and the largest October audience for an ESPN NBA daily studio show since 2017. Additionally, Pardon the Interruption saw a 20 percent year-over-year increase, reaching an average of 720,000 viewers, while the 2 p.m. edition of SportsCenter hit an average of 312,000 viewers, its best October since 2020.

Outside of daytime, ESPN’s late-night 11 p.m. SportsCenter experienced a 45 percent jump from October 2024, totaling an average of 645,000 viewers, highlighting strong interest across the network’s broader programming schedule. The morning edition of SportsCenter also posted solid gains, drawing an average of 268,000 viewers, the highest October audience since 2019.

The combined results demonstrate ESPN’s ability to maintain audience engagement across multiple platforms, including linear television and streaming. With the NFL season in full swing and the NBA season underway, the network is positioned to sustain strong performance through the remainder of the fall sports calendar.

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Versant Announces USA Sports Division Housing WWE, NASCAR, WNBA and More

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Versant announces that USA Sports is officially joining the crowded TV sports arena, positioning itself as a major player in a media landscape increasingly defined by the battle for live, appointment viewing.

The newly launched division from Versant—the soon-to-be spun-off company from NBCUniversal—aims to build a broad portfolio of marquee sports rights, featuring everything from NASCAR and the PGA Tour to the Premier League, WWE, and the WNBA. Programming will primarily air across USA Network and Golf Channel, with CNBC expected to join the rotation on weekends beginning in 2026.

Altogether, the company said USA Sports will deliver more than 10,000 hours of live games and studio programming annually.

“Our new USA Sports brand and division name leans into USA Network’s decades-long reputation as a top national sports and entertainment network,” said Matt Hong, president of USA Sports, in a statement. “Our diverse portfolio of sports properties and programming across our platforms highlights top-tier global leagues and amplifies major events throughout the sports landscape. USA Sports has something for all sports fans across the country.”

The network programming includes a sizable commitment to women’s sports—an area that continues to see rapid audience growth. USA Sports plans to air around 1,000 hours of women’s sports coverage in 2026, featuring the WNBA, LPGA Tour, and League One Volleyball.

The new division borrows its name and spirit from USA Network, one of cable’s longest-running brands. Originally launched in 1977 under the leadership of Kay Koplovitz, USA Network has been a fixture in sports and entertainment for nearly five decades.

Versant, for its part, inherits a strong but traditional media lineup that leans heavily toward cable properties such as MSNBC, CNBC, E!, and Oxygen. With the spin-off, executives are seeking to diversify beyond linear television, exploring ventures such as newsletters, conferences, and other direct-to-consumer products designed to strengthen viewer engagement and brand identity.

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