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Jessica Tarlov: ‘There Are No Fences to Be Mended’ Between Donald Trump and I

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After being attacked by President Donald Trump in a Truth Social post, Fox News host Jessica Tarlov says she isn’t bothered by the criticism.

While appearing on Fox Across America with Jimmy Failla last week, Tarlov was asked about the situation. She said she appreciated the caveat Trump gave her when he appeared on The Five while she was absent, but knew it wouldn’t last.

“It’s interesting, because when he went after me, when he called into The Five, and I wasn’t on, he sprinkled the vitriol with, ‘I’m sure she’s a lovely person.’ So I was like, ‘ok, there’s a little opening here,'” she said, adding, “‘Maybe we’re not at complete armageddon.’

“And then I see the (Truth Social) post this week that’s like, ‘Just fire that b word, who hasn’t even been on my television screen in days.’ So I think that it’s over. There are no fences to be mended. Not that I was trying to.”

When Failla asked if Jessica Tarlov expected Donald Trump to appear on her podcast, she shot it down quickly.

“I don’t think he’s coming on the pod,” she said with a laugh. “I also, I’m not sure how everyone has his number. And these reporters — no matter what they say about him — can call him anytime. And he’ll just shoot the breeze with you. Not even sure that if Jesse (Watters) shared the digits, and I called, that it would go well for anybody.”

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The Daily Wire Adds 5 Shows to Podcast Roster

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The Daily Wire has announced a new round of podcasts joining its growing list of shows.

Included in the list of new programs are shows that step outside the usual conservative political realm.

That’s So Criminal is a true crime show helmed by investigative reporter Lynden Blake. An additional new show led by Reagan Conrad will look at the largest cultural issues through the lens of Gen Z.

A Internet Show will focus on the latest happenings in internet culture. Meanwhile, Pawel Widawski will host Be a Man With Me, while he undergoes physically demanding challenges and experiences, like practicing with MMA fighters, and working jobs like farming and law enforcement.

Finally, The Daily Wire will produce Wired in Live, a new program hosted by Cabot Phillips. The show will be a DailyWire+ exclusive and feature discussions about the latest breaking news, culture, politics, and viral moments.

Additionally, The Daily Wire has announced that Adam Gilbert has been appointed to the role of Vice President of Sales. He previously held similar roles at iHeartMedia, SiriusXM, Westwood One, ABC Radio, and CBS Radio.

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Nate Lundy Added to Afternoons on The Bet 1430 in Denver

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Audacy has added a familiar local voice to its sports betting lineup in Denver. The company announced that Nate Lundy will join The Bet 1430 for a new weekday program. His show, Mile High Sports, is scheduled to air from 2–4 p.m. MT.

The move gives the station a veteran presence with deep ties to the local market. Lundy brings more than three decades of experience in radio and television, including the past 16 years in Denver.

He currently serves as President and CEO of Mile High Sports, where he oversees coverage of the region’s major professional teams.

Mike Peterson, brand manager for The Bet 1430, said Lundy’s background made him a natural fit for the station’s evolving lineup.

“Nate’s encyclopedic sports knowledge and deep ties to the Denver community make him an incredible asset,” Peterson said. “We’re excited to see him engage our listeners and elevate the conversation on The Bet.”

Lundy expressed enthusiasm about returning to a daily on-air role while staying connected to the city he has covered extensively.

“I’ve spent more than 35 years in radio and television, the last 16 right here in Denver,” he said. “I am so happy to join Audacy as a local voice, and more importantly, as a local fan. This is going to be a fun ride.”

The addition of Mile High Sports fills a key afternoon slot and strengthens the station’s local programming presence. It also complements a schedule built around national betting-focused shows and evening coverage.

With the addition of Lundy, Audacy continues to blend national betting content with local voices in key markets. For Lundy, the opportunity marks both a continuation and an evolution of his career. He remains a prominent executive in the market, but now returns to a daily platform where his voice helped build a loyal following.

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ESPN Signs John Buccigross to a Multi-Year Extension

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Longtime John Buccigross will remain a central figure at ESPN after agreeing to a multi-year contract extension, continuing a tenure that spans nearly three decades. The move, first reported by Frank Seravalli, keeps one of the network’s most passionate hockey voices in place as ESPN builds on its NHL coverage.

Buccigross joined the company in October 1996 and has become synonymous with its hockey presentation ever since.

In a statement tied to the announcement, Buccigross reflected on his connection to ESPN, which dates back to his teenage years watching the network’s early days. He credited timing, persistence and strong relationships for helping turn that early admiration into a long-running career.

“ESPN was launched in 1979 when I was 13. When I saw Chris Berman do SportsCenter I said, ‘that’s where I want to work,'” said Buccigross. “With right timing and lots of blessings it happened in 1996. I love my teammates and love sports. I’m a one uniform guy and this is the only team I want to play for.”

The extension arrives at a fitting moment. Buccigross recently wrapped up play-by-play duties for the NCAA men’s hockey championship, marking his 13th time calling the Frozen Four. Throughout his career, Buccigross has worn several hats. He serves as an NHL play-by-play announcer and hosts The Point, a recurring studio program dedicated to league coverage. He also leads ESPN’s NHL Draft broadcasts and contributes as an anchor on SportsCenter, where many viewers first became familiar with his work.

That versatility has helped ESPN maintain consistency across its hockey coverage since reacquiring NHL media rights in 2021. With the league partnership set to continue through the 2027-28 season, retaining experienced talent like Buccigross provides stability during a period of growth.

Before arriving at ESPN, Buccigross worked in local television, including stops in Providence and Massachusetts. Over time, he also expanded his reach beyond broadcasting. Buccigross authored a book chronicling the career of former NHL player Keith Jones, adding another dimension to his connection with the sport.

For ESPN, the decision to extend Buccigross reflects both performance and fit. He has remained a consistent presence through multiple eras of the network’s hockey coverage, evolving alongside changing viewer habits and platforms.

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iHeartMedia Names Vince Richards Program Director of 97.1 The Eagle, Lone Star 92.5

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iHeartMedia has announced Vince Richards as the new Program Director of 97.1 The Eagle and Lone Star 92.5.

Richards had previously served as the Vice President of Rock Programming at Audacy before joining the iHeartMedia Dallas cluster.

“I’m excited, focused and motivated to lead the talented teams at these two iconic radio stations in the DFW market, and I look forward to maximizing our positions in North Texas,” Richards said. “Thanks to the iHeart team for the opportunity to take the reins of 97.1 The Eagle and Lone Star 92.5.”

In addition to his tenure leading rock programming for Audacy, Richards has spent time in Sacramento, Kansas City, New Orleans, and Houston, among others.

“Any time you have the opportunity to add someone with Vince’s experience and reputation to your team, it’s a tremendous win for everyone involved,” said iHeartMedia Dallas-Fort Worth Region President Chris Long. “We’re excited to welcome Vince to our Dallas team and look forward to the impact he’ll make.”

In his new role, Vince Richards will report to Executive Vice President of Programming Marc Sherman.

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ESPN Studio Programs Surge In First Quarter Viewership

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ESPN’s daily studio lineup delivered a strong start to 2026, posting significant year-over-year audience growth across multiple dayparts. According to Nielsen data, ESPN’s signature studio shows averaged 485,000 viewers during the first quarter.

That figure represents a 14% increase compared to the same period in 2025. Momentum built quickly, fueled by strong January performances that carried through March.

Several programs led the charge with record-setting quarterly averages.

Get Up turned in its best first quarter on record. The morning show averaged 464,000 viewers, up 18% from a year ago. Each month set a new benchmark, including January, February and March.

The Pat McAfee Show also reached a new high for Q1. The program averaged 520,000 viewers across linear and digital platforms. Monthly growth remained consistent, highlighted by its most-watched January in show history.

In the afternoon window, the 2 p.m. edition of SportsCenter delivered its strongest first quarter performance to date. The program averaged 326,000 viewers and showed double-digit growth year-over-year.

Meanwhile, NBA Today posted a 24% increase, finishing the quarter with an average audience of 360,000.

Late-night remained a major driver for ESPN. SportsCenter with Scott Van Pelt led all studio shows with an average of 868,000 viewers. The program benefited from strong lead-ins tied to the NFL playoffs and the College Football Playoff.

January proved especially impactful, with the show averaging 1.9 million viewers for the month.

Other established programs also delivered notable gains.

Pardon the Interruption averaged 777,000 viewers, marking its best first quarter since 2019. The show improved 16% compared to last year. The 6 p.m. edition of SportsCenter followed with 533,000 viewers, its highest first quarter average in nearly a decade.

The addition of co-anchor Christine Williamson alongside Kevin Negandhi helped fuel that growth.

NFL Live posted one of the largest jumps, climbing 30% year-over-year to 469,000 viewers. It marked the show’s best first quarter performance since 2015. Additional gains came from First Take, which averaged 524,000 viewers, and several editions of SportsCenter across early morning, weekend and overnight windows. Each recorded year-over-year increases.

ESPN also saw early success from its newer programming. The 5 p.m. edition of SportsCenter, which debuted in May 2025, averaged 477,000 viewers in its first measured first quarter. That total represented a 10% increase over the same timeslot last year.

Metrics for the Q1 viewership totals are based on the Nielsen Big Data + Panel and YouTube Analytics. The Nielsen Big Data + Panel methodology began use in September of 2025.

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Joe Buck on Social Media Criticism: “It’s Almost Part of Your Pay”

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As one of the most recognizable voices in sports broadcasting, Joe Buck has heard his share of criticism. Now at ESPN, he says dealing with that scrutiny has evolved over time. During a recent appearance on Sports Media with Richard Deitsch, Buck offered a candid look at how social media feedback has impacted him throughout his career.

While many broadcasters claim to ignore the noise, Buck admitted that wasn’t always the case.

“I did let it bother me,” Buck said. “Unless you’re a psychopath, when you see things written about you and they’re not nice, it’s hard to just slough that off.”

He described the accumulation of criticism as something that gradually wears on a person. Even dismissive advice about ignoring online comments never fully resonated with him.

“People say, ‘Why do you care about somebody in their mom’s basement?’” Buck said. “Well, maybe they’re not in their mom’s basement. Maybe they’re CEO, and they think you suck. So, I don’t subscribe to that either.”

However, Buck made it clear that perspective has come with experience. As his resume grew to include some of the biggest events in sports at FOX Sports and now with ESPN, so did his understanding of the job’s realities. From calling the Super Bowl to the World Series, Buck said criticism is simply part of the territory.

“If you’re going to cash the check and you’re going to be there all puffed up getting ready to do World Series, Stanley Cup, or the Super Bowl… This is part of the job,” he said. “You have to be an adult and realize that not everybody’s gonna like you. I realized that a long time ago. It wasn’t easy and it hurt.”

Buck acknowledged that earlier in his career, negative feedback felt more personal and more difficult to process. Over time, though, he learned to separate performance from perception. Still, the platform delivering that criticism has changed the equation.

Buck pointed to the immediacy of smartphones as a key factor in how he receives feedback today.

“When it’s on your phone, it feels personal,” he said. “When it comes to this thing, and it’s in your hand and it’s on the same thing that your family and your daughters text you, I love you. Then you see, oh, you suck. You’re the worst I’ve ever heard. Good thing you had a famous dad. It’s all filtered in the same machine, and it feels like it’s more personal.”

That proximity, he explained, blurs the line between professional critique and personal attack. As a result, even seasoned broadcasters can feel the sting more sharply. Hence why Buck decided to move away from reading his critics on his phone moving forward.

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David Samson Explains Why He Avoided Discussing Dianna Russini, Mike Vrabel Photos

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David Samson is taking a measured approach to one of the most scrutinized stories in sports media, choosing patience over immediacy as the situation involving Dianna Russini and Mike Vrabel continues to unfold.

During Monday’s episode of Nothing Personal with David Samson, the former Miami Marlins president explained why he initially held back from addressing the controversy. Samson admitted the decision was not about avoiding the topic. Rather weighing how his comments could impact colleagues at Meadowlark Media, including Dan Le Batard.

“I was concerned about my friend Dan… and how he would view a story about this,” Samson said. He added that while the situation typically would have prompted immediate reaction, he instead focused on how quickly public opinion formed without complete information.

“I would have brought up immediately and not because of the affair part. The interesting part to me is the conclusory nature of people and how it is they react in a crisis,” explained Samson.

The broader controversy centers on Russini, a national NFL reporter for The Athletic, who is reportedly under internal review after photos surfaced showing her with Vrabel at an Arizona resort. Both parties have denied any inappropriate relationship. However, the optics have sparked debate about journalistic boundaries and the perception of objectivity.

As more details emerged, Samson shifted his attention to how the situation was handled publicly. He questioned the decision-making behind initial responses from both individuals and their employer.

“Why is it that people have this urge to explain something wrong and think that no one’s gonna find out,” Samson said. “Do you know that when you release a statement that you know is wrong, and then your company supports you. Then they find out that it could be wrong, and then all of a sudden, you’re suspended and being investigated and not allowed to do your job. Because the company that backed you has a boss too? We all have a boss and then says, Wait a minute, we may have a journalistic integrity issue here.”

At the same time, Samson broadened the discussion beyond this specific case. He argued that relationships between reporters and sources are more common than many fans realize, and they often operate within a transactional dynamic.

“If you think that self-dealing doesn’t go on and relationships don’t exist both sexual and not sexual in nature… you’re just naive,” Samson said. “If you think that reporters do not have relationships with certain people in industries… then you’re not paying attention.”

While he stopped short of making direct accusations about Russini or Vrabel, Samson emphasized that perception plays a powerful role in media trust. Even the appearance of blurred lines, he suggested, can create lasting questions for both journalists and the outlets they represent.

Ultimately, Samson made clear that his delayed response was intentional. Rather than contribute to speculation, he chose to wait for additional reporting and context before weighing in fully.

Last week, Le Batard opened up about the same delay in addressing the story saying he was uncomfortable with the “dirtiness” of what his former profession has become.

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Nexstar Media Group to Use NewsNation as Local Network News Source

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Nexstar Media Group is looking to use NewsNation as its source for nationally produced packages on its local TV stations.

Previously, Nexstar stations have used segments produced by ABC, CBS, and NBC throughout its local newscasts. Now, it is asking stations to use content from NewsNation.

Nexstar Media Group owns more than 200 stations in 116 U.S. markets. It simultaneously operates the NewsNation cable channel.

A report from Bloomberg shares that Nexstar has ended the agreements it previously had with NBC for nationally reported segments.

Nexstar Media Group CEO Perry Sook previously told company employees that he believes NewsNation will ultimately become the “exclusive wire service and national news partner” for all of its local news operations.

The news comes amid Nexstar’s bid to acquire TEGNA in a $3.5 billion deal. After being granted approval for the move last month by the FCC, a coalition of state attorneys general has sued to block the move.

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Stephanie Elam Leaving CNN After More Than 20 Years

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After more than 20 years at CNN, including two separate stints, Stephanie Elam has announced she’s exiting the network.

Elam has worked as a Los Angeles-based correspondent for the network. She spent time from 2003 to 2011 with the network before exiting. She returned in 2013 and has remained since.

In a post on social media, Elam shared her appreciation for the network and the time she spent at CNN.

“For more than 20 years I’ve been in the CNN orbit developing and delivering news stories on everything from the environment and entertainment to business and breaking news of all kinds,” she said.

“I’m so proud of my CNN career,” she continued. “Live or taped, writing packages or doing a show-and-tell, I’ve done it all, and having a front row seat to document history has been a gift.”

Elam has yet to announce what her next move will be.

“Stephanie brought clarity, credibility, and heart to every story she touched over her two decades at CNN. Her versatility and natural ability to connect with audiences made her a trusted voice and a valued colleague,” CNN said in a statement confirming the news. “We are grateful for her many contributions and wish her continued success in her next chapter.”

Elam becomes the latest to announce their exit from the company. Last month, early morning anchor Rahel Solomon also departed the network.

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